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Flos Illuminates New Collections From Ronan Bouroullec + Phillippe Malouin

Flos Illuminates New Collections From Ronan Bouroullec + Phillippe Malouin

Of the eight lighting designs revealed by renowned Italian lighting manufacturer Flos for Milan Design Week 2023 at Euroluce, two share a similar approach to illumination in both form and function: Philippe Malouin’s playful, adjustable table lamp draws inspiration from a classic French toy, while Ronan Bouroullec’s trio of lamps emphasize the designer’s ongoing affinity for utilizing ceramics to draw connections between manufactured forms and a material associated with the organically handcrafted.

Malouin may have tapped memories of yesterday’s plaything, but he notes the light was conceived to appeal and serve the lifestyles of Millennials and Gen Z.

Bilboquet is an adjustable table lamp brought to life by London-based designer Philippe Malouin, his first effort for the brand. The design is rather simple, but effective in its execution. You may remember playing with a bilboquet as a child. Composed of a perforated wooden ball tied with a string to the middle of a stick that was pointed at one end and equipped with a concave plate at the other, the challenge was to toss the ball upwards to attempt to catch it into the saucer or precisely reseat it into the stick.

Tomato red-orange Bilboquet table lamp aimed upward with light on.

Each of the main components of the Bilboquet table lamp can be disassembled if in need of repair, replacement, or disposal of separate parts, including a retrofit bulb.

Malouin’s design retains the playful nature of its eponymous inspiration. Built around two-colored cylinders connected by a magnetic sphere, the articulating form allows the bulb-tipped cylinder to rotate and direct the light where needed. This adjustable design means the Bilboquet can function as table lamp, task light, or aimed toward a wall for indirect mood illumination.

The Bilboquet will become available autumn 2023 from Flos in options of sage, tomato, and linen.

Portrait photo of Philippe Malouin in black denim jacket standing near wall outdoors.

“Simple in appearance but full of personality, Bilboquet is an adjustable table lamp that allows you to direct light in a playful yet precise manner.” – Philippe Malouin

Three Ceramique lamps on table in Rust Red, Navy Blue, and Moss Green.

Three sections are combined into a ceramic body and diffuser, featuring a lead-free crystalline lacquered finish that highlights the handcrafted ceramic surface.

In similar, but distinctly in its own fashion, the Céramique collection for Flos designed by Ronan Bouroullec also is a spotlight of sort, minus the adjustable functionality of the aforementioned Bilboquet – meaning, each of the three designs share the same base, stem, and a cap with ceramic body and diffuser, but each version’s cap is set to a specific non-adjustable angle: downward, forward, and upward. This illuminating trilogy is described to unite “the three members of the family, making them the protagonists of a single story.”

three ceramic lamps lined up at an angle in three colors

“I love ceramics, flames licking the earth and enamel flowing over to envelop the form,” says Bouroullec. “Ceramics are about desire, sensuality. I think that my work is increasingly moving in this direction; producing objects that are functional, certainly, but looking for a kind of elegance, of pleasure.”

Angled view of single ceramic lamp on table in rust color

angled back view of blue ceramic lamp

closeup of green ceramic lamp

Ronan Bouroullec in his Parisian studio at his table sketching.

Ronan Bouroullec Photo: Marion Berrin

Céramique will be available from Flos in Moss Green, Navy Blue, and Rust Red, and includes a replaceable LED bulb.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Salary and Career: Kathleen Voboril can make martech sing

Salary and Career: Kathleen Voboril can make martech sing

As part of our Salary and Career Survey, we interviewed people about their experiences in marketing. Today we’re talking to Kathleen Voboril who is now a consultant after many years in top marketing positions. She’s also figured out how to combine her first love, musical theater, with martech. (Interview edited for length and clarity.)

Q: How did you get started in marketing?

A: I actually went to school for musical theater and had a dream of being an actress on Broadway. So for my first few years out of college, I was in New York City trying to make it as an actress on Broadway. I was temping and the best kind of side jobs were in financial services. 

I wound up in a private equity firm because they would give me health insurance and one thing led to another and they offered me a full-time job as a marketing associate. I did that for a year or two and then decided to go get my MBA at the University of Texas. 

