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Craftsmen’s Classic celebrates semi-centennial milestone

Craftsmen’s Classic celebrates semi-centennial milestone

GREENSBORO, N.C. — A holiday tradition will be back at the Greensboro Coliseum from Nov. 24 to 26. 


What You Need To Know

  • The Craftsmen’s Classic Art & Craft Festival turns 50 years old this year 
  • Carly Gilmore, a third generation of the market, says it’s the longest running show at the Greensboro Coliseum
  • Gilmore says through the years, she assumes millions have been brought to the local economy 
  • Organizers expect around 18,000 people to attend 

The Craftsmen’s Classic Art & Craft Festival, which has pottery, jewelry, fine art, glasswork, furniture and more, turns 50 this year. 

Carly Gilmore is the director of marketing for Craftsmen’s Classics and the third generation helping run the show. She began working at Craftsmen’s Classic when she was just two weeks old. 

“This actually was started by my grandfather, and when he passed unexpectedly in 1980, my dad was 19 years old and he thought, actually he dropped out of college just for the semester, thought he would just finish, finish out those shows and then go back to college. And the rest is history. He never went back,” Gilmore said. 

Carly Gilmore looking at a vendor's item.

Carly Gilmore looking at a vendor’s item. (Spectrum News 1/Randy Maynard)

Now, Gilmore’s 4-year-old daughter has even got in on the action, participating in her first show at 6 weeks old.

“It is truly a family business, and it means a lot. I’m really proud of what we’ve been able to accomplish together,” Gilmore said. 

According to Gilmore, the festival is projected to draw a crowd of approximately 18,000 or more attendees throughout the weekend. With 220 booths, she highlights the event has expanded by 16% compared to 2022, marking it as their largest gathering since the COVID era. 

“We’re thrilled to have this many exhibitors in here. I think the community is really excited to, you know, get into the holiday spirit at a unique event. And it’s really special and important to be celebrating a 50th anniversary of a small business and supporting all of these small businesses, especially on Small Business Saturday this weekend,” Gilmore said. 

Small businesses like Dexter Covington’s Sculpture by Dexter have been at the festival for 49 out of 50 years. 

“It’s just it’s the highest quality show that you’ll do in Greensboro. They always have the best out here and we just enjoy it,” Covington said. 

Covington makes items out of steel he finds at the junkyard, and says he loves seeing what sells and the feeling of someone taking home his creation. 

Dexter Covington working on a sculpture.

Dexter Covington working on a sculpture. (Spectrum News 1/Randy Maynard)

“People coming back every year, we have some really loyal customers that come back every single year…some of them, I hate to see what their yards look like, and their house. They’ve been buying for almost 30 years,” Covington exclaimed. 

The steel sculpture designer says the show is like a family, knowing the owners for years and the other vendors. Although his favorite part is the environment. 

“It doesn’t matter where you came from, who your parents are. The only thing that matters is what you put out on your table, all the racks. And that’s the only thing. So you’re equal. Everybody here is equal is what I love about it,” Covington said. 

Throughout the festival’s 50-year history, Gilmore estimates it has generated millions for the local economy. 

“I love looking for gifts, honestly, for family and friends, for people who they might be used to getting things from a big box store. But this gives something with a story behind it. Someone’s heart and soul has been poured into this and their talent and creativity,” Gilmore said. 

The Craftsmen’s Classic also has a Holiday Market held at the Coliseum in November, and has other locations in South Carolina and Virginia. 

To pre-purchase tickets, visit the Craftsmen’s Classic website. Tickets are $10 at the door Friday and Saturday. To celebrate the milestone, on the last day of the event, which is Sunday, Nov. 26, tickets will be $5 at the door.

Works by Canadian abstractionist Jean-Paul Riopelle rack up $8m at Heffel’s evening sale in Toronto

Works by Canadian abstractionist Jean-Paul Riopelle rack up $8m at Heffel’s evening sale in Toronto

Spearheaded by the Montreal-born abstractionist Jean-Paul Riopelle, with helping hands from his mentor, Paul-Émile Borduas and fellow Canadian painter Emily Carr, Heffel’s two-part autumn evening sale yesterday (23 November) made $17.2m (with fees; all prices in US dollars).

