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Artist residency program launches in Northwoods

Artist residency program launches in Northwoods

For the past month or so, the New York-based artist Brad Kahlhamer has been making art in a cabin studio in Minnesota’s Northwoods. 

Just before, he had been traveling through Europe, exhibiting his work at shows in Paris and Cordoba. Then, he came to Park Rapids, Minn., the north central Minnesota town surrounded by lakes at the Mississippi headwaters.

“One of the reasons I wanted to do this residency in the first place was to fish the incredible waters that you have,” says Kahlhamer, pointing to the studio wall tacked with a large piece of painted canvas: watery pools of color form the shape of a bird over blue shapes. “This eagle is in a sort of vertiginous state over a series of lakes, a chain of lakes.”

Kahlhamer, whose work resides in museum collections around the world, and Waverly Bergwin, a fellow New York artist and Kahlhamer’s apprentice, are the first artists in residence of the Nemeth Art Center, which has been in operation for more than 40 years. The residency program culminates with the opening of an exhibition July 1, which will feature the artwork they created at the cabin. 

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Artist Aaron Spangler is the vice chair of the center’s board and curates exhibitions with the new director Mark Weiler. They say the residency was created to help bring great contemporary art and artists to a rural area, essentially the center’s mission. 

A person stands in a gallery doorway

Aaron Spangler poses for a photo in the main gallery space at the Nemeth Art Center in Park Rapids, Minn. on Monday.

Ben Hovland | MPR News

“I just want to show work that is relevant to an international and regional narrative that’s going on in visual arts, in the visual language,” Spangler says.

He grew up in Park Rapids; his mother was one of the folks that started the center in the seventies, still in its original location in the 19th-century Hubbard County Courthouse. “We’re also trying to get school kids involved in meeting the artists,” he adds, “Like me when I was growing up, I think about, what did I want? My audience is me when I was 16.” 

The Nemeth Art Center has long exhibited the work of many internationally renowned contemporary regional artists; up until last week, it was Poa Houa Her’s “Attention Series,” a collection of photographic portraits of Hmong-American veterans.  

A painting hangs on a wall in a gallery

A piece from Pao Houa Her’s “Attention Series” is seen in a recent exhibition at the Nemeth Art Center in Park Rapids, Minn. on Monday.

Ben Hovland | MPR News

It has also been fostering an artist exchange, helping send regional artists to exhibit elsewhere, such as the current “Cross Country” show at the Carolyn Glasoe Bailey Foundation’s Ojai Institute in California, featuring artists Julie Buffalohead, Bruce Engebretson, Christopher Harrison and Melba Price. (Carolyn Glasco Bailey, who died in 2015, was formerly a Minneapolis gallerist and collector).

And the residency has been sort of unofficially happening for years, Spangler says, with artists and writers coming to stay and work at the cabin that is on the same remote woodsy property where he lives with his wife, Amy Thielen, the famed chef and tv personality behind “The New Midwestern Table.”

As of June, the residency became official under the Nemeth Art Center umbrella, complete with artist stipends to support a monthlong residency.  

Kahlhamer was an easy first choice for the residency program because Spangler has known him for years, since they were both artists living in New York. They even played together for a few years in a band in Brooklyn.

Although based in New York, and part time in Arizona, Kahlhamer has roots in the Midwest (he grew up in Wisconsin), and frequently shows his work in the Twin Cities, where his art is in the collections of Walker Art Center and the Minneapolis Institute of Art, and he is represented by the Minneapolis Bockley Gallery. Kahlhamer is known for art — prints, sculpture, painting and more — that explores, often playfully, his Native and white identity.  

Spangler says he hopes the residency gives artists the space and time to try new things with zero pressure to produce anything commodifiable.

“Part of what we want to do is: We’re a place where you can really experiment with new work,” Spangler says. 

In the cabin studio, Kahlhamer points to empty beer cans Bergwin is painting with plant life. 

“So, over the period of this residency, we’ve acquired or amassed a number of cans of which, you know, we physically have drank out of,” Kahlhamer says. “And then we’ll paint them. In a way, we’re kind of rebranding various things we pulled out of Park Rapids stores. Obviously, inspired by the local fauna.” 