Q: In marketing?

A: I did not focus on marketing. I didn’t love marketing. The classes and the coursework didn’t light me up. I concentrated on entrepreneurship. I thought I’d do the VC entrepreneur thing, but there was an opportunity to go to GE which had this experience commercial leadership program. I thought of it as a vocational MBA because it was two years of training. You do three, eight-month-long rotations in different GE business units. It was a great gig. 

Dig deeper: MarTech Salary and Career Survey shows a profession coming into its own

Well at GE, pretty early on, I got the digital bug. My sponsors and mentors kind of thought it was a fad and like something for the interns and very marcom-y and not very strategic. But I was like, “Well, we’re supposed to be like the future marketing and sales leaders of the company. And all of the data shows that users, whether they’re B2B buyers or B2C buyers, they’re increasingly spending time online. So, are we going to be relevant and understand that?”

Q: You called it. That must have positioned you very nicely.

A: Yeah, I started becoming known for being a digital expert inside GE. When it was time to graduate from the program, GE was actually one of the first brands to spend more on digital ads than traditional ads. And Jeff Immelt, the CEO, had mandated that every business unit have a mid-to-senior-level digital leader. I kind of got to choose which unit to work with and I went and led digital for GE Transportation, which was a $5 billion business, but GE’s smallest division. 

Q: Sounds great, what made you leave?

A: What I was doing in transportation was great and really well received across the company, but I couldn’t get bigger budgets. There was no CMO in that business and I was one of three marketers for the entire division. There were bigger business divisions that wanted me to come and do digital for them, but at GE at the time, the transportation business would have had to be willing to sell me to the energy business and they weren’t willing to do that. 

Q: Where did you go from there?

I had a friend at a consumer packaged goods company called Central Garden and Pet, and they wanted a digital leader and it was in Atlanta. I was in Atlanta at the time and didn’t want to leave. And I got really excited about the idea of it being a CPG and marketing was really in the driver’s seat. They had a lot of classically trained CPG marketing leadership and they had this big vision for digital. I was going to come in and manage a digital agency, have big budgets, build a team, so I was excited. 

My second week there they laid off the entire senior leadership team. I went from I was going to have a multimillion-dollar digital ad budget to getting $100,000, and you get to fire the agency because of how much they cost you. So we did content marketing, we did social. I replaced our agency with software companies. We also re-platformed all of our websites to Sitecore, like 50-60 sites, and did a lot of training and stuff like that. 

Q: How did you go from Atlanta to Oregon?

A: I wanted to move back to Portland where I was born and raised and got offered a job at Oregon Tool, at the time it was called Blunt International. Up until that point, I’d really only done digital marketing, I really hadn’t done much with ecommerce. And the opportunity at Oregon Tool was 50/50 digital marketing and ecommerce. That was really intriguing. 

Q: But there were problems?

I get there and they’re like, “We’ve spent all this money and hired all these people.” And I’m thinking, “Oh my God, they bought the absolute wrong technology. And I think I can get this team to work together and there’s some diamonds in the rough here, but this isn’t the right skill set for what they say they’re trying to do.”  So I spent my first two years cleaning up and course-correcting. 

I think most senior leadership teams, especially those of a certain age, don’t want to admit that they don’t understand this stuff. They feel like, “Oh, by now I should sort of get that the Internet matters.” The truth is they don’t really know what kind of capabilities and resources they need, but they don’t want to admit it. 

I was there for about four-and-a-half years and built a global ecommerce business and grew revenue from $2.5 million to $30 million. We also developed a direct consumer fulfillment capability and were really starting to do some cool things, like re-platforming the websites. But it was bought by private equity owners. They took on a lot of debt and I was part of a mass layoff. I think unfortunately it’s probably only a matter of time till it’s a shell of its former self. 

Q: What do you like about marketing?

A: I love how multidisciplinary it is. I love how the art meets the science and how it’s all just an ecosystem. It’s the perfect blend between structure and creativity, between technology and art, between data and feeling. And I love how cross-functional it is, especially digital marketing. 

