About

Posts by :

Five Annoying Moments in Photography!

Five Annoying Moments in Photography!

We have all been there! Out and about on a photo shoot, trying to photograph a beautiful landscape or during a portrait session, and then something happens, which annoys you to your core. Join me in this article as I discuss some of the frustrations I have experienced. 

Cellphone Copycats

One evening, I fancied photographing a beautiful lighthouse in New Brighton, UK at sunset as the tide was coming in. I was all set up, $3,000 camera gear on tripod, amazing light and scenes all around me, when suddenly, a man walks right up beside me, pulls out his cellphone, and quickly snaps an image. The man, happy with his shot, turns to me and shows me the photo and says, “nailed it.”

Like, seriously dude! Yes, cellphones are capable of capturing nice images under the right conditions, but you do not just stroll up to a photographer and take the mickey in that way! Me being me, I was just like: “yeah, good job mate” and let him carry on about his day. I could not help but be amused at the cheekiness of this person and his outright bluntness, but at the same time, it was annoying because the person could not help themselves by trying to rub it in. 

Of course, it is not really a big deal, and it was just silly, so I do not hold a grudge by any means, and as soon as the moment was over, I could just laugh about it.

Get Down!

Last year, I travelled to the Isle of Mull, Scotland in the hope of photographing otters. Each day, myself and fellow photographer Adam Russell would head out on the road, driving along the beautiful coastline, looking for these iconic creatures.

One morning, we are driving along, and I spot an otter diving in the loch. I shout out to Adam to stop the car so I can make a dash for the shoreline. I duck down behind a large boulder, as field craft is very important with wildlife photography. We want to ensure there is minimal disturbance to the wildlife by staying as invisible and quiet as possible while also keeping downwind of them. 

I had a great position, and I was photographing a family of four otters. Behind me, I noticed another car was driving slowly along the road, looking for otters as well. The driver then spots me as I was still behind a boulder, and he parks in a passing place (this alone is a big no-no on the Isle of Mull), he leaves the engine running, and loudly gets out of his car and approaches the otters. The man had no idea what he was doing, and I could see the otters were getting startled. I waited until the otters took a dive for more food, and then I shouted at the guy to “get down!” 

Thankfully, he did get down, and I later explained to him about using field craft techniques to photograph wildlife such as otters. 

Forgotten SD Cards

Now, this is not something where someone else has annoyed me, but more so where I have annoyed myself! I’m sure many of us have been there. You head out with the hope of photographing something, you reach your destination, and get your camera out. Thinking you have everything ready, you press the shutter button, only to get that dreaded message “Please insert SD card” or something along those lines. Of course, silly sausage here, left my SD card back at home, about a one-hour drive away, so the shoot was pretty much ruined!

Needless to say, that is a mistake I’ve never made again, and I always ensure that I have spare cards in both of my camera bags no matter what. 

What Was That Sound?

A few years ago now on Christmas Day, my wife and I drove to a small village in Scotland to get some shots at night, as it was very foggy and atmospheric. I was happily photographing away and was stoked with some of the images I captured. I packed up and put my stuff in the car. 

We proceeded to drive away and suddenly heard a couple of loud bangs on the roof of the car, but then, it stopped. We assumed it was the low tree branches near us that hit the roof, so we just carried on. 

Fast-forward a week, and I was heading out for another shoot. I started looking for my tripod everywhere, but to no avail. I searched the house high and low, and then thought: “Oh, I last used it on Christmas Day, so maybe it is still in the car.”

Nope, silly me, I left it on the roof of the car, and that is a tripod I never got back! Annoyed! My own fault, though, and just like the forgotten SD cards situation, this was a mistake that I will make sure will never happy again. 

Stupid Filters

I don’t know about you, but if you do a portrait session with a client and deliver beautiful images, is there anything worse than the client putting a stupid filter on it and sharing it on Facebook, ruining the art that you have created? Not only have they ruined the aesthetics of your image, but if they tag you on their edited version of it, it makes you look crap! 

While that has only happened to me only once or twice in so many years of shooting, crikey, it is annoying! I have heard of lots of other photographers who have had issues like that too as well.

Customers: Once you receive those edited images, please do not re-edit them!

Summary

So yeah, there have been a few things over the past several years that I’ve found annoying, some from other people and a few self-inflicted situations. We all make mistakes and can be annoyed by them, but these things happen. Forgetting SD cards or losing a tripod is not the end of the world. They bother you at the time, but que sera sera. 

