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The revision of EU-“Bolar Exemption“ under the draft EU Pharmaceutical Package

Harmonization requirements due to the current “Bolar Exemption”-rule under EU law

As part of its draft of an EU Pharmaceutical Package, the European legislator is seeking to amend the so-called “Bolar Exemption” that applies during patent or Supplementary Protection Certificate (“SPC”) protection of the reference medicinal product for human use.

This amended “Bolar Exemption” is drafted in Article 85 of the “Proposal for a Directive of the European Parliament and of the Council on the Union code relating to medicinal products for human use, and repealing Directive 2001/83/EC and Directive 2009/35/EC” of 26 April 2023 (COM(2023) 192 final, 2023/0132 (COD)) (“Draft”). The Draft is subject to the ordinary legislative procedure under Art. 294 TFEU. The Commission submitted the Draft to the European Parliament and Council. At present it is not yet foreseeable when a final version can be expected.

What is the “Bolar Exemption” under current EU law?

The “Bolar Exemption” allows the use of a medicinal product for human use as an exception to patent or SPC-protection. It is named after Roche Products, Inc. v. Bolar Pharmaceutical Co. (U.S. Court of Appeals for the Federal Circuit – 733 F.2d 858 (Fed. Cir. 1984)). The exemption regularly covers the conduct of certain activities in preparation for regulatory marketing approval of drugs, allowing especially generic manufacturers to develop generic drugs before the patent or SPC expires.

Currently the “Bolar Exemption” is implemented into EU law by Art. 10(6) of the Community code relating to medicinal products for human use (Directive 2001/83/EC – as amended by Directive 2004/27/EC) and Art. 41 of the Regulation on veterinary medicinal products (Regulation (EU) 2019/6). The overriding objective of the “Bolar Exemption” according to the European legislator is to promote affordability of medicinal products and patient access by increasing competition through facilitating an early market entry ofmedicinal products (cf. recital 14 of the Directive 2001/83/EC – as amended by Directive 2004/27/EC):

Art. 10(6) of Directive 2001/83/EC permits applicants for a marketing authorization of medicinal products during the term of protection of the patent or SPC to conduct studies, trials and the consequential practical requirements which are necessary to obtain the respective regulatory approval. Therefore, these conducts are not considered as patent or SPC infringement.

What will be new for “Bolar Exemption” under the draft of the EU Pharmaceutical Package?

The European legislator identified in principle three gaps of regulatory aspects which conflict with the regulatory objective at the legal and legal application level:

First, the scope of application is considered to be too narrow, due to the inconsistent application of the “Bolar Exemption” within the EU by its Member States. Therefore, the Draft proposes to significantly extent the scope of application of the exemption with respect to the group of benificiaries and their exempted activities (cf. also Explanatory Memomarandum, p. 17 and rec. 63 et seq. of the Draft). Not only studies and trials to studies, trials and the consequential practical requirements which are necessary to obtain the marketing authorization will be exempted, but also those necessary for the obtention of health technology assessment and pricing and reimbursement.

Second, in addition to the current exemption related to activities to obtain a generic or biosimilar drug, the proposed exemption aims to allow also the conduct of studies, trials, and other activities to obtain data for hybrid or biohybrid drugs and subsequent variants. Also, activities for health technology assessments and pricing and reimbursement procedures are explicitly included in the exemption – a clarification with respect to the current regulation of consequential practical requirements.

Third, the Draft also provides clarity regarding its application to commercial suppliers of active pharmaceutical ingredients when they supply medicinal products protected by a patent or SPC to generic manufacturers to conduct studies to obtain marketing approval. These third-party suppliers and service providers are now explicitly covered:

Article 85

Exemption to the protection of intellectual property rights

Patent rights, or supplementary protection certificates under the [Regulation (EC) No 469/2009 – OP please replace reference by new instrument when adopted] shall not be regarded as infringed when a reference medicinal product is used for the purposes of:

(a) studies, trials and other activities conducted to generate data for an application, for:

(i) a marketing authorisation of generic, biosimilar, hybrid or bio-hybrid medicinal products and for subsequent variations;

(ii) health technology assessment as defined in Regulation (EU) 2021/2282;

(iii) pricing and reimbursement.

(b) the activities conducted exclusively for the purposes set out in point (a), may cover the submission of the application for a marketing authorisation and the offer, manufacture, sale, supply, storage, import, use and purchase of patented medicinal products or processes, including by third party suppliers and service providers.

This exception shall not cover the placing on the market of the medicinal products resulting from such activities.