Q: I have to ask, is there a Broadway musical hiding in digital marketing?

A: Funny you should ask that. I have started this side project that I’m calling corporate karaoke. I’m taking musical theater and pop songs and I’m reperforming them with corporate context. My latest is Joni Mitchell’s “A Case of You,” but it’s about SAP and how SAP is the invasive vine in your tech stack that you just can’t quit.

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(You can check out Kathleen’s other funny songs on her YouTube channel, @Corporate-Karaoke.)


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About the author

Constantine von Hoffman

Constantine von Hoffman is managing editor of MarTech. A veteran journalist, Con has covered business, finance, marketing and tech for CBSNews.com, Brandweek, CMO, and Inc. He has been city editor of the Boston Herald, news producer at NPR, and has written for Harvard Business Review, Boston Magazine, Sierra, and many other publications. He has also been a professional stand-up comedian, given talks at anime and gaming conventions on everything from My Neighbor Totoro to the history of dice and boardgames, and is author of the magical realist novel John Henry the Revelator. He lives in Boston with his wife, Jennifer, and either too many or too few dogs.

Center for the Arts welcomes series of Native American art exhibits in June

Center for the Arts welcomes series of Native American art exhibits in June

JACKSON, Wyo. — Grounded is a strategic and timely art exhibition organized by ArtSpirit, the arts initiative of the Episcopal Church in Wyoming, and CARAVAN, a global arts non-profit, from June 1 to July 23. This is just one stop on a multi-year international tour.

The exhibit at Center for the Arts includes three specific events held throughout June: 

Opening Reception for Gallery Show

The opening reception will take place June 1 at 7 p.m. at The Center Theater and Gallery.

Special guests and speakers will include participating Native American artists, an Indigenous drum circle and the cedaring of the artwork to which all are invited. The Grounded exhibit brings together 15 premier and emerging contemporary artists from Indigenous American tribes traditionally based in and around the Great Plains. It is an artistic exploration that seeks to inspire our imaginations about our need to be “grounded” in our relationship with all of creation: the earth and its wildlife, each other and ourselves. 

“The Art of Home”

The Jackson Film Premiere will take place June 7 at 7 p.m. at The Center Theater.

ArtSpirit, Episcopal Church in Wyoming and CARAVAN, sponsored by Wyoming Humanities, will bring the Jackson film premiere screening of the Emmy-nominated PBS film “The Art of Home: A Wind River Story,” which focuses on two indigenous contemporary artists from the Wind River Reservation reflecting artistically on their tribal homelands, on the role of art in reconciliation and on what it means to be a “native artist.” 

Special guests at the film screening include Emmy award-winning director Mat Hames, producer Jordan Dresser (Northern Arapaho) and featured Native artist and actor Sarah Ortegon (Eastern Shoshone), who will provide a “behind the scenes” perspective including historical context on the arts and crafts of their communities, passed down through the ages, as they encourage young artists to stay connected to their roots.

“An Evening with Joy Harjo”

The event with the U.S. Poet Laureate (2019-2022) and winner of the Pen USA Literary Award for Nonfiction will take place on June 16 at 7 p.m. at The Center Theater.

An Evening with Joy Harjo, 23rd United States Poet Laureate, will wrap up the month-long series of events. This will be an evening of poetry, music and reflection with Joy Harjo. A member of the Muscogee Nation, she is the first Native American to hold that honor. Harjo is an internationally renowned performer and writer, having authored nine books of poetry, several plays and children’s books and two memoirs. Harjo performs with her saxophone nationally and internationally.  

This is the only ticketed event of the series. Tickets are available on The Center’s website and are selling fast.

This final event is sponsored by ArtSpirit, CARAVAN, Center for the Arts, Wyoming Humanities, Wort Hotel and St. John’s Episcopal Church, in partnership with EcoTheo Collective.

More information on these events can be found on The Center’s website.

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One tip from a National Geographic photographer totally changed the way I take pictures of nature on my phone

One tip from a National Geographic photographer totally changed the way I take pictures of nature on my phone
  • I asked National Geographic photographer Kiliii Yüyan how to take better photos on my phone.
  • Yüyan gave me a tip on how to take photos of natural landscapes that stand out from the rest.
  • Find a foreground subject and frame your shot to show the scenery in the distance, he said.

