‘Arbol de la Vida: Memorias y Voces de la Tierra’ by Artist Margarita Cabrera celebrates San Antonio’s ranching heritage.
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Photography in the Age of Artificial Intelligence
The Coalition for Content Provenance and Authenticity (C2PA), a consortium of many large media and technology companies, is working to develop “technical standards for certifying the source and history (or provenance) of media content.” However, much of the burden is placed on the viewer: “A unique aspect of this approach is rather than attempt to determine the veracity of an asset for a user, it enables users themselves to judge by presenting the most salient and/or comprehensive provenance information.” For viewers looking at large numbers of images online daily, exploring the backstory of how certain images were modified and then reflecting on how each change might have affected the image’s credibility seems like a daunting task. Such a system also requires large-scale
implementation of these standards by media companies and other organizations which so far has not happened, while potentially inviting increased suspicion as to the integrity of imagery made by those who do not sign up for their protocols.
Over the last few months, I have been working with a group of organizations that includes World Press Photo, Magnum Photos, the National Press Photographers Association in the US, and many others, in a campaign called “Writing with Light,” harkening back to the beginnings of photography. The goal is to create a community of practitioners who pledge to make photographs that are “fair and accurate representations of what the photographer witnessed,” and not “to publish a photorealistic synthetic image made by artificial intelligence and pretend that it is a photograph.” The point here is that the reader’s trust must be in the photographer as an author, just as one would trust a writer, rather than automatically believing that simply because something appears to be a photograph it is one.
Without such assurances of credibility, those in power will find it considerably easier to deny any imagery or other media that threatens them, calling it fabricated. And it will be more difficult for citizens to have faith in democracies when information, whether provided by image, text, or sound, is consistently suspect. With all of photography’s shortcomings, including it being used in ways that are both stereotypical and harmful as well as indulging in spectacle, it is unclear whether comparable strategies will emerge that can provide authentic reference points allowing societies to respond to specific challenges, whether war, racism, climate change, famine, or any other.
We are at a fundamental turning point in our sense of the real and the possible. There is an urgency to understand what is at stake, and to develop best practices that preserve and amplify what one wants the media to be able to accomplish. In 1984, when photographers were still using film and digital imaging was in its infancy, I wrote in an article for the New York Times Magazine that “in the not-too-distant future, realistic-looking images will probably have to be labeled, like words, as either fiction or nonfiction, because it may be impossible to tell them apart. We may have to rely on the image maker, and not the image, to tell us into which category certain pictures fall.”
For better or worse, this is where we now find ourselves. The solutions, if there are to be any, must come from everyone, and come soon.
24 Incredible Images Of Nature Photography Selected In AAP Magazine
We’re delighted to reveal the names of the 24 talented photographers who won AAP Magazine #33: Nature. Predominantly women photographers, they come from 11 different countries and 3 continents.
For this new edition of All About Photo Magazine, we chose to feature projects that beautifully capture the essence of nature, highlighting the magnificence of landscapes, wildlife, and flora & fauna.
Nature photography is a captivating art form that not only celebrates the Earth’s majestic beauty but also plays a vital role in conveying a profound message of conservation and environmental stewardship. Through the lens of a camera, photographers have the unique ability to capture the exquisite details of our natural world, from the grandeur of towering mountains to the delicate intricacies of a flower’s petal. These images serve as powerful ambassadors for the planet, reminding us of the breathtaking wonders that surround us every day.
More info: all-about-photo.com | Instagram | Facebook | twitter.com | youtube.com
Alaska Natives, American Indians, say proposed changes to interior department act will diminish their culture and economies, BIA says it intends the opposite
ANCHORAGE, Alaska (KTUU) – The clock is ticking until the end of the week when public comments will end about proposed rule changes to the Indian Arts and Crafts Act.
Leaders with the Bureau of Indian Affairs within the Department of Interior argue the proposed changes will strengthen the act. However, many Alaska Natives and American Indians are worried the rule changes will diminish their culture and local Native business protections.
“This is a painting that I did of a Deg Hit’an fish bag,” Melissa Shaginoff, Ahtna and Paiute artist and independent curator said, at her studio in Anchorage. “I do a lot of work in museum collections and a lot of research looking at our cultural belongings. I like to paint them and draw them to try to give some life back to them because we believe all the things that we make, that we put spirits into them … even the animals that gave their life so we can have the materials to make this fish bag, that their spirit is still within the bag. The work that I do within museums is to try to honor the lives that are in collections and their spirits.”