Our assessment

In line with the EU’s aim to incentivize manufacture and supply of medicines in the EU, the Draft acknowledges the practical realities of the generic pharmaceutical industry since supply of active pharmaceutical ingredients by third parties is usually necessary. The question of whether third party supply is exempted and if this would be the case, under which conditions, was subject of proceedings before the Düsseldorf Court of Appeals (Cf. Düsseldorf Court of Appeals, Decision of 5 December 2013, case no: I-2 U 68/12, only German), which referred these questions to the Court of Justice of the European Union (“CJEU”). However, no clarification was provided by the CJEU, following the withdrawal of the complaint by the patentee. The EU Pharma package now gives a clear answer to the first question but it remains unclear under which conditions third party supply is exempted. The Düsseldorf Court of Appeals applied a rather strict standard at the time by generally requiring the third party to take precautions to effectively counteract any unlawful use of the provided active ingredient outside of a privileged approval procedure, such as a use agreement including clear guarantees and contractual penalties in case of contravention from both parties. So there remain uncertainties that will have to be decided by the CJEU in the end.

What does it mean for the UPC?

Art. 27(d) of the UPC Agreement (“UPCA”) provides that the rights conferred by a patent shall not extend to the acts allowed pursuant Art. 10(6) of Directive 2001/83/EC. According to Art. 217(3) of the Draft, “[r]eferences to the repealed Directives 2001/83/EC […] shall be construed as references to this Directive”. Therefore, Art. 27(d) of the UPCA will refer to Art. 85 of the Draft once it will enter into force (cf. in the policy area of veterinary medicines: Art. 149, 41 of Regulation (EU) 2019/6 of the European Parliament and of the Council of 11 December 2018 on veterinary medicinal products in connection with Art. 27(d) UPCA). Eventually, there will be a more harmonized application of the “Bolar Exemption” as explained above also under the UPC, with the CJEU as ultimate decision-making authority.

Local artists jam for World Make Music Day in Kona

Local artists jam for World Make Music Day in Kona

Sitting in the back of a Kona restaurant on World Make Music Day, Pualani Willing and her partner were listening to local artist Hāwane Rios and Kailiwai sing original and traditional Hawaiian songs with soft rain as an accompaniment.

“We need more of this,” said Willing, a native of Waiʻanae. “Back in the day growing up, this was all day, every day. This is what we do as Hawaiian – we dance, we sing, we share.”

Hawaiian artist Hāwane Rios dances during the International Make Music Day at The View Restaurant Bar & Grill, Kona Country Club on June 21, 2023. (Megan Moseley/Big Island Now)

Make Music Hawaiʻi was established in 2020 as part of World Make Music Day, an international celebration of music that occurs every year on June 21 in more than 1,000 cities. The organization invites every kind of musician to share their favorite types of music and songs with anyone they come across on that day.

This was the second year the event occurred at The View Restaurant Bar & Grill at Kona Country Club. It drew a strong local crowd to support Hawaiian musicians.

Make Music Day in Kona on June 21, 2023. (Megan Moseley/Big Island Now).
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Playing ‘ukulele and guitar, talented local musicians performed in the open-air restaurant against a backdrop of Keauhou Bay and the golf-course.

Kenny Tagavilla, also known as Kenny T, plays country-flavored compositions about his home, has performed at both Make Music Day events in Kona.

“It’s a local crowd that’s here to enjoy the music,” he said. “This is like home to me. It’s awesome to be able to share.”

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Kona-native Tagavilla has become a popular locally, performing for 20 years at local bars and restaurants. But now he owns a trucking company and is busy with his family, so he has had to be more selective with his gigs.

Following Kekahi Young & Friends, Tagavilla wrapped up the evening’s events by performing alongside Guy Nagata and singing songs off his new album “Cruisin’.”

Kekahi Young & Friends perform during the International Make Music Day at The View Restaurant Bar & Grill at the Kona Country Club on June 21, 2023. (Megan Moseley/Big Island Now)

Keoni and Kalina Llanes, owners of The View Restaurant Bar & Grill, were happy to see a large turnout that evening. The seats and bar were full at the restaurant that can fit 120 people.

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“It’s nice to see the community come out,” Keoni Llanes said. “What we created was a local spot. It’s for tourists, too, but really we like to push the locals because they’re always here for us no matter what.

“They support us 100 percent, during our ups and downs and no matter what. It’s a family vibe and that’s what makes The View what it is today.”

For more information about Make Music Day, click here.

Peace Love Art: Charity Art Sale Partners Professional Athletes With Artists for Great Causes

Peace Love Art: Charity Art Sale Partners Professional Athletes With Artists for Great Causes

250 Artists, 11 Sports and Entertainment Celebrities, and 10 Charities join forces to promote the sale of over 700 works to support the arts and multiple charitable causes. Preview now, with the sale going live from July 9 through July 15, 2023.

