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Lyla June Johnston to talk about Ancient native food systems on Nov. 28

Lyla June Johnston to talk about Ancient native food systems on Nov. 28

UNIVERSITY PARK, Pa. — Lyla June Johnston, an Indigenous musician, scholar and community organizer of Diné (Navajo), Tsétsêhéstâhese (Cheyenne), and European lineages, will delve into the lessons of ancient native food systems in an upcoming public talk. 

The free talk is open to both campus and community members and will take place on Tuesday, Nov. 28, at 7 p.m. in the HUB Flex Theater or via Zoom. A reception and refreshments will follow the talk, providing an exciting opportunity to honor history and traditional knowledge during Native American Heritage Month.

Those attending the event in person can park at the HUB Parking Deck at an hourly rate, while those joining via Zoom can register online.

Johnston, known for her multi-genre presentation style that merges art, culture and ecology, will highlight how humanity can rediscover its role as a keystone species by reconnecting with intuitive wisdom.

Throughout her career, Johnston has used her unique presentation style to inspire personal, collective and ecological healing globally. She has received numerous awards for her work, including the PEO Scholar Award, the Lives of Commitment Award, and multiple writing and poetry recognitions. An excerpt from her poem “Indigenomics” emphasizes the universal connection to the Earth and the importance of preserving that connection.

The event is being hosted by the Plant Science department, the Sustainable Food Systems Network, and the Indigenous Peoples Student Association. Kirsten Lloyd, assistant teaching professor in the Department of Plant Sciences and event coordinator, hopes that Johnston’s message of hope and understanding will resonate with the State College community.

“Lyla deeply understands how humans can both create beauty and cause harm — to each other and to nature — as we are all one,” Lloyd said. “She’s unique in that she knows the ways of both modern and ancient cultures. These intuitive ways of knowing create relationships that transcend the objective, materialistic way that we view the world in Western thinking.”

Lloyd also highlighted Johnston’s use of formal scholarship to document the intuitive and scientific ways Indigenous peoples have shaped living systems, emphasizing how this wisdom can guide us to a more beautiful and sustainable way of being, Lloyd said.

About the Sustainable Food Systems Network at Penn State

The Sustainable Food Systems Network at Penn State includes the Dr. Keiko Miwa Ross Student Farm, Student Farm Club, Course-Client Collaborations, and the affiliated inter-college Food Systems Minor program. The program aims to develop students’ knowledge about sustainable agriculture practices, offering hands-on learning opportunities and positively contributing to the community.

A Fond Farewell to Photographer Larry Fink, 82

A Fond Farewell to Photographer Larry Fink, 82
In Memoriam
The longtime Vanity Fair contributor—a “countrified city boy”—was a master at capturing class distinctions, power dynamics, and social performance.

November 28, 2023

larry fink
By Fred W. McDarrah.

Larry Fink (1941–2023) has left us.

He was a first-class photographer of people, especially people seen in crowded rooms at night, trying for human connection amid multiple colliding agendas, blaring noise, strong drink, and photographers’ flashes going off in their faces.

Readers of this magazine will remember his images of America’s impoverished or his coverage of presidential campaigns, but even more his annual attendance at the Vanity Fair Oscar Party, which he photographed from 2000 to 2009; the highlights were compiled in his 2011 book The Vanities. The pictures show a society of professional performers that is at once a real social world and a facsimile of one for media purposes. The performers are fully human, even if they inevitably come with some version of their CV appended to their image. Larry shows them parading, lurching, conspiring, needling, withstanding, sweet-talking, confiding, and trying to remember the name of the person they’re talking to.

Kate Winslet with her Best Actress Oscar for The Reader at the Vanity Fair Oscar Party 2009.
Kate Winslet, with her Best Actress Oscar for The Reader, at the Vanity Fair Oscar Party, 2009.Photograph by Larry Fink.

His pictures aren’t exactly fly-on-the-wall. He is quite consciously and three-dimensionally there, taking up space. He is functionally invisible, since it’s a party, with people throwing elbows left and right, and even his flash goes unnoticed, because he’s hardly the only photographer in the room. Unlike his colleagues, though, Larry isn’t there for celebrity. What he looks for are photographs, and the instant that makes a photograph can feature waiters or security just as readily as the movie stars everyone wants to know. In every picture something is happening that is interrupted by something else: shadows, or errant limbs or heads, or unwitting photobombing from the rear, or just the intruding edge of the frame—that is the rhythm. The melody is taken up by one or more human beings confronting the world, or withdrawing in the midst of it.

Larry was born to left-wing Jewish parents who had made an early jump to the Long Island suburbs, and was raised with a sense of social justice and responsibility and respect for the arts. He dropped out of college after a few weeks and hung out downtown with second-wave beatniks in a cloud of drugs (see his book The Beats). All the while he was taking pictures, though, and after he was busted at a Mexican border crossing (with “a belt of marijuana for New York,” as in Allen Ginsberg’s Howl), others lent a hand. He would credit a kindly parole officer–and, in other tellings, a priest–with finding him opportunities to take pictures for charitable organizations.