I would love to hear some of your stories down below at things that have happened to you by others or even things you have done.

The Mlynchik Residence: A Vibrant Oasis Outside of Kyiv

The Mlynchik Residence: A Vibrant Oasis Outside of Kyiv

Nestled in the picturesque town of Villago, a short distance from the heart of Kyiv, the Mlynchik Residence, designed by Sivak+Partners, is a vibrant interior full of colors, patterns, and unique decor. The architects created a one-of-a-kind living experience that showcases the personalities of its owners and the craftsmanship of local artisans.

The journey of the Mlynchik Residence began in October 2019 when Sivak+Partners took on the challenge of transforming the interior of one of the identical cottages into a radiant and welcoming space. While the exterior of the cottages may appear uniform, the interior vision reflects the client’s deep appreciation for colorful patterns and cozy atmospheres.

minimalist modern kitchen with dark green island and light beige cabinets

One of the initial hurdles faced by the team was the geographical distance between their main office in Odesa and the construction site in Kyiv. To maintain the project’s momentum, the dedicated design team made the arduous journey to the site every two weeks. However, this obstacle only fueled their determination to bring the client’s dream to life.

minimalist modern kitchen with dark green island and light beige cabinets

minimalist modern kitchen with dark green island and light beige cabinets

angled view of kitchen with wall of built-in light beige cabinets

minimalist modern kitchen with dark green island and light beige cabinets, and wall of dark green and white tile

The client’s passion for travel and their penchant for collecting vintage decor and textiles from around the globe drove the design. Inspired by the captivating Moroccan style – a fusion of various objects, patterns, and colors – the design team set out to incorporate these unique treasures into the project. The result is a space that effortlessly showcases the client’s individuality and wanderlust.

curved wall of dark green and white tile on fireplace surround with gold and wood chair in front

small modern bathroom with vessel sink and five sided mirror

interior view into modern dining room with wood table and mix of dining chairs

angled interior view into modern dining room with wood table and mix of dining chairs and tabby cat sitting on table

The Mlynchik Residence is a two-story home complete with a spacious garage and a sprawling outdoor area. What sets this project apart is the meticulous attention to detail, with 90% of the furniture being made custom by local craftsmen.

modern living room with ribbed white sofa and orange statement wall behind tv

modern foyer with large wood cabinet and green and white tile patterned floor

view in modern bedroom with slanted wall featuring a dark wood cabinet built under the slant

partial view of modern bedroom with dark wood cabinetry and an engraved leaf patterned headboard

An eclectic blend of textures, patterns, and thoughtfully curated colors fill the living space with a luxurious aesthetic while ensuring a comfortable and inviting atmosphere.

angled partial view of modern bedroom with dark grey bedding and small desk in front of the window.

angled bedroom view with small desk in front of window and wood ladder extending up to high cabinets

view into modern bedroom with dark wood cabinet and small desk

modern bathroom with floating marble vanity and mauvy red tile surround.

modern bathroom with floating marble vanity and mauvy red tile surround.

upstairs hallway view of modern house with two large pendants hanging and bathroom at end of hall

side view of modern bathroom

partial view of modern bedroom with neutral bedding and deep red headboard

side view in modern bedroom with dark wood cabinets built in.

partial view in modern bedroom with half gold painted wall and wood and pink dresser in front

Photography by Yevhenii Avramenko.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

PAD London fair celebrates 15th edition as contemporary design market matures

PAD London fair celebrates 15th edition as contemporary design market matures

Inside the Paris office of the PAD art and design fair the walls are lined floor to ceiling with black and white portraits. “They are all the dealers who have ever taken part in PAD,” explains Patrick Perrin, the fair’s founder-president. This monumental family photo album is a fitting tribute as, hot on the heels of the 25th anniversary for PAD Paris in March, the London edition celebrates its 15th fair this year (10-15 October). It will return to its black tent venue in Berkeley Square with 62 galleries from 16 countries across Europe, Asia and North America. Thirteen of these are new faces soon to appear on the office walls.

Nine new galleries will be exhibiting contemporary design. “There is a move from 20th-century design towards the 21st-century. Contemporary design has matured as a style and as a market. This is the main change in the past 15 years,” Perrin says. PAD London will be showing more young contemporary galleries and designers than ever for this edition. One is the Indian gallery ​​Æquõ, which exhibited at PAD Paris in March to great acclaim. It will premiere enamel, wooden, silver and brass pieces by the French women designers Florence Louisy and Valériane Lazard.

