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Remèdes Galerie : Veronica Mecchia : Wild Flowers – The Eye of Photography Magazine

Remèdes Galerie : Veronica Mecchia : Wild Flowers – The Eye of Photography Magazine

 Remèdes Galerie presents Veronica Mecchia‘s solo exhibition, Wild Flowers.

Italian photographer, born in Paris, Veronica Mecchia grew up in Milan where she first trained in art history and then in photography with Giuliana Traverso at the “Il Diaframma” Gallery in Milan.

In 2003, she returned to Paris where she continued her art history training before devoting herself entirely to photography.

Her artistic affiliation with the photographer Arno Rafael Minkkinen, of whom she was a pupil in Italy and whom she considers to be her mentor, translates into an imperious propensity to maintain an organic link with nature.

Her black & white photographic work explores the relationship of Man to his environment in a personal version. Through strong artistic choices: film, self-portrait, nude, black & white;  she shows her state of mind and reveals her deep identity by being part of the ephemeral with poetry.

As if absorbed by the beauty of things or places that move her, Veronica Mecchia encourages us, through her photographs, to suspend time in gentle contemplation and leaves us with a light heart, the desire like her, to poetically inhabit the world.

The exhibition will open with a vernissage on Thursday June 1 from 5 p.m.

Veronica Mecchia : Wild Flowers
from 02.06.2023 > 29.06.2023 and from 04.09.2023 > 15.09.2023
Remèdes Galerie
143, rue du Temple
75003 Paris
[email protected]
www.remedes-galerie.com

Free admission
Tuesday to Saturday, 1 p.m. to 7 p.m.

Princeton awards five honorary degrees

Princeton awards five honorary degrees
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Princeton University awarded honorary degrees to the following recipients during the 2023 Commencement ceremony on Tuesday, May 30. 

Lynn A. Conway                         

Doctor of Science

Lynn A. Conway is an innovator of microelectronics chip design whose work has made foundational contributions to computer architecture and engineering. Thousands of computer chip designers have learned their craft from her seminal book, Introduction to VLSI Systems, co-authored with Carver Mead of Caltech. Now professor emerita of electrical engineering and computer science at the University of Michigan, she began her career at IBM Research in 1964, moving on to work at Memorex Corporation and at the Xerox Palo Alto Research Center (PARC). She also served as assistant director for strategic computing at the Defense Advanced Research Projects Agency (DARPA). She was a visiting associate professor of electrical engineering and computer science at MIT from 1978­–79 and joined the University of Michigan faculty in 1985, also serving as associate dean of the College of Engineering. Conway is a prominent transgender activist and advocate for LGBTQIA rights, particularly in the fields of technology, computer science, and engineering. A fellow of the Institute for Electrical and Electronics Engineers (IEEE), she has received the Computer Pioneer Award of the IEEE Computer Society, the IBM Lifetime Achievement Award, and the National Center for Women in Technology Pioneer in Tech Award, among other honors. She holds honorary doctorates from Trinity College, Illinois Institute of Technology, University of Victoria, and University of Michigan. She also is a member of the National Academy of Engineering and a fellow of the American Association for the Advancement of Science.

Columbia University (B.S., 1962; M.S.E.E., 1963) 

On the verge of a breakthrough while working at IBM in 1968, the talented young engineer was fired after confiding to supervisors that she was transgender. She successfully rebuilt her career as a computer scientist and helped revolutionize microchip design in the 1980s, leading to high-tech advancements that helped transform society and continue to impact our lives today. After groundbreaking work in industry and government, she taught the next generation of computer scientists as a professor and associate dean of engineering at the University of Michigan. Decades passed before she felt comfortable sharing the discrimination she’d experienced early in her career, becoming a vocal advocate for transgender rights and an inspiration to LGBTQIA scientists worldwide. And in 2020—52 years after her firing—she received a formal apology from IBM, along with the company’s lifetime achievement award for her “pioneering work” in computers.

