The Cabin Was More than a Cabin
By Admin in Printmaking

Moundsville native
Hannah Lynch is featured on the new “Go 1st House Band:
Coffee Shop Edition” album that is available to stream today on all platforms. (Photo
Provided)
MOUNDSVILLE — A Moundsville native is one of the featured artists on a new album being released today by Go 1st Records, a record label run by West Virginia University students.
WVU student Hannah Lynch, 20, is featured on the compilation album titled “Go 1st House Band: Coffee Shop Edition.”
She sang on the album’s track “Westward” and also on the piano-decorated melodies of “Secrets.” This is the second acoustic album that WVU students have written, recorded and produced together.
“The Go 1st House Band is composed of students at West Virginia University who have all come together to create this album,” said Elizabeth Smith, album release manager for the project and featured performer on “Facade.”
She noted the creative process began last spring. Students met in small groups to compose each track together.
“The House Band provides students the opportunity to not only write music together, but also produce the music from start to finish,” Smith said.
Lynch, daughter of Amy Lynch and a John Marshall High School graduate, described being featured on the album as “an honor.”
“With the upcoming release of our GoFirst Records Mixtape later on in the spring that will feature these songs with a more in depth production process, this album felt like a great opportunity to offer my song to the public in its rawest form,” she said. “I think this version offers to the listener a reflection of the intimacy that exists between me and my guitar.
“It offers a similar atmosphere to when the song was being written,” she added.
Lynch said she has been singing for as long as she can remember.
“Growing up, I was too shy to sing in front of people — even my own family,” she said. “But in sixth grade, when I thought I was singing at home alone, my mom had heard me singing a song in my bedroom.
“She immediately threw me into the middle school choir,” Lynch continued. “I always had a unique voice compared to the other kids and I never really grasped onto the techniques we were being taught, but I still really enjoyed it.”
Lynch said it was during her choir time that she began to gain confidence to sing in front of others.
“I am very thankful for that opportunity. That time in my life helped me to find my voice,” she said.
Lynch said she penned the song’s lyrics as well as the guitar music.
“When I brought the song to my friend and talented guitarist Drew Grove, he added embellishments on top of my playing that fit the song perfectly and completed the sonic atmosphere I was striving for,” she said.
Lynch said her family including her mother, brother Isaac Renzella and grandmother, Mary Anne Lynch, have been incredibly supportive of her love of music. She is majoring in music industry and minoring in music technology at WVU. She is also an applied percussion major.
“I’m hoping to begin playing live during the spring semester. I plan to play out with my talented and great friend Drew Grove, but we also have ideas of getting a band together,” she said. “We’re excited to see what the future holds for us.”
The album can be streamed today on all platforms.
“This song, ‘Westward,’ means a lot to me. Not only is it the first song I have written that I am incredibly happy with, but also the first song that is 100% and completely my own that has been completed and recorded in full,” Lynch said. “It feels so great to be able to share my creation, my feelings, and my message with the public like this.
“I am beyond thankful for this opportunity as well as everyone who decides to take a listen. Thank you from the bottom of my heart.”
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For years, Dusty LeGrande has added his own touch to clothing, his way of teaching people about Indigenous history.
“Clothing is a very powerful tool for having a voice even when you don’t want to vocally speak things,” he explained.
It inspired his street wear brand in 2018 called Mobilize Waskawewin.
LeGrande’s designs have hit heights he never imagined.
He’s behind the merchandise at the FIS Snowboard Big Air World Cup.
“Indigenous art is not just what you see visually. It’s infused with story and teaching,” he said.
He created Star Homie, the logo featured on the trophies.
“Last year was introducing Star Homie, he was embraced well by the fans, by the athletes and so this year we’re like, ‘OK so now let’s tell the people what he’s about,'” LeGrande said.
Star Homie is based on an old form of rock art.
It depicts the North Saskatchewan River, once a meeting place. The star represents the Cree teachings, and the circle within it, the great mystery.
“So those three elements are what creates Star Homie. You can see them around here and then you can see them within the character itself,” he explained.
“This is kind of the river part, the pieces on the head are the star and the little circle within is the great mystery. And I’ve been taught that the great mystery is what connects all of us as human beings.”
Local beadwork artists are making medallions for this year’s winners.
“I thought that would be really cool, to include, now, a new aspect of Indigenous art,” LeGrande said.
“So something that was not like anything else that was on their trophy mantle.”
LeGrande’s mark will be on more than just the merchandise.
“The different parts of the jump you’ll see different artwork, around the stadium in the digital boards will be artwork as well.”
They are designs he hopes allows people to see Indigenous history in a different way.
“With residential schools and all the discoveries and all that painful history that we hear about a lot, it’s important to also hear about the beauty and the art and the other side of it so that people can have a fuller understanding of what it means to be Indigenous,” he said.

Arts Alive SDSU spotlights Indigenous imagination with ‘Creative Activism Artist Talk’ – The Daily Aztec
By Admin in Art World News
NEWS RELEASE
ST. GEORGE’S ANGLICAN CHURCH
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St. George’s Anglican Church will present its annual Christmas market on Sunday, Dec. 3 from 11:00 to 2:00. The one-day event will offer a vibrant selection of items perfect for everyone’s Christmas shopping list.
Christmas baking, handmade crafts, gift baskets, unique gifts for children up to 99 years, and St. George’s famous mincemeat will be among the hundreds of items for sale. Over 20 vendors from St. George’s and the community will join forces to showcase their art, crafts, new and used finds, children’s gifts and much more. Proceeds from the market will go to support the ministries at St. George’s church.