TAMPA, FL / ACCESSWIRE / June 22, 2023 / The 3rd Annual Peace Love Art charity sale takes place Sunday, July 9-Saturday, July 15, 2023, featuring works by 250 international artists partnered with 10 charities to support the arts and causes. Featured artists include:

Christian Clayton (b 1967, Colorado, USA)
Christian Clayton (b 1967, Colorado, USA) “Waiting for You” Mixed Media on Canvas
Sample of the art available during the sale.
  • Canadian Artists Rachael Blakey, Jeffrey Malcolm, Luba Stoykovich
  • Cuban-born Artists Edel Alvarez, Pedro Hernandez, Alejandro Mazon, Ernesto Piloto
  • French Artist Geff Strik
  • Japanese Artist Kaoru Shibuta
  • Native Artists Ken Fury, Ramsey Kunkel, Craig Marks, Lauren Siyowin Peters, Brian Taaffe
  • Nigerian Artist Dominic Ibe Ajike
  • South African Artist Antoine de Villiers
  • Syrian Artist Randa Hijazi
  • USA Artists Christian Clayton, Obrianna Cornelius, Jay Decker, John Hall, Michael Kirst, Deborah Kolp, Steven Lester, Laura Letchinger, David Platt
  • UK Artists Bernard Gray and Cheryl Roach

“Last year’s event focused on Indigenous Artists supporting Dream Catcher Foundation,” said A+C Founder Rob Canton. “We were thrilled with the success of PLA: Indigenous Collective due to the dozens of artists that generously supported the Foundation and partnerships forged with several indigenous influencers. Everyone came together to promote indigenous artists and fight against murdered and missing indigenous women.” Rob added, “We built on that success by joining forces with 10 charities, resulting in 250 artists and 700 works of art this year.”

Eugene Brave Rock, best known for starring as “The Chief” in Wonder Woman (2017), is passionate about arts-particularly indigenous art. A Blackfoot from the Blood Tribe, which is part of the Blackfeet Confederacy, Gene recognizes the value of leveraging arts for causes, including his personal journey to preserve indigenous languages through his own Oki Language Project. “Native artists do a wonderful job preserving the culture of our various peoples,” said Gene. “Leveraging arts to support the preservation of languages is an amazing use of the arts for good.”

Houston Astros’ World Series Champion and Gold Glove winner Kyle Tucker’s charitable mission is bringing awareness to hospice care and helping support the quest to bring more affordable, quality care to those requiring it. “My family’s experience when my grandfather was in hospice brought to light the important role of organizations and people that devote their lives to providing compassionate, end-of-life care for our loved ones and their families,” said Kyle. “We are thrilled that many artists chose the Kyle Tucker Foundation to support through the sale of their artwork and hope people take time to see their amazing work and perhaps take home a piece or two.”

These are two of the 10 charity beneficiaries of this year’s Peace Love Art. Other charity ambassadors include Lance McCullers Jr., Eli Ankou, Chris Godwin, Johnny Damon, Allie LaForce, Joe Smith, and Jimmy Buffett-founded Save the Manatees Club.

Supporters and art collectors can preview the artwork now at https://PLA2023.givesmart.com and the site will be live for purchases from July 9 through July 15. All artists have generously agreed to direct half the funds raised from each sale to the partner charity of their choice.

###

About A+C Foundation: A+C empowers athletes/artists to give using without the high costs and risks associated with creating their own 501(c)(3). Their fiscal sponsorship allows the opportunity to gain instant tax-exempt status. For more information, visit www.artsandcauses.org.

Contact Information

Rob Canton
CEO
[email protected]
813-495-3572

SOURCE: A+C Foundation

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Susquehanna University appoints new members to Board of Trustees

Susquehanna University appoints new members to Board of Trustees

June 22, 2023

Susquehanna University has appointed six new members to its Board of Trustees.

“Susquehanna University’s leaders are committed to providing our students with an innovative education that prepares them for productive, creative and reflective lives of achievement, leadership and service,” said University President Jonathan Green. “Our Board of Trustees is integral to the university achieving these goals.”

Appointed to terms ending in 2027 are:

Kendra Aucker, president and chief executive officer, Evangelical Community Hospital, Lewisburg.

Aucker was appointed president and chief executive officer in 2015 after serving the hospital previously as executive vice president/chief operating officer. An integral part of Evangelical Community Hospital’s senior leadership team since 1990, Aucker also served in operations, physician practice management and marketing roles.

Aucker holds a Bachelor of Arts from The Pennsylvania State University and a Master of Business Administration from Frederick Taylor University.

Megan McMullen ’02 Blue, senior director of major gifts team, White Plains Hospital, New York.

McMullen Blue is a key member of the development senior leadership team at White Plains Hospital. Prior to her tenure there, she served in director of development roles at organizations including Read Alliance, The George Washington University and the National Multiple Sclerosis Society.

After graduating summa cum laude from Susquehanna with a Bachelor of Arts in public relations, she earned a Master of Public Policy from the George Washington University’s Trachtenberg School of Public Policy & Public Administration. Before being elected to the Board of Trustees, McMullen Blue served as president of the Susquehanna University Alumni Board.