Canada is currently celebrating the centenary of Riopelle’s birth. A major survey of the artist is on show at the National Gallery of Canada (NGC) in Ottawa (until 7 April 2024) and a special $2 coin (a “toonie”) has been issued featuring a portion of his monumental work L’Hommage à Rosa Luxemburg (1912).

“Tonight’s auction, coinciding with Riopelle’s 100th birthday, marks a momentous occasion in the art world,” said the auctioneer Robert Heffel, who took the rostrum alongside his brother, David. “The resounding success and record results showcased exceptional art, global collector enthusiasm, and a thriving auction market.”

Seven works by Riopelle were on offer last night, including a bronze sculpture, which in total generated a robust $8.1m (with fees)—almost half of the total evening sale. All this for an artist who once said, “I have never wanted to paint thickly—paint tubes are much too expensive”.

Topping the bill was Sans titre (Composition #2) (1951) a sizeable palette-knife-and-drip painting on canvas, measuring 127cm by 162cm. It drew bids from around the globe and was finally hammered down at $3.4m ($4.1m with fees ). That was followed by Self, a rare self portrait, which took in $2.3m ($2.8m with fees), more than four times its high estimate, prompting Robert Heffel to quip, “this is getting exciting”.

Riopelle previously made a splash at Heffel in 2017, when his painting Vent du nord (1952-53) garnered nearly $5.5m (with fees), easily surpassing the pre-sale estimate of a mere $750,000 to $1.1m. That sale is the second-most valuable ever made at Heffel, behind only Lawren Harris’s Mountain Forms (1926), which shattered Canadian records in 2016 when it sold for just over $8m.

Borduas also had a big night in Toronto. His Miniatures empressees (1955) matched its high estimate, taking in $880,000 ($1m with fees), though that fell far short of his Figures schematiques, which sold for $2.6m at a Heffel sale in 2018. Another highlight of the sale’s first leg was Christopher Pratt’s oil on board painting, titled August 1939, which reached the artist’s established auction record, of $238,000 ($265,000 with fees)—well above its estimate of $128,000 high estimate.

The early sale also included a pair of Andy Warhol prints featuring the late Queen Elizabeth II and the pop star Mick Jagger, Henry Moore’s sculpture Family Group, several works by Jack Bush, and those by Alexander Colville and the ever-popular Jean Paul Lemieux. But it was E.J. Hughes who turned heads when his watercolour, Mouth of the Courtenay River, was hammered down at $279,000 ($335,000 with fees), more than six times its high estimate.

The sale’s second leg saw sparks for Emily Carr’s large oil painting Alert Bay (Indian in Yellow Blanket); works by James Wilson Morrice, A.Y. Jackson and the Group of Seven, Alexander Colville and Cornelius Krieghoff also come to the block during this portion of the evening. Carr’s canvas opened at $643,000 but bidding was hesitant, finally topping $740,000, before tapping out at $1m million ($1.2m with fees). And Carr’s Forest Interior, an oil on paper on board work, took in $425,000 ($511,250), easily topping its high estimate.

ViewSonic Announces the Winners of the 4th ColorPro Awards

ViewSonic Announces the Winners of the 4th ColorPro Awards

First Prizes Awarded to a Turkish Photographer and a British Videographer   

BREA, Calif., Nov. 24, 2023 /PRNewswire/ — ViewSonic Corp., a leading global provider of visual and EdTech solutions, has announced the top 10 winners of the Photography and Videography categories of the 4th ColorPro Awards: RISE. In celebration of the exceptional talents showcased, the company is hosting exhibitions in London, Taipei, and, for the first time, in Ho Chi Minh City, Vietnam. These exhibitions will serve as platforms to showcase the outstanding artworks of both the winners and finalists.

“Through the ColorPro Awards, we have fostered a global community where creators can connect and achieve visual excellence in their artistic expression. This year’s winners have brilliantly captured the theme of ‘RISE,’ bringing forth diverse stories of personal growth and resilience from around the world,” said Oscar Lin, General Manager of the Monitor Business Unit at ViewSonic. “These artworks provide a source of inspiration for us to rise above challenges, embrace transformation, and pursue positive change.” 