Kahlhamer tours the other pieces they are developing: small sculptures, a totem painting, a dream catcher, oil portraits of folks from the recent White Earth Nation powwow and a reimagined La-Z-Boy type chair he found onsite. 

Art hangs on a wall

Art pieces for Brad Kahlhamer’s upcoming Nemeth Art Center residency show hang on the wall in a studio near Park Rapids, Minn. on Monday.

Ben Hovland | MPR News

“Part of being in a residency that that has a lot of freedom is I can go through various things laying around,” Kahlhamer says. “I have a habit of improvising a lot of work, especially the sculptural work.”

Bergwin is a sculptor and writer who has been working with Kahlhamer for nine years as an apprentice, assistant and collaborator. Bergwin has also been creating their own sculpture series of “weird fairy tale swords and daggers” using wire and organic plant matter, including wildflowers and dead beetles found on site.

A person cradles a sculpture

Artist Waverly Bergwin holds a large sword sculpture named “Heartsease, the Lilith’s Rib” in the Nemeth Art Center residency studio.

Ben Hovland | MPR News

“One day I’ll go off on a cool quest or something,” Bergwin says, laughing. Bergwin and Kahlhamer have done other residencies, but those felt more like summer camp, they say. 

“We’re trying to complete the body of work here to take it to show at Nemeth,” Bergwin adds. “We have tasks, we have goals, there’s a direction with everything.” 

Mark Weiler, who became the center’s director in April, is helping move the artwork from the cabin studio to the center in town. He says just having the artists hanging around the area, having exchanges with the community, is important.

“When you bring someone like Brad Kahlhamer to work in the woods, he’s riding his bike to the general store every day, and he’s meeting the shop owners, and he’s naturally meeting people that are coming through to get gas or donuts or whatever,” Weiler says. “There’s a direct influence on that community, just from him being there and having that presence.” 

Three seated people pose for a photo

Artists Waverly Bergwin (from left), Brad Kahlhamer and Nemeth Art Center curator Aaron Spangler pose for a photo in a studio near Park Rapids, Minn. on Monday.

Ben Hovland | MPR News

He says the Nemeth Art Center wants to create a “cultural nexus” in a rural area. “There’s such a concentration of really talented world-class creatives in a small place, that it kind of lends itself to that,” says Weiler who comes to Park Rapids from Fargo, N.D., where he ran the Ecce Gallery. 

“The key is that there’s an approachability to it in Park Rapids,” Weiler says. “Artists and creatives, people in general, chefs — they’re doing things at a very high level, but not something that’s fancy and makes you kind of shy around or embarrassed. Because people are wearing sandals at the opening. It’s not the Metropolitan or something like that … it’s upscale but not uptight.”

The artist residency exhibition has an opening reception 4 to 6 p.m. Saturday, July 1, and runs through Oct. 1. In the spring of 2023, the Nemeth Art Center will welcome their next artist in residency, Madeleine Bialke.

Opinion: I opened a film lab in the age of digital photography to bring film to a new generation

Opinion: I opened a film lab in the age of digital photography to bring film to a new generation

Cowan is the owner of Safelight Labs. He lives in San Diego.

I am constantly surprised how many times someone will say to me, “They still make film for that camera?” when I am out and about in public with one of my cameras. I understand that comment because we live in a society that is dominated by technology. Just in the last 25 years, technology has grown by leaps and bounds. I have watched as cameras have evolved and are now able to do things I never thought possible: facial recognition technology, the lightning fast autofocus systems, a million possible settings inside the camera. This has sped up everything from wedding photography and commercial photography to family photos and everything in between. Everything is moving so fast. But is it moving too fast?

As a 41-year-old, I was one of the last generations to grow up in a darkroom in my high school lab. Digital cameras existed, but they weren’t affordable and available on the mass market like they are today. Kids today have only known life with Google, high speed internet access and cellphones that completely blow the original digital cameras out of the water.

I think what appeals to this younger generation is the idea of anticipation. You take a photo on film while you’re with your friends hanging out, getting coffee, on vacation, but you don’t get that instant feedback. You have to wait to get photos developed. But when you do get them back from labs like the one I own, you get a chance to relive that moment. You’ve captured a moment in time that you might have forgotten about entirely. And it’s special.

That feeling brings me the most joy because that’s what I’ve been able to experience for the last 25 years, and now a new generation gets to experience that.