Nowadays, people are “drowning in photographs,” National Geographic photographer Kiliii Yüyan told Insider. But there are ways to make yours stand out — even if you’re just shooting on your phone.

I love taking pictures so much that I went to school for it. And after nearly a decade of learning and shooting with intricate film and digital cameras, I work as a travel reporter. I take four trips a year where my work revolves around documenting the places I’m visiting while experiencing them. So I thought it was about time to learn about my smallest, most nimble camera — my phone.

Just like in school, I wanted to learn from a pro. So I turned to Yüyan, who tells visual stories about how different cultures relate to the environment, from the Amazon to the Arctic seas. He gave me four useful tips for taking better pictures with my phone, and one of them made me think about photographing nature in a whole new way.

Put something in the foreground

When it comes to making phone photos stand out, Yüyan said natural landscapes are especially challenging since they’ve been photographed so much. His best advice is to find a good foreground subject. 

“Great backgrounds, such as mountains or waterfalls, are easy to find because we’re always looking for them,” Yüyan said. “On the other hand, a good foreground subject, such as blooming wildflowers or a craggy tree, can be much harder to find in the right location.”

Yüyan recommended searching for a foreground subject and framing your shot so you can see the scenery in the distance. 

“It’ll give your images depth, intimacy, and make your photos unique,” he said.

National Geographic photographer phone tips example

The author photographs a beach in Santa Cruz, California.

Joey Hadden/Insider



I had never thought about foreground in this way before, but his tip reminded me of when I photographed a beach across the street from mountains in Santa Cruz, California. I started by photographing the beach from the shore. I thought the mountains looked nice, but there was so much sand that I thought the bottom half of my image looked boring. 

So I took my phone across some ocean rocks and into the tide pools. I thought the rocks and reflecting water spruced up my foreground by giving my image more layers. To me, this made my image feel more dynamic.

I also thought about a time I took some photos on my phone during a hike in Prescott, Arizona. When I first arrived at the Watson Lake parking lot for my hike, I thought it looked stunning with rock formations I hadn’t seen before. So I was surprised when I found that photographing the scene from the lot didn’t seem to do it justice. 

But once I immersed myself in the landscape by hiking the trails, I found foreground subjects such as shrubs that better framed the lake scene. I thought the inclusion of these elements in the second image gave a better sense of what it was really like to be there because it had more layers showing what actually surrounds the lake.

The author photographs Prescott, Arizona, in 2022.

The author photographs Prescott, Arizona, in 2022.

Joey Hadden/Insider



Some images in my camera roll already seemed to support Yüyan’s tip, but the photographer helped me identify what makes certain pictures stronger than others. I’ll go into my next outdoor trip feeling more inspired to shoot from my phone and scout for interesting foregrounds.

The Strange Relationship Between Hobbyist Photographers,

The Strange Relationship Between Hobbyist Photographers,

Influencers have invaded just about every space in which there are products for sale. If there is money to be made, there is probably an influencer for it, whether you realize it or not. Photography has not been immune to this, and it has left hobbyist and professional photographers in a strange place. This insightful video essay features a long-time pro discussing the issue and offering his thoughts. 

Coming to you from Scott Choucino of Tin House Studio, this great video essay discusses the issue of influencers in photography and their relationship with professional and hobbyist photographers, the problems it can cause, and the ethics of it all. Certainly, photography is far from the only place in which influencers leverage their popularity to sell equipment, but in an industry in which a single equipment purchase can run into four- or even five-digit costs, it is worth thinking very carefully about where you get your information and how you make your buying decisions. At a higher level, it has a strange effect on the photography community, often contributing to the sort of brand cliques we often see creatives sort themselves into. Check out the video above for the full rundown from Choucino.

Modular MASS Prioritizes Flexibility + the Spirit of the Outdoors

Modular MASS Prioritizes Flexibility + the Spirit of the Outdoors

MASS was brought into the design world to provide a flexible, timeless outdoor seating solution that encourages interaction and communication. Designed by Todd Bracher and GANDIABLASCO, the upholstered modular furniture system embodies GANDIABLASCO’s Mediterranean lifestyle roots.