Douglas Powell ’75, attorney, Powell & Associates, Atlanta, Georgia.

After graduating from Susquehanna with a bachelor’s degree in English, Powell earned his law degree from Wake Forest University Law School in 1980. He practiced law in North Carolina before serving as a decorated lieutenant in the Judge Advocate General’s Corps in the United States Navy Reserve (1981-1985). After completing his service, Powell practiced law at Fortson & White (1985-88 and Hinton & Powell (1988-2021) before founding Powell & Associates in 2021.

In addition to his work as an attorney, Powell graduated summa cum laude in 2006 from the Art Institute of Atlanta in culinary arts. He was employed as a sous chef at the InterContinental Buckhead Atlanta hotel from 2006 to 2010. He became a certified sommelier and wine judge in 2009 and taught wine courses at the Art Institute of Atlanta in 2010. In 2021, Powell became a fine art and landscape photographer.

Joseph Yalch Jr., DDS, ’86, dentist, Penn Family Dental, Philadelphia.

After graduating from Susquehanna University with a bachelor’s degree in biology, Yalch enrolled in Georgetown University School of Dentistry, Washington, D.C., and graduated in 1990.

Yalch is a general dentist who spent nearly 29 years in private practice in downtown Washington, D.C., before joining Penn Family Dental in 2018. His emphasis is in advanced restorative dentistry, providing clinical skill and expertise in all aspects of restorative dentistry, but he is particularly adept at treating complex, multi-disciplinary cases.

He maintains memberships with the American Dental Association and Academy of General Dentistry, among others.

Emma Fleck, department head of management and marketing and associate professor of entrepreneurship and marketing at Susquehanna University, was appointed as a faculty representative to Susquehanna’s Board of Trustees.

Fleck came to Susquehanna from Colorado Mesa University where she was an assistant professor of entrepreneurship and marketing. She earned her doctorate in marketing and entrepreneurship from the University of Ulster, Northern Ireland, where she also earned a postgraduate certificate in teaching higher education.

Her research has included gendered aspects of entrepreneurship, internationalization and spirituality in the workplace. Additionally, she is the co-founder and strategic development director at Zenith Online Marketing.

Ryan Rorls ’25, of Frederick, Maryland, was appointed as the junior representative to the Board of Trustees and will serve a two-year term.

Rorls is a management major with a minor in data science & analytics. At Susquehanna, she is a member of the women’s volleyball team, Enactus and the Student-Athlete Advisory Committee.

UFC Names Slate Milk Official Marketing Partner

UFC Names Slate Milk Official Marketing Partner

Under the terms of the agreement, Slate Milk will receive prominent branding in the world-famous Octagon at some of UFC’s biggest events, including select Pay-Per-Views and Fight Nights, all episodes of Dana White’s Contender Series starting this August, and all episodes of season 32 of The Ultimate Fighter, which debuts in 2024. 

In addition, Slate Milk will receive branding integration within a number of Pay-Per-View broadcasts as well as within event-specific social media content that is distributed through UFC’s popular digital and social channels, which collectively reach over 233 million global users.

Slate Milk will also be featured within UFC’s state-of-the-art Performance Institute in Las Vegas and will be made available to UFC fighters and other elite athletes for their use. 

“I got turned on to Slate from a friend of mine and started using the product, fell in love with it, and now they are an Official UFC partner,” said UFC President Dana White. “There is nothing better than doing deals with people, products or a company that you actually love and use.”

Slate Milk, co-founded by Manny Lubin and Josh Belinsky in Boston, Mass., has seen rapid growth since their launch. “UFC is an incredible organization with some of the most loyal and passionate fans in the world. The continued growth of their business is really one of the more remarkable entrepreneurial stories of our generation,” said co-founders Manny and Josh. “Our mission at Slate Milk is to help make people and the planet stronger. We’re extremely excited to partner with UFC to amplify our brand awareness and provide the UFC fanbase with shamelessly chuggable high protein, low sugar, delicious drinks.”

Slate Milk began as an idea for “helping to give chocolate milk a clean slate,” as stated by Lubin and Belinsky. After a successful Kickstarter campaign and an appearance on ABC’s Shark Tank, the business launched in late 2019. Since then, the business has raised over $20 million in venture funding and has grown to over 12,000 retail locations across the U.S.  Their products do not require refrigeration and are also sold online at slatemilk.com (U.S. only) and on Amazon.com.

The Beginnings and Basics of Aerial Photography

The Beginnings and Basics of Aerial Photography

The Beginnings and Basics of Aerial Photography | National Air and Space Museum


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The Beginnings and Basics of Aerial Photography

Jun 21, 2023

Picture the Earth from above. In your mind’s eye, what do you see? Today, we have access to air and space technology that lets us see various views of the Earth with ease. 