My relationship with photography all started because of my mother. She was the photographer in the family, always capturing photos of my sister and I growing up in Northern California; going to the beach, Disneyland, Yosemite, skiing with family, anniversaries, etc. The physical photos we had printed out all got placed in photo albums. I loved sitting down and flipping through them, getting a chance to relive each and every one of those moments. We can try and do the same thing now with our phones or computers, scrolling through countless photos, but there is something special and magical about the dedicated photo album.

With our phones and digital cameras, we can snap away and accumulate 3,000 photos in a matter of seconds. Why, though? I don’t want that many images of the same thing. I want one, and I want it to count. When I know I have only 36 photos, I’m going to try and make each and every shot count.

Rob Cowan photo

(Rob Cowan)

I am extremely grateful to be in the industry I am in. One of my biggest joys is helping people find their first camera and starting them on their film journey. There are so many options out there, and to be honest, the internet is an extremely overwhelming place sometimes to do research, especially about cameras.

A question I constantly get asked is, “What is the best camera?” I love this question because there is no answer to it. There is only my opinion. What works best for me might not work best for you. And there is a beauty in that. The person wielding the camera makes all the difference. I use this analogy a lot with customers: If you hand a $25,000 camera to someone who has no idea how to work it and does not understand lighting, composition, ISO, shutter speed, aperture or depth of field, chances are they’re not going to provide you with an award-winning photo. But if you put a cheap camera into the hands of someone who knows what they’re doing, chances are they’re going to give you something that will be worth viewing. Cameras are just tools. And through the lens, it can unlock new worlds someone never thought even existed. Photography is truly magical.

Rob Cowan photo

(Rob Cowan)

We have lots of big plans for Camera Exposure and Safelight Labs in North Park. Without my business partner, Caitie Boreliz, we wouldn’t be able to do any of them. This summer, we are going to start construction on a new photography studio, a DIY development lab and a community darkroom, providing the San Diego photography community with a place to learn, grow and create.

We love this community and we love how ever-changing it is.

SPECTRUM PARTNERS WITH OVATION TV TO SUPPORT PARK PLAYHOUSE/PLAYHOUSE STAGE COMPANY WITH $10,000 STAND FOR THE ARTS AWARD

SPECTRUM PARTNERS WITH OVATION TV TO SUPPORT PARK PLAYHOUSE/PLAYHOUSE STAGE COMPANY WITH $10,000 STAND FOR THE ARTS AWARD

Award to Support Arts Education Programs

COHOES, N.Y., June 30, 2023 /PRNewswire/ — At Park Playhouse/Playhouse Stage Company’s 35th anniversary gala, Spectrum presented a $10,000 award as part of the Stand for the Arts Awards initiative in partnership with Ovation TV. The initiative aims to recognize local arts, cultural, and educational organizations in the community. Since its inception in 2017, Ovation TV and Spectrum have awarded a total of $600,000 in 60 awards, providing support towards arts education. 

“Our partnership with Ovation TV will enable these organizations to continue to serve as vital arts and cultural resources in their communities – which complements our focus on investing in and strengthening the towns and cities we serve,” said Adam Falk, Senior Vice President, State Government Affairs for Charter Communications, Inc., which operates the Spectrum brand of Internet, TV, Mobile and Voice services. “We congratulate this year’s Stand For The Arts honoree Park Playhouse/Playhouse Stage Company for its commitment to supporting the Capital Region artists and expanding access to high-quality arts education, exhibits, concerts and performances.”

Park Playhouse/Playhouse Stage Company will use its 2022-2023 Stand For The Arts funding to support the agency’s mission of providing the highest quality arts education programs to everyone in the Capital Region of New York. Playhouse Stage Company produces free theatre in an outdoor setting at Park Playhouse, mounting high quality, affordable productions at the historic Cohoes Music Hall.

“Making the arts accessible to all Capital Region residents and guests, without exception, is at the heart of what Playhouse Stage Company does. Our free, outdoor productions at Albany’s Park Playhouse allow tens of thousands of guests to enjoy a live performing arts event each summer, bringing our diverse community together to experience the magic of theatre. Our organization is thrilled and humbled to be recognized for our accessible programming with The Stand for the Arts Award this season,” said Owen Smith, Producing Artistic Director, Playhouse Stage Company. “Ovation TV and Spectrum bring the arts into people’s homes every day through their televised programming, and it is an honor to receive this award from organizations that share our goal of connecting all Americans to the performing arts without exclusion.” 