“My designs are based on the idea of irreducible complexity: a good design needs all its individual components in the right place to be able to work,” said Bracher. “The rest is noise. MASS tries to address a real need from authenticity and to put furniture design at the service of the user experience, and that need is to foster interaction and interconnection in a scalable and flexible way.”

Scalable and easy to reconfigure, the lightweight elements of the MASS collection were designed to increase interconnection through shared inhabited spaces. Using only five modular components – two symmetrical seat modules and backrests and one backrest of a different length – various uses can be created for multiple situations, from a large outdoor living room to compositions devised in the moment. As Bracher said, MASS welcomes spontaneity with open arms.

styled modular outdoor seating

Two irregular pentagons and three rectangular backrests are responsible for the collection’s modular versatility. A powder-coated aluminum structure provides strength and rigidity while also acting as the connection point between different modules. Both the seats, featuring iroko wood legs, and the backrests are very comfortable thanks to a base of Gravidry® filtering polyurethane foam and an additional layer of surface wadding. These upholstered elements are removable, but also quick drying because of the draining capacity of the foam. Choose from three colors: Warm Majestic, Warm Domino, and Warm Strange Loves.

styled modular outdoor seating

styled modular outdoor seating

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

modular outdoor seating on white background

To learn more about the MASS modular outdoor seating collection, visit gandiablasco.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

A Humbling Short Film Visualizes the Breathtaking Magnitude of 13.8 Billion Years of Cosmic Existence

A Humbling Short Film Visualizes the Breathtaking Magnitude of 13.8 Billion Years of Cosmic Existence

The human conception of time is limited. We often think in hours, days, and years, units of measurement that are comprehensible when considering our lifetimes or those of generations past. Even decades and centuries, though, are only a minuscule fraction in the timeline of the universe and are wholly inadequate when assessing a nearly 14-billion-year history.

A new short by Alex Gorosh (previously) and Wylie Overstreet (previously) helps to visualize the immensity of cosmic creation beyond the clock and calendar. Four years in the making, “To Scale: TIME” takes the filmmakers to a 4.3-mile stretch across the arid Mojave Desert, where they install small lights to create a timeline of human civilization and the broader universe. Augmented with visuals of galaxies and historical events, the resulting work captures the magnitude of 13.8 billion years and is an awe-inspiring reminder of how small humans are in both time and space.

Watch the humbling film on YouTube, where Gorosh and Overstreet also share a making-of video that documents their process. “To Scale: TIME” is the second project in the duo’s series of model-based works and follows their striking visualization of the solar system.

 

a gif showing a timeline

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Humbling Short Film Visualizes the Breathtaking Magnitude of 13.8 Billion Years of Cosmic Existence appeared first on Colossal.

Pleasantville, N.Y.: A Walkable Village That Checks ‘All the Boxes’

Pleasantville, N.Y.: A Walkable Village That Checks ‘All the Boxes’

The Westchester community attracts an eclectic mix of residents who appreciate the artsy vibe, the charming homes and the proximity of the city.

Before discovering Pleasantville, N.Y., several years ago, Erin Williams lived with her husband and elementary-school-age daughter in a succession of Westchester communities. They bought a house in Ossining, N.Y., but found the commute to Manhattan too time-consuming. And getting around town wasn’t any easier. After selling their house and renting in Manhattan for a while, they moved into a rental in Tarrytown, N.Y., while searching for their next stop.

That’s when they hit upon Pleasantville, a village in the Westchester town of Mount Pleasant. There, the family found a three-bedroom 1880s colonial house for $600,000, in a close-knit neighborhood with residents of various cultures, near the village center.

“It checked all the boxes,” said Ms. Williams, 40, a graphic novelist, who likes the area’s walkability, the school system and the community. “We love our neighbors. One snow-blows our driveway without asking and another, a Korean lady, brings us cucumbers from her garden.”