As Larry told photo historian Laurie Dahlberg for a 2005 Phaidon book on his work, his parents arranged for private lessons with Lisette Model, the legendary expatriate photographer who moved her field of study from the Promenade des Anglais in Nice to the Bowery, and who taught a generation of New York photographers, including Diane Arbus. Model never discussed her work with him, nor did she ever show it to him. That may seem hard to believe, but such is the telepathy of a good teacher—in a way, she didn’t need to.

Unlike slightly older contemporaries such as Robert Frank or Garry Winogrand, Larry was a politically engaged photographer. He never overtly editorialized in his pictures, except by his choice of subject; his powerful pictures of Malcolm X are standouts. He also photographed jazz musicians at work, in clubs or rehearsals, for most of his life, ever since the blues shouter Jimmy Rushing (“Mister Five by Five”) befriended him early on in his career. At the start of the 1970s, Larry decided on a new direction. Inspired by the brutal Weimar-era paintings of George Grosz and Otto Dix, who depicted bomb-shaped plutocrats guzzling champagne while the world burned, he bought a tux and became a society photographer in the literal sense of the term, covering debutante cotillions and Metropolitan Museum balls and English-Speaking Union balls.

Obama after his primarynight speech in San Antonio 2008.

Obama after his primary-night speech in San Antonio, 2008. 

Photograph by Larry Fink.

Hillary Clinton at an event at the Capitol Diner in Harrisburg 2008.

Hillary Clinton at an event at the Capitol Diner, in Harrisburg, 2008.

Photograph by Larry Fink.

He had found his métier. On the circuit he did preserve individual portraits of power, contempt, and alienation. But he was also able to find innocence, desire, the joy of performance, and even occasionally the euphoria of release, as in his often-reproduced Studio 54 photo of the dancer with the floating braid and torsioned neck. He also photographed the plus-ones, the military escorts, the hangers-on, the wait staff, all the accessories to the figures in the center of the room, because to him they occupied just as much psychic and physical space.

At around the same time, he bought a farm in rural Pennsylvania, and began to photograph the social rituals of his neighbors, poor subsistence farmers whose land might have been passed down through many generations, but whose work was hard and pleasures few. There he found the same kinds of patterns and cockeyed symmetries as in his New York society shots, and there’s a similar ratio of joy to melancholy, so the two sets extend rather than undermine each other. There’s just too much common humanity between them, for all the obvious disparities. Yes, the rich are different; they have more money.

I met Larry when I began teaching at Bard in 1999; he had been there for 11 years then. I knew his work a bit, and had wondered about the Pennsylvania pictures especially. What was his relation to his subjects? Was he an intimate or just a voyeur? When I met him I knew immediately: He was fully engaged with the world, and never merely an eye. You can see in his rural photos how he is right there at the bar, on his stool, among his neighbors; his flash seems to trouble no one, because it is an aspect of Larry.

He adjusted the emotional temperature in any room. He was loose as a goose, humming with energy, bouncing on his feet, now and then pulling out his mouth harp and delivering a blast of Little Walter bent notes. He was countrified, with his suspenders, his work boots, his wild grin and honking laugh, his utter disregard for decorum, but he had the chutzpah of a city boy and was so sophisticated he had no need to prove it. It further enhances any of his pictures to imagine Larry in the act of taking them.

Melissa Etheridge 2007.

Melissa Etheridge, 2007.

Photograph by Larry Fink.

All of us who knew Larry will now be left with his images. But we will also imagine, in our mind’s eye, his lifelong magic act.

$100 & Under Holiday Art Market

$100 & Under Holiday Art Market

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Explore Ian Alistair Cochran’s Candy-Like, Saturated Resin Works

Explore Ian Alistair Cochran’s Candy-Like, Saturated Resin Works

Ian Alistair Cochran’s resin furniture and home goods remind us of simple, flat disk lollipops with their translucency and rounded corners. The shapes of each piece play off the prism effect inherent to the resin itself, refracting light and creating different depths of saturation. Surprisingly, Cochran’s work doesn’t use glue or fasteners to hold it together, rather it relies on hand-carved notches at each of its joints.