Arcadio Díaz-Quiñones 

Doctor of Humane Letters

Arcadio Díaz-Quiñones, the Emory L. Ford Professor of Spanish, Emeritus, and professor of Spanish and Portuguese, emeritus, joined the Princeton faculty in 1983. From 1970 to 1982, he taught at the Universidad de Puerto Rico, Río Piedras. At Princeton, he directed the Program in Latin American Studies from 1988 to 1994, helping build the program with an interdisciplinary team of faculty members and a thriving community of undergraduates and graduate students. Díaz-Quiñones is an expert in the fields of Latin American cultural and intellectual history and Caribbean poetry. He teaches Latin American literature, with emphasis on the impact of imperial, anticolonial, and diasporic traditions. He is a 2010 recipient of Princeton’s President’s Award for Distinguished Teaching and received the Pace Center for Civic Engagement’s Faculty Service Award in 2019. Among his many scholarly contributions are his essays and books on the role of imagination in the creation of a collective memory in work by José Martí, Luis Palés Matos, Nilita Vientós, Fernando Ortiz, Pedro Henríquez Ureña, and Lorenzo Homar, among others, and his editions of works by Puerto Rican writers such as Luis Rafael Sánchez, Tomás Blanco, and José Luis González. Díaz-Quiñones received his bachelor’s and master’s degrees in Hispanic studies from the Universidad de Puerto Rico, Río Piedras. He completed his graduate philological training at the Universidad Central de Madrid, Spain, with a doctoral dissertation on the uses of the Spanish language in 16th-century colonial archival documents. He has also served as a visiting professor at the University of Pennsylvania, Rutgers University, the University of Washington, the Universidad de Buenos Aires, the Universidad de Cartagena, Colombia, Swarthmore College, and Hostos Community College of the City University of New York.  

Universidad de Puerto Rico, Río Piedras (B.A., 1961; M.A., 1963) 

Universidad Central de Madrid (Ph.D., 1968)

One the most prominent public intellectuals of his time in Caribbean studies, he is also a beloved teacher who has inspired generations of undergraduate and graduate students at Princeton and beyond. A prolific writer and scholar, his essays are classics in the Latin American and Latino/Latina modern literary canon, and his scholarship has played a seminal role in creating literary and social justice networks across the Americas. Two of his regular offerings at Princeton, “Introduction to Spanish American Literature” and “Introduction to Latin American Poetry,” became legendary courses on campus. Under his direction for six years, Princeton’s Program in Latin American Studies became a world-class area studies program and a dynamic community of diverse scholars, writers, artists, and policy experts, along with undergraduate and graduate students. 

Rhiannon Giddens

Doctor of Music

Rhiannon Giddens is a singer, multi-instrumentalist, and composer whose music aims to lift up people who have been previously overlooked in American musical history, and to work toward a more accurate understanding of the country’s musical origins. She is a Grammy Award winner, a 2023 Pulitzer Prize recipient, and a MacArthur Fellow. Giddens draws inspiration from many musical traditions—from blues, jazz, gospel, folk, and classical—and reaches into African American, Celtic, Appalachian, and Italian musical influences, and beyond. Giddens co-founded the Grammy Award-winning group Carolina Chocolate Drops and formed Our Native Daughters with three other Black female banjo players to tell musical stories of historic Black womanhood and survival. She won the 2022 Grammy Award for Best Folk Album for They’re Calling Me Home, which she made with her partner, multi-instrumentalist Francesco Turrisi. Named artistic director of Silkroad Ensemble in 2020, Giddens now leads the ensemble in its mission to create music that engages difference, sparking cultural collaboration and high-quality arts education. She has performed at national and international festivals and venues, including Carnegie Hall, Lincoln Center, the White House, the Spoleto Festival, the Vancouver Folk Music Festival, the New Orleans Jazz and Heritage Festival, the Chicago Blues Festival, the Aarhus Festival in Denmark, and the National Folk Festival, among others. Giddens is a television and podcast host, including her new PBS program, My Music with Rhiannon Giddens, and she starred in the television series Nashville. 

Oberlin Conservatory of Music (B.M., 2000)

Named by NPR as one of the 25 Most Influential Women Musicians of the 21st Century, she has dedicated her career to raising up voices that have been overlooked or erased. Discovering the history of African American string bands as a young musician changed the trajectory of her career—as she devoted herself to introducing new audiences to the Black banjoists and fiddlers whose influences have been left out of the historical narratives surrounding folk and country music. As a singer and multi-instrumentalist, her achievements are as diverse as the musical styles she performs. A two-time Grammy Award winner, she is also a Pulitzer Prize recipient and a MacArthur “Genius.” Her roles include artistic director, composer of opera, ballet, and film, children’s book author, and television host and actress. Few contemporary artists have done more to connect overlooked musical traditions of America’s past with music being performed today.

