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Patrick Fisher’s road from rock shows to Greater Pittsburgh Arts Council CEO

Patrick Fisher’s road from rock shows to Greater Pittsburgh Arts Council CEO

Patrick Fisher’s route to his new position as CEO of Greater Pittsburgh Arts Council has followed an indirect but always arts-tethered path.

After earning an associate’s degree in sports entertainment promotional management from Northwood University in Midland, Michigan, and a bachelor’s degree in business administration and management from Penn State Erie, the 38-year-old native of Cochranton, Crawford County worked for two regional airlines and a private equity group in Alaska. He then joined an arts council in Jacksonville, Florida, which led to a five-year stint as executive director of Erie Arts & Culture.

However, the journey’s true point of origin began in his teens. 

“When I was 15, I started going up to Erie from my small town to attend punk and rock concerts,” he recalls. “Truthfully, that was when I started to develop as a person. Through that scene, I first was exposed to a community in a real sense. A lot of the bands I was watching had a substance about them. They were talking about global issues I had not known about. That exposure to the DIY community really taught me about supporting the community that you’re a part of. And that small efforts can go a long way.”

During his post-university travels, Fisher found himself helping his community by writing foundation grants for musician friends or recording local artist videos in his cabin outside of Fairbanks, Alaska. 

Two immersive years as a community collaboration manager for the Cultural Council of Greater Jacksonville provided solid training in arts administration.

His leadership at Erie Arts & Culture from 2018-2023 received numerous accolades for boosting the city’s arts community. He established an artist residency program that paired visiting artists with local industry, secured more than $1 million in grant funding, oversaw the creation and installation of more than 65 new public art assets, and developed a five-year strategic plan focused on capacity building, lifelong learning and placemaking and placekeeping.

NEXTpittsburgh caught up with Fisher as he readied the moving van for Pittsburgh.

* * *

Fisher gives his dogs Opal (front) and Bronson treats in his Strip District apartment. Both dogs are three-legged rescues. Photo by Sebastian Foltz.

NEXTpittsburgh: You mentioned that, though you don’t personally identify as an exhibiting artist, you’re never without a camera.

Patrick Fisher: I have my camera with me all the time. Pretty much every photo we ever used over the last five years through Erie Arts & Culture’s marketing collateral is a photo I took. It’s important for artists and arts organizations to tell the story of their impact. That is why I always have my camera, because photos often support impact storytelling better than just text alone. 

NEXTpittsburgh: GPAC’s retiring CEO Mitch Swain has helped shape the organization into a comprehensive support resource for Pittsburgh artists. Do you envision other service areas the Council might explore?

Fisher: Even before applying for this position, I was very familiar with the Council and the staff. There’s a great team in place, and I’m really excited to be joining them. I’m very much aware of the history that Pittsburgh has around the arts and producing strong arts organizations, but also producing really impactful artists that have either had a very significant impact at a regional level or a national and international level. 

Mind you, we have to do a lot of active listening and strategic planning. But I think that as I move into Pittsburgh, the question I’m going to continue to come back to is: What does the Arts Council specifically have to lead the charge on in order to make Pittsburgh one of the best Tier 2 cities for an artist to live and work? To me, that means not solely focusing on the commerce activity of the arts but the artistic process as well. 

“When I was 15, I started going up to Erie from my small town to attend punk and rock concerts,” Fisher recalls. “Truthfully, that was when I started to develop as a person.” Photo by Sebastian Foltz.

NEXTpittsburgh: Has GPAC done an assessment of the post-pandemic status of the region’s artists and arts organizations? Assessing what the impact of that disruption has been? 

Fisher: I’ve been reading about the number of artists living in poverty and some of the great concerns that artists have in Pittsburgh around housing and studio space and access to healthcare. If we want to be a great city for an artist to live and work, collectively we’re going to have to resolve those issues. 

We want Pittsburgh to be a place where artists can thrive. Artists invest sweat equity into the communities where they’re living. They also contribute to a positive impact on the quality of life for everybody else as well. 