However, before the development of practical aircraft photography, aerial views of the Earth were obtained in different ways. Our first looks at the Earth from above came from kites, rockets, balloons, and even pigeons. 

Early interest in the aerial view took the form of idealized sketches depicting how cities would look from above. In the 19th century, towns across the U.S. commissioned these “bird’s-eye view” drawings. (Library of Congress)

Pigeons 

In 1903, Dr. Julius Neubronner patented a miniature pigeon camera activated by a timing mechanism. Equipped with the cameras, the pigeons photographed a castle in Kronberg, Germany around 1908. 

Pigeons wearing cameras. (Deutsches Museum, Munich)

Balloons 

From their early beginnings, balloons soon soared to great heights. They became useful tools in the fields of art, science, and reconnaissance. In 1860, James Wallace Black conducted the first successful aerial photographic effort in the United States when he took a series of photos from Samuel Archer King’s balloon overlooking Boston. Black had previously attempted to photograph Providence, Rhode Island from a balloon but was unsuccessful.

An aerial view of Boston taken by James Wallace Black in 1860. (Boston Public Library)

Black’s success came on the eve of the Civil War, where photography from balloons became a key tool in military reconnaissance. Thaddeus Lowe, a pioneer in balloon reconnaissance, flew high above the battlefields to observe troop movements during the Civil War.   

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In this photo, Lowe is shown reporting the approach of a Confederate regiment in an area where Union officers had expected only friendly forces. (Defense Visual Information Center)

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Note dated July 25, 1861, from President Lincoln urging Lt. Gen. Winfield Scott to meet with Thaddeus Lowe to discuss his balloons. Lincoln was impressed by the potential of balloons for reconnaissance, but the skeptical General Scott, a senior military commander, needed some convincing. Lincoln urged him to provide Lowe with any necessary assistance. (Smithsonian Institution)

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Letter from Major General George Stoneman praising Lowe’s achievements. (Smithsonian Institution)

Read transcript.

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 Original correspondence between Thaddeus Lowe and Joseph Henry, first Secretary of the Smithsonian Institution. Henry gave Lowe much support in his quest to use his balloons for Civil War reconnaissance. In 1861 with Henry’s aid, Lowe demonstrated the value of his balloon on the site where the National Air and Space Museum now stands. From his vantage point, 152 meters (500 feet) above the ground, he telegraphed a message to President Lincoln thanking him for his encouragement. (Smithsonian Institution)

Read transcript. 

Balloon aerial photography continued to be an asset in military reconnaissance long after the Civil War. In 1956, more than 500 plastic reconnaissance balloons were launched for a program called Moby Dick. Under the guise of gathering meteorological information, the balloons were equipped with cameras to photograph Soviet territory.

The reconnaissance balloons from Moby Dick floated with the winds and were retrieved after passing beyond Soviet borders. Only 44 were successfully recovered. (Defense Visual Information Center)
Skyhook panoramic cameras were flown on balloon reconnaissance missions very similar to those of the Moby Dick program. (Smithsonian Institution)

Kites 

In 1895, Lt. Hugh D. Wise of the 9th Infantry Division experimented with photo kites at Madison Barracks, New York. He built a 5.4-meter (18-foot) high kite and attached a box camera to the string. Triggered by a timing device, the camera took photos from an altitude of 180 meters (600 feet). 

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Lt. Wise and his kite. (Defense Visual Information Center)

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Wise’s kite camera. (Defense Visual Information Center)

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San Francisco after the 1906 earthquake. The photographer, G.R. Lawrence, flew an array of 17 kites, which he called a “captive airship,” to hoist his camera aloft. (Library of Congress)

Rockets

You might think rocketry would enter the picture in the 20th century, but in 1888 Frenchman Amedee Denisse designed a photo rocket. The design is thought to be the first of its kind—however, it wasn’t the last. 

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This photo rocket was conceived by the Frenchman Amedee Denisse in 1888. On the left is a 12-lens camera that fits beneath the rocket’s nose cone. After the film was exposed, the camera and rocket would be parachuted back to Earth. It is not known if the rocket was ever built. (Smithsonian Institution)

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Alfred Nobel, famous for establishing the Nobel prize, also designed a photo rocket in 1897. (Nobel Foundation)

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View of a village in Sweden thought to be taken by Alfred Nobel’s photo rocket in 1897. (Nobel Foundation)

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German landscape photographed in 1904 by the camera system of Alfred Maul, a trailblazer in photo rocketry. (Smithsonian Institution)

Aircraft

From the first clumsy flights and fuzzy photos, airplane photography developed rapidly into a precise and useful tool for looking at Earth. Surveyors, mappers, geologists, resource managers, urban planners, and military strategists have all come to rely on the airplane view of our world. Beyond these practical uses, however, air photographs reveal landscapes of beauty and symmetry that go undetected on the ground level. 