In this edition of the ColorPro Awards, many finalists drew inspiration from nature for their artworks, employing it as symbolism for growth and resilience in harmony with the overarching ‘RISE’ theme. Their skillful depictions of natural environments and landscapes express their unique perspective on what it means to rise. Moreover, certain winners earned the judges’ admiration for their adept portrayal of authentic human moments, demonstrating a strong ability to evoke emotions through powerful storytelling.

Award-winning Photography

The top honors in the Photography category went to a captivating submission from Turkey titled “The Return of the Buffalo Shepherd.” This photograph chronicles the daily journey of a buffalo shepherd guiding his herd of around five hundred through the enchanting Hürmetçi Grasslands. From the early summer morning haze to the dusty path under the setting sun, the shepherd’s horse rears, and his loyal dog nudges the straggling buffaloes, creating a mesmerizing spectacle.

Securing the second prize is the photograph aptly named “Rise.” It portrays a woman lying in a field of plants, which serves as a symbol of transformation. Just as plants flourish in the face of obstacles, humanity, too, navigates life’s challenges, emerging stronger and wiser. The image invites viewers to contemplate the resilient spirit that blossoms amid adversity, echoing the universal journey of personal growth.

In the third prize entry, “Caro boy,” the narrative unfolds the inspiring tale of the Karo tribe, residing southeast of the Omo River in Ethiopia. With a population just exceeding 1,000, their survival is intricately tied to agriculture and the natural floods of the Omo River. Their resilience echoes the theme, showcasing humanity’s extraordinary capacity to rise above adversity and overcome challenges.

Award-winning Videography

The 4th edition of the ColorPro Awards marked the introduction of the Videography category, presenting a new avenue for artists to express their creative vision. The category’s top honor went to a short film from the UK, aptly titled “RISE,” where the artist skillfully transforms her passion into a visual spectacle. Taking her modest budget, which prevents extravagant location shoots, as an opportunity, the artist weaves a narrative that stays true to her roots—one that is deeply personal in its depiction of resilience and determination as she rises to the challenge of achieving her dreams.

The film, “Jordan – Collect memories, not things,” received the Videography category’s second prize. It narrates a 25th birthday gift from a dear friend: a journey to Jordan that transcends the tangible. Emphasizing the human connections formed through shared adventures, it underscores the priceless significance of experiences over material possessions.

In the third prize-winning Videography entry, titled “Why I Travel The World Alone,” the artist depicts his captivating four-year-long solo journey across the world. This visually stunning narrative mirrors the overarching theme of “RISE” through its portrayal of arduous hikes, mountaintop conquests, personal sacrifices, and an unfulfilled childhood dream of becoming an astronaut. While the dream remains unrealized, it sparks the artist’s new passion: navigating the world’s heights with a drone. The video shows the artist’s personal evolution and self-discovery, emphasizing that dreams, though unfulfilled, can act as steppingstones to rise to new heights.

To celebrate the winning artwork, ViewSonic is hosting exhibitions across three global cities. These exhibitions, complemented by workshops and ColorPro Talks panel discussions, aim to encourage more interaction among creators, industry partners, and visitors.

For a complete list of the featured artwork, please click here.

Exhibition Information 

The United Kingdom
Friday, November 24: 10:00-21:00
Saturday, November 25: 10:00-18:00
Venue: Quantus Gallery, 11-29 Fashion Street, London, E1 6PX, UK 

Vietnam
Wednesday & Thursday, December 6-7: 17:00-21:00 
Friday to Sunday, December 8-10: 09:00-21:00  
Venue: The Ants Studio, 03 Đ. Đông Tây 1, Khu Phố 5, Quận 2, Thành phố Hồ Chí Minh, Vietnam 

Taiwan
Friday to Sunday, December 15-17: 10:00-18:00
Venue: ViewSonic Taiwan, No. 192, Lianchang Road, Zhonghe Dist., New Taipei City 235, Taiwan

About ViewSonic

Founded in California, ViewSonic is a leading global provider of visual solutions and conducts business in over 100 countries worldwide. As an innovator and visionary, ViewSonic is committed to providing comprehensive hardware and software solutions that include monitors, projectors, digital signage, ViewBoard interactive displays, and myViewBoard software ecosystem. With over 30 years of expertise in visual displays, ViewSonic has established a strong position for delivering innovative and reliable solutions for education, enterprise, consumer, and professional markets and helping customers “See the Difference.” To find out more about ViewSonic, please visit www.viewsonic.com.