A distinctly unique feature of this market will be sound of Christmas music played live on St. George’s carillon by professional carillonneur Deborah Hennig. The carillon’s beautiful and evocative bells will ring out with a mix of Christmas songs, hymns and popular tunes played while visitors go in and out of the church.
Visitors to St. George’s Christmas Market are sure to find unique treasures that will brighten the season for themselves and loved ones. The market will be set up in the Mitchell Hall and visitors should use the parking lot entrance. Admission is free.
Event: St. George’s Christmas Market
Location: St. George’s Anglican Church
99 Woolwich Street
Guelph, Ontario
Date: Sunday, December 3, 2023 from 11:00 to 2:00
Admission: Free
For more information: Bruce Mackenzie, 519-822-1366, [email protected].
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By Admin in Photography
Elliott Erwitt, the photojournalist and filmmaker who wryly documented the minutiae of American life for over six decades, has died at 95.
According to the caption accompanying a photo shared on his official Instagram account, Erwitt “passed away peacefully at home surrounded by family.”
Erwitt was known for taking serendipitous black-and-white images captured on city streets, as well as pictures of public figures, including former US Presidents John F. Kennedy and Richard Nixon, and celebrities Marlene Dietrich, Marilyn Monroe and Arnold Schwarzenegger. Erwitt’s humanistic approach to reportage landed him regular work for influential US magazines as well for international publications and tourism boards. He was a longtime member of the agency Magnum Photos, as well as its president for three years in the 1960s.
“It is hard to measure the impact that Elliott Erwitt has had on Magnum and the world of photography,” the agency’s current president, Cristina de Middel, wrote in a remembrance shared Thursday. His images have helped build our general understanding of who we are as a society and as humans, and have inspired generations of photographers despite the changes in the industry and trends.”
“The combination of his casual and humoristic approach to the act of photographing, and his obsessive dedication, made him a unique artist that we have lost today with great sadness,” de Middel added.
Born Elio Romano Erwitz in Paris on July 26, 1928, Erwitt spent his early childhood in Milan. His family was of Russian-Jewish descent, and they left Europe for the US in 1939 just before World War II began. They settled in Los Angeles, where Erwitt eventually took studio photography classes at Los Angeles City College. He moved to New York City in 1948 and worked as a janitor at the New School for Social Research in exchange for enrollment into film courses there, according to Magnum Photos. In 1951, he was drafted into the US Army and took on photography duties while stationed in Europe. In Paris, he visited the Magnum Photos office and met Robert Capa, the renowned war photographer, who later invited him to join the group.
Erwitt’s first major body of work, shot when he was 22 years old, wasn’t seen in full until 2018, through the exhibition “Elliott Erwitt: Pittsburgh 1950” at the International Center of Photography in New York. Erwitt took the photographs around the city of Pittsburgh, having been assigned by Roy Stryker, the former head of the US Farm Security Administration, whose commissions to photographers like Dorothea Lange and Gordon Parks resulted in some of the century’s most famous images.
This assignment, from the Allegheny Conference on Community Development, intended to show the industrial city in a new, modern light through the eyes of a cohort of contemporary photographers. Erwitt took interest in human stories, particularly those of Pittsburgh’s children, but he and the other photographers working on the project delivered thousands of images in total, and many of Erwitt’s negatives weren’t used. They were instead kept in Stryker’s archive, unseen for decades.
On his approach to photography, Erwitt has widely been quoted as saying, “It’s about reacting to what you see, hopefully without preconception. You can find pictures anywhere. It’s simply a matter of noticing things and organizing them. You just have to care about what’s around you and have a concern with humanity and the human comedy.”
Over the course of his career, Erwitt keenly observed the closed-door events that shaped history, from the swanky fêtes of the social elite — like Truman Capote’s Black and White Ball at the Plaza Hotel in 1966 — to tense political moments on the world stage.
One of Erwitt’s most famous images, from 1959, depicts then-US Vice President Richard Nixon jabbing a finger into the chest of Soviet Premier Nikita Khrushchev while in Moscow at the opening of the American National Exhibition, a six-week diplomacy effort during the Cold War that introduced Russians to American mid-century art, design and appliances. The two leaders were engaged in an impromptu fiery argument that began over a model of an American kitchen (later dubbed the “Kitchen Debate”). Elliot was on a commercial assignment at the show, he later recounted in the book “Contact Sheet,” explaining: “I just happened to be in the right spot at the right time.”
But many of his other most-celebrated pictures are lyrical or tongue-in-cheek photos of everyday life: a silhouetted image of a man leaping with an umbrella in front of the Eiffel Tower; a woman sitting on a New York City stoop with two bulldogs, angled so that the dog in her lap appears to have human limbs.
Erwitt had a particular affinity for photographing dogs, in fact, releasing five books dedicated to the subject.
“I take a lot of pictures of dogs because I like dogs, because they don’t object to being photographed, and because they don’t ask for prints,” he once offered as an explanation.
Erwitt also made a number of documentary films, as well as 18 comedies for HBO in the 1980s and released monographs including 1965’s “Improbable Photographs” and 1989’s “Personal Exposures.” In 2015, the Harry Ransom Center in Austin, Texas, acquired his photography collection spanning 1946-2010, which totals nearly 50,000 prints. A year later, the center opened the retrospective “Around the World” based on the collection.
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