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Samantha Ward Photography celebrates its Grand Opening at Diamond City Studios

Samantha Ward Photography celebrates its Grand Opening at Diamond City Studios

WILKES-BARRE — Samantha Ward Photography launches with a Grand Opening celebration at Diamond City Studios on Saturday, May 27 from 6:00 to 8:00 p.m. Attendees will have a chance to win the “Ultimate Wedding Experience.”

The Grand Opening features a ribbon-cutting ceremony, delicious refreshments, and spectacular giveaways. You’ll have the chance to meet new business-owner, Samantha Ward and see examples of her work. Polish Connection, who features their kielbasa and pierogis at festivals, is catering the event’s appetizers.

Ward is a photographer who specializes in capturing unique stories, offering services like portraits, events, and weddings. May 27 will mark the official unveiling of her new brand that will provide on-site photography service.

“I think people come to us because they understand the need to keep memories preserved. We hear every photographer say they are a storyteller — I think we go beyond storytelling,” said Samantha Ward.

She provides photography services such as portraits, events, and weddings. By now providing on-site photography services of her own to NEPA, she’ll be flexible to capture clients in a local park, private property, on-location, or even at Diamond City Studios. “We come to you rather than you come to us,” said Ward.

She said that this way, each setting can be unique for each person. No two photos ever the same.

There are thirteen local vendors who signed up to support Samantha Ward’s Grand Opening. Pisano Wines will provide a gift basket to giveaway with wine and snacks, and all the rest pulled together to offer the “Wedding Great Experience” to supporters.

The Great Wedding Experience basket includes:

  • Samantha Ward Photography – $300 off 4hr,6hr, or full day wedding services.
  • Rainbow Jewelers – “Something New” Paper Clip Bracelet
  • Folks Butterfly Garms – Butterfly Release Coupon
  • LB Entertainment – 4 Hours of DJ Service
  • Patchwork Planting – 30min Space donated for Free engagement shoot by Samantha Ward Photography and simple make up and hair by stylist Pam Snarski.
  • Barber Bros Barber Shop – $100 Barbershop Credit.
  • Buttercup Events Co. – Free balloon display for couples event.
  • Ceremonies by Lori – Free vow counseling
  • Furrari Pet Taxi Co. – 10% off and free wedding outfit/ accessories
  • Tuxedo Junction – Coupons off tux rentals
  • Glam Trend Beauty Studio – Certificate for gloss and blowout and product
  • SammiSam Snaps and Silhouettes – Bride and Groom vinyls
  • Cakes by Denise Gilbert- Bride and Groom Cookies

Jonathan Edwards of 570 Drone and Diamond City Studios also helped organize the event and was happy to support Samantha Ward Photography’s unveiling to the public! Samantha Ward said the local arts community is all close, and she made a lot of amazing connections through the NEPA Camera Club. “We are all a tight knit group. Even though we’re competition we seem to like help each other.”

Ward said it was amazing how many small businesses reached out to welcome her into the wedding venue community when she filed for her LLC in March. Now, this Grand Opening celebration will mark the official opening of her Luzerne County-based brand!

Ward said this business opening is years in the making as she’s built up her portfolio. Before this, Ward did wedding photography on a freelance basis. She’s also a mother to a nine-year-old daughter and she wanted to be sure to break any generational patterns moving forward. “When we started this journey, we were pretty young together. This is a pretty big deal for me and for my family,” said Ward. “ — This is my dream job since I was little and I can’t believe it’s actually happening for us.”

Although it’s definitely a celebration for Samantha Ward Photography, she said it’s really a party for YOU. She’s looking forward to preserving the most important stories in each of our lives and offering something special with the giveaways lined up at the event.

“Many overthink and believe they don’t have the budget for a wedding photographer, but we want to give everyone the opportunity to have a great memorable experience so that they can enjoy their big day.”