“Park Playhouse has helped make the arts accessible to each of our residents in Albany’s crown jewel, Washington Park, for the last 35 years,” said Albany Mayor Kathy Sheehan. “This award of $10,000 from Ovation TV and Spectrum will help support these efforts and help ensure Park Playhouse can continue to enrich the lives of the thousands of visitors for years to come.”

Park Playhouse/Playhouse Stage Company is one of 10 organizations receiving support in Spectrum markets across the country. Select arts organizations are awarded $10,000 Stand For The Arts contributions based on the following criteria: support of creatives and artists via community-driven programming; as advocates for equity and access to the arts; and for providing accessible spaces for creative expression.

“As a longtime supporter of the arts and arts education, I’m proud to celebrate this award from a partnership that continues to deliver critical support for the arts across our communities,” said Congressman Paul Tonko. “Access to the performing arts helps build self-confidence and communication skills, and I’m thrilled that this donation will allow Park Playhouse to continue its mission of making the arts accessible to all who visit and call our Capital Region home. My thanks to Spectrum and Ovation TV for their commitment to the arts and to families across our region.”

“Free Park Playhouse musicals in Washington Park and shows at the historic Cohoes Musical Hall are fun, must-see summertime activities, whether you live in Albany County or if you’re just visiting. Beyond that, the Playhouse Stage Company is a tremendous contributor to the culture and vibrancy of the Capital Region, and has been for the last 35 years,” said Albany County Executive Daniel P. McCoy. “I want to thank Spectrum and Ovation TV for this generous contribution to this organization that will allow them to continue providing quality arts education programs to our community.”

“We are pleased to continue our work with Spectrum as we enter a sixth year of our Stand For The Arts initiative partnership,” stated Sol Doten, Senior Vice President, Content Distribution and Partner Marketing for Ovation TV. “It remains our priority to champion community-driven arts organizations as they support artists and creatives on a local level.”

More information about Stand For The Arts and the Stand For The Arts Awards is available at:  www.standforthearts.com.

About Spectrum
Spectrum is a suite of advanced communications services offered by Charter Communications, Inc. (NASDAQ:CHTR), a leading broadband connectivity company and cable operator serving more than 32 million customers in 41 states. Over an advanced communications network, the company offers a full range of state-of-the-art residential and business services including Spectrum Internet®, TV, Mobile and Voice.

For small and medium-sized companies, Spectrum Business® delivers the same suite of broadband products and services coupled with special features and applications to enhance productivity, while for larger businesses and government entities, Spectrum Enterprise provides highly customized, fiber-based solutions. Spectrum Reach® delivers tailored advertising and production for the modern media landscape. The company also distributes award-winning news coverage and sports programming to its customers through Spectrum Networks. More information about Charter can be found at corporate.charter.com.

About OVATION TV America’s Premier Arts Network
As an independent television, production, and digital media company, OVATION TV has an unparalleled commitment to the arts, culture, and captivating entertainment. Showcasing a lineup of critically acclaimed premium dramas, specials, documentaries, and iconic films, OVATION TV salutes innovative storytelling with popular programming that includes Inside the Actors Studio, Murdoch Mysteries, Frankie Drake Mysteries, Arts Engines, The Fall, Midsomer Murders, The Art Of, Celebrity Conversations, and The Sound of New York. Ovation also powers JOURNY, the dedicated streaming service where art, culture, and travel intersect. The company has provided more than $15M in contributions and in-kind support to arts institutions and arts education. Its signature advocacy platform, STAND FOR THE ARTS, includes a coalition of over 150 arts organizations, cultural institutions, and arts leaders throughout the country raising awareness about art’s positive impact, protecting access for everyone, and encouraging action on behalf of the arts. OVATION TV is available on major providers via cable, satellite and telco systems including Comcast Cable/Xfinity, DIRECTV, Charter/Spectrum, Verizon FiOS, as well as on demand.  You can follow OVATION TV on Facebook, Twitter, YouTube, Instagram, OvationTV.com, and through our App,OVATION NOW.