Photo – https://mma.prnewswire.com/media/2283414/Image_1_The_Return_of_the_Buffalo_Shepherd_by_Meri__Aktar.jpg
Logo – https://mma.prnewswire.com/media/1587181/Logo.jpg 

The 2023 Ocean Photographer of the Year Contest Highlights the Stunning Sights Above and Below the Surface

The 2023 Ocean Photographer of the Year Contest Highlights the Stunning Sights Above and Below the Surface

Jack Pokoj, a lizardfish’s open mouth reveals its last meal, Philippines. All images courtesy of Ocean Photographer of the Year, shared with permission

The waters surrounding the Philippines were fruitful for photographers this year, producing several winning images of the 2023 Ocean Photographer of the Year contest. From a boastful lizardfish to a tiny paper nautilus floating among volcanic debris, the lauded shots document marine life above and below the surface, glimpsing not only the stunning beauty of land and sea creatures but also the threats many face given a warming planet and rampant pollution. Some of our favorite photos are shown here, and if you’re in Sydney, you can see the full collection through May 26, 2024, at the National Maritime Museum.

 

a nautilus with a red eye is surrounded by innumerable bubbles

Jialing Cai, a Paper Nautilus drifts on a piece of ocean debris at night, surrounded by heavy sediment, Philippines

a polar bear walks toward a waterfall against a bright orange backdrop

Michael Haluwana, illuminated by the Arctic sun, a polar bear walks across a glacier that is adorned by a waterfall, Arctic

a red crab rests in the center of wispy gray tendrils

Andrei Savin, a crab sits in the centre of a sea anemone as it sways in ocean current, Philippines

an airborne penguin flies across the water

Craig Parry, a gentoo penguin, the fastest penguin species in the world, charges across the water, Antarctica

a manatee lounges in water backlit by sunlight

Sylvie Ayer, a manatee enjoys the crystal-clear waters of the Homosassa River, Florida

a red nautilus is atop a translucent blue jellyfish against a black backdrop

Renee Cappozzola, a female paper nautilus with egg case rides a small jellyfish, taken on a blackwater dive, Anilao, Philippines

an aerial image of a polar bear grasping onto melting ice

Florian Ledoux, a polar bear cub contends with the fragility of melting ice, Svalbard, Norway

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article The 2023 Ocean Photographer of the Year Contest Highlights the Stunning Sights Above and Below the Surface appeared first on Colossal.

AROUND THE LAKES: Celebrating Native American Heritage Day in Auburn

AROUND THE LAKES: Celebrating Native American Heritage Day in Auburn

AUBURN — The Schweinfurth Art Center is hosting artist Dan Hill, of the Cayuga Nation, Heron Clan, for live demonstrations of traditional Haudenosaunee Trade Silver Jewelry and wooden flutes on Saturday, Nov. 25. The event, which runs from 11 a.m. to 4 p.m., is free and open to the public.

Hill will explain through storytelling how the history and designs of his silverwork reflect Haudenosaunee creation stories and how his flutes and music represent Haudenosaunee communication with and responsibilities to the natural world.

The event is part of the Schweinfurth’s Folk Arts Series and a celebration of Native American Heritage Day. It is funded in part with a grant from the New York State Council on the Arts.

Included in Saturday’s free admission is access to tour the current exhibits, “Quilts=Art=Quilts 2023” and “Off Script and Unexpected,” a solo exhibition by sculptor Lee Hoag of Rochester.

For more information, call the art center at 315-255-1553.

The Schweinfurth Memorial Art Center, at 205 Genesee St. in Auburn, is a multi-arts center that opened in 1981 thanks to a bequest from Auburn-born architect Julius Schweinfurth. For more information, visit schweinfurthartcenter.org.