She sees the protections established within the Indian Arts and Crafts Act as the point — to protect sacred art and traditions like she maintains and produces.
“To protect us from forgery and falsification of making things and opening the door by allowing this loophole, is basically going to subvert the whole thing,” Shaginoff said.
The proposed changes to the act by the Department of the Interior create a loophole for bad actors, Shaginoff said.
“It’s going to have devastating effects on our future as artists and as makers,” she said.
The interior department released a document in April outlining the proposed changes which include, “The draft revisions seek to modernize the Indian Arts and Crafts Act’s regulations, which are implemented by the Indian Arts and Crafts Board (Board). The draft revisions bring a co-equal focus to promotional activities, expand the definition of Indian Product, allow for non-Indian labor to work on Indian Products in certain situations, and use a new certification trademark to certify that an item is an Indian Product.”
The Alaska Natives and American Indians asked about these changes fear it would create a situation where items would be able to be mass-produced by non-Native people.
“Creating a market in which you’re competing with non-Native makers for the thing that is specifically related to you and part of your culture, not only does it subvert the authenticity and the true story of what you’re representing, it is creating so much distance between that thing, that product, that art piece that you’re admiring and the animals, the land, the culture in which it comes from,” Shaginoff said.
The proposed changes would require ownership of a business producing Native items to be at least 50 percent indigenous-owned.
“I see this as something that could really even change how we even define Indigenous art. Indigenous art needs to be protected,” Shaginoff said.
Heather Dawn Thompson, Acting Deputy Assistant Secretary for Indian Affairs at the Department of the Interior, said the changes will strengthen protection for artists.
“These changes are incredibly important,” Thompson said.
Thompson said the changes will also add more protections for what she calls one of the Native culture’s most important economies.
“Arts and crafts are one of the most important economies in Indian Country and we have large swaths of Native artisans and craftsmen that are left behind, that are completely not covered by these protections,” Thompson said. “And so, this has not been updated in decades. We want to make sure that this is strengthened and that more artisans are covered.”
That means one of the main changes will be what’s certified ‘authentic’ in the application process, Thompson said.
“Our hope is by strengthening it, by making it a bigger deal, by having more artisans that have it and strengthening that up, then, the consumer is going to say, ‘Hey, wait a minute, if this isn’t Native made, if this doesn’t have this label, I’m not going to buy it because I know now, that it’s supposed to say ‘Native made.’”
Back where some of those purchases are made, Shaginoff said if changes happen at all, she wants more specific protections.
“(Ahtna phrase spoken) which means, you put your thoughts into what you’re making in it and I think a big part of the Indian Act itself, the Arts and Crafts Act itself, is to protect that right,” Shaginoff said. “To protect the parts of our culture where we’re able to make art.”
The interior department said modernizing rules will more easily allow non-Natives to work on film and television projects under the direction of Alaska Native and Native American direction.
Every Alaskan asked about this said they don’t know anyone working in those industries who’s had issues because of the current rules.
Public comment ends Sept. 1. People who want to give their feedback can email consultation@bia.gov
Copyright 2023 KTUU. All rights reserved.
Inside the women-led printmaking collective that influenced generations of designers
In the 1950s, a group of women known as the Folly Cove Designers made prints that still capture the imagination today.
Appreciates photography
Appreciates photography
Editor, Gettysburg Times,
The Echo arts roundup: Aug. 28 to Sept. 3 – The Arizona State Press
ASU creatives of all sorts are kicking off the semester with events ranging from dance to drama, film to gaming, and painting to sculpting.
If you are having a hard time deciding what to do or where to go, look no further! The Echo made a list of the best of ASU’s artistic showcases and opportunities happening this week and a little extra from the greater community.
Drawing with Dean
The Art Student (K)oalition will host Drawing with Dean starting on Tuesday, Aug. 29, from 4:30 p.m. to 7 p.m. in room 420 of ASU’s Art Building. At this free event, students will participate in a faculty-led figure-drawing workshop with a live nude model. Participants must bring their preferred medium and their own drawing implements. This workshop is part of an 11-week series. You can RSVP and find other dates on Sun Devil Sync.
Naturespace workshop: nature drawing session
Relax and draw at the Naturespace workshop on Wednesday, Aug. 30, from 3 p.m. to 6 p.m. for ASU students. Bring your own art supplies to sketch Hayden Library’s natural history collection in 311E. Be sure to register through the ASU Library in order to claim your seat. Later dates for this workshop are Sept. 6 and 20, Oct. 4 and 18, and Nov. 1 and 15.