NEXTpittsburgh: Funding for the arts, especially grassroots or community-based arts, is always an uphill climb. Are there new approaches you’re thinking GPAC might develop?

Fisher: I think there are. There are opportunities to go after more private capital and venture capital, but with that, you have to be really cautious about what you commit yourself to as an organization. Because at the end of the day, we should be focusing on those donors that want to give to us because they’re aligned with our mission and the work that we do. 

NEXTpittsburgh: Do you have ideas as to how culture and creativity can be a bigger part of everyday life here in Pittsburgh?

Fisher: One of the things that really attracts me to Pittsburgh is that there is a breadth of cultural identities. The arts, and creativity as a whole, are a spectrum — a range of disciplines and processes and identities and purposes and everything else that falls into that spectrum. And if you’re only prioritizing a small portion of that spectrum, then that means you’re not going to be able to successfully weave it into the fabric of everyday life. 

It’s important to recognize the talent that exists at a community and neighborhood level. It’s often easy to think about the institutions and the talent that is present in institutions, but there is also great talent present at the neighborhood level. 

If you are embracing that full spectrum of the arts in your community, then you’ll make sure you are not perpetuating any idea around a dominant culture. Recognizing and valuing that spectrum in every stage of the process is really important.

For me, it’s a question of how do we make the Arts Council mission resonate with as much of our population as possible. You do that by telling the story of your impact. 

NEXTpittsburgh: Which is why you always have your camera at the ready. 

Fisher: I think that through impact storytelling we’ll certainly be able to continue to tell a great story around the Arts Council and the folks that we serve and how our work impacts the community at large. 

People in Public Service: Lee Wojnar, Action-Oriented Visionary

People in Public Service: Lee Wojnar, Action-Oriented Visionary

Lee Wojnar maintains his vision on community resilience with an eye to future generations. As president of the board of the Olympia Tumwater Foundation he continues to cultivate meaningful connections with the people who live, work, and visit Thurston County, and specifically Tumwater. During the day, he’s the Chief Marketing Officer at OBEE Credit Union. Artist, photographer, hiker, husband, and father of five, now adult, girls, Lee shares the richness of his life with others.

Lee Wojnar’s Path to Washington and Volunteering

Lee grew up on the east coast. “I put myself through school,” he recalls, He graduated from the University of the Arts in Philadelphia. He owned his own production company for 18 years until he was recruited by Intel. He and his young family settled in the Pacific Northwest. Lee was on the forefront of digital imaging and became a senior marketing manager.

Lee reflects on his various volunteer activities. “I didn’t think I would ever do this kind of work,” he shares. “My family didn’t do this. Giving back and helping others is part of me now. It’s important.”

Lee and Anne Wojnar attending the Saint Martin’s Gala Fundraiser, which supports student scholarships. Photo courtesy: Lee Wojnar

His early volunteering was with the Tumwater Youth Program (TYP), through the City of Tumwater. It’s an after-school program for students. “I hung out with the kids,” smiles Lee, as he remembers the various events and conversations with students.

Lee served on the United Way of Thurston County Board for nine years including time as president. “I learned more about the community,” he says of his experiences with this agency. He still volunteers with Capital Soccer Fields and works to support maintenance of the complex.

Large group of people dressed up and posing for a photo inside a banquet hall behind a table
Lee served with the United Way board, including time as president. The organization thoroughly supports our community by investing in local nonprofits doing important work. Photo courtesy: Lee Wojnar

Leadership at OBEE

Lee brings his community spirit into his work at the OBEE. For example, the credit union supports the Thurston Asset Building Coalition, which partners with community organizations to help people with limited incomes to broaden and stabilize their resources such as housing, income, education or food. One project provided no-cost tax preparation. OBEE also supports the Thurston County Food Bank and United Way.