Ensure your next big moment in life is captured the way it deserves. Come out to support Samantha Ward Photography’s Grand Opening on Saturday, May 27 in Wilkes-Barre and maybe even win the Ultimate Wedding Experience!

The Worst Advice I’ve Received as a Professional Photographer |

The Worst Advice I’ve Received as a Professional Photographer |

Being quite young and eager to be a photographer, I received tons of advice from all sorts of people. Everything from “quit right now” to “pretend to be someone who you’re not.” Between these extremes, I had some decent, but also some horrible advice. In this article, we will look at the worst things I was advised.

Stick to the Rules

There are a lot of made-up but also valuable rules in photography, everything from how to light a face to the rule of thirds. I was told by quite a lot of people that my composition and lighting were wrong and did not follow the rules. In reality, rules are nothing more than helpful guidelines that can make your images more visually appealing, but breaking them can make them equally as good. You need to know the rules but also when to break them. In essence, a rule is a restriction in one form or another. Restrictions bound your creativity. I strongly believe that restricting creativity is a direct form of its destruction. You should encourage creativity and push those very boundaries.

Embracing unconventional compositional techniques can be a good way to discover your own style and touch. Don’t be afraid to create “wrong” images if they look right to you. By focusing on your own journey rather than a predetermined path, you can become a fantastic photographer known for their style. While it is important to understand the rules, I discourage being bound by them. True creativity emerges when you go above and beyond.

Here Is a Light Setup

Light setups are useless. This is a fairly strong opinion, I know, but it has solid grounds to back it up. The great thing about light setups is that they give you a quick solution to a possible lighting problem you might experience on set. It is fairly easy to follow a guide on YouTube to get the desired result. However, you can’t take your lighting further. I often see photographers who follow light setups simply sticking to the same thing over and over again. This is all well and good if you are a hobbyist who doesn’t want to experiment with lighting. However, this becomes a problem when there is a client who wants a particular look and aesthetic that you have no idea how to achieve. Then, you need to think like a problem-solver and find a solution to the challenge your client has put in front of you. It is more or less obvious that you simply can’t learn lighting by just copying light setups from YouTube. So, my best advice is to get off YouTube and learn lighting in a way that allows you to solve problems and light with intention. Soon, I will have a whole course on lighting released, so stay tuned for that.

While you need to have the appropriate cultural understanding and zeitgeist to create work that resonates with the modern landscape, it is simply boring to shoot what is trendy at the moment. Trends come in many forms, and there are both bad and good trends. I love writing articles that analyze bad trends in photography. While it is not a problem to shoot a trendy subject in photography, such as leather mini skirts in fashion, it is a problem to copy the same style that you see every photographer on Instagram has. While your photography should be in touch with the current trends when it comes to the subject choice and aesthetic, it should not be a copy of what everyone else is doing. Think of things such as neon lights, lens balls, masks, smoke bombs, and other corny things. While it will bring temporary attention, mostly from people who are not your actual clients, it won’t actually let you discover your own way of seeing the world. 

Get This Amazing Expensive Gear

Getting gear is inevitable when being a photographer, but you can easily get caught up in buying this and buying that all the time. I encounter far too many photographers who spend their savings on gear and then sit with no clients. Listen, just because you own a Canon 1D X Mark III, doesn’t mean you are shooting the next Olympics. It’s like driving a car. You can buy a Ferrari, but it won’t make you the next Michael Schumacher. Photographic skill is the only component that will help you improve and book more clients. Instead of getting expensive gear, how about focusing more on learning and developing your skill?

Move to a Big City

Moving can be a great decision and can, in fact, help you develop your career. However, the bigger the market, the harder it is to get to the top of that market. See where I am going? If you are fortunate or unfortunate enough to be a small-city photographer, you can climb to the top much faster than in a big city. The opportunities are not nearly as great, but every small city is connected to a big one in one way or another. If you are connected with the top agencies and clients in your small market, they will immediately place you higher on the ladder in a bigger city. It is very easy to stagnate in a small market, and if you’re sensitive enough to notice this, that is the right time to move. For example, having started in Hungary, I was able to climb very quickly and get in touch with some of the top people locally. Through this connection, I ended up getting some fantastic connections abroad, which allowed me to travel and start higher than others in the same market. Besides, a small market is more lenient towards mistakes as it is more personal than a big market. Word gets around in any case, but in a small market, you may know the important people by their first names, which will give you a bit more freedom to experiment and make errors (within reason).