SOURCE Ovation

Photographer Praised For Not Forcing Girls to Smile in ‘Powerful’ Pictures

Photographer Praised For Not Forcing Girls to Smile in ‘Powerful’ Pictures

Photographer tells girls not to smile

A photographer has been praised online for not forcing young girls to smile when they are having their picture taken.

Photographer Brooke Light, who is based in Charlotte, North Carolina shared one of the main rules she follows when shooting girls: if they do not want to smile, then they do not have to.

@bdlighted never underestimate the power of a photoshoot for your kids confidence #moodymini #kidsphotographer #childrensphotography #portraitphotographer #confidenceboost #kidsconfidence #familyphotoshootideas #familyphotoshoots #studiophotography #blackandwhitephoto #girlpower #girlempowerment #donttellmetosmile #momsofgirls #girlmom #greenscreen ♬ Little Girl Gone

In a viral TikTok video posted last month, Light is seen holding up her camera alongside the caption: “When your photo shoots allow girls to show up, take up space, and not smile if they don’t want to.”

Light then goes on to reveal the portraits taken during her photo shoots — beginning off with a black-and-white image of a girl adjusting her hair.

Light then goes on to show other photos she has taken of girls. Some have their heads and bodies slightly turned away from the camera but all of them are opting not to smile in the picture.

In a caption accompanying the clip, Light explains the benefits of not forcing girls to smile when having their pictures taken: “Never underestimate the power of a photo shoot for your kids’ confidence.”

‘Powerful and Authentic’

The clip has amassed over one million views on TikTok, with social media users praising Light’s attitude. Viewers applauded Light for allowing these girls to be their confident, strong, and authentic selves in her photography.

“I’m tearing up because asking a girl [to] smile has too many connotations with it. These pictures are beautiful,” a TikTok user writes.

Another viewer comments: “I love how they are not trying to be anything ‘extra’ just their own raw and savage selves.”

@bdlighted these mom’s got me blushing in my DMs 🫣📸 I’ve never had my creativity or my photography validated so much in my life. thank you for the outpouring of love on these photos this week. it’s meant more than you can ever know. #boymom #boymoms #moodymini #familyphotoshoots #familyphotoshootideas #portraitphotographer #studiophotography #kidsphotographer #kidsconfidence #childrensphotography #greenscreen ♬ Area Codes – Kaliii

Following the positive feedback from viewers, Light posted a further TikTok video in which she revealed that she doesn’t make boys smile for photos either as part of her ethos of “no forced smiles, fancy clothes, or kiddie poses.”

A 2019 study found that 98% of women surveyed had been told to smile at least once in their life, and 15% said it continues to be a weekly experience.

Many of these comments happened in the workplace. Nearly 37% of women were last told to “smile more” at their jobs. However, 25% said it happened in public and 21% said it took place while they were at home.

By their own admission, women find these requests demeaning and offensive — with one expert saying that a woman’s smile can be as much a signal of joy as a sign of submission.

More of Light’s work can be seen on his Instagram, TikTok, and website.


Image credits: Header photo via TikTok/@bdlighted.

Hyundai and TEN Advertising Showcase EV-Powered Lifestyle in New Asian American Campaign for IONIQ 5 and 6

Hyundai and TEN Advertising Showcase EV-Powered Lifestyle in New Asian American Campaign for IONIQ 5 and 6

FOUNTAIN VALLEY, Calif., June 30, 2023 /PRNewswire/ — Hyundai Motor America and its Asian American marketing agency of record, TEN Advertising, launched their new campaign featuring the all-electric vehicle models, IONIQ 5 and the all-new IONIQ 6. The “Hot Place” campaign for the IONIQ was developed to achieve resonance with Asian American audiences, enticing them to pursue a vision of the upcoming EV era by showcasing a new everyday life, powered by electric vehicles.

As a response to Asian American consumers’ eco-friendly consciousness and high interest and acceptance in advanced electric vehicle technologies, the “Hot Place” campaign dramatically illustrates how the IONIQ 5 and IONIQ 6, Hyundai’s all-electric vehicles with premium design quality, outstanding EV performance, and innovative technology and safety features, can enrich consumers’ lives through the unexpected happenings in their daily lives. Through this campaign, Hyundai aims to convey that the IONIQ assumes a proactive role in enhancing every aspect of Asian American consumers’ EV experiences, positioning itself as a leading brand in the era of electric vehicles.

