About

Posts by :

Trains Photo Contest 2024: Power

Trains Photo Contest 2024: Power

Trains Photo Contest 2024

Brandon Fiume was the 2023 grand prize winner and received $1,000 for his aerial photo of Horseshoe Curve. The Allegheny Mountains near Altoona, Pa., presented a formidable challenge, as the rugged and unforgiving geography made construction of the Pennsylvania Railroad nearly impossible. The ingenious design of J. Edgar Thompson and hundreds of immigrants, working tirelessly with pickaxes, shovels, and wheelbarrows, culminated in the creation of Horseshoe Curve, which swiftly became an icon of railroading. Completed in 1854, Horseshoe Curve was the pinnacle of civil engineering for the Pennsy, allowing trains to traverse the mountains at a steady grade of 1.34% without the need for switchbacks. The railroad quickly became a major east-west transportation artery. Its significance was such that during World War II, Nazi Germany sent spies to the U.S. with the mission of destroying the Curve. The Pennsylvania held immense pride in this engineering marvel and instructed its crews to announce to passengers when they were rounding the curve, emphasizing its iconic status and remarkable achievement. Here, a westbound Norfolk Southern intermodal train rounds Horseshoe Curve against the backdrop of a stunning autumn sunset on Oct. 15, 2022.

Trains Magazine and the National Railway Historical Society are pleased to present the 2024 photo contest. The NRHS is a nonprofit that promotes the interest and study of the railroad industry, a mission shred by Trains. The NRHS, which was established in 1935, is an excellent partner for a magazine that’s been around since 1940. Both groups celebrate railroad history and present-day operations. The two organizations believe that supporting and encouraging photography fosters a greater interest in the art and encourages creativity and further study of railroad subjects.

The 2024 contest theme is: Power

Power is a concept that applies to many aspects of railroading. You may immediately think of something strong, large and making a great deal of noise like a Big Boy rumbling over Sherman Hill or a set of diesels pulling a long freight up a steep Appalachian grade. However, power can be represented in many ways on the railroad. High speed passenger rail, locomotives slogging through a blizzard, a local trainmaster providing oversight are just a few examples of how the concept of power might be illustrated in a photograph. This year Trains and the NRHS are looking for your photographs that show how you interpret power on the railroad. Any era or type of railroading is acceptable.

As always, you can illustrate the theme however you like. We are seeking the most creative illustrations of power. Although examples are given here, these are far from the only ways power appears on the railroads. Find your illustration of power, but be ready to provide an explanation.

Photographs can be taken recently or decades ago as power has been a part of railroading since its beginning. Please submit no more than three high-resolution images (3,000 pixels on the longest edge). Do not alter your images beyond minor color corrections, burning, dodging and levels adjustments. Send JPEGs to TrainsContest@nrhs.com no later than June 1, 2024. Please include your full name and phone number. We do not accept mailed submissions.

Winners will be announced in the November 2024 issue of Trains.

Grand Prize

Winner will receive: $1,000 from the National Railway Historical Society

First Prize

Winner will receive: $500

Second Prize

Winner will receive: $250

Five Runners-Up

Winners will receive: a three-year subscription to Trains Magazine or equivalent Trains products

All winners will also receive a complimentary, one-year membership in the NRHS.

Rules

  1. Enter up to three (3) digital images at TrainsContest@nrhs.com.
  2. Contestants must include their name, a daytime phone number, email address, and basic caption information in the digital image’s metadata.
  3. All entries must be submitted by June 1, 2024.
  4. Winning photos will be published in November 2024 issue of Trains.
  5. Trains and NRHS reserve the right to retain electronic copies for future publication, use as a contest gallery exhibition on their respective websites, Facebook walls, X (formerly Twitter) feeds, other social media, or for public exhibition. In all cases, the photographer retains the copyright to the image.
  6. A committee of NRHS members and Trains staff will judge photos on a “blind” basis, meaning they will not know the identities of the entrants.
  7. Multiple prizes will not be awarded to any individual.
  8. Employees of Kalmbach Media Co., or their families are not eligible to enter. NRHS photo contest committee members and their families are not eligible to enter.
  9. By entering the 2024 Trains photo contest, you agree to share your name and contact information with the NRHS and Trains.
  10. Photographs of model railroads will not be accepted.