Closing Thoughts

So, there you have it. These are some of the worst pieces of advice I’ve heard as a photographer.

Don’t buy expensive gear, stay small and humble at the start, rely on real knowledge of lighting, shoot what’s popular in your own style, and break the rules.

What is some horrible advice that you’ve heard? Did you end up following it? Let us know in the comments!

Small Talk: Photography as art in a digital age

Small Talk: Photography as art in a digital age

Remember Fotomat?

Somebody in a little box sat in the middle of the parking lot at West Goshen Shopping Center. They were alone because there wasn’t room for anybody else. You dropped off canisters of film from your car.

A couple days later you revisited and picked up paper prints of your photographs. It was expensive and time consuming.

Eastern State Penitentiary as photographed by Howard Sundwall/Courtesy photo

Thankfully, times have changed. With digital cameras, we now get instant gratification. In this virtual world we can almost instantly send photos to grandmom with Facebook, text, or email.

Does anybody remember postcards? Now our friends can even follow us along on a road trip, almost in real time.

Right away, we can view our recently snapped photos through our cell phones, which we lug around much more often than most of us carried around a “real” camera.

Fotomat didn’t have a chance. It’s gone like buggy whips, legroom on airplanes and so many print editions of newspapers.

And, for better or worse, we regularly post photos of meals, babies, dogs and sunsets.

Now, I shoot photos with my cell for the paper. The quality is pretty good, but I miss out on the darkroom experience.

Call me a reactionary, but we are missing something. I loved to work in the darkroom developing film and prints. Like the ketchup ad, it was all about the anticipation.

I’d zap a 35 mm negative with a bright enlarger bulb, shooting an image onto a blank piece of photographic paper.

I still remember the divine smell of photographic chemicals—developer, stop, fix, hypo.

Place the print face up in developer under a red safe light and watch it gradually appear. Time consuming, yes, but pure black and white magic.

We’d fool around with a pinhole camera. Thirty second exposure times replaced 125th of a second. We created “positives” rather than negatives and everything that was black turned white and all that was white was black. Subjects became ghosts.

The pin hole camera was a Quaker Oats box with a small hole poked through a piece of taped-on tinfoil. Because the photographic paper was placed on a curved surface–inside the oat meal box– everything was joyfully distorted and at weird angles.

Photography is fun!  So, it was nice to attend a meeting of the Chester County Camera Club, which regularly meets to exchange ideas, discuss techniques and share their enthusiasm for photography.

That night’s speaker was Svenne Juul, the club’s outings coordinator.

Juul showed us something that he refers to as “Storytelling through Living Stills.”

With a laptop and a screen, he used several still photos to tell a living, breathing story. It looked a little like a movie, but the photos were taken in rapid sequence with a still camera.

“You are telling a more complete story than with just a single image,” Juul said. “It looks like there is life in the still image.”

One sequence depicted athletes running a foot race. It’s an exciting technique and Juul seeks both a patent and the help of club members. Local photographers are going to be part of the process to improve this already way cool technique.

Then it got complicated. Most of 30 or so people in the room started peppering Juul with questions. Had I missed something here? Together, these photographers were already intensely embracing this new process. Like a developing print, they were exposing the concept, improving on it and learning from the inventor.

There was a buzz in the room as photographers were collaborating after learning about something they’d just heard about. Although technically, the conversation was way over my head, it was fun.

Past club president Howard Sundwall said that since retiring in 2013, he’s bought six expensive cameras. We talked about the changes.