Lee has overseen growth in OBEE’s business from $98 million to over a half billion in assets. Originally OBEE served only the brewery workers, but is has expanded to include anyone who lives, works or worships in the state of Washington. Out of state Pabst employees can also join.

The Olympia Tumwater Foundation

As president of the Olympia Tuwmater Foundation, Lee works hard to support their mission, which honors the legacy of the Schmidt family by maintaining and providing Brewery Park at Tumwater Falls for use by the public. It awards annual scholarships to graduating seniors. It also preserves the historic Schmidt House and records of the Olympia Brewing Company, a Northwest iconic brewery.

Brewery Park hosts 250,000 visitors each year. People come to see the salmon hatchery, walk the trails, breathe in nature, and take a break. The expansion of the Washington Department of Fish and Wildlife salmon hatchery and construction of the Deschutes Valley Trail (ADA-compliant walking and bicycling trail sponsored by the City of Tumwater) happened with generous easements from the Foundation. “It’s a special unique space,” says Lee. “I don’t want it to go commercial.” Future generation will continue to enjoy the park, which is free to visitors.

Many people are surprised to learn the oft visited and local favorite park in Tumwater is privately owned. The 15-acre park is known for photography-inspiring waterfalls, impressive rock formations, scenic walking path, picnic areas and play areas. Plans for the History & Nature Center are well underway, with the first $2 million secured. Major fundraising efforts are moving forward to build a multi-use facility that will serve as a learning center and display space. As board president, Lee is leading the campaign.

“I work with Lee on the Olympia Tumwater Foundation board, and he approaches nonprofit work with excitement, energy and passion thus creating meaningful assets in Thurston County,” notes Dan Jones, CEO ThurstonTalk.com.

President Lee Wojnar presents a scholarship to Meridee Hill.
The Olympia Tumwater Foundation awards scholarships to local high school seniors. Pictured: President Lee Wojnar presents a scholarship to Meridee Hill. Photo courtesy: Lee Wojnar

People may also be unaware of the generous scholarships awarded annually to graduating seniors. It’s another way the Foundation believes in investing in the future. You might want to visit the Schmidt House, which is registered on the National Register of Historic Places. The well-tended grounds feature statues from Europe brought here by Leopold Schmidt. Walk around native gardens and see the reflecting pool.

Enjoying the Pacific Northwest

Lee’s days are full. However, he manages time to smoke his own salmon “I have my own smoker,” he says. He also likes to get his hands dirty, rebuilding engines or with a carpentry project.  “My dad was an electrician,” he adds.

log cabin in grass
Lee and his father built this lovely log cabin.
Photo courtesy: Lee Wojnar

He enjoys being a good neighbor. You can ask him about rescuing a friend’s cat in the middle of the night. He and his wife also have fun with neighbor Bill Carter. In winter, you might find Lee blowing snow off driveways. “I am a firm believer that you help when you can,” says Lee. He and his wife Ann like to hike and ride bikes together.

Volunteering in Thurston County

There are more volunteer opportunities in our community than one might imagine. Whether you can support financially or with your time and talents, there is surely something that aligns with your interests: children, animals, land preservation, elder care, art, education. “If everyone does a little, it makes a difference,” says Lee, adding, “And, it’s highly appreciated.”

Thank you, Lee, for your continued involvement in our community.

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Rare Photographs by Andy Warhol Collate in ‘Voyages avec Warhol’ Exhibition

Rare Photographs by Andy Warhol Collate in ‘Voyages avec Warhol’ Exhibition

Andy Warhol is a talent beyond pop art, often picking up his 35mm Minox camera to capture photographs of his daily surroundings, fascinations, and moments. Ever an opportunist, having a camera in hand enabled Warhol to capture now-iconic imagery, of which more than 40 are now on display at the Voyages avec Warhol exhibition, presented by Château La Coste in collaboration with Hedges Projects.