The Chicago-based designer creates contemporary art furniture in resin, fiberglass, and composites, and has dedicated his career to exploring unconventional materials and the relationships they form. Back in December 2022, we shared his work from the Through and Through show in Miami, and he now has three available collections: Plump Series, Dew Drops, and Echo Tables.

detail of blue resin coffee table

While resin might not seem like an obvious material choice for making furniture, it comes with a slew of benefits attached. It’s weather-resistant and designed to withstand the elements – including sun, rain, and extreme temperatures. Even with these factors added in, resin won’t warp, fade, or decompose, making it a great material for outdoor use. Resin furniture is long-lasting and relatively low-maintenance, and can be easily cleaned and polished with Pledge and a microfiber cloth. It doesn’t get any easier!

red resin side table on display

green resin bench on a beige background

Plump Bench

red resin bench on a beige background

Plump Bench, Small

purple resin coffee table on a beige background

Plump Coffee Table

light pink resin console on a beige background

Plump Console

pink resin vanity on a white background

Plump Vanity

purple resin mini shelf on a white background

Plump Mini Shelf

red resin trinket dish on a pink background

Plump Trinket Dish

lime green resin side table on a white background

Slender Echo

dark blue resin side table on a white background

Echo III

red and blue resin furniture on white background

Dew Drop

light-skinned man with dark hair wearing a blue and white long sleeved shirt and holding a large yellow glass vessel over his head

Ian Alistair Cochran

To learn more about Ian Alistair Cochran’s resin furniture + home goods, visit tulestefactory.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Georgetown Library to hold Christmas photography contest | Ledger Independent

Georgetown Library to hold Christmas photography contest | Ledger Independent

GEORGETOWN, Ohio – The Georgetown public library is holding a photo contest for the Holiday’s called the Christmas Photography Contest for amateurs.

The contest have been taking place for a number of years now even though it is not annual it is still not the first time that the library is holding it.

Georgetown library youth services associate Adeline stated that “I think we have had it in the past but it hasn’t really been yearly maybe we will see how this one goes and that is definitely a possibility I would say” when discussing if the contest is annual.

This event is open to all ages and anyone who has photos that are in the theme of Christmas can submit them to the library.

The official website for the library states that “To enter submit a 5×7 copy of your favorite Christmas photo (stockings hung with care, children in their Christmas wear, Christmas lights all aglow, presents tied in a bow) mounted on card stock, with your name, age, and phone number on the back.”

There will be three different age group categories for the contest with the first one ages seven through eleven, the second one ages twelve through sixteen and the third one ages seventeen and up.

When asked if there is usually quite a few submissions for the contest Adeline states “Yes typically” and that the library hopes to have around “Hopefully around 25 to 30 maybe.”

This contest was introduced at the library before this year but Adeline stated how it came about to have it by stating “We were just kind of thinking of different things that we haven’t done in a while like I said we have kind of brought this idea back but just getting together and talking it through with everybody that works here and the staff and trying to come up with some different ideas that the crowd would like.”

Contests’ and events that take place at locations like libraries connect with the communities and Holiday themed ones do so even more.

“We are hoping that it can encourage creativity and also it gives people a change especially the amateurs a chance to share their passion for photography and kind of show others their work that they may not have a platform to share that on” Adeline states.

As long as the photos are Christmas related they can be submitted to the contest that started on Nov. 20 and runs through Dec. 11.

For more information you can visit the event page for the library at https://www.browncountypubliclibrary.org/content/christmas-photography-contest-georgetown-library or check out the official Facebook page for the Brown County Public Library at https://www.facebook.com/people/Brown-County-Public-Library/100070182910577/.

Heard Around Campus

Heard Around Campus
View of Drexel Main Building Main Court

There’s a lot to squeeze in before the start of winter break! Learn more about faculty and professional staff perks in campus dining and at the Drexel Barnes & Noble bookstore as well as ways to give, learn and share your thoughts in the next couple of weeks.

Here’s what was heard around campus this month.

Nov. 30: Winter Market at the Gateway Garden

On Nov. 30, from 11 a.m. to 2 p.m., the Pennsylvania Horticultural Society will host a Holiday Market featuring Philly-made art, ceramics, apparel skin care and more. There are even a few student makers selling their creations. Stop by the Gateway Garden (32nd and Market streets) for some holiday cheer and to support local vendors!

Donate to Drexel’s 27th Annual Toy Drive Through Dec. 8

As you begin your holiday shopping, consider picking up a toy (or two) to contribute to Drexel’s 27th Annual Toy Drive, which supports over 50 community organizations. You can donate new, unwrapped toys (no weapons) from now through Dec. 8 at the following collection box locations:

  • Main Building, 3141 Chestnut St., President’s Office, Outside Suite 103
  • 3020 Market St., Suite 104 (Office of Government and Community Relations)
  • 3201 Arch St., First Floor Lobby
  • New College Building, Lobby
  • CAT Building, Suite 170, Dean’s Suite
  • Daskalakis Athletic Center, Lobby
  • Korman Center, Lobby
  • Health Sciences Building, 60 N. 36th St., Lobby
  • 3225 Arch St., Outside Suite 011 (Office for Institutional Equity and Inclusive Culture)
  • Pret a Manger, 3400 Lancaster Ave.