Another draw was the arts scene. At the center of the village is the Jacob Burns Film Center, which has been attracting moviegoers from Westchester and beyond for more than 20 years. Three of the five screening rooms were recently revamped and there are plans to install a wine bar, said Denise Treco, the center’s director of marketing and communications.

The film center “put Pleasantville on the map,” said Hillary Landau, an associate real estate broker with Compass, attracting a “very eclectic” mix of residents, including “creative types, entrepreneurs, doctors, lawyers.”

A white gazebo with a gray shingled roof, surrounded by landscaping, flower boxes and planters. Several people wearing jeans and shorts are sitting and walking around it.
The gazebo in Memorial Plaza is home to a weekly farmers’ market and special events.Tony Cenicola/The New York Times

Her clients from New York City and elsewhere in Westchester, she added, “want to walk into town, to the train and to the farmers’ market.”

That should be even easier come fall, when a state-sponsored project to widen downtown sidewalks and add more pedestrian-friendly streets is expected to be completed, said Eric Morrissey, the village administrator. And a 79-unit rental building currently under construction downtown will yield more housing — both market-rate and affordable apartments — a short walk from the train station. (Other planned development includes a handful of single-family homes on a 1.2-acre site outside the village center that once was owned by the Girl Scouts Heart of the Hudson.)

Loretta Chiavetta, an agent with Coldwell Banker, wanted the same small-town experience for her family that she had as a child in Hastings-on-Hudson, N.Y., when she and her husband moved out of a Manhattan co-op 30 years ago. With prices too high in Hastings, she said, they visited Pleasantville at the suggestion of a relative. There, Ms. Chiavetta saw “kids in the street and bikes on the lawn,” and was hooked.

Her family settled into an 1890 three-bedroom colonial house on Washington Avenue, in the downtown area, within walking distance of restaurants, shops and the Metro-North station. Ms. Chiavetta still lives there with her husband and college-age daughter, and now has many clients seeking the same experience.

“There are so many from Brooklyn,” she said. “And I can see why — the charm of the houses, the walkability of the village and the closeness of the city.”

20 BROOK MANOR LANE | A five-bedroom, two-bathroom house, built in 1938 on 0.26 acres, listed for $1.08 million. 914-420-5176Re/Max Ace Realty

Pleasantville occupies less than two square miles in the town of Mount Pleasant, in Westchester County, about 30 miles north of Manhattan. According to 2021 census figures, the village has around 7,400 residents, about 84 percent of whom identify as white, 14 percent as Hispanic, 4 percent as Black, 4 percent as Asian and 3 percent as multiracial. The median household income was $165,987.

The village is best known for its colonial-style houses downtown, but the inventory also includes ranches, split-levels and Cape Cod-style homes on lots of a third of an acre or less. While larger houses on bigger lots can be found farther from the village center, “you don’t come to Pleasantville to get an acre and a pool,” Ms. Landau said.

Attached townhouses are available at Club Court, a development bordering a nine-hole golf course operated by the Pleasantville Country Club, and at the Enclave at Pleasantville, a high-end Toll Brothers development. Foxwood offers condominiums in a multi-building complex, and there are garden-style condominiums at Greenwood and Pleasantville Gardens. As for co-ops, options include the Commons, Pleasant Manor and Ledgerock Gardens. Apartment rentals include lofts along Washington Avenue and one- and two-bedroom units at the Atwood, on Vanderbilt Avenue.

579 BEDFORD ROAD | A four-bedroom, four-bathroom house, built in 1840 on 0.32 acres, listed for $1.03 million. 914-420-5176Re/Max Ace Realty

With low inventory, high demand and rising mortgage rates, this is a “very competitive time for buyers,” said Ms. Chiavetta, who co-hosts “The Real Estate Connection,” a local cable show about real estate.

According to a Coldwell Banker analysis of data from the OneKey Multiple Listing Service, the median sales price of a single-family home dropped to $652,500 in April, from $784,000 a year earlier. This was due, in part, to fewer sales at the high end — and fewer sales overall — than during the previous year, Ms. Chiavetta said.