“Working again with our partners at TEN Advertising, we bring the EV experience to life in our new IONIQ Asian American creative campaign,” said Angela Zepeda, CMO, Hyundai Motor America. “It’s your journey is all about being people-forward, and when we lean into that, we start to leverage and communicate authentically with different groups of people, specifically the Korean, Chinese, and the Asian community at large.”

Indicating a trendy location that has gained popularity, “Hot Place” shows how the IONIQ electric vehicles help a family maintain a joyful and happy daily life even in an unexpected power outage and illustrates the concept of creating a “Hot Place” within the neighborhood. This campaign is the result of an in-depth analysis of the IONIQ products, and a thorough exploration of consumers’ lifestyles and market insights. For this project, TEN Advertising partnered with award-winning director YK from South Korea’s Space Monster Contents, known for his outstanding creativity.

The “Hot Place” campaign includes video and digital assets that will be disseminated on a variety of media platforms to amplify the creative’s emotional resonance, as well as innovative vehicle features such as ultra-fast charging and the Vehicle-to-Load reverse charging function. There are 30- and 60-second versions of the spot available to broadcast, and additional assets for social media channels. In addition, TEN Advertising has planned an integrated campaign centered around the “Hot Place” campaign, including PR and experiential components, to educate consumers about electric vehicles, authentically communicate Hyundai’s messaging of an electrified lifestyle, and promote the all-new IONIQ 6.

TEN Advertising

TEN Advertising is an independent, Asian and female-owned and operated full-service agency that offers marketing and advertising services to clients who are in need of reaching and connecting with the fastest growing Asian American consumer in the United States. Since TEN Advertising was founded in 2010 by Karen Park, a veteran of Asian American Marketing for 28 years, the agency has committed to supporting the success of its clients in the Asian American market and elevating the position of Asian American consumers as an invaluable market segment that deserves thoughtful communication and carefully planned outreach. TEN Advertising has accomplished these goals by guiding its clients with cultural intelligence and market insights, all while simultaneously interpreting their brand messages–and voices–accurately in culturally relevant ways.

Hyundai Motor America

Hyundai Motor America focuses on ‘Progress for Humanity’ and smart mobility solutions. Hyundai offers U.S. consumers a technology-rich lineup of cars, SUVs, and electrified vehicles. Our 830 dealers sold more than 724,000 vehicles in the U.S. in 2022, and nearly half were built at Hyundai Motor Manufacturing Alabama. For more information, visit www.HyundaiNews.com.

Hyundai Motor America on Twitter | YouTube | Facebook | Instagram | LinkedIn | TikTok

Campaign Credits
Client:  Hyundai Motor America
Brand:  Hyundai IONIQ 5 and 6
Agency:  TEN Advertising
Creative Director:  Misun Ahn
Sr. Copywriter:  C.K. Han
Art Director: Junhee Kim, Joanne Kim
Group Account Director:  Hoonju Choi
Account Director: Keimi Ju, Johny Liu, Andy Cho
Senior Account Executive: Wayne Lin, Lauren Kwon, Christine Lee, Irene Park, Emma Ling
Account Executive: Crystal Kim
Production Company:  Space Monster Contents
Director: YK
Director of Photography: Alexander Alexandrov

SOURCE Hyundai Motor America

LUX SPEED HIRES JENNIE RIOS AS CHIEF MARKETING OFFICER

LUX SPEED HIRES JENNIE RIOS AS CHIEF MARKETING OFFICER

FORT LAUDERDALE, Fla., June 30, 2023 /PRNewswire/ — Lux Speed, an industry leading fiber optic internet service provider, is pleased to announce the expansion of its C-Suite with the hire of Jennie Rios as Chief Marketing Officer. Rios comes to Lux Speed with two decades of industry experience. Rios’ mission is to continue Lux Speed’s world class customer experience, while expanding the company’s fiber optic footprint. Rios is excited about the opportunity to be part of Lux Speed’s rapid growth and expansion. “I decided to join Lux Speed’s Senior Leadership because I admire the culture of teamwork and commitment to excellence that is imbued at the company”, said Rios.