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This picture captured San Diego, CA in 1911. The aerial panorama, taken from a Curtiss Hydroplane, is thought to be the first photograph taken from an airplane in the U.S. (Defense Visual Information Center)

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George T. Murray of the Boston Journal photographed Salem, Massachusetts on June 26, 1914, following a disastrous fire. The photograph was enlarged to cover the entire front page of the Journal. This is the first known use of aerial photography for journalism. (Defense Visual Information Center)

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Early airplane photography was not without its technical difficulties. In 1911, this enthusiastic flyer photographed his own feet. (Defense Visual Information Center)

The Many Uses of Aerial Photography  

Using balloons, and later aircraft, for aerial photography proved to be useful in conducting military reconnaissance—but aerial photography has practical applications in many fields. When the Earth is viewed from the air, patterns, boundaries, and landmarks appear that are often not visible at close range. From this vantage point, the camera can record natural and man-made features and events, from the remains of ancient civilizations to the aftermath of a modern disaster.  

Geology

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Fremont County, Wyoming 

With aerial photographs, geologists can easily spot rock structures like the one pictured here. Shale and sandstone beds have been folded to form this elongated dome. (U.S. Geological Survey Photograph) 

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New Jersey Coastline 

Aerial photographs such as these allow scientists to monitor shoreline erosion. (U.S. Geological Survey Photograph) 

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Kilauea Volcano 

A record of Kilauea’s volcanic activity is documented in this aerial view of the summit crater. (U.S. Geological Survey Photograph) 

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Ohio River 

Curved lines tell the tale of the river’s shifting path from right to left. (U.S. Geological Survey Photograph) 

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Columbia Glacier, Alaska 

Studying rugged and inaccessible glacial terrain is made easier by the use of aerial photography. (National Snow and Ice Data Center) 

Archaeology

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Diyala Plains, Iraq 

Aerial mosaic of the Diyala Plains found in Iraq, east of Baghdad. Ancient canal systems dating from 637 to 1150 CE have been mapped on the photograph. Identification of archaeological features such as these, which extend over vast areas, can be greatly facilitated by the use of aerial photography. (Robert McCormick Adams) 

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Close-up aerial view of the same region. Traces of the linear canals can be easily located in the upper left and right. Also visible are an ancient dam (center) and the basin where water backed up behind it. (Robert McCormick Adams) 

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Map of Diyala canal systems from the period between 637 and 883 CE. By combining information gathered both in the field and from aerial photography, the layout of the canals can be mapped for different periods. (Robert McCormick Adams) 

Disaster Assessment

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Alaskan Earthquake 

Air photos are useful for pinpointing disaster areas and organizing relief efforts after major disasters such as the Alaskan earthquake of 1964. (Dino Brugioni) 

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Landslides and an 8-meter (26-foot) wave combined to ruin most of the businesses in Seward, Alaska. (Dino Brugioni) 

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Washington, DC Flood 

In 1936, the Potomac River inundated low-lying areas of Washington, DC. The Washington Monument is visible on the left. (National Archives and Records Administration)

Monitoring the Environment

When workers became ill during the construction of a public park on Neville Island in Pennsylvania, environmentalists used aerial photos to look back through time and locate the problem. 

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1938 
Farmlands on Neville Island. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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1948 
Signs of development. Apartment complexes have sprung up and a large Earth scar on the island’s tip indicates increased construction. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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1952
Dark patches suggest dumping of liquid wastes. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center.

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1959
A long narrow holding trench has been constructed for liquid wastes. A new road leading to the shoreline may have been built to facilitate dumping in the channel. Trenches indicate burial of solid wastes. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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1969
Solid waste disposal has ceased, but many dark patches of liquids still remain. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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Spring 1973
Liquid wastes have been dumped along the central road. The apartment buildings have been knocked down suggesting plans for new development. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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Fall 1973
By the fall of the same year all dumping has ceased. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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1979
The completed recreation area is empty and abandoned due to the hazards of wastes buried many years before. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

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1980
In this near –infrared photo, bright red represents healthy vegetation. The paler spots indicate areas where the long-forgotten wastes inhibited growth of grass in the park. Aerial photo analyses courtesy of EPA’s Environmental Photographic Interpretation Center. 

Different Views 

High-altitude photography allows coverage of vast areas on a single frame. Large-scale structures and landmarks can be quickly and conveniently scanned, mapped, or surveyed. 

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The tip of Cape Cod, Massachusetts from 19,800 meters (65,000 feet). (NASA) 

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Furnas County, Nebraska from 12,200 meters (40,000 feet). (National High Altitude Photography Program, EROS Data Center, U.S. Geological Survey) 

High-resolution photography provides coverage of large areas without loss of fine detail. Both a broad regional overview and a detailed local survey can be combined in one photo. 