Suzan Shown Harjo

Doctor of Humane Letters

Suzan Shown Harjo’s life’s work has been devoted to promotion and protection of Native Peoples’ ancestors, children, arts, cultures, languages, traditions, lands, and waters. Harjo is Cheyenne/Tsistsistas and Hotvlkvlke Mvskokvlke of Nuyakv, and a citizen of the Cheyenne and Arapaho Tribes in Oklahoma. Since 1984, she has been president of The Morning Star Institute, a national nonprofit dedicated to securing Native rights through research, advocacy, and stereotype-busting. A 2014 recipient of the U.S. Presidential Medal of Freedom, she is a 2022 inductee into the National Native American Hall of Fame; a past executive director of the National Congress of American Indians; a former legislative liaison for the Native American Rights Fund; and a political appointee for legislation in the administration of President Jimmy Carter. She led campaigns for laws on religious freedom, repatriation, and establishment of the National Museum of the American Indian (NMAI), for which she was a founding trustee. Her curation work includes the first exhibition of works by contemporary Native artists shown in the House and Senate Rotundas of the U.S. Capitol (1992), and the first exhibition to tell the story of U.S. treaties and treatymaking with Native Nations (NMAI, 2014-2027). The first Native woman Montgomery Fellow at Dartmouth University, she was the first woman awarded the Institute of American Indian Arts’ Honorary Doctorate of Humanities in 2011. Harjo is also the first Native woman elected to both the American Academy of Arts and Sciences (2020) and the American Philosophical Society (2022). As a journalist and producer in the late 1960s and early 1970s at WBAI-FM in New York, she was the first female drama and literature director at the free-speech station, and she and her husband, Frank Ray Harjo, produced the first national Native news radio show. Her writings are widely published and she is the past news director of the American Indian Press Association; board member of the Native American Journalists Association and UNITY: Journalists of Color; and founding co-chair of The Howard Simons Fund for Indian Journalists.

Institute of American Indian Arts (Honorary Doctorate of Humanities, 2011)

A tireless advocate at the center of almost every Native American legislative, legal, and cultural issue over the past half-century, her work has led to the protection of rights, cultures, and sacred places, and the return of more than one million acres of Indigenous lands. She is an activist, poet, journalist, curator, playwright, and more—and the force behind the decades-long movements to Indigenize Native place names and to remove sports team names and mascots that stereotype or disparage Native Peoples, from high schools to the National Football League. In awarding her the 2014 Presidential Medal of Freedom, President Barack Obama said it best: “Because of Suzan, more young Native Americans are growing up with pride in their heritage, and with faith in their future. And she has taught all of us that Native values make America stronger.”

Katalin Karikó        

Doctor of Science

Katalin Karikó worked tirelessly with her University of Pennsylvania colleague Dr. Drew Weissman on pioneering research into messenger RNA (mRNA) that provided the foundation for the COVID-19 vaccines developed by BioNTech/Pfizer and by Moderna. She was senior vice president at BioNTech from 2013 to 2022, serving as head of its RNA protein replacement therapies, and she has been an adjunct professor of neurosurgery at the University of Pennsylvania’s Perelman School of Medicine since 1989. Karikó was born in Hungary and earned her bachelor’s degree in biology and Ph.D. in biochemistry from the University of Szeged. She began her scientific career at University of Szeged’s Biological Research Center before immigrating to the United States for postdoctoral fellowships at Temple University in Philadelphia, and at Uniformed Services University of the Health Sciences in Bethesda, Maryland. Karikó has been honored with Columbia University’s Louisa Gross Horwitz Prize, the Breakthrough Prize in Life Sciences, the Princess of Asturias Award, and the Vilcek Prize for Excellence in Biotechnology, among other awards. She was also named one of Time magazine’s most influential people of 2021 and named to the 2022 National Inventors Hall of Fame.

University of Szeged (B.S., 1978; Ph.D., 1982)

It was while studying biology in the late 1970s at the University of Szeged in Hungary that she became interested in the molecule that would define her career and help lead to the creation of new vaccines aimed at thwarting a global pandemic. However, it would be decades before she and her University of Pennsylvania research partner, Dr. Drew Weissman, were able to show the infinite potential of that molecule—called messenger RNA. When her lab in Hungary closed, the young scientist immigrated to the United States with only $1,200 hidden inside her daughter’s teddy bear for safekeeping, determined to continue her research on mRNA. After years of professional and personal setbacks, and facing many doubters within the scientific community, she and Weissman were able to create the modified version of mRNA that provided the foundation for a landmark in vaccine development. Her dedication, determination, creativity, and resilience inspire all of us to persevere with our most audacious ideas. 