“I’m proud to have Jennie join our leadership team at Lux Speed. Her skills and talent are a perfect fit for our company as we continue to experience accelerated growth”, stated Michael Bertamini, Lux Speed’s Chief Executive Officer.

Rios is an alumnus of Palm Beach State College. During her tenure in the Multi-Dwelling Unit internet access industry, Rios has had more than 50 patents attributed to her work.

About Lux Speed

Lux Speed is a bulk internet service provider working with Homeowner Associations, Condo Owner Associations and Property Management Companies to deliver light speed fiber-to-the-home by utilizing state-of-the-art technology. Headquartered in Fort Lauderdale Florida, Lux Speed services the contiguous United States and is the fastest growing internet service provider in 23 states.

CONTACT: [email protected]

SOURCE Lux Speed

Swipe Right Into Tinder’s 7-Story West Hollywood Headquarters

Swipe Right Into Tinder’s 7-Story West Hollywood Headquarters

Tinder’s new headquarters in West Hollywood, California designed by Rapt Studio could be imagined as a thoughtful response to the transformative changes that have affected the corporate workplace dynamics the last few years. The seven-story, 77,000-square-foot project, handled by the same creative consultancy responsible for developing other creative spaces for the likes of Google, Dropbox, and Vans, is imagined to reestablish the pandemic-frayed ties that bind individuals into creative collaborative teams – and by extension, between the app users they seek to support – designing a multi-level headquarters layered with a multitude of opportunities for collaboration and connection.

Rapt Studio began the project by researching existing public space typologies, from the town square to the speakeasy, that empower a progressive deepening of ties that bind workers with their work in an organic manner.

Wide open communal space with open doors, and several Tinder employees conversing, others checking their mobile devices.

Modeled after a town square, The Commons is the largest and most expansive of the spaces, and also the entry point into Tinder’s new headquarters. The airy environment is intended to encourage casual interactions and large enough to accommodate for company-wide gatherings.

Woman at green round table seated at her laptop at Tinder's in-house coffee cafe seated around a circular built-in cushioned seating area.

Tinder's coffee bar with barista preparing a shot with two employees seated at the bar laughing and woman in the background seated at a table work from her laptop.

The café — or “Boost Bar” — sits on the second floor, giving employees access to the skills of an in-house barista, and in turn providing an informal space to work away from the desk.

The IT help desk is fashioned after the nostalgic memories of the neighborhood arcade.

Diffuse lighting, custom modular furniture on wheels, and walls clad in top-to-bottom whiteboards all inhabit La Galleria, a room drawing its atmosphere from the workshops and displays of an artist studio.

A custom hot-pink central table with cutouts and bookshelves filled with a few books and design objects, with muted pink carpeting.

A custom hot-pink central table with cutouts along the edges offers a surprisingly idiosyncratic hue to the space’s otherwise muted purpose.

Young woman seated and laughing, looking at her laptop seated in a gray armchair with bookshelf in background and backpack on the floor.

Floor six is dedicated to quieter activities and appropriately demarcated as The Stacks, a tranquil communal space fashioned after a library.

Nine Tinder employees standing and seated across various plush deep blue upholstered seats undulating across a muted blue checker carpeted floor.

Deep blue hues across plush fabrics, with curvilinear walls and curtains framing windows overlooking the LA skyline give the pinnacle seventh floor a nightclub vibe. Seating arrangements are situated to encourage engagement within intimate groups – a “secret” employee getaway of sorts.

Detail view of the deep blue plush seating inside the seventh floor lounge area of Tinder's HQ showing an unoccupied table with a drink and laptop, with yellow jacket draped across the corner of an armchair.

“Connection is at the heart of the Tinder brand,” says Rapt Studio CEO and Chief Creative Officer David Galullo. “To design a space that deepens connection within Tinder, we looked to the places where we typically build relationships and then mapped them onto a floor plan. The end project emphasizes how design itself can be a force of connection.”

Outdoor seating area with brick floor, black metal chairs and tables, alongside a trio of red and light purple stools surrounded by large palm leaf plants.

Tinder’s new HQ shares some similarities to Rapt Studio’s previous project, The Schoolhouse, a creative office for The Google School for Leaders. Each share the goal to spur informal engagements between team members by carving out both shared and intimate spaces, and furnished to empower employees to adapt those spaces to their needs on an as-needed basis.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.