Curated from the James R. Hedges, IV Collection, the collection includes imagery spotlighting dear friends of Warhol’s, like Halston, Dolly Parton, and Keith Haring. Likewise, we find lesser-known examples in the artist’s oeuvre, showcasing the interiors of cars he may have found or traveled in, airplanes, hotel lobby chandeliers and seedy toilets, as well as many examples from Warhol’s “Sex Parts and Torsos” collection examining the nude male form.

Voyages avec Warhol, which comes in conjunction with Rencontres d’Arles festival, is open to the public at La Bastide Gallery until September 10, 2023.

In other news, MSCHF is auctioning a hand bag that’s smaller than a grain of salt.

La Galerie Bastide
Château La Coste
2750 Route de la Cride
13610 Le Puy Sainte Raparade, France


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Abenaki Heritage Weekend offers a celebration that all can attend

Abenaki Heritage Weekend offers a celebration that all can attend


Abenaki at Maritime Museum

Courtesy Photo


On June 17-18, citizens of the New England Abenaki community will gather at Lake Champlain Maritime Museum to celebrate their history and heritage. Organized by the Vermont Abenaki Artists Association, this free event is open to the public from 11 a.m.-4 p.m. on Saturday and Sunday. 

One of the highlights is the Native Arts Marketplace of the Vermont Abenaki Artists Association, where visitors can talk to artists, watch craft demonstrations, and purchase outstanding beadwork, paintings, jewelry, wampum, woodwork, leatherwork, drums, and other items. 

“The variety and quality of the work created by our Abenaki artists is outstanding,” said Vera Longtoe Sheehan, Executive Director of the Vermont Abenaki Artists Association. “Some of our artists create traditional art and some create contemporary art, often inspired by tradition. If you are looking to purchase a special gift or something new for your collection, be sure to visit the Native Arts Marketplace.”

Throughout the weekend there will be activities of interest to everyone. Bring a picnic lunch and enjoy singing and drumming by the Nulhegan Drum — you may even be invited to drum with them. Children and adults alike should not miss storytelling by Abenaki author and historian Joseph Bruchac, and songs for the little ones with Francine Poitras Jones. 

Artists in the Arts Marketplace include Michael Descoteaux demonstrating the making of hand drums; Elnu Abenaki Elder Jim Taylor making wampum beads from whelk and quahog shells; and Linda Longtoe Sheehan weaving wampum, an intricate process using the shell beads. On Saturday, meet basketmaker Kerry Wood. On Sunday, visit the “Make and Take” table, where children can make a gift to bring home for Father’s Day.

A new special exhibit, Beyond the Curve: The American Abenaki Covid Experience will open during Heritage Weekend in the Schoolhouse Gallery, and will be on view all season. Artwork and stories by 20 American Abenaki artists illustrate the impact of the pandemic in the Abenaki homeland and the resilience of Abenaki people during troubled times. Meet the curator, Vera Longtoe Sheehan, for a gallery talk. 

Thanks to Vermont Humanities, Vermont Arts Council, and Vermont Department of Health for their sponsorship of the event. For more information on Abenaki Heritage Weekend, visit: AbenakiArt.org/abenaki-heritage-weekend.

Luminescence: Christy Lee Rogers’ extraordinary underwater photography

Luminescence: Christy Lee Rogers’ extraordinary underwater photography

This week’s photography feature explores the unique exposures captured by the rising experimental photographer Christy Lee Rogers. The Sony World Open Award Winner recently unveiled her latest collection, Luminescence, which comprises Baroque-style photographs created by submerging clothed models in dramatic lighting.

Hailing from Honolulu, Hawaii, Rogers is a visual artist specialising in underwater photography and videos, known for using Chiaroscuro lighting in much of her work. The other-worldly, intensely dramatic and colourful images she creates, as seen below, are often compared to paintings by Baroque artists such as Caravaggio or Rubens.

In 2019, Rogers won the coveted ‘Open Photographer of the Year’ award at the Sony World Photography Awards. She is also a two-time finalist in the Contemporary Talents Award, which is issued annually by the Foundation François Schneider in France. Rogers was also recently commissioned by Apple to use the powerful iPhone 11Pro’s cameras to create some underwater art.