10 Photos From the 2023 Northern Lights Photographer of the Year

10 Photos From the 2023 Northern Lights Photographer of the Year

Northern Lights Photographer of the Year 2023

Capture the Atlas revealed the winners of its annual Northern Lights Photographer of the Year competition, showcasing the year’s best aurora borealis or australis photos.

Capture the Atlas is a popular travel and photography blog that offers resources to help photographers capture better photos, primarily landscape and astrophotography shots.

“There aren’t many events as moving as seeing the Aurora Borealis paint the sky with hues of green and violet. Under this awe-inspiring phenomenon, each location becomes magical when the Aurora shines across the night sky,” writes Capture the Atlas.

In this year’s Northern Lights Photographer of the Year, the blog’s sixth edition of the contest, Capture the Atlas has selected the 25 best northern lights photos, ranging from remote boreal forests in the Arctic to the stunning southern landscapes of Australia and New Zealand.

Below are 10 selected photos alongside descriptions written by the photographers. The entire 25-photo collection is available on Capture the Atlas, including EXIF information that may help budding astrophotographers dial in their settings. The solar cycle is active now, meaning that auroral displays are becoming frequent.

‘Storm Over Sukakpak’ by Nickolas Warner

Northern Lights Photographer of the Year 2023
‘Storm Over Sukakpak’ by Nickolas Warner

Located approximately 70 miles North of the Arctic Circle, Sukakpak Mountain is one of the most beautiful peaks in the Brooks Mountain Range. While I have photographed the Northern Lights in this area on numerous occasions, the most photogenic angle typically faces south, making it a bit challenging for auroras to align with the mountain.

That night, there was an expectation of an X-Class flare hitting, so I knew we needed to head somewhere great. We took our chances and decided to drive an hour north from our accommodation to capture Sukakpak Mountain in all its glory.

It’s very tempting to pull over and shoot where you are standing when the aurora is blazing above your head. When we got there, the sky exploded with more energy than I’ve seen in more than a decade of photographing the Aurora. Attempts to capture Northern Lights that intense resulted in a blurry mess. Instead, we ignored the cameras and stared up in awe as to not miss the light show.

It was only once things slowed down that I captured this panorama.

‘The Arctic Dance’ by Vincent Beudez

Northern Lights Photographer of the Year 2023
‘The Arctic Dance’ by Victor Beudez

As Northern Lights photographers, this is the moment we live for, the strongest solar storm of the year. That particular night, the Northern Lights were so strong that they were even visible from France, my home country.

At that time, I was in Northern Norway, which meant I could see an incredible show even facing south. I was able to see the most colorful Northern Lights I’ve ever witnessed. Being a night photographer as well, I’m not only looking for the Northern Lights, but I chase shapes within a perfect environment, to create the perfect composition.

It’s hard to put into words the feeling when I saw this red curtain surrounded by dancing lights.

Lost Who I want to Be’ by Jordan McInally

Northern Lights Photographer of the Year 2023
‘Lost Who I Want to Be’ by Jordan McInally

I was pretty lucky this night to have a few friends message me a heads up that a big Aurora Australis was forecast, so I had just enough time to rush to this local spot with a painfully steep ascent, watching beams start to dance across the horizon as the sunlight was fading!

I spent around five hours up here and had this whole ridge to myself, shooting over 300 frames of all manner of beams and colors as the show was constantly changing!

‘Goleuadau’r Gogledd’ by Mathew Browne

Northern Lights Photographer of the Year 2023
‘Goleuadau’r Gogledd’ by Mathew Browne

The title of this image, “Goleuadau’r Gogledd,” translates to ‘Northern Lights’ in Welsh. Finding the accurate translation proved challenging, as this phrase isn’t commonly used in everyday conversations here in South Wales.

The title of this image, “Goleuadau’r Gogledd,” translates to ‘Northern Lights’ in Welsh. Finding the accurate translation proved challenging, as this phrase isn’t commonly used in everyday conversations here in South Wales.

For over an hour, the horizon beyond the clouds emitted hues of green and pink. However, for a brief yet magical moment, the sky came alive with impressive pink pillars, visible to the naked eye.