“Stop Making Sense” opening reception
Enjoy the surreal and imaginative work of a group of ASU student artists and alumni at the “Stop Making Sense” exhibition at Gallery 100. Works in this collection are by artists Kaitlyn Ashcroft, Soraya Burrow, Devin Dawson, Nicole Everding, Ashley Latin, Natalia López, Jennifer Marcial-Kissi, and Luis Zamora and include acrylic, oil, watercolor and traditional drawing materials. The opening reception for the exhibition will be held on Tuesday, Aug. 29, from 5:30 p.m. to 7:30 p.m. The exhibition will run from Aug. 28 to Sept. 8 during gallery hours from noon to 5 p.m., Monday to Friday.
Black Student Union Sip N’ Paint
Students can join the Black Student Union (West) for painting, music and drinks in theDelph Courtyard of the West campus on Friday, Sept. 1, from 4:30 p.m. to 6:30 p.m. at the Sip N’ Paint event. The organization’s duty is to “assist African American students in attaining their educational goals, encourage other African Americans to pursue higher education and promote cultural awareness,” according to their Sun Devil Sync page. You can RSVP and learn more about the Black Student Union’s other events on Sun Devil Sync.
“Foundations” exhibition
The “Foundations”exhibition in the Harry Wood Gallery of the Art Building explores skateboarding and its influence through the work of artists Benjamin Bobinac, Milan Bobinac, Hunter Boyd, Sawyer Boyd and Clifford Smith. The exhibition is free and open from 9 a.m. to 5 p.m. on Monday, Aug. 28 through Friday, Aug. 31.
Tango Club practica
The Tango Club at ASU Practica welcomes students of all skill levels to the dance floor in Wexler Hall, room A118, from 7:30 to 9:30 p.m. on Thursday, Aug. 31. Participate in an Argentine tango lesson, open dancing and activities. The Tango Club holds practicas every Thursday, as well as stage Argentine Tango practice on Tuesdays. These events are free, but you should RSVP on Sun Devil Sync.
Devilettes auditions
ASU’s jazz and hip-hop dance performance team, the Devilettes, will be holding auditions on Saturday, Sept. 2, from 9 a.m. to 4:30 p.m. To try out for this official ASU club sports team, you will need to fill out a waiver and audition form. On audition day, meet in the Sun Devil Fitness Complex Infinity Studio. Wear all black and bring your sun card, tennis shoes, a water bottle, a snack, and optionally jazz shoes.
Scriptless meeting
Scriptless, ASU’s documentary filmmaking and reality television production club, will hold a meeting this Wednesday, Aug. 30, from 7 to 8 p.m. in room BA 257 of the Business Administration building. Scriptless members will learn about production and gain hands-on experience throughout the semester or school year by working together to produce short documentary films or reality series. Visit Sun Devil Sync to RSVP and learn more about the club.
READ MORE: Behind the scenes of new student-produced reality show ‘Safety’
“Oppenheimer” in IMAX 70mm
ASU cinephiles, did you know that the only place to watch Christopher Nolan’s “Oppenheimer” on a 70mm IMAX screen is in Tempe at the Harkins Theatre Arizona Mills 18? In an interview with the Associated Press, Nolan revealed that this is his recommended viewing experience for the film. Showtimes and dates are available on the Harkins website.
Society of West ASU Gamers meeting
The Society of West ASU Gamers brings together community members “with a shared interest in all versions of fandoms and gaming, including but not limited to video games, tabletop gaming, and roleplaying games,” according to the club’s bylaws. The club will meet on Thursday, Aug. 31, from 7 p.m. to 10 p.m. in theKiva Lecture Hall at the ASU West campus. You can RSVP, find details about the weekly Thursday meetings, and join the club discord on Sun Devil Sync.
Adventurers Wanted Inc. weekly play meeting
Role-playing game enthusiasts, join Adventurers Wanted Inc. this Friday, Sept. 1, from 6 to 11 p.m. in theFarmers Education building, room 228, for an evening of introductions and gameplay. Adventurers Wanted Inc. brings together students with all levels of experience to play Dungeons and Dragons, as well as other systems, and connect players with game masters to create new worlds. This is a recurring Friday meeting. To RSVP, join the club’s discord, and find information about recurring meetings, visit Sun Devil Sync.