Volunteers will be needed to help with the Toy Drive Community Celebration on Dec. 19. For more information or to volunteer, please email Karen Lewis at kal376@drexel.edu.

Teaching Faculty: Upload Course Materials for Winter 2024 Quarter and Spring 2024 Semester 

To comply with Higher Education Opportunities Act, the Drexel Barnes & Noble Bookstore needs all course material adoptions for the winter 2024 quarter and winter 2024 semester as soon as possible, but no later than Dec. 8 via the BNC Adoptions& Insights Portal on the “Faculty” tab in DrexelOne. If you do not require any materials, the bookstore must display that information for students; please confirm in the portal. Providing course material information by the deadline helps students who need financial assistance to estimate costs. The team at Barnes & Noble at Drexel University is committed to supporting you and your students. If you have any questions regarding course adoption material, please contact the store team via email at sm457@bncollege.com.

Faculty and Professional Staff Appreciation Day at Drexel Barnes & Noble 

On Dec. 20, from 9 a.m. to 4 p.m., Barnes & Noble Drexel University Campus Bookstore at University City (3250 Chestnut Street) will host an all-day Faculty & Professional Staff Appreciation Day. Faculty and professional staff receive an additional discount of 10 percent off (in addition to the typical 15 percent off); you must present you DragonCard and make your purchase in-store at 3250 Chestnut St. Other restrictions may apply; see store for details.   

Perks for Faculty and Professional Staff in Campus Dining   

Drexel Campus Dining offers two dining plan options for faculty and professional staff that makes dining on the University City campus convenient and affordable: the Block 15 + 25 Dining Dollars plan and the Block 25 + 50 Dining Dollars plan. Although a dining plan is not required to dine in any of the Drexel Campus Dining locations (cash and credit card are accepted), there are benefits to purchasing a plan. Learn more on the Business Services website.

Not ready to commit to a dining plan? Drexel faculty and professional staff can enjoy 40 percent off on Fridays at the Handschumacher Dining Center (Creese Student Center) or Urban Eatery (34th Street and Lancaster Avenue). Both locations are all-you-care-to-eat locations where you pay one fee to enter, and you can stay (and eat!) for as long as you’d like. With the Friday discount, faculty and staff can dine at an unbeatable value: $6.60 for breakfast, $8.70 for lunch, or $9.90 for dinner. To view daily menus and hours, visit drexel.edu/dining

Ready, Set, Wellness! Kickstart the 2024 Wellness Program

Drexel’s Wellness Incentive Program is closed for 2023 and will officially reopen Jan. 1, 2024. Get a jump on 2024 wellness by scheduling your preventative care exams (then set a calendar reminder to upload proof of visit after the event and claim your points). And register in Career Pathway for 2024 events. Topics range from food sensitivities to digital legacy planning. Check out the complete list today! Highlighted upcoming workshops below:

  • Get Financially Fit With Franklin Mint: Jan. 9

Join A Healthier U and Franklin Mint Federal Credit Union for a virtual presentation on credit reports and credit scoring from 2–3 p.m. The seminar covers: why there are multiple credit agencies, what information is reported in various sections of a credit report, what impacts your credit store, and more. You can bring a copy of your credit report to the session to follow along. Register is required in Career Pathway. Participants will earn 15 wellness points ($15).

  • Navigating the Wellness Incentive Program: Jan. 17

Whether you are new to the Wellness Incentive Program and have questions, or just want to optimize your points for next year, you’re invited to attend “Navigating the Wellness Incentive Program.” Hosted by Health Advocate, this workshop offers support, tips and tricks directly from the source. Everyone who attends will earn 15 wellness points ($15).

The SAFE Program Teaches You to Protect Yourself

Public Safety’s self-protection program, Self-Awareness for Everyone (SAFE), is split into two sessions: SAFE I and SAFE II. Due to the hands-on nature of the class, we strongly recommend you register with a fellow Dragon. Participation in the techniques is recommended, but not required. Registration is required 72 hours prior to the class. You can register via Eventbrite for these classes. These classes are also available by request for your group.

  • SAFE I classes will be offered the second week of every month on Monday and Wednesday from 5–7 p.m. Upcoming classes are on Dec. 11 and Dec. 13.
  • SAFE II classes will be offered the fourth week of every month on Monday and Wednesday from 5–7 p.m. and cannot be taken until you have completed SAFE I. Upcoming classes are on Dec. 18 and Dec. 27.

Public Comment Period Open for Policy on Repeated Courses and GPA Adjustments

The 30-day public comment period is now open for PO–02: Repeated Courses and GPA Adjustments – Undergraduate Students. Any student, faculty or professional staff member may review the policy and comment on it via the links provided on the Public Comment Period webpage. This public comment period ends on Dec. 21, 2023.