‘Waning Sun’ by Alex Wides

Northern Lights Photographer of the Year 2023
‘Waning Sun’ by Alex Wides

A 300-degree panorama captured on Senja Island (Norway) featuring the setting sun and an intense Kp seven Northern Lights display.

Embarking on a three-month journey from Italy to the Great North, you anticipate witnessing incredible sights, but this trip surpassed all my expectations. Arriving at Senja Island, my personal favorite among the places I’ve been fortunate enough to visit, we encountered the most powerful Northern Lights of the year, exactly as predicted.

The horizon is glowing with the light of the setting sun; in September, it sets at 11 PM, painting the sky in vibrant shades of green, purple, and red. This shot encapsulates the essence of the journey, capturing the beauty of an extraordinary adventure on one unforgettable evening with my family and two dogs, witnessing an awe-inspiring spectacle.

‘Lady in Pink’ by Kenneth Lerose

Northern Lights Photographer of the Year 2023
‘Lady in Pink’ by Kenneth Lerose

I really didn’t believe I’d see the aurora at the lowest altitude point in the US. When I saw the aurora forecast, I was in Vegas. The decision to drive to Badwater Basin was a last-minute one.

When I arrived, I started to second-guess myself once I saw all the atmospheric particles sinking into the basin. I kept thinking about changing locations because it wasn’t looking promising.

I parked just before blue hour and gathered a tripod and camera. I didn’t even take my camera bag out. I thought there would be no need to carry my second camera and tripod, but as I got halfway to my destination, I started seeing some faint lights in the sky. I couldn’t believe my eyes. I stopped and took a test shot and there it was! Pink pillars in the sky! I started running to find a composition to set up a timelapse. I ran back to my airstream a mile behind me to get the rest of my gear. I started snapping stills and set up another timelapse. This was my favorite still frame taken from this memorable night.

In true fashion, I write poems for each image I publish on socials. Here’s the poem I wrote for this one:

Drenched with ambition.
Flowing desire.
Lady in pink.
Internalized fire.

Against all the odds.
She carries my light.
When I’m down for the count.
She reminds me to fight.

She lessens the blows.
Her beauty’s unmatched.
She’s fire to the night.
She’s the spark to my match.

‘Gatklettur Northen Lights’ by Stefano Pellegrini

Northern Lights Photographer of the Year 2023
‘Gatklettur Northen Lights’ by Stefano Pellegrini

I spent a week in Iceland, chasing the Northern Lights. Opting for total freedom of movement to track clear skies each night, I lived in a car, planning my itinerary day by day instead of booking hotels in advance. The strategy paid off, and I captured the aurora on four out of seven nights. This photo is from the first night.

Arriving at the location after dark, I parked the car and prepared my sleeping bag. Despite being up since 4 AM, I set my alarm clock to wake me every hour in anticipation of a Kp five forecast for the night. I woke up at 2:30 AM on my own and spotted green hues from the car window. I hurried out, shooting frantically to seize the opportunity.

The final image is my second attempt. Initially, I framed the arch from the front down on the rocky shore but I wasn’t satisfied with the result. After a night of running around various locations, at 5 AM in the morning, I returned to the beach for another composition.

‘Green Snakes’ by Filip Hrebenda

Northern Lights Photographer of the Year 2023
‘Green Snakes’ by Filip Hrebenda

This photo was taken at one of the lesser-known beaches in Lofoten, Norway, called “Vikten.” As with my other shots, I aimed to capture something new and different. During low tide at Vikten beach, numerous small pools emerge in the rocky paths carved by the ocean. So the first crucial step was to wait for the low tide.

Then, I sought the ideal composition with a foreground pool to create a leading-line effect. After a few minutes of searching, I found it! The next challenge was achieving sharpness, which can be challenging in low light conditions. To address this, I needed to focus stack the foreground. I used six individual shots for focus stacking the foreground to ensure everything was sharp.

Following that, I had to wait for the ideal aurora shape to improve my composition. I captured several photos and selected the one in which it formed the ideal shape for my composition. This allowed the aurora itself to become a part of the leading lines, resembling “green snakes”.