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High-resolution view of New Orleans from about 13,000 meters (42,000 feet). (Raytheon Systems Company) 

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The same scene enlarged 12 times. (Raytheon Systems Company) 

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The same scene enlarged 24 times. (Raytheon Systems Company) 

Airborne radar provides the capability to study geologic structures and terrain characteristics as they extend over large areas. Because radar has the ability to “see” through clouds, imagery is available in all kinds of weather. Radar images have useful applications in the fields of mineral resource exploration and groundwater analysis. 

Side-looking Airborne Radar image of the De Long Mountains region in Alaska. The “smiling face” is in reality a geologic structure of folded rocks called a syncline. (EROS Data Center, U.S. Geological Survey) 

Putting it all Together 

Aerial photography is useless without someone to intercept the images produced. Photo interpreters can read an aerial photograph like a book, and they employ many skills to help them analyze the terrain they are viewing. 

One method that aerial photo interpreters use to view large regions in one glance is called mosaicking. Several photos of adjacent areas are pieced together like a jigsaw puzzle to present the “big picture.” 

Laying mosaics at the Photo Interpretation Center on Guadalcanal. Mosaic lines between the photos are clearly evident. Today digital images can be processed by computer to produce smoother image transitions. (Defense Visual Information Center) 
Piecing together aerial mosaics at the Training School at Chanute Field, Illinois, in the 1920s. (Defense Visual Information Center) 

Stereo photography allows the interpreter to see the ground in three dimensions by viewing overlapping photos taken from different locations. To acquire complete stereo photography of an area from above, a series of overlapping photos must be taken along a designated flight line with more than 50% overlap between adjacent photos. 

Natural and human-made features can be seen in three dimensions with the aid of a stereoscope (now used mainly for educational purposes) and two overlapping scenes. With the addition of depth, aerial photos can provide the interpreter with more information on geologic boundaries, terrain characteristics, relative heights, and regional topography. 

If you have a pair of red/blue glasses, you can simulate the 3D effect of using a stereoscope by viewing these anaglyphs made from aerial photos below. 

Custom Image Caption

Carquinez Bridge, CA
(U.S. Geological Survey/CEPS) 

Custom Image Caption

Sunset Crater, AZ
(U.S. Geological Survey/CEPS) 

Custom Image Caption

Mt. Capulin, NM
(U.S. Geological Survey/CEPS) 

Custom Image Caption

Menan Buttes, ID
(U.S. Geological Survey/CEPS) 

Aerial photography has a long history and serves as a functional tool for all kinds of work such as military reconnaissance, scientific research, and mapping. The technologies of flight have greatly propelled our ability to see the changing Earth from above.  


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  • ‘Van Gogh’s Cypresses’ Review: Branching Trees and Starry Nights

    ‘Van Gogh’s Cypresses’ Review: Branching Trees and Starry Nights

    Installation view

    Photo: Richard Lee/The Met

    New York

    I’ve been told that years ago, when the Metropolitan Museum of Art’s marketing team vainly sought an alluring title for a show by the obscure French Romantic painter

    Théodore Chassériau,
    an exasperated curator suggested “Why don’t we just call it ‘

    Vincent van Gogh
    ’?” Visitors’ enthusiasm for the troubled Dutch painter of sunflowers and irises helps to explain the apparently nonstop run of Van Gogh exhibitions organized internationally since 2001, including a superb drawing show at the Met in 2005. That turbulent life story (see: mutilated ear) adds to the fascination the work exerts, along with the instantly recognizable ferocious brushwork and the remarkable brevity of his career. Vincent van Gogh devoted himself to painting for only the last 10 of his 37 years—born in 1853, he died by suicide in 1890. The works that sustain his reputation date between 1884 and 1890, while the majority of his most acclaimed canvases were made after 1888, during a period marked by illness, psychological and emotional upheavals, voluntary sojourns in mental hospitals, and intense dedication to art-making.

    ‘Wheat Field With Cypresses’ (June 1889)

    Photo: The Met

    Van Gogh’s Cypresses

    Metropolitan Museum of Art, through Aug. 27

    Given the countless catalogs, scholarly articles, books (including three volumes of a catalogue raisonné, plus six volumes and a superb website dedicated to his letters), movies, questionable novels, and museum gift-shop items, is there anything left to be said? Astonishingly, there is. “Van Gogh’s Cypresses” at the Met offers a fresh look at an important theme never before studied in depth. Apart from the crowds, the tightly focused show is a pleasure and a revelation. Organized by

    Susan Alyson Stein,
    the Met’s curator of 19th-century European painting, it assembles about 40 significant paintings and stellar drawings, plus some illustrated letters, beginning with a drawing made soon after Van Gogh’s arrival in Arles, in March 1888, with a cypress in the background. It ends with works made in Auvers, in northern France, informed by memories of Provençal olive trees and cypresses. The installation is punctuated by excerpts from Van Gogh’s letters about his responses to cypresses, such as the challenge of painting towering black trees in a light-struck yellow wheatfield and his “need” to paint cypresses and stars.