READ MORE: Adventurers Wanted: a world beyond Dungeons and Dragons
University Street Market
The University Street Market is hosting its first-ever Downtown Phoenix flea market on Thursday, Aug. 31. You will need to bring your best tote bag for all of the second-hand fashion finds from this sustainable student event. The market’s Instagram and TikTok are good resources to stay updated on event details for this and other markets, as well as the latest in ASU fashion.
READ MORE: ASU students embrace vintage fashion through secondhand suppliers
First Friday
Just blocks away from ASU’s downtown campus, Roosevelt Row will come to life at the end of the week for First Friday. This street market and art walk shows off a potpourri of local artists and vendors. There is thrifting, shopping and some killer food trucks giving you a taste of Arizona. The event runs from 6 to 10 p.m. Be sure to research your route and departure times before coming from another campus via light rail or campus shuttle. Street parking is metered. This event reoccurs on the first Friday of each month.
Edited by Claire van Doren, Walker Smith and Sadie Buggle.
Reach the reporter at spbracci@asu.edu and follow @SophiaBraccio on X.
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Continue supporting student journalism and donate to The State Press today.
Robyn Adair Photography joins Hartland chamber
HARTLAND — The Hartland Chamber of Commerce welcomed Robyn Adair Photography as a new member recently.
Ambassador Mike Gogin of Mike Gogin-State Farm, center, presents Robyn Adair of Robyn Adair Photography with a membership plaque from the chamber. Also pictured is Alex Barta of Skye Financial Services, Inc.
Adair is a fine art portrait photographer southeastern Wisconsin who focuses on senior portraits, children and family portraits, professional headshots and equine photography. She believes that when people feel comfortable and at ease, their natural smiles and personalities shine, resulting in portraits that captivate and resonate. Robyn Adair Photography can be reached at 262-325-6196.
Photo courtesy of the Hartland Chamber of Commerce
Greeley bride: Wedding photographer disappears with photos of special day
GREELEY, Colo. — Wedding photographs can become family heirlooms, but only if your photographer gives them to you.
A Greeley bride reached out to our consumer investigator Jaclyn Allen after she said her photographer took her money and kept her photos.
To call Dayvie Goode organized, might be an understatement.
“I’ve got a planner for pretty much everything in my life,” said said.
The Greeley resident planned her entire wedding almost a year in advance, including the photographer.
“I had gone to a bridal show that they were holding, and I got to meet a bunch of different vendors, including Kevin Robertson Photography,” said Goode, who decided to hire the Lakewood-based photographer.
The month before her wedding, she learned that he had been removed from the preferred vendor list because of an issue with a bride, but Goode had already paid $1,500 and signed a contract.
On the wedding day, things seemed to go as planned.
“Personally, I didn’t see any red flags,” said Goode. “He was very attentive and he took every opportunity from what I could see to take pictures.”
When it came time to actually get those pictures, though, Goode said Robertson disappeared.
Greeley bride says wedding photographer disappeared with photos of special day
“He wasn’t answering my calls. I had called him multiple times. I texted him and emailed him. Radio silence. I’ve not been able to get a hold of him at all,” said Goode, who said the last time she heard from him was in June when he promised the pictures would be finished that weekend. “I don’t care at all about the money. What I care about are the memories that I made.”
Robertson has not responded to our requests for comment. The Colorado Secretary of State lists his business licensed as delinquent.
Also, complaints on the BBB and The Knot indicate at least one other couple waited more than a year for their video from him.
Goode said she tried to take Robertson to small claims court in Weld County, but since his business is based in Jefferson County, she was told she would have to file the case there.
Meanwhile, she and her husband set up a Facebook page so friends and family can share their wedding photos, while she and her husband staged a “newlywed” shoot in her wedding gown so they could have something to remind them of their big day.
“It’s better than not having anything at all,” said Goode. “But I guess I’m just too stubborn. And I don’t want this to happen to anybody else. So that’s why I’ve contacted you guys. I would basically be begging at this point for my pictures because that’s all I want.”
Editor’s note: Denver7 seeks out audience tips and feedback to help people in need, resolve problems and hold the powerful accountable. If you know of a community need we can address or have a story idea for our consumer investigates team to pursue, please email us at contact7@denver7.com or or call (303) 832-7777. Find more Contact Denver7 stories here. You can also use the form below to request help from Jaclyn Allen and the Contact Denver7 Team.
Need help with a consumer problem? Send it to Jaclyn Allen and the Contact Denver7 team
Use the form below to send us a comment or story idea to the Contact Denver7 Investigates Team. You can also email Contact7@denver7.com or call our newsroom at 303-832-0200.
Photography Artist-In-Residence Workshare