He said that an advantage of digital verses film is the ability to post process and use software to photo shop.

Sundwall told me that the brain has two hemispheres—the right, the creative side, and the left, the technical side.

“With photography today, both sides of the brain are actually active,” Sundwall told me. “One side is dedicated to making a beautiful artistic image, while the other side can be directed to technology that today’s cameras and software make available.”

Current club president Denise Molzahn enjoys sharing beauty with friends and family and practicing art through photography. She agreed with Sundwall and likes to improve and impact the image with digital software.

Virginia Apostolacus is the vice president and a former president of the 134 member club. She enjoys creating and photographing everything, with few distractions.

Since 1933, photographers have been gathering in Chester County. That year, 12 men calling themselves the West Chester Camera Club met in an old garage on Church Street, while another club met in an upstairs room of the Coatesville fire station. The two clubs held annual competitions until the Coatesville club disbanded during World War II.

An obituary notice from the Daily Local News in 1991 credited Herbert Jeeves, Bill Yetter, Len Zeidman and Hank Rosenberg with founding the Chester County Camera Club in 1982. Since then, the shutterbugs have met in banks, churches, restaurants and community buildings to share information and photographs, to develop their skills and to enjoy each other’s company.

Betsy Wilson is a former club president.

“I love the way it makes me observe nature, people and life,” Wilson said about photography.

The club recently took field trips to Morris Arboretum, Philadelphia’s Chinatown, the Cowtown Rodeo, Hagley Museum, Valley Forge, Reading Terminal Market and the Keurner Farm, which inspired The Wyeth Family.

“It is a wonderful place to photograph and step back in time,” Wilson said about the Keurner Farm.

Wilson talked about the ability to snap photos locally.

“We don’t need to travel to get good photographs,” she said, “So many want to travel to Ireland, which is great, but you can observe beauty in your back yard and ordinary subjects like Andrew Wyeth did.”

Member Carol DeGuiseppi likes photography because she can capture the moment.

“I like to remember things and I like to share what I love,” she said. “I like to create art with my photographs.

DeGuiseppi is a volunteer at Longwood Gardens and said that everywhere you look there is beauty.

“I’m always seeing something I haven’t seen before,” she said, about Longwood. “It gives me ideas for my garden at home.”

Get inspired. Create art. Make something great. Record for posterity. Capture an instant. Have fun with your cell camera! And, no Fotomat is required.

Bill Rettew is a weekly columnist and Chester County native. He will tell you that while photos are free, phones are still expensive. The best way to contact him is at brettew@dailylocal.com

Photographer Chen Man’s First NFT Series Is a Futuristic Spectacle Featuring a Pregnant Grimes as an A.I. Cyborg

Photographer Chen Man’s First NFT Series Is a Futuristic Spectacle Featuring a Pregnant Grimes as an A.I. Cyborg

The day before Grimes gave birth to X AE A-Xii, her first child with Elon Musk, the Canadian electro-pop star took part in “The Last A.I. Robot On Earth,” a photoshoot conducted by Chinese visual artist Chen Man. The first fruit of this collaboration is an NFT collection, Silent Noise: Episode 01, which drops today.

The release is comprised of a limited-edition run of 500 NFTs priced at $100 each on LiveArt, an art and culture-focused Web3 platform.

Silent Noise is Chen’s first venture into the world of NFTs and has been designed as a multi-chapter experiential adventure offering collectors added opportunities and perks with each new drop.

An NFT from the collection Silent Noise: Episode 01 by Chen Man. Courtesy LiveArt.

The central image sees the high-end fashion photographer lean heavily into digital fantasy and manipulation. Grimes stands on the rubble of an urban wasteland surrounded by the fuchsia smoke of rocket ships and the tendrils of multicolored seaweed.

She stares down the camera (and into our soul) with supreme confidence—perhaps such calm in a moment of collapse stems from her cyborg identity and the fact she’s holding a golden sword. The musician, who has herself earned $5.8 million in NFT sales, is also depicted wearing a tattered shirt that reads “X AE A-12 MUSK.”