    ‘The Starry Night’ (June 1889)

    Photo: MoMa, N.Y./ARS, N.Y.

    ‘Cypresses’ (June 1889)

    Photo: Brooklyn Museum

    We see his first images of the trees in paintings made in Arles; shown in the distance, they are clusters of dark, spiky vertical strokes linking flat fields and sky, or in the periphery, as windbreaks surrounding orchards whose blossoms attracted him. We come closer to the cypresses, as a couple of portly pyramids in “The Public Garden” (October 1888), painted about the time

    Paul Gauguin
    joined him in Arles in hope of establishing “a school of the South.” The cypresses are pushed away again when Van Gogh committed himself to the asylum in Saint-Rémy, early in 1889, after his disastrous quarrel with Gauguin the previous December. (See: ear, time of mutilation.) They dominate some of the strongest paintings on view, such as “Cypresses” (June 1889), in which two flame-like trees fill half the canvas, against a narrow glimpse of roiling clouds and a crescent moon, above dramatic hills; everything is evoked with tightly curled, flickering brushstrokes of thick paint. Van Gogh’s expressed desire to paint cypresses and stars was fully realized by the celebrated, done-from-memory “The Starry Night “(June 1889), here informatively contextualized. Because of that context, we note that the painting’s slender, pointy trees are made more economically, with longer, straighter strokes, than any of his other cypresses, as if all of Van Gogh’s energy had been expended on the swirling stars and moon.

    ‘Cypresses’ (June 1889)

    Photo: The Met

    There are illuminating moments throughout. Early on, we see him testing the possibilities of both Impressionist divided color and crisp shapes influenced by Japanese prints, and watch him invent ways of suggesting windswept wheat and trees with repeated touches of the brush. Later, we can follow his urge to simplify and clarify, and to lighten and heighten his palette, in two versions of a wheatfield with cypresses, under agitated clouds, against equally agitated hills, painted at Saint-Rémy after he was allowed to leave the asylum grounds to set up his easel in the neighborhood. But the high points of the show are the rhythmic, obsessive reed-pen drawings, with their dots, squiggles, loops and staccato bars standing for brushstrokes and color. Done not as studies, but from the paintings as records sent to his brother Theo or his friend

    Émile Bernard,
    the drawings are notable for their manic energy and richly varied expanses of marks. Lively as the large “portraits” of cypresses done in June 1889 are, for example, the drawings that reproduce them are even more vital.

    Van Gogh is so famous, his work so frequently reproduced, that it can be difficult to concentrate on what we are seeing when we encounter the real thing. “Van Gogh’s Cypresses” makes this over-exposed artist engaging again. Even “The Starry Night” looks unexpected. And the informative catalog, with essays by the curator and other scholars, encourages new considerations of the work. It’s worth braving the crowds.

    Photography, special events venue proposed in Gladstone

    Photography, special events venue proposed in Gladstone
    image

    The Amherst County Planning Commission on June 15 voted to recommend approval of a special exception permit for a photography venue and event place for weddings, tea parties and other similar uses at a property in Gladstone.

    The 81-acre site at 2409 Riverville Road is zoned Agricultural Residential, A-1. Phyllis Maire, the applicant, said the property is a large, beautiful spacious piece of property.

    “I’m hoping that it will be a draw to people,” Maire told the commission.

    The property is surrounded by agriculturally-zoned land with a single-family dwelling to the southeast, an old CSX laydown yard to the east and vacant land. Maire proposes to make use of both parcels for the photography venue and special events space; however, she will not be proposing any special events on the lot across the railroad tracks, according to county documents.

    People are also reading…

    “I just love serving people,” Maire said during the June 15 meeting, adding her goal is to bring something unique and nice to the Gladstone area.

    The commission’s recommendation of approval, which heads to the Amherst County Board of Supervisors, includes a condition that a parking attendant shall direct traffic with events greater than 75 guests.

    Also during the meeting, the commission recommended approval of special exception permit for a short-term rental for a property at 1648 S. Coolwell Road. That request will also go before the board of supervisors in the near future.

    The 10-acre site is zoned General Residential, R-2, and applicant Verna Sellers said it has been in the family since 1920 and the family wants to share it with others.

    In other news from the meeting, Amherst County Co-Director of Community Development Tyler Creasy said a new Cookout restaurant in Madison Heights is nearing the construction phase. The food chain is moving forward with a permit to demolish to former Long John Silver building in between Seminole Drive and Lakeside Driver and build a new restaurant, according to Creasy.

    A site plan for a Dunkin Donuts in a former Biscuitville in Madison Heights also has received approval from all agencies involved in the review process and is getting closer to moving forward, Creasy said.

    Justin Faulconer, (434) 473-2607

    jfaulconer@newsadvance.com

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