The first-time exhibitor Objects With Narratives will show works by Mircea Anghel, such as Lose Control Table (2021) Courtesy of Mircea Anghel and Objects With Narratives

The Swiss-Belgian gallery Objects With Narratives is also making its London debut after an appearance at PAD Paris. “PAD is the sole gathering ground for today’s most prominent designers and collectors, positioning it as a benchmark for collectibles and where the realms of design and art converge,” says Robbe Vandewyngaerde, the gallery’s co-founder. It will present a show of gravity-defying wooden furniture by Mircea Anghel and bronze lighting pieces by Vladimir Slavov.

Another new gallery, Galerie Philia (which has spaces in Switzerland, Mexico, US and Singapore), will stage the exhibition Gravity and Grace, displaying new onyx works by eight international designers and artists including Studiopepe, Pietro Franceschini and Andres Monnier. “It feels like a pivotal time to become a part of PAD’s community,” says Ygaël Attali, the co-founder and director of Galerie Philia. “As the first dedicated design fair in London, PAD holds an unparalleled position within the contemporary design sphere, and its unwavering commitment to showcasing and nurturing the evolution of design resonates deeply with us.”

Despite the growing popularity of contemporary design, there will be no shortage of Modern design masters. Highlights include a desk by the French designer André Sornay that can be transformed into a games table (Galerie Marcelpoil); 20th-century Brazilian furniture by Lina Bo Bardi, Jorge Zalszupin and Jose Zanine Caldas (JCRD Design); and 1950s pieces by the French pioneers Jacques Adnet and Line Vautrin (Unforget). The fair will also feature eight jewellery dealers including Boghossian, Hemmerle and Taffin and the first-time exhibitor Elie Top, which will show designs inspired by fierce animals.

Emerald bouclier ring by Elie Top Courtesy of Elie Top

PAD is hoping to finally return to “normal” this year after two years of online-only activity because of the pandemic, and last year’s real-life edition that was still in part subject to Covid restrictions. Other hurdles are also easing. Last year, Perrin reported soaring production costs with suppliers increasing their fees by 20% to 50%. “It’s getting a little bit better,” he says. “We are not surprised anymore. We make sure we get costs upfront.” And still causing a headache are the Brexit-related changes in legislation for shipping and customs. “Last year it was a complete nightmare,” Perrin admits. “Now we are getting used to it.”

Stephane Custot, the owner of Waddington Custot and a former co-founder of the PAD fair, says he has missed its presence on the London scene. “I am already looking forward to its unique atmosphere,” he says. “PAD is like an exclusive club of art and design lovers and connoisseurs, who return again and again through the run of the fair.”

Patrick Perrin, founder-president of PAD © Anna Kaminova

So what do the next 15 or 25 years look like for PAD? Expansion is not the main goal for Perrin, who says that PAD London has reached its size limit in its present location. He is happy with what Custot describes as a “manageable, human” sized fair. “It’s always about expansion, more space, more money, more everything,” Perrin says. “I’m too old for that now. I prefer to be quiet and consistent.” That being said he has tested the design-fair waters in other cities over the years including New York, Geneva and Monte Carlo. He now has his eyes set on exploring a possible boutique-sized summer fair in Saint-Tropez.

Ultimately, Perrin believes the market for design will continue to grow and increasingly be seen as accessible. “The prices of design are quite reasonable—you can have a very nice design collection for less than £10,000. This is absolutely impossible in contemporary art or ancient art. It’s more about taste and pleasure than money,” he says. “Design is something you live with, not put in the bank.”

Affordable Top Cameras for Portrait Photography

Affordable Top Cameras for Portrait Photography

SLR Lounge helps over 1.5 million photographers master their craft. Real world education & resources from the most successful wedding photography studios in the world.


Watch anywhere
Learn online, anywhere, anytime.


Access Tutorials & Resources
Exclusive content and more!


Submit to awards
Have your work recognized.


Join the Conversation
Ask questions, seek inspiration
and contribute to our community.