Hera’s Imaginative New Murals Question the Animal Impulse to Migrate

Hera’s Imaginative New Murals Question the Animal Impulse to Migrate

“We all are Birds of Migration. Some With Feathers, Some Without” (2023). All photos by Brian Tallman, shared with permission

A mouse-costumed girl sitting on a duffel bag, a bird balancing on a unicycle, and bright blue narwhals swimming along the train line in Stavanger, Norway, are a few characters in Hera’s new murals considering the nuances of immigration and movement. “We all are Birds of Migration. Some With Feathers, Some Without” is a collection of works that ask viewers to recognize that mobility and resettling have been essential to human survival for millennia. The artist (previously) says:

We all exist today because our ancestors at some point either freely migrated to greener pastures, more fertile grounds, greater resources, and safer living conditions, or were forcibly moved from one place to another at some point at some point in history. Not even the most nationalist nationalist can deny the factual reality: humans still exist today because they migrated, they moved themselves, their families, their genes across lands, seas, continents.

Commissioned by Nuart—check out the 2023 edition of its annual festival in Aberdeen—the gestural murals are part of the Planes, Trains & Automobiles project bringing public artworks to high-visibility spots like airports and transit centers. The location also dovetails with Hera’s interest in migration, particularly as it relates to daily commutes. She says, “Some could argue that this does not count as an act of migration. But doesn’t it? Do students not leave their home, travel for miles and miles, to make more of themselves? Do commuters not leave their homes and families in order to make a living, and provide for their existence?”

The figures feature Hera’s signature wide, glassy eyes and costumes that transform them into scavenger-like creatures. Imbued with a sense of resilience, the characters emphasize the innate, animal impulse to travel and migrate that proliferates throughout the natural world.

See some of the works take shape on the artist’s Instagram.

 

a bird rides a unicycle

a mural of a redheaded girl and narwhals in a train station

a woman with a yellow backpack walks in front of a mural of a girl wearing a mouse costume sitting on a duffel bag. a bird perches on a rolling suitcase to her left

two figures sit reading wearing a mouse and cat costume

a mural of blue narwhals behind a train track

a mural of narwahls and a redheaded girl behind a train track

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Hera’s Imaginative New Murals Question the Animal Impulse to Migrate appeared first on Colossal.

14th Annual Photo Contest honors local photographers

14th Annual Photo Contest honors local photographers

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Participants in the 14th Annual Photo Contest at the Sam Houston Memorial Museum and Republic of Texas Presidential Library received their awards on Thursday, Nov. 16, in the main gallery of Walker Education Center.

Awards were presented by Jude Routh, Curator of Exhibits in five categories: Love, Texas History, Natural Devastation, Academia, and Birds.

“This is such a fun show,” said Routh. “Everyone is a winner because together you have created a beautiful exhibit.”

Due to the high quality of submissions, Routh came up with a 25-point system last year for judges to employ, allowing for the subtle nuances that make an image stand out. This is Routh’s fourth year to take submissions and assemble the show. The contest is open to any amateur photographer in the area, with submissions due each October.

Cade Crippin received Best of Show with a perfect score of 75 for his photograph in the Natural Devastation category. He also took 2nd place in that category, as well as second place for his photo in the Texas History category.

Capucine Buzzini was awarded Reserve Champion and first place in the Love category, first and third place in the Academia category, and first and third place in the Birds category. Stacy Adams-Roberts received third place in the Natural Devastation category.

Angela Dunham won Curator’s Choice and second place in the Love category. Thomas Rice received first place in the Texas History category and Dustin LeNorman was awarded third place in that category for his photo of the Cafe Texan.

Emily Day took second place in the Academia category and Teresa Cook received first place for her photo in the Natural Devastation category. Cissy Saccomanno was awarded second place in the Birds category and Loretta Crow took third place in the Love category.

The exhibit will be open for display until Dec. 23. The gallery at the Katy and E. Don Walker Education Center is open from 9 a.m. to 4:30 p.m. Tuesday through Saturday and from noon to 4:30 p.m. Sundays.

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