Policy Compliance: Winter Pause on Policy Processing

From Dec. 21, 2023, through Jan. 12, 2024, the Policy Compliance Process will not be processing policies or holding any public comment periods for proposed policies. The process will resume on Jan. 13. If you have any urgent policy-related concerns during this time, please contact the Director of Policy Compliance at policy@drexel.edu

Recent Policy Status Changes: 

  • PO-53: Learning Management System – Approved as Interim Policy
  • PO-103: Academic Integrity as it Pertains to Artificial Intelligence – Approved as Interim Policy
  • PO-85: Non–Tenure Track Faculty – Approved as Official University Policy
  • PO-86: Non–Tenure Track Faculty Paid Professional Leave Policy – Approved as Official University Policy

Please visit the Policy Directory for a list of all Official University Policies and their current statuses.

Download and Post the New Drexel Compliance Hotline Poster

The Drexel Compliance Hotline Poster [PDF] is available for download! Please help cultivate a culture of compliance by displaying one in your office or common area. 

Save the Date: ProcureExperience and SupplierExpo on March 27

Drexel University’s ProcureExperience & SupplierExpo is a unique opportunity for you to engage with the University community and Drexel’s Accounts Payable and Procurement Services team. The event will offer informational and educational sessions. Save the date — March 27, 9 a.m. to 3 p.m., at the Health Sciences Building — and stay tuned for details!

In a booming creative economy, entrepreneurs rely on a blend of art and business

In a booming creative economy, entrepreneurs rely on a blend of art and business

Nature has always been a source of inspiration for Valerie Carrigan’s artwork. Over time, Carrigan found herself committed to protecting and preserving the natural world through the art of printmaking and book arts. After earning degrees in art education and fine arts, she built up her bodies of work and itched to get her pieces out of the studio and into the hands of others. The only obstacle was figuring out how.

“When I was in college, I was never once offered a class in the business of art,” says Carrigan, MFA, an assistant professor of studio art in the College of Arts and Sciences’ History, Literature, and the Arts department. “I think this does a disservice to emerging artists because they graduate from college and don’t know how to pursue a career in the arts where they can also make a living.”

Looking to launch her career after grad school, Carrigan taught herself how to build a website, market and sell work, and apply for grants and fellowships. She notes that having this information upon graduation could have helped her kick-start her artistic career much earlier and have a better balance of practicing business and art.

Book art scene of trees and mountains.
Carrigan exhibits at galleries and museums across the country. In February, she will showcase her work at the CODEX Foundation’s International Biennial Book Art Fair and Symposium.

Today, Carrigan works out of a Massachusetts-based historic mill where she creates and sells her work. She also exhibits at galleries and museums across the country and will showcase her work in February at the CODEX Foundation’s International Biennial Book Art Fair and Symposium in Oakland, California. Carrigan is currently teaching courses in Bryant’s new Arts and Creative Industries major. Through this program, students develop a business plan, participate in arts-related internships, learn to design their own websites, discover how they can market their work via social media, navigate how to apply for art grants and residencies, and more.

“To have a successful career as a visual artist, creative writer, or performing artist, we need to understand how business is connected to our passion for the arts,” she says.

Carrigan stresses the importance of building community by networking with those in the creative industries during conferences, residencies, or by reaching out online. Connecting with other artists facilitates a supportive environment for individuals and can lead to new and surprising opportunities.

“Students often don’t realize the incredible range of opportunities in the creative industries,” Carrigan says. “You don’t need to be a painter or an actor to work in the arts. Instead, you might become a mobile app designer, a freelance sportswriter, or a museum educator. Statistics show that the creative economy is booming. The life of an artist has ups and downs just like any career, but perseverance is key because there’s nothing as rewarding as having a career you are passionate about.”

Students like Olivia Soffey ’26 are already making strides in their creative careers. Soffey, a Literary and Cultural Studies major with minors in Marketing and Arts and Creative Industries, has been writing and self-publishing books since age 16. She released her third book, The Annihilation Code, this year and is currently writing her fourth.

“I’m a storyteller at heart, and it’s something I’ve always been passionate about. If I could write full-time, that would be my dream job,” says Soffey, who’s involved with the Bryant Literary Review and Creative Writing Club.

Olivia Soffey, author, discusses her latest book in Bryant's library.
Following the release of her latest book, The Annihilation Code, Olivia Soffey spoke about her creative process in the Douglas & Judith Krupp Library.

Soffey’s storytelling began at age six and highlighted adventures of talking dogs and cats — all inspired by The Buddies, a spin-off of Disney’s Air Bud series. Moving into her teenage years, she enjoyed young adult fantasy, and her writing soon followed that direction.

Soffey navigated the self-publishing world with the help of her parents and YouTube tutorials before settling on using Amazon Publishing. Her books are currently sold through Amazon, though people can purchase signed copies by DMing her on Instagram.