‘Aurora Flame’ by Richard Zheng

Northern Lights Photographer of the Year 2023
‘Aurora Flame’ by Richard Zheng

The peninsula of Dunedin in New Zealand is a good place to observe the aurora. It not only has very little light pollution but there are many bays facing South, which is ideal to capture the Aurora Australis. This photo was taken at an lookout on the roadside of Highcliffe.

This was the first time I had the opportunity to take photos of the Aurora and emission nebulae using a special camera for astrophotography.

In this photo, you can see the Large Magellanic Cloud in the upper right corner. The red mass in the upper left corner of the picture is the Colloidal Nebula, and extending down is the Carina Nebula.

‘Kirkjufell Explosion’ by Marc Marco Ripoll

Northern Lights Photographer of the Year 2023
‘Kirkjufell Explosion’ by Marc Marco Ripoll

This was our second night in Iceland, and the popular Mt. Kirkjufell was painted in green. With an aurora forecast in place, we stood there at dusk, anticipating the celestial display. As darkness descended, timid auroras emerged on the horizon.

Initially, I framed the classic view of the location, but suddenly, the sky exploded over my head! Faced with this spectacle, I mounted my wide-angle lens, aimed it towards the sky, and started shooting the first row of a panorama. As it wasn’t enough, I went for the second, then the third, and finally the fourth row!

The real challenge came when I tried to stitch it all together at home. Given the considerable movement in the Northern Lights, neither Lightroom nor Photoshop proved effective. In the end, I resorted to using control points in a specific panorama program, and it worked!


Image credits: All photos are individually credited and provided courtesy of Capture the Atlas.

Jesse Darling wins the 2023 Turner Prize

Jesse Darling wins the 2023 Turner Prize
The Oxford-born artist won the £25,000 award for sculptures made of commonplace objects conveying ‘the messy reality of life’, and unsettling ‘notions of labour, class, Britishness and power’

Honor 90 set to redefine smartphone photography

Honor 90 set to redefine smartphone photography

Honor has announced the launch of its new smartphone — the Honor 90. Set to redefine smartphone photography with its cutting-edge camera technology and innovative features, the Honor 90 presents a game-changing experience for photography enthusiasts and content creators alike.

Unprecedented Camera Capabilities
The Honor 90 boasts a 200 MP camera that captures every detail with astonishing clarity and precision. Whether you are capturing landscapes, portraits, or macro shots, the device delivers exceptional image quality that surpasses traditional smartphone photography.

Unleash Your Creativity
The Honor 90 provides a myriad of advanced camera features, including manual controls, AI scene recognition, and professional-grade editing tools. Seamlessly explore your creative potential and effortlessly capture stunning visuals that reflect your unique perspective.

Innovative Technology
Powered by state-of-the-art technology, the Honor 90 incorporates cutting-edge image sensors, advanced image stabilization, and enhanced low-light capabilities. Never miss a moment, no matter the lighting conditions, and elevate your photography to new heights.

The Honor 90 boasts a 200 MP camera that captures every detail with astonishing clarity and precision.

Ideal for Content Creation
With its exceptional camera, sleek design, and powerful performance, the Honor 90 is the ultimate gift for photography enthusiasts, social media influencers, and anyone who appreciates the art of visual storytelling.

Price and Availability
The Honor 90 5G is available in three colors — Diamond Silver, Emerald Green, and Midnight Black, all of which were inspired by the beauty of nature and designed for style–conscious users.
The smartphone is available now from SR1,699 ($450) for its 8 GB+256 GB version and SR2,099 for the 12 GB+512 GB version. Consumers can order the smartphone through Jarir Bookstore, eXtra, stc, Zain, LuLu, noon, Amazon and other retail shops.

 

The Global Art Business Is Better, but Not Booming

The Global Art Business Is Better, but Not Booming
image

After struggling with the Covid pandemic, the industry is now dealing with inflation, high interest rates and international conflicts.

Sun, sand and champagne are sure to greet attendees at Art Basel Miami Beach as it celebrates its 21st birthday with a bubbly mix of gallery displays, outdoor art and beach parties.

Yet underneath the surface, the global art business is cooling: While choice works by desirable artists can still fetch sky-high prices, the market is not what it used to be before the Covid pandemic.