Rogers uses multiple layers of light and dark water in her preferred medium to create the characteristically abstract and miraged effect reminiscent of classical paintings. Over the past decade, this method has been employed to create various images, some of which you might recognise from album covers, most notably that for Orchesography, the 2019 album of English new wave band Wang Chung. Elsewhere in the musical world, some of Rogers’ work was selected for display at the 2013–14 performance season of the Angers-Nantes Opera in France.

As a recent press release notes, Luminescence is the ability of certain objects to generate light through the excited state of its atoms when exposed to frequencies like ultraviolet light. Rogers uses this phenomenon as a metaphor for our own ability to focus on positive energy to bring optimism and colour to our surroundings.

This latest series – seen below – uses pitch-black pools with models illuminated by high-powered underwater spotlights for optimal contrast. The importance of such a contrast was prominently outlined in Aldous Huxley’s Heaven and Hell, an essay supplementary to The Doors of Perception.

“Light and colour tend to take on a preternatural quality when seen in the midst of environing darkness,” Huxley noted. “Fra Angelico’s ‘Crucifixion’ at the Louvre has a black background. So have the frescoes of the Passion painted by Andrea del Castagno for the nuns of Sant’ Appollonia at Florence. Hence the visionary intensity, the strange transporting power of these extraordinary works”.

Adding: “In an entirely different artistic and psychological context, the same device was often used by Goya in his etchings. Those flying men, that horse on the tightrope, the huge and ghastly incarnation of Fear – all of them stand out, as though floodlit, against a background of impenetrable night.”

Below, we present some images from Christy Lee Rogers’ Luminescence. More of her magnificent work can be seen on her website, and you can follow her on Instagram here.

Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)
Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)
Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)
Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)
Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)
Christy Lee Rodgers - Underwater PhotographyChristy Lee Rodgers - Underwater Photography
(Credits: Christy Lee Rodgers)

Can you do art photography with a smartphone? Samsung’s “My World” exhibition says yes!

Can you do art photography with a smartphone? Samsung’s “My World” exhibition says yes!

“Mobile photography” and “camera phone” are catchphrases so overused nowadays that people have stopped paying attention to the essence of the matter. And that essence is the fact that our smartphones are perfectly capable of capturing stunning photos worthy of an art exhibition.

Samsung decided to show just that with its “My World” photo exhibition, shot solely with the Galaxy S23 Ultra. Now, that may or may not be a PR stunt, that’s irrelevant. The important thing is that some of the pictures I saw at the art hall were amazing. And what’s even more important is that most of you could achieve similar results with your S23 Ultra, or any other modern phone, for that matter, with just a little effort.

I know what you’re thinking right now: “Art exhibitions are booooring.” And you’re right to some extent. I’m not going to bore you with a sophisticated breakdown of every photo and try to find words in the dictionary that are super hard to pronounce and understand just for the sake of it. I’m going to do something completely different here. Try to share tips and tricks from the kitchen and help you snap the same amazing photos I saw at the exhibition.The beauty of it is that I’m not a photographer—not even close. I suck at taking good photos, even with a DSLR. My source and guru is Boni Bonev, one of the most famous modern Bulgarian photographers. You’ll be excused if you haven’t heard of him, but his work speaks for itself. And unlike many other famous artists, he doesn’t mind sharing all his little secrets when it comes to mobile photography. So, let’s get to it, shall we?

How to make stunning landscape shots with your smartphone

Landscape photography is one of the most popular among amateurs and professionals (we’ll leave pet photos out of these statistics). So, how do you snap a perfect landscape photo with your phone?

Composition: This is the most important thing in landscape photography. Most of the time, the objects you photograph are static, so you have some freedom to arrange the shot as you like. Don’t fill your shot with too many objects, use negative space—large open areas of sky, sea, or something plain with not a lot of details. Using negative space emphasizes the other (and more important) objects in your shot.