“Business isn’t something that came naturally to me because I really am an artist at heart, but I have learned a lot about how to market books and have a good elevator pitch,” Soffey says.

While books are full of surprises, Soffey’s creative journey has also revealed its own unexpected plot twists.

“The amount of business involved in art surprised me,” Soffey says. “Society often frames art and business as two oppositional things, but creative industries are industries and there’s a huge business component to that. If you want to make money, you have to know the business side of it.”

Relative Arts showcases indigenous art forms

Relative Arts showcases indigenous art forms

EAST VILLAGE, MANHATTAN — In the heart of the East Village, Relative Arts is a brick-and-mortar store, community space, and open atelier, dedicated to celebrating indigenous vendors, contemporary artists, and designers.

Co-founded by educator Liana Shewey and fashion designer Korina Emmerich, Relative Arts goes beyond being a retail space. They host events ranging from gallery shows, poetry readings, intimate musical performances, and knowledge-sharing events that foster empowerment and connection within the indigenous community, what Emmerich views as a “curated clubhouse.”

“I have never had such a full and supportive group of indigenous people as I do here in New York City,” said Shewey.

Through art and education, Relative Arts honors tradition while fostering the advancement of “Indigenous Futurism,” an emerging art and design movement that pushes for a more representative future.

“We are thinking about what it looks like for us to not just be surviving but thriving into the future. There are many different ways that we are able to contribute to a more representative society of the original stewards of this land,” said Shewey.

Relative Arts commits to social impact through T-shirt campaigns, contributing 30% of proceeds to initiatives supporting Indigenous communities.

“You will find everything from fashion, clothing, design, wellness products, and jewelry,” said Shewey. “We really carry every kind of art form that you could imagine that indigenous people are making.”

“It invites people into the conversation to gain new understanding that we are trying to make this world an equitable place that celebrates the beautiful diversity of our culture,” said Shewey.

Nishina Loft, artist in residence at Relative Arts, creates tufted earrings, art prints and clothes that embodies the resilience of indigenous identity.

“We know who we are, we know where we come from. We have this shared experience of being indigenous and what that means. So being able to come into a space where you’re understood and cared for is just really empowering,” said Loft.

From giant eyeballs to musical robots, where to find public art in North Texas

From giant eyeballs to musical robots, where to find public art in North Texas

Looking to broaden your appreciation of art but don’t know where to start?

To quote the immortal words of Glinda the Good Witch of the North, “There’s no place like home.”

That’s right. A great place to begin your art discovery is in your own neighborhood or in the places you go every day. Some of the best opportunities to enjoy art come in the form of public art that’s all around us.

To help get you started, we’ve identified a few of the many pieces of public art in the DFW area that you’re going to want to check out.

Keren Carrión

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KERA NEWS

According to the artist, the meaning behind the 30-foot eye is, “whatever you want.”

The Eye (2007) by Tony Tasset, Fiberglass, Resin, and Steel Sculpture

Where its located: 1601 Main Street, Dallas

Why you’ll love discovering it: The Eye is so quirky; it’s no wonder we started off with it. I mean, c’mon! It’s a 30-foot EYEBALL in the middle of Downtown Dallas! Much like a roadside attraction or a giant ball of string, you just have to go see it. According to the artist, the work has no particular meaning, but he did model it after his own eye.

What to do next: Just two blocks away is the beautiful Thanks-Giving Square. The property consists of a serene garden and a chapel. The garden, set fifteen feet below ground level, uses water features to block out the sounds of the city. The spiral-shaped chapel on the east side of the property is inspired by the Great Mosque in Samarra, Iraq and contains 73 horizontally mounted panels of stained glass.

You'll find this piece among the butterflies at White Rock Lake.

Therese Powell

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KERA NEWS

You’ll find this piece among the butterflies at White Rock Lake.

Whirl (2006) by John Christiansen, Sculpture

Where its located: In front of the Bath House Cultural Center at White Rock Lake in East Dallas, 521 E. Lawther Drive, Dallas

Why you’ll love discovering it: This airy elliptical sculpture is going to remind you of a breezy summer day. Its bronze rings and leaves sit on a concrete pedestal in a butterfly garden right in front of a popular cultural center. It was the artist’s intention to have the flowers in the garden eventually grow to cover the base so it would look like the sculpture was floating.

What to do next: Take a closer look at the Bath House Cultural Center. Constructed in 1930, this Dallas landmark was one of the first Art Deco buildings in the southwest. Originally it was a place for Dallasites to escape the Texas heat; today it’s a home for artists and independent theater companies. Walk around to the back of the center and skim some stones on White Rock Lake.