Bxlyfe’s photography tell stories of JID’s “hip hop rock” shows and art

Bxlyfe’s photography tell stories of JID’s “hip hop rock” shows and art

Photographer Bxlyfe is more than his camera. While he’s captured shows by JID, Bas, Juice WRLD and others since he was a teenager, the 22-year-old multi-faceted creative has also put on his own art galleries meant to highlight disparate artists. He’s also had a firsthand look at how artists evolve onstage. 

“There’s a huge difference. This run included a live band,” Bxlyfe told REVOLT about JID’s progress on tours. “It was like a hip hop rock show. Ending the show on ‘Stick’ was crazy. They would just go all out and rock out until Devontae couldn’t even drum anymore (laughs). And then they just throw the sticks.”

In this installment of “Tour Tales,” the New York-bred photographer explains what the craziest Dreamville show he ever shot was, what it was like shooting Juice WRLD in Sweden, and how he plans to use art to connect creatives around the world.

You’ve been photographing live shows since you were 17, and the last four years have been some of your best work. What’s the best show you’ve photographed in that timeframe?

Dreamville’s show at Red Rocks is one of the craziest shows I’ve ever shot. It was beautiful from start to finish. It was a once-in-a-lifetime show. It was a perfect day. You’re under the stars, man. That was probably the highest elevation I’ve ever shot at (laughs). Before shooting, I like to get a good scope of everything. During the show was crazy because I didn’t even know how tall the top seats are in Red Rocks. But, it took me a good 30 minutes to get up there and 30 minutes to get back down. But, it was worth it.

How has JID’s live show evolved from his “Catch Me If You Can Tour” from 2019 to his latest “Luv is 4ever Tour”?

There’s a huge difference. This run included a live band. Shout out to my boy Sam and Devante. Sam was on the keytar, and Tae was on the drums. They elevated the show to such a crazy aspect. It was like a hip hop rock show. Ending the show on “Stick” was crazy. They would just go all out and rock out until Devontae couldn’t even drum anymore (laughs). And then they just throw the sticks.

You also went on tour with Bas. I remember seeing you capture an insane photo of him and J. Cole performing in Paris.

Yeah, that was a part of the whole summer tour. We were out there for about two or three weeks. That specific moment came about when Bas was doing his rollout for “The Jackie.”

What shots do you like to get of him?

I really like to get shots of him in the moment. It’s just capturing in the moment. There’s also a lot of fan love. It’s all about storytelling and showing people my world and perspective.

Who’s another artist you really enjoyed photographing?

Not going to lie. Photographing Juice WRLD was crazy. He was one of the most special people that I’ve captured. I found out about him early when he didn’t even have 4,000 followers or whatever. He was just putting out song after song after song after song after song. And he was talking about a lot of the stuff I was going through then too. I remember shooting Juice performed at [Smash Fest on July 2, 2019] in Sweden. He was one of those people who was larger than life.

Your tour photography is only one part of what you do, correct?

Yeah, before I left for the “Luv Is 4ever Tour,” I did a gallery show at AM + PM Gallery in Brooklyn. Shout out to my boy Joseph. It was a collaborative gallery. What I’ve been trying to do within my community and the art world is expand it and allow ideas to flow between different artists. The gallery was called “The Subway Series.” The idea behind that was bringing two different creatives into one room and showing off both sides. I did the gallery with my boy Kyzer, a phenomenal painter. One side was just dedicated to all of his artwork, and the other side was all of my photos. Before we did the gallery, we collaborated on a piece. That was my first time painting ever. We were creating new techniques like burning through the canvas or distorting it. Distortion is character.

My other friend Omi was also part of it. We collaborated on a photo I took prior of the Clermont twins and brought it to life in a painting. I’m also a huge fan of Omi’s work. I also worked on the mural for the visuals for Metro Boomin’s “Superhero (Heroes & Villains)” music video.

Any other creative projects from you?

My friend and I are brainstorming this new idea I have that’s a pop-up art gallery, but everyone is selling out of their trunks. I want to build the community around that. I want to have maybe 20 or 30 cars with everyone selling different stuff out of their trunk. I’m also going to do a softball game as well. During COVID in 2020, I did a giveback derby with my boy Brian. That was beautiful. Seeing everyone come together and support a place where I grew up playing baseball was fire.

What do you have coming up for the rest of the year?

I’m really trying to expand the art community within my city and really bring a whole bunch of creatives together. This is bigger than me, and I feel like New York needs to see it, and L.A., Atlanta, London, Australia, and the whole globe. I think this is really something that can be impactful worldwide.