Take 5: Refynd Studio’s Speaker Shelf, Wireframe Furniture, Navi Rug, and More

Take 5: Refynd Studio’s Speaker Shelf, Wireframe Furniture, Navi Rug, and More

As a lifelong fan of audio solutions that blur the line between furniture and audio components – think designs like Dieter Rams’ Braun L-2 or Bang & Olufsen’s Beocenter system series – I became immediately enamored by Refynd Studio’s Speaker Shelf system for its timeless presence, one that seems every bit 1930s modern as it does 2020s contemporary. The one-off audio cabinet was designed specifically for Der Stuhl Café in the neighborhood of Yeonhee-dong in Seoul, Korea as a multi-purpose bar and sound system. Only after reaching out to the studio did I learn my initial inclinations were not completely unfounded, with the cabinet’s austere design credited to the historical facades of old European architecture and the “free spirit of the Bauhaus.”

Side view of the 1478 piece LEGO replica of the Yamaha MT-10 SP motorcycle.

During my stint as a toy designer years ago, I remember how often LEGOs were referred to as “the most perfect plaything ever designed” within the industry. What’s amazing is not only have the modular block toys remained relevant since the 1930s, but they’ve been able diversify their scope and appeal to include everything from the entomological, architectural, to the astronomical. The brand’s Technic line is aimed at adults, sets with bafflingly accurate detailing. And I have to admit to some trepidation starting to assemble the intricately accurate model of the Yamaha MT-10 after a long LEGO sabbatical. But as someone who subscribes to “slow and steady wins the race” I’ve come to appreciate any time with the set as a sort of meditative stress reliever. I work on it for a few minutes here, a few minutes there whenever time permits, allowing for a quiet singular focus that is so sadly fleeting these days. Eventually I will be able to display the results upon my shelf to admire or use the LEGO Technic AR app to bring it to life, but as fast as this motorcycle might be IRL, I have to admit I’m in no big rush to piece together the 1478-piece replica.

Four rugs layered over one another cropped to show their right hand corner, ranging from a light cream, to dark oat, to light blue to a dark blue rug. The rug's wool and polyester woven texture resembles small pebbles.

When we moved into our new home last year, we initially considered replacing the original 1960s wood flooring in our living room, noting the years had not been so kind to certain sections used and abused by a pet household. But after crunching the numbers, we decided the easier and more affordable route would be to cover it with a large rug. I knew I wanted something neutral and understated for now, but also hoped for floor covering with a textural quality that would feel good underfoot. I discovered the same company responsible for the mattress we sleep upon has surprisingly begun offering rugs also, handcrafted wool and polyester rugs marketed for the bedroom. But the organic modern Navi rug is exactly what I was hoping to find for our living room, especially for its nearly perfect 10′ x 14′ dimension. The Navi’s pebbled texture is understated aesthetically – mirroring the tiny pea gravel found in our yard – but much more pronounced as a tactile experience, a feature we’ve come to appreciate underfoot or while laying across its hand-loomed expanse. One day we’ll replace those warped wood floors, but for now we’re happy how this rug really does tie the room together.

If you, like me, believe the journey is more interesting than the destination, then you’re the ideal candidate to appreciate this upcoming 456-page tome from art and design publisher Phaidon dedicated to the visual archive of prolific French designer, Ronan Bouroullec. While Ronan is intrinsically tied to his brother Erwan in name and creation, each also operate as unique wellsprings of creativity on their own, something this upcoming hardcover title puts clearly into the spotlight in chronological format. The book reads sort of like the earliest days of social media when documentation was the primary impetus for sharing images, a colorfully rendered and captioned timeline of the designer’s life, work, and inspirations. This 3,000 image “feed” just happens to be in book format, and belongs to one of the most famous names in design. Yet, you might find yourself wishing there was a “like” or “share” button while thumbing through its pages.

A tall black metal wireframe grid with a red LED hand lamp balanced through the grid's open air design.

A table lamp with solid light yellow base with a central wireframe holding 6 marker pens with a downlight LED illumination. A long power cable is snaking into distance to the right.

You could say it was love at first sight/light. I’ve become totally enamored by architect and product designer George Chacko V’s (aka Design by Joffey) modular lighting and organization concept, a modular metal wireframe system that exists at the intersection of lighting and storage solution. The possibilities seem endless in its configuration and storage applications thanks to the open grid form. Admittedly, I think there’s also something a bit 80s retail display about the airy wireframe grid design, but I mean that in the most nostalgic-positive way.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

TIME and ASMP Launch Global Photo Portraiture Competition

TIME and ASMP Launch Global Photo Portraiture Competition
image

Prizes include paid TIME photo assignment, custom three-month mentorship with the photo editors of TIME, and over $16,000 in cash prizes for the winners

2024 event honoring winners to be held in New York City

2024 event honoring winners to be held in New York City

TIME, the 100-year-old global media brand that reaches a combined audience of over 120 million around the world across its platforms, and the American Society of Media Photographers (ASMP), for over 75 years one of the world’s leading photography organizations with members in 22 countries, have partnered to launch a new global photography competition.