Therese Powell

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KERA

“Clean Slate” by KAWS is one of many pieces you’ll find at NorthPark Center

Clean Slate (2015) by KAWS, Painted Bronze Sculpture

Where its located: NorthPark Center – 8687 North Central Expressway, Dallas

Why you’ll love discovering it: KAWS’ character named “Companion” carries two sleeping (or misbehaving) children. Tired parents navigating the mall with kids can relate to this piece. You can find the sculpture, fittingly enough, near the Mrs. Fields cookie shop. In addition to “Clean Slate,” NorthPark Center currently has close to 30 pieces from artists like Mark Di Suvero, Antony Gormley and Henry Moore on view. Pick up a free map at the Concierge, located on Level One near Neiman Marcus, and take a self-guided tour of the artwork.

What to do next: Explore even more of Raymond and Patsy Nasher’s collection at the Nasher Sculpture Center in the Dallas Arts District. You’ll find works by Calder, de Kooning, di Suvero, Matisse, Miro, Moore, Picasso, Rodin, and many others in the Galleries and Garden. Admission is free on the first Saturday of each month.

Dallas native, Georgia Carroll was the model for 'Spirit of the Centennial.

Therese Powell

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KERA NEWS

Dallas native, Georgia Carroll was the model for ‘Spirit of the Centennial.” Carroll went on to marry orchestra leader Kay Kaiser.

Spirit of the Centennial (1936) by Raoul Josset, Sculpture

Where to find it: Women’s Building at Fair Park – 3800 Parry Ave., Dallas

Why you’ll love discovering it: The State Fair of Texas is still a few months away, but that doesn’t mean you can’t pay a visit to Fair Park to see this beautiful lady. She was created for the 1936 Centennial and was inspired by Botticelli’s “The Birth of Venus.” Instead of emerging from the sea on a clamshell, this beauty sits perched on a Saguaro cactus above a reflecting pool. Saguaro cacti aren’t native to Texas, but it’s rumored the model who posed for the statue is. That’s none other than actress Georgia Carroll, a starlet in the ‘40s. Carroll grew up in East Dallas and is a 1937 graduate of Woodrow Wilson High School.

What to do next: This fair lady sits at the entrance to Fair Park. You owe it to yourself spend the day exploring the rest of the treasures located there. Not only is Fair Park home to one of the largest collections Art Deco buildings in the world, but the park’s 244 acres are packed with sculptures, murals and fountains created especially for the 1936 Centennial. A KERA favorite is the Texas Woofus statue. He’s a composite of various animals that you’ll find during the State Fair.

This work by artist Amandalynn, is just one of many murals you'll find in Downtown Arlington.

DENNIS HEVIA

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Arlington Museum of Art

This work by artist Amandalynn, is just one of many murals you’ll find in Downtown Arlington.

Cowgirl (2019) by Amandalynn, Mural

Where to find it: Arlington Museum of Art, 201 W. Main St., Arlington

Why you’ll love discovering it: The girl surrounded by Monarch butterflies who adorns the entrance to the Arlington Museum of Art was painted as a promotional piece for the inaugural KAABOO music festival that took place in May 2019 at AT&T Stadium.

What to do next: Take a mural tour through Downtown Arlington. This handy mapfrom Downtown Arlington.org pinpoints the locations of all the city’s public art. Finish up with a stop at the Mellow Mushroom for pizza and picture with the giant yellow mushroom.

Unity Arch by Owen Morrel along the Entertainment District Sculpture Trail at Richard Greene Linear Park in Arlington.

Yfat Yossifor

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KERA

Unity Arch by Owen Morrel along the Entertainment District Sculpture Trail at Richard Greene Linear Park in Arlington.

Unity Arch by Owen Morrell, Steel Sculpture

Where to find it: Arlington Entertainment Art Trail at Richard Greene Linear Park, 1601 E. Randol Mill Road, Arlington

Why you’ll love discovering it: What better way to enjoy nature than with AT&T Stadium and Globe Life Park as a backdrop? The trail features between 15 and 20 different sites that allow you to view around 40 sculptures. The stainless steel infinity sculpture, “Unity Arch,” stands nearly 14 feet tall is covered with a mesh made of reflective metal plates.

What to do next: Be sure to sign up for an AT&T Stadium Tour. Besides an up-close look at artwork displayed throughout the stadium, you’ll also get the chance to toss a ball on the world-famous field.

The Mustangs at Las Colinas are the centerpiece of Williams Square, a plaza in the Las Colinas Urban Center.

David Lloyd

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City of Irving Dept. Arts & Culture

The Mustangs at Las Colinas are the centerpiece of Williams Square, a plaza in the Las Colinas Urban Center.

Mustangs of Las Colinas (1984) by Robert Glen, Bronze Sculpture

Where it’s located: Williams Square Plaza, 5221 N. O’Connor Blvd., Irving

Why you’ll love discovering it: The bronze sculpture of nine wild mustangs galloping across a stream was commissioned by businessman Ben Carpenter as a focal point for his residential and business development called “Las Colinas.” Working from his studio in Nairobi, Kenya, African wildlife artist Robert Glen spent a year researching mustangs. He used horses from southern Spain as the models for his sculpture—horses with the same bloodlines as those brought to America by the Spanish centuries ago.