‘Parkersburg Piccalilli: An Artists’ Takeover’ slated for Sept. 14-15

‘Parkersburg Piccalilli: An Artists’ Takeover’ slated for Sept. 14-15

PARKERSBURG — “Parkersburg Piccalilli: An Artists’ Takeover” is coming to the Parkersburg Art Center on Sept. 14-15.

The program is presented by the Art Center, Tamarack Foundation for the Arts and the Arts Collaborative of the Mid-Ohio Valley. Registration is open with early-bird pricing.

On that Thursday and Friday, the Parkersburg arts and culture district will be taken over by Parkersburg Piccalilli, a two-day arts conference for working artists, art educators, college art students and arts organizations. The two days will feature workshops, hands-on art making, networking and celebration.

Parkersburg Piccalilli features two tracks, one about creative entrepreneurship and the financial side of being a working artist. The other track includes workshops by some of the region’s premier artists with hands-on art making opportunities. On Thursday evening Piccalilli Parkersburg participants will be treated to a multi-venue reception. This “Happening” will include food, music and a pop-up exhibit of participating artists’ work.

A lineup of presenters and workshop hosts for Parkersburg Piccalilli 2023 is already planned.

The Tamarack Foundation for the Arts is bringing Mitzi Sinnott, a West Virginia native, daughter of artists and a leader of cultural change in America. She convenes conversations about race, class and science as an art form across industries and interests. She will be home in West Virginia this fall working on a number of projects with Tamarack and will come to Parkersburg for the conference.

Phil Eich, founder of Storyville Social, a marketing agency that uses writing, photography, videography and podcasting to create story-centered marketing will be sharing his talents, and how he used them, to teach ways of engagement in social media. WV Mainstreet is hosting this presentation.

Also presenting is Elaine Luttrull, back by popular demand this year, to discuss the business of art. She is the founder of Minerva Financial Arts, a company devoted to building financial literacy and empowerment in creative individuals through education and coaching.

Sandra Reed, award winning Marshall University arts professor will provide a hands-on workshop. As an artist, Reed has investigated the academic traditions of figure and landscape painting and is currently working on mixed media abstractions. Reed has mounted eleven solo shows, including Selvage (April 2022), and participated in more than 25 group exhibitions.

More presenters and workshop instructors will be announced in the coming month.

All registered conference goers are invited to bring up to two pieces of their original art to display at the pop-up exhibit on Thursday night. The idea behind this conference is that it is participatory. Learn from presenters and learn from one another.

Go to https://www.parkersburgartcenter.org/upcomingcurrent-events to register. Early bird pricing is still in effect. For more information contact the Parkesburg Arts Center at info@parkersburgartcenter.org or call 304-485-3859.

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Photos | Charlottesville Arts Festival at Ix Art Park

Photos | Charlottesville Arts Festival at Ix Art Park
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Two lines of visitors stretched into the parking lot at Charlottesville’s Ix Art Park as over 50 artisans put the finishing touches on their displays for the third annual Charlottesville Arts Festival this past weekend.

Once inside, locals were met with a wide array of artists showing off their crafts and creativity in the form of paintings, sculptures, music and dance.

Weaving through the sea of tents, guests flowed to the Looking Glass space, where they were invited to walk through an immersive art experience from a fantasyland.

Demonstrations and workshops were available throughout the festival, and to cap off the Saturday, the Bad Hat Fire Troop spun and spit fire while Glenn Richardson cut out wood portraits using a chainsaw.

“I think that what makes this art festival so special is that we have demos and workshops that take place,” Maria Vitale, Ix’s director of marketing, told The Daily Progress. “It’s not necessarily just a festival, but you get to see all facets of art. Whether it is watching people perform, listening to the music that’s playing on stage or experiencing the vendors. It’s based around being interactive and engaging.”

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Artists and vendors submitted applications to be a part of the Charlottesville Arts Festival. And applications were picked out by the Ix Art Park staff to include a wide variety of artwork, according to the team.

Vitale emphasized the community nature of Ix Art Park, which holds events throughout the year that invite the community to celebrate artists and support programs that educate and empower. Similarly, the Ix Art Park Foundation is a nonprofit group that uses its proceeds to run summer camps, weekly classes, free film screenings, community nights and farmers markets.

“Everything that helps the community gets put back into the community,” Vitale said. “All of our sales today whether it be the ticket prices or the bar, we use that money to generate scholarships and programs. We are for the community by the community.”

Upcoming 2023 events include: FAE Festival, June 10-11; Soul of Cville, Aug. 11-13; Fantasy Festival, Oct. 28; and the Tattoo and Vinyl Festival, Nov. 18-19.