Rule of Thirds: This is a very important aspect, so it deserves a separate bullet point (even though it’s technically part of composition). When you have land and sky (or sea and sky) in your shot, you need to balance the part that you want to emphasize. If there are birds in the sky as your main element, the horizon should, in general, be placed in the lower part of the shot. If you’re focusing on a range of mountains or some majestic trees, the horizon should be drawn higher, leaving roughly two thirds of land and one third of sky in the shot.

The Golden Hour: Lighting is super important when it comes to photography, and even more important when your sensor is as tiny as your fingernail. Smartphones can snap some amazing photos if there’s enough light at the scene, but it’s important to know that there’s a specific time of the day called the “golden hour”, which is just after sunrise and before sunset. Shadows are soft, and light falls at an angle, creating distinct shadows and emphasizing objects you photograph.

Reflections: A very powerful tool in every photographer’s arsenal. When shooting landscapes, you can make use of water or other reflective surfaces to add spice to your shot. Reflections create symmetry, which our brain automatically finds pleasing. You can also use reflections to show something that’s not in your original frame.

How to make stunning portrait shots with your smartphone

Easy! Just turn “portrait mode” on, and you’re all set. I’m joking, of course, it’s not that simple. Even though the “bokeh” effect (blurring the background) is a powerful portrait tool, it’s not the only one. You can make your portraits stand out even if your phone doesn’t support bokeh or the aforementioned portrait mode is not very good. Here’s how.

Use the light: The sole purpose of bokeh is to emphasize the object you’re shooting. This can be done using light alone. Make sure the face of the person you’re photographing is well lit while the background is darker.

Background colors: Sometimes you can’t play with light, that’s where background colors come into play. You can use solid and soft colors for the background, or do it vice versa—use something extremely bright. The goal is to create the necessary contrast to emphasize the face you’re photographing.

Mind the distance: The best portrait shots (the ones you see at art exhibitions) are shot from a pretty close distance. Don’t be afraid to move in closer, this will allow you to leave distractions off your shot and focus on the face of the person you’re shooting.

Go monochrome: Another great tool that must be used with caution. Removing colors from your portrait shot could remove distractions and bring out shadows and other composition elements in your shot.

How to make great night shots with your smartphone

That’s a tricky one! Some people argue that smartphones now have better algorithms and software for HDR stitching than regular cameras and can produce better shots. It really depends on what you’re looking for. If you want to delve into night photography at the semi-pro or pro level, you’d be better off turning that night mode off.

Bring a tripod: This is probably the most important thing here, night shots require a steady hand due to the long exposure. Bringing a portable tripod or even a selfie stick you can mount somewhere will dramatically improve your nighttime results.

Use a timer: If you don’t have a Bluetooth remote shutter, use a timer (if you can) when making nighttime shots. Touching the phone will result in movement, and at long exposures, this will ruin your shot. All of the aforementioned composition tips apply here as well.

How to make great macro shots with your smartphone

Smartphones are great at macro shots due to the depth of field of their cameras. Most modern smartphones can focus at distances as close as 2–4 cm.

Use manual focus: When you’re trying to photograph objects that are close to your phone, autofocus can and will play tricks on you. The best way is to use a stand or a tripod and manually focus on the part you wish to emphasize in your shot.

Pick your object: When going down the magnifying route, picking the right object is maybe the most important thing. Take an everyday object and make it mysterious and indistinguishable by shooting it in macro mode. Flower buds could look like mushrooms, sand could turn into a mountain range, use your imagination.

Start tapping on that shutter button

These tips and tricks only scratch the surface of photography and mobile photography. But it’s better this way, most people would instantly close the article the moment they saw shutter speeds, exposure times, and ISO settings.I hope these simple tips and ideas were helpful, and next time you take out your phone to make a shot, you remember one or two of them. All this goes with the disclaimer that photography is an art form full of complexity, and it’s not an easy thing to master, whether a smartphone or a real camera is involved.