“We’ve come out of a period of unprecedented growth in the numbers of artists collected and valued, and the prices which people pay, and those kinds of buying cycles always go through shifts — in good times and bad,” said Allan Schwartzman, a New York-based art adviser and founder of the Schwartzman& advisory firm.

A painting by Dana Schutz at the David Zwirner Gallery stand at Paris+ by Art Basel in October.Dimitar Dilkoff/Agence France-Presse — Getty Images

“You’ve had a slowdown because it was natural: There were a lot of people who ate too much at the buffet, and now they realize that they want to be a little more select in what they choose to eat or put on their plate,” Mr. Schwartzman added.

He noted that inflation and high interest rates “slow things down greatly,” and that conflicts in places such as Ukraine and the Middle East were “never helpful for what is often thought of as luxury spending.”

The figures bear out that assessment. According to the Art Basel and UBS Survey of Global Collecting 2023, published in November and written by the economist Clare McAndrew, sales by the four major auction houses were down 16 percent in the first half of 2023 compared with a year earlier.

This year, Art Basel Miami Beach will feature 277 international galleries, nearly two-thirds of them from North and Latin America, and 25 of them newcomers. The Miami Beach fair is part of one of the two big international fair franchises: Art Basel and Frieze, each of which hold fairs in four different cities every year.

Visitors and exhibitors at Frieze New York at in Manhattan in May.Jeenah Moon for The New York Times

What is clear, regardless of which franchise you look at, is that the fair business has still not regained the market share it lost during the pandemic. Unlike certain other components of the art market — such as auction houses, which were, by and large, able to continue operating by switching to online bidding — in-person fairs were shuttered completely as soon as Covid-19 began to spread in 2020, and they only partially reopened in 2021. Galleries had to set up online viewing rooms instead.

As a result, out of the $37.2 billion in dealer sales generated in 2022, only 35 percent came from art fairs, down from 42 percent before Covid, according to the Art Basel and UBS Global Art Market Report, published in April.

The pandemic was “incredibly disruptive,” said Elizabeth Dee, founder and owner of the Independent New York and Independent 20th Century fairs. She called fairs “critical to the gallery business.”

“We all acknowledge that the market has softened,” Ms. Dee added. “But it hasn’t softened across the board in the same way.”

It all depended on pricing and geography, she said. Works by certain known artists were no longer finding buyers at their previous price levels, while certain new and undiscovered works were being purchased, she explained.

Geographically speaking, China was “down quite a lot” as a market for art, and London suffered from the costs and consequences of Britain’s vote to exit the European Union in 2016, she said. Yet the United States was doing well, and many Asian and European galleries were looking to set up shop there.

According to the April Art Basel and UBS report, in 2022, U.S. art sales totaled $30.2 billion — nearly half of the world total. The U.S. market was helped by a “major uplift at the high end of the auction sector” and “more moderate but positive growth in dealer sales.”

What kind of a market will Art Basel Miami Beach be?

The answer to that question is yet to be determined. Yet some exhibitors are taking heart from the results of another recent fair: Paris+ by Art Basel, which had its second iteration in the French capital in October, and where many galleries reported doing strong business. The most eye-popping announcement came from David Zwirner, whose gallery said it had sold more than $20 million on the first day, led by a $6 million Kerry James Marshall painting.

Workers in October near “Wave,” a sculpture by Urs Fischer, shown on the Place Vendôme as part of Paris+ by Art Basel.Joel Saget/Agence France-Presse — Getty Images

Paris+, which was inaugurated last year in the Grand Palais Éphémère temporary tent at the foot of the Eiffel Tower, has a few things going for it: the allure of Paris as a city; the caliber of artworks that gallerists choose to bring; and the dizzying array of concurrent exhibitions programmed at museums and art foundations in the French capital. Next year, the fair will get an additional boost when it moves into its grandiose new digs, the refurbished Grand Palais.

Another gallery that reported strong sales at Paris+ was Pace. Most of the newly commissioned set of works it offered on its stand sold for more than $100,000 each, the gallery said. And at the Frieze fairs in London the previous week, Pace sold a sculpture by Louise Nevelson for $2 million.