What to do next: Take a walk around the banks of Irving’s Lake Carolyn and the Mandalay Canals, which were inspired by the canals in Venice. Next, explore the Water Street area of the Las Colinas Entertainment District where you’ll find plenty of restaurants and shops.

'Waiting on a Train' is part of a trio of robot sculptures located in Deep Ellum.

Therese Powell

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KERA NEWS

‘Waiting on a Train’ is part of a trio of robot sculptures located in Deep Ellum.

Waiting on a Train (2009) by Todd Oldham and Brandon Oldenberg, Metal Sculpture

Where it’s located: Near the corner of Pacific Street and Good-Latimer Expressway in Deep Ellum

Why you’ll love discovering it: This sculpture is actually the second of three metal men in the Traveling Man series. His robot brothers, “Walking Tall” and “Awakening,” are nearby along Good Latimer. This guy is interesting because even though he’s new and futuristic, he captures the essence of old Deep Ellum. His head resembles a guitar headstock — a nod towards the area’s music history — and he’s leaning against the last piece of the Good-Latimer Expressway tunnel. The beloved mural-covered tunnel was demolished in 2005 to make way for DART’s Green Line.

What to do next: Deep Ellum is full of amazing murals. Take a stroll down Commerce, Elm and Main streets and you’ll find a treasure trove of artwork perfect for Instagram, selfies or just admiring. In fact, Frank Campagna’smural “Deep Ellum TV” is located on a building right next to “Awakening.” It depicts a dinosaur and a robot playing music together–an update of an early mural that had the two fighting.

'We Are Music & Music is Us' was installed in Oak Cliff's Kiest Park in conjunction with Stevie Ray Vaughan's 66th birthday.

Therese Powell

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KERA News

‘We Are Music & Music is Us’ was installed in Oak Cliff’s Kiest Park in conjunction with Stevie Ray Vaughan’s 66th birthday.

We Are Music & Music is Us (2020) by Casto Solano, Metal Sculpture

Where it’s located: Kiest Park 3080 S. Hampton Road, Dallas

Why you’re going to love finding it: This outdoor sculpture features four steel-cut images of Stevie Ray Vaughan and his older brother, Jimmie. The musicians are two of Oak Cliff’s most favored sons, so it’s fitting that it’s situated not far from where the two grew up. The images and words on the piece are cut outs, so you can see through them. The look of the weathered steel changes depending on the angle and the time of day you view it.

What to do next: Pack a lunch and plan for a picnic; afterward, take a hike and explore the park’s many walking paths.

Take a stroll through Inspiration Alley in Fort Worth's Foundry District

Gila Espinoza

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KERA News

Take a stroll through Inspiration Alley in Fort Worth’s Foundry District

Inspiration Alley (2017) murals by various artists

Where it’s located: The Foundry District, 200 Carroll St., Fort Worth

Why you’re going to love finding it: Located in the heart of Fort Worth’s Foundry District, Inspiration Alley is one of Texas’ only permanent outdoor art galleries. The collection of mural art is packed with rotating works from some of the area’s most talented artists.

What to do next: Mosey on over to Doc’s Recordsfor a trip down memory lane. Peruse through over 10,000 square feet of vinyl records, CDs, cassettes, and 8 track tapes. More than music, the store also has vintage items like clothing, posters, magazines, comics and music memorabilia.

'Vortex' is art that talks back

Kevin Todora

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Modern Art Museum of Fort Worth

‘Vortex’ is art that talks back

Vortex (2002) by Richard Serra, Steel Sculpture

Where it’s located: Front Lawn of Modern Art Museum of Fort Worth, 3200 Darnell St., Fort Worth

Why you’ll love discovering it: The words “interactive” and “immersive” get thrown around a lot these days when referring to art, but this piece actually delivers on both counts. Walk inside the immense 67-foot steel structure, look up at the sky through the opening at the top, and then yell or clap. As it bounces off the metal, the reverberation of sound will make you feel like you’re at the Grand Canyon.

What to do next: Make a day of it and explore Fort Worth’s Cultural District. The Modern Art Museum of Fort Worth, the Kimbell Art Museum and the Amon Carter Museum of American Artare all world class museums and all are within walking distance of each other. Afterward, head down the bricks on Camp Bowie and treat yourself to a frozen custard from Curly’s or a hamburger from Kincaid’s.

Continue your public art journey with these resources:

Fort Worth Public Art
City of Dallas Arts and Culture
Arlington Convention and Visitors Bureau
Downtown Arlington
Dallas Arts District

Got a tip? Email Therese Powell at tpowell@kera.org. 

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