Grimes NFT

Grimes on the photoshoot with Chen Man. Photo courtesy LiveArt.

The timing might be coincidental, but at a moment of growing anxiety surrounding the potentially calamitous directions of A.I., Chen and Grimes present an alternative, open-armed approach with the creators expressing a passion for A.I., its origin, and future.

“Photography is a fantasy, it allows one to dream, it allows artists to create new worlds,” Chen said in a statement. “This NFT collection has allowed me to have more experimentation with photography. I am much freer to impose my own artistic vision into the genre, to push the limits of photography without any constraints.”

Grimes NFT

Preparatory work for the Grimes NFT. Image courtesy LiveArt.

The host, LiveArt, was founded by former auction market veterans and differentiates itself from other platforms in part through the use of a token, $ART, which grants holders additional rewards and exclusive opportunities. “This is one of the most innovative, complete, and well-thought-out projects we’ve seen,” Boris Pevzner, CEO of LiveArt, said in a statement. “It has rockets, A.I., and the Musks, who are tech royalty. The buzz is off the charts.”

Following the “Silent Noise” NFT drop, the second chapter will offer The Memory Brick, in which collectors will be “immortalized” through putting forward “biological memories” that will be stored in a hybrid physical-digital art piece.

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Gio Swaby Embarks on an Exploration of Self-Love and Acceptance in Her Vibrant Textile Portraits

Gio Swaby Embarks on an Exploration of Self-Love and Acceptance in Her Vibrant Textile Portraits

“Together We Bloom 3” (2023), cotton fabric and thread sewn on muslin, 64 x 52 inches. All images © Gio Swaby, courtesy of Claire Oliver Gallery, shared with permission

From minimal outlines in black thread, empowering portraits of Black women emerge in new large-scale textile pieces by Toronto-based artist Gio Swaby (previously). Vivid fabrics with an emphasis on florals dominate her new body of work titled I Will Blossom Anyway, on view now at Claire Oliver Gallery, emphasizing brightness, joy, and self-love. Centering on a number of self-portraits, her recent artworks reflect on personal identity, embarking on an introspective journey toward acceptance and compassion.

Swaby’s interest in textiles ties her to a childhood surrounded by the materials her mother often used in her work as a seamstress. She was born and raised in The Bahamas before moving to Canada, where she has spent most of her adult life, and she draws on conflicted feelings about a sense of belonging and navigating what she poetically describes as her “many selves.” She says, “I reflected a lot on my own path and started to recognize how many parts of myself exist in the in-between spaces.”

In her nearly-life-size self-portraits, the artist looks directly at the viewer yet always appears relaxed, embracing tranquil moments of rest. Loose threads occasionally abandon their outlines, dangling or wandering around the canvas as if they have a mind of their own, highlighting the never-finished process of growth, evolution, and self-understanding.

I Will Blossom Anyway runs through July 29 in Harlem and coincides with her solo exhibition Fresh Up at the Art Institute of Chicago, which continues through July 3. Find more on the artist’s website and on Instagram.

 

A textile portrait by Gio Swaby.

“Where I Know You From 4” (2023) cotton fabric and thread sewn on muslin, 80 x 50 inches

A textile portrait by Gio Swaby.

“Where I Know You From 7” (2023), cotton fabric and thread sewn on muslin, 52 x 62 inches

A textile portrait by Gio Swaby.

“Where I Know You From 3” (2023) cotton fabric and thread sewn on muslin, 80 x 44 inches

A textile portrait by Gio Swaby.

“Where I Know You From 6” (2023), cotton fabric and thread sewn on muslin, 40 x 78 inches

A textile portrait by Gio Swaby.

“Self-Portrait 6” (2023), cotton fabric and thread sewn on muslin, 28 x 38 inches

A textile portrait by Gio Swaby.