In April, there were 16 single-family homes on the market in the Pleasantville postal zone, including a three-bedroom, one-bath raised ranch listed for $599,000, and a five-bedroom, four-and-a-half-bath home listed for $3.999 million. Also listed were two three-bedroom townhouses (for $1.99 million and $1.050 million) and several condominiums ranging from $240,000 to $429,900.

Monthly apartment rentals can run $4,800 for a loft on Washington Avenue or slightly less than $3,000 for a one-bedroom at the Atwood, on Vanderbilt Avenue.

145 BROADWAY | A four-bedroom, two-and-a-half-bathroom house, built in 1912 on 1.18 acres, listed for $879,000. 914-356-1234Coldwell Banker Realty

On nice days, students in middle school and high school stroll from their nearby campus to Frank & Joe’s Deli and the Black Cow Coffee Company on Wheeler Avenue, in the village center. Diners fill the outdoor tables at Pubstreet and Fatt Root, an Asian food shop recently featured in Westchester Magazine, while brown-baggers eat lunch on benches along Memorial Plaza. Cheese lovers praise Second Mouse Cheese on Manville Road. For casual dining, there is the Pleasantville Diner, on Memorial Plaza.

On Saturday mornings, the Pleasantville Farmers Market — considered by some the best in Westchester — draws crowds to Memorial Plaza. Popular annual events include the Pleasantville Music Festival, which will be held this year on July 8 at Parkway Field, and Pleasantville Day, a celebration of the village’s food, goods and services held in May at Memorial Plaza.

Favorite spots for young families include the playing fields at Roselle Park and Soldiers & Sailors Park, as well as the pool at Nannahagan Park. Mountain bikers enjoy five miles of trails in Graham Hills Park, off Route 117. Indoor activities are held at the Mount Pleasant Public Library, on Bedford Road, and the Recreation Center, on Marble Avenue. Older residents gather at the Senior Center on Clinton Street. For Ping-Pong fans, there is the Westchester Table Tennis Center, on Tompkins Avenue.

Pleasantville Diner, on Memorial Plaza, is a go-to place for locals and visitors.Tony Cenicola/The New York Times

The Pleasantville Union Free School District has an enrollment of about 1,635 at three schools. Bedford Road School serves students in kindergarten through fourth grade; Pleasantville Middle School and Pleasantville High School share a campus on Romer Avenue, serving students in fifth through 12th grade. Some high school students are from nearby Pocantico Hills, which does not have a high school.

“The school is the hub here,” said Tina DeSa, the superintendent of schools. “We care about the kids, and that’s why everyone wants to live in Pleasantville.”

According to New York State Education Department data from 2021-22, Pleasantville High School had a 97 percent graduation rate and the student body was 73 percent white, 15 percent Hispanic, 6 percent Asian, 2 percent Black and 4 percent multiracial. Average SAT scores for the class of 2022 reported by the district were 618 in evidence-based reading and writing and 622 in math, compared with statewide averages of 534 and 533. The high school was named a National Blue Ribbon School in 2021.

A 200-acre branch of Pace University is also in Pleasantville.

The trip to Grand Central Terminal in Manhattan on the Harlem Line of the Metro-North Railroad takes a little less than an hour. A one-way ticket bought in advance is $14.75; a monthly pass is $322.

Annual parking passes are available for $600 to village residents and business owners only. For nonresidents, there are 12-hour and hourly parking spaces.

The Westchester Table Tennis Center, on Tompkins Avenue, offers indoor recreation.Tony Cenicola/The New York Times

In the 18th century, Pleasantville was an agricultural area known as the Manor of Philipseburgh. Early inhabitants included members of the Sint Sincks and Rechgawawanks Native American tribes, as well as Dutch settlers and Quakers.

In the mid-1800s, the village was known as Clark’s Corners. During the Civil War, it was a stop on the Underground Railroad. Past residents include the writers Lillian Hellman and Dashiell Hammett, and the actor Sidney Poitier. Reader’s Digest magazine was co-founded by a former resident, DeWitt Wallace, and was headquartered in the village before it moved to neighboring Chappaqua and, later, to Manhattan. The Usonia Historic District, a planned community designed by Frank Lloyd Wright in the 1940s, is listed on the National Register of Historic Places.

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