The Human Element” will showcase portrait photography in all its forms, celebrating the diversity of people and cultures across the planet. 

“Great photography has been an integral part of TIME’s identity and journalism since our founding over a hundred years ago. We are thrilled to celebrate that long tradition with this new competition and our partnership with the American Society of Media Photographers,” said TIME Chief Executive Officer Jessica Sibley. 

“We are very proud to be partnering with TIME, one of the world’s most respected media organizations, and one with an uncompromising commitment to great photography,” said ASMP CEO James Edmund Datri. “And there is no other competition out there like this one in terms of the exposure it provides—having your work seen by top photo editors at TIME—and the unique and valuable opportunities offered as prizes.”

“We hope photographers of all levels of experience across the globe show us their world through portraits of the people around them, and we look forward to displaying the best of these images on TIME.com,” said Katherine Pomerantz, Director of Photography at TIME. 

Competition Details: 

Entries are open to individuals over 18 years of age around the globe. There are over $16,000 in cash prizes, and other prizes include a paid photo assignment for TIME, a three-month mentorship with the photo editors of TIME, and lifetime complimentary Membership in ASMP. All winners will be displayed on both TIME.com and ASMP.org, receive personalized awards for display, and an invitation to a 2024 event in New York City honoring the winners. The competition opens September 26, 2023, and runs through November 7, with an extended entry period with higher entry fees available through November 11. Winners will be announced January 18, 2024.

Categories for entry include: portraits of family, portraits in the world, portraits of influence, an open category (which includes work using AI), and a series category (for thematic series of three to six images). Entry fees are $15 per image, $8 for registered students, $55 for the series category.

To enter “The Human Element” or learn more, visit: https://www.timeasmpphotocontest.com 

About TIME

TIME is the 100-year-old global media brand that reaches a combined audience of over 120 million around the world through its iconic magazine and digital platforms. With unparalleled access to the world’s most influential people, the trust of consumers and partners globally, and an unrivaled power to convene, TIME’s mission is to tell the essential stories of the people and ideas that shape and improve the world. Today, TIME also includes the Emmy Award®-winning film and television division TIME Studios; a significantly expanded live events business built on the powerful TIME100 and Person of the Year franchises and custom experiences; TIME for Kids, which provides trusted news with a focus on news literacy for kids and valuable resources for teachers and families; the award-winning branded content studio Red Border Studios; an industry-leading web3 division; the website-building platform TIME Sites; the sustainability and climate action platform TIME CO2; the new e-commerce and content platform TIME Stamped, and more.

About ASMP

The American Society of Media Photographers (ASMP) is the premier trade association for the most respected photographers and new media visual content creators across the worlds of advertising, magazines, photojournalism, portraiture, sports, fashion, entertainment, fine art, cinematography, film/video and beyond. Members have included legends Stanley Kubrick, Sammy Davis Jr., Dorothea Lange, Ansel Adams, and Richard Avedon, among many others. Headquartered in San Francisco, ASMP is home to the ASMP Academy Powered by Sony, a one-of-a-kind online platform and resource for visual content creators of all stripes; an extensive physical and photographic archives collection covering photography’s history; and a robust public policy & legal arm in Washington, D.C., that protects the rights of photographers in our nation’s capital and in the courts. ASMP is the leader in providing extensive, practical education and resources to photographers on how to run and grow a business in these fields, connecting member photographers with clients, and producing business publications that set the industry standards. The organization exists because the work of these visual creators is so important to our economy and our culture. Founded in October of 1944, with a storied history that is an integral and pivotal part of the progression of photography as a profession, industry, and cultural force, ASMP today has over 6,500 members in 22 countries and 38 chapters.

Media Contacts:

Kristin Matzen, TIME, Kristin.matzen@time.com

Thomas Maddrey, Head of National Content & Education, American Society of Media Photographers, maddrey@asmp.org

More Must-Reads From TIME