“Where I Know You From 5” (2023), cotton fabric and thread sewn on muslin, 50 x 96 inches

A textile portrait by Gio Swaby.

“Self-Portrait 5” (2023), cotton fabric and thread sewn on muslin, 28 x 38 inches 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Gio Swaby Embarks on an Exploration of Self-Love and Acceptance in Her Vibrant Textile Portraits appeared first on Colossal.

What Can We Learn About Photography From Picasso?

What Can We Learn About Photography From Picasso?

Photographers can learn a lot from the realm of the visual arts, and few artists were more groundbreaking than Pablo Picasso. What can Picasso’s works, approach, and philosophies teach us about modern photography? This excellent video tutorial discusses the topic and offers a wider range of useful advice for growing as a creative. 

Coming to you from Peter Forsgård, this fantastic video tutorial discusses what photographers can learn from Pablo Picasso’s work and philosophies. My composition teacher always had a Picasso quote taped on his door that said: “Learn the rules like a pro, so you can break them like an artist,” which is something that has stuck with me ever since the first time I saw it. I think a common mistake many people make is forgoing learning fundamentals of technique, composition, etc. under the belief that anything can be art. And while that is true, the idea of such rules is not that artistic expression should be contained in some set of boundaries, but rather that by learning common practices and ideas, you will have built a secure foundation in both craft and knowledge of the history of the art from which to begin that artistic exploration. Check out the video above for the full rundown from Forsgård.

A Mid-Century Eichler Home Gets Respectfully Updated for 21st Century

A Mid-Century Eichler Home Gets Respectfully Updated for 21st Century

California-based studio Gustave Carlson Design was hired to renovate a local Eichler house in need of updating. Built in 1971 in the Palo Alto hills, the prized single family residence was a custom commission by architect John S. Lynd, a close friend of Joseph Eichler. Currently owned by a design-forward family with a large art collection, the house received a respectful renovation that honored the history while adapting it for modern times. The update includes the integration of energy efficiency and sustainability, all while staying true to the original, iconic design.

“An ‘Eichler’ captures the word optimism in built form,” says Carlson. “These airy, light-filled, and human scale structures convey the promise of the post-World War ll era, as well as Joseph Eichler’s philosophy on domestic life, and the ability of modern design to enhance our quality of life.”

angled exterior shot of covered front terrace

The exterior is clad in vertical Shou Sugi Ban Accoya barn wood, which gives it a textured, matte black finish. Flanked by two flat-roofed wings, the center part of the house features a statement-making gabled roof with white panels underneath for contrast. Triangular transom windows fill the entryway with natural light.

closeup of green front door with top part open looking down hallway of modern house

A custom, Dutch door welcomes guests to the home in a sage green color.

interior view of mid-century modern home living room

Once inside, Eichler’s signature post-and-beam construction becomes visible. Carlson removed partitions to open up the interior spaces to feel larger and to make space for their art collection.

angled interior view of mid-century modern living space

interior view of mid-century modern living space with skylights above

The atrium is now closed in with a glass roof making the space feel expansive and bright with the natural light filtering through. Cedar siding covers the walls giving the atrium an outdoor feel despite it now having a glass roof.

angled interior view of mid-century modern living space with glass roof

angled interior view of mid-century modern dining room with green chairs

partial interior view of mid-century modern kitchen

The overall design favors wood, cork, and natural stone for materials, while blues, corals, and yellows fill the color palette.

angled interior view of mid-century modern kitchen

The kitchen cabinets are finished with Farrow & Ball’s Hague Blue No. 30, which partners well with the warm wood details, like the black walnut topped central island.

angled interior view of mid-century modern bedroom with twin beds

Both of the children’s bedrooms include a sleeping area and workspace, with colorful wallpaper and furnishings to finish out the designs.

interior view of mid-century modern bedroom

interior view of mid-century modern space with two desks

angled interior view of mid-century modern bedroom

In the guest bedroom, a custom designed ledge offers space to rotate art as desired.