Still, Pace’s chief executive, Marc Glimcher, acknowledged that selling art nowadays required a lot more effort and attention to quality. “You can get pretty lazy when you just stick a bunch of pictures on the wall and everybody comes running into the art fair and buys them,” he said. “That’s not going to cut it right now.”

“Olive Over Red,” by Mark Rothko, shown by Pace Gallery at Paris+ by Art Basel.Dimitar Dilkoff/Agence France-Presse — Getty Images

“Presentations had better be pretty extraordinary if we’re interested in having that same result that we’ve been having over the last 10 or 20 years,” he added.

Missing from the market were the “young, very wealthy, very excited” entrepreneurs who had previously been able to borrow at historically low interest rates — “virtually free” — and purchase artworks with the cash.

“When you buy art with the borrowed money, and the value of the art is going up, it’s just painless,” Mr. Glimcher said. “Now, the value of that lump of money that you were borrowing against is not going up, it’s going down. And it’s costing you 7 or 8 percent to borrow that money.” The context, he added, “doesn’t feel so fun to a lot of young people who dove headfirst into this debt-fueled excitement about becoming art collectors.”

Another set of buyers — “rich people getting richer while they were sitting at home” during the pandemic — have gone back to work and are no longer shopping for young and emerging art the way they used to be, Mr. Schwartzman said.

“That kind of growth of new generations of artists is not sustainable in the long run,” he explained. “The amount of greatness in art does not multiply in proportion to the money available to collect art.”

Over the last three and a half years, the art market has managed to dodge a number of major obstacles — the pandemic, inflation, soaring interest rates, Russia’s invasion of Ukraine — and come out alive. But there is a new risk: the conflict in the Middle East.

The situation there “is definitely rearranging people’s priorities” and having an effect, Mr. Glimcher said. Should it develop into a wider conflict, “the art market is going to be severely impacted.”

Otherworldly Zip-Tie Sculptures by Sui Park Crawl Across Galleries and Sprout in City Parks

Otherworldly Zip-Tie Sculptures by Sui Park Crawl Across Galleries and Sprout in City Parks

“Microcosm 2.” All images © Sui Park, shared with permission

Evoking sea anemones, bulbous spores, and supple, round cells, Sui Park’s zip-tie sculptures seamlessly meld the organic and synthetic. The New York-based artist (previously) continues to weave scores of industrial nylon cables into works that appear to scale gallery walls and spawn in dense clusters in public spaces.

Park’s latest projects include “City Ecology,” a collection of 32 sculptures nested in the flower beds and landscaping of Bella Azbug Park in Hudson Yards. Tucked within the lush greenery and dried, autumn leaves, the works are vivid, otherworldly additions to a green space within the city.

After hand-dyeing the plastic materials into bright, bold colors, Park often interlaces the simple stripes into biomorphic forms in blue, red, or yellow. Some of her more recent works, though, entwine ties of various hues to explore what emerges through connection. “In ‘Fermented Mixture’ and ‘Molecule,’ I mix different colors that represent various characters or groups, and I wear them in an attempt to create a new entity that is solely possible through complex relations between them,” she tells Colossal.

“City Ecology” is on view in New York through the end of the year. Park is currently working on a piece that reflects the ocean-atmosphere at twilight, which you can follow on her site and Instagram.

 

colorful sculptures made of zip ties sit in a park

“City Ecology.” Photo by Gabby Jones, courtesy of HYHK Alliance

colorful zip tie sculptures sit in a lush flower bed

“City Ecology.” Photo by Gabby Jones, courtesy of HYHK Alliance

zip tie sculptures in white sit in fallen leaves

“City Ecology.” Photo by Gabby Jones, courtesy of HYHK Alliance

white zip tie sculpture crawl across a wall

“Symbiosis 1”

a collection of small colorful sculptures in a cluster on a gray wall

“Sprinkle”

three round cell-shaped sculptures made of various colors of zip ties resting on the ground

“Fermented Mixture”

a detail shot of a zip tie sculpture nested in green plants

“City Ecology.” Photo by Gabby Jones, courtesy of HYHK Alliance

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Otherworldly Zip-Tie Sculptures by Sui Park Crawl Across Galleries and Sprout in City Parks appeared first on Colossal.