interior view of mid-century modern bathroom

In one of the children’s bathrooms, pale green is used on the cabinets with black accents adding a sophisticated look, all under a new light well.

angled interior view of mid-century modern bedroom

Another display ledge can be found behind the bed in the primary bedroom to welcome art. A wall of retractable glass doors offers the bedroom’s seating area direct access to the outdoors.

interior view of mid-century modern bedroom with seating area

interior view of mid-century modern bathroom

interior view of mid-century modern bathroom

exterior view looking into bathroom with tub

interior view of modern mud room with cubbies

Each family member has their own storage cubby in the custom mudroom.

interior view of modern mud room with cubbies

angled exterior view of mid-century modern house in backyard

angled exterior view of mid-century modern house in backyard

Project team:
-Gustave Carlson Design (Architecture, interior, and custom cabinetry)
-Atelier Davis (Interior design and decoration)
-Ground cover Landscaping
-Flegel’s Construction

Photography by David Duncan Livingston, courtesy of v2com.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Spectra showcase to highlight art from LGBTQ+ youth

Spectra showcase to highlight art from LGBTQ+ youth

In honor of Pride Month in June, social impact marketing firm TGW (This Good World) Studio is calling for submissions for its annual Spectra showcase. The event celebrates the voices and artistic talents of Rochester’s LGBTQ+ youth with a public art show.

“Last year, we held our first-ever Spectra showcase and it was an amazing experience and an honor to host and organize,” says Courtney Brown, TGW Studio creative director. “We wanted to kick off Pride Month by celebrating the future of our community and show LGBTQ+ youth that we care about their voices and their experiences.” 

While TGW Studio welcomes all mediums and subject matter, pieces that explore topics such as gender, sexual orientation and identity are highly encouraged and digital works must have a physical presence.

Set for June 2 at TGW Studios, the Spectra Showcase will also serve as a fundraiser for the Center for Youth, which supports LGBTQ+ and other youth in need of housing and other resources. In 2022, the event raised over $2,000 from donations from attendees. (Submissions to the event, which can be made online, are due by May 25 and must be from artists 21 years old or younger.)

A recent report by the Trevor Project found that 28 percent of LGBTQ+ youth reported experiencing homelessness or housing instability at some point in their lives with over half reporting that they ran away from home because of mistreatment or fear of mistreatment due to their identity.

“LGBTQ+ people of all ages have always existed and will forever continue to exist,” says TGW designer Lily Garnaat. “To be queer is to address that there is more to your being than what you were taught.

“Safe creative spaces allow marginalized communities, like the queer community, to explore their complex selves and to embrace what we may have learned to hide in fear of rejection. Young people deserve to be celebrated and encouraged to keep going, so they can become confident community members and changemakers in years to come.”

TGW Studios is LGBTQ+/non-binary/woman-owned and operated and a Certified B Corporation, which measures a company’s social, environmental, and community impact. It has worked with the Equal Rights Heritage Center, Trillium, and on the Harriet Tubman Bicentennial anniversary. The Spectra Showcase is one of the ways the studio supports the Rochester community.

“In recent years especially, there’s been a lot of discouraging discussion and legislation determining how the LGBTQ+ community and minors intersect. With queerness being seemingly synonymous with explicitness, this leaves LGBTQ+ kids and teens to sit with the apparent message that their very existence is inappropriate,” says Brown. “At TGW, we wanted to be sure to provide a place where that shame can be shed, and the lived experiences of LGBTQ+ youth can be amplified and respected.”

Beyond creating a safe creative space and fundraising, the Spectra showcase also includes other activities such as postcard design and letter writing to show support for LGBTQ youths.

Jacob Schermerhorn is a Rochester Beacon contributing writer. The Beacon welcomes comments and letters from readers who adhere to our comment policy including use of their full, real name. Submissions to the Letters page should be sent to [email protected]