About

Posts by :

Spring Art and Art Festivals: Art and The City

Spring Art and Art Festivals: Art and The City
Dominique Paul, “Maquette Damoiseaux,” 2021. Image: Courtesy of the artist

OAS AMA | Art Museum of the Americas
Dominique Paul, “Silent Fall”
April 22-July 20 • www.museum.oas.org

Montreal native Dominique Paul, who now calls Brooklyn home, will exhibit a series of work at the Organization of American States’ Art Museum of the Americas which examines human impacts on the environment, specifically on wildlife. “Silent Fall” is curated by New York-based Ayelet Danielle Aldouby. Paul will use a wide range of mediums including photography and video to address the disappearance of at-risk animal species. The title is inspired by biologist Rachel Carson’s ground-breaking book “Silent Spring.” Aldouby explains that Paul’s work “inspires us to collaborate as compassionate beings and reclaim our role as temporary guardians of a vanishing world.” Paul has spent years researching and evolving this project. 201 18th St. NW. Hours: Tues.-Sun., 10 a.m.-5 p.m. Call (202) 370-0147 or query artmus@oas.org.

IA&A at Hillyer May Solo Exhibitions
Concurrent solo exhibitions by Claudia “Aziza” Gibson-Hunter,
Amber Robles-Gordon and Zhenya Parish
May 6-28 • www.athillyer.org

• Claudia “Aziza” Gibson-Hunter, “Flight School.” Hunter sees flight as “a spiritual technology,” a means to reach an altered state of being which offers both protection and transcendence. Through a series of abstract mixed-media works, Hunter explores this idea by drawing inspiration from Zora Neale Hurston, Alvin Ailey’s “Revelation” and gospel music lyrics.

• Amber Robles-Gordon, “Remnants: A Visual Journey of Memory and Renewal.” Robles-Gordon’s series addresses the bits and pieces in life that make up memory and loss. By examining the notion of “remnants,” “slivers” and “fragments,” Robles-Gordon recompiles found parts into collages which represent “a journey of self-awareness and growth.” “Together,” she explains, “these artworks present a visual telling of love, loss, and healing.”

Claudia “Aziza” Gibson-Hunter, “Dawn Flight_ Flight Dawn” (detail), 2022, acrylic paint, colored pencil, 25 x 30 x 4 inches. Photo: John Woo

• Zhenya Parish, “The Art of Letting Go.” Like Robles-Gordon, Parish examines fragmentation and loss through a series of recent paintings which examine the “symbology of perceived experiences.” Parish hopes that the pieces “will challenge the viewer to find a new point of relation and help create a moment of understanding, appreciation, or feeling. We live in flux. Embrace it.” 9 Hillyer Court NW. Hours: Tues.-Fri., 12-6 p.m., and Sat.-Sun., 12-5 p.m. Call (202) 338-0680 or query hillyerdirector@artsandartists.org.

New Art Installation Connects Art and Urban Farming

A new series of public art funded by the Darryl Chappell Foundation in partnership with Building Bridges across the River and the District government seeks to connect urban farming with the community through visual markers. Created by local artist Sonia Jones while a resident at the National Children’s Center (NCC) Baby Bloomers Urban Farm, the work connects Ward 8 students with the environment and healthy eating. “I’m honored to be a part of the story of this innovative space that is tackling food insecurity and creating inclusive spaces for children with special needs, while serving as an anchor for continued community engagement,” said Jones. “As a mother who enjoyed my first harvest from my home garden this year,” she added, “I wanted to use my artistic talents to support organizations that teach the next generation to be self-sufficient.”

Spring Art Festival Season

With the arrival of good weather, outdoor art festivals abound. Free of charge, these events are the opportunity to see hundreds of artists and artisans, experience live performances and try new food. Here is a chronological listing of events:

Baby mural. Photo: Ayanah George

VisArts’ 11th Annual Rockville Arts Festival
Sat. & Sun., May 6 & 7, from 10 a.m. to 5 p.m.
www.visartscenter.org/rockville-arts-festival

The festival features 130 fine artists and artisans, Raku demonstrations by VisArts instructors and community art projects including printmaking and chalk art. Along Maryland Avenue between Beall Avenue and East Middle Lane, Rockville, Maryland. Metro accessible; public parking garages nearby.

image

Gateway Open Studio Tour | Arts, Beats & Eats
Studio Tour, Sat., May 13, from 12 to5 p.m.
After-party at miXt Food Hall, Sat.,
May 13, from 5 to 8 p.m.
www.artsbeatseatsdmv.com

If you’ve ever wanted to explore the region’s largest art district, this is the day to do it. Over 150 artists live and work between Eastern Avenue and College Park. I recommend targeting a few studios this year and planning to come back in 2024. There are too many venues to see in one day. Then, at 5 p.m., go to miXt Food Hall for an after-party and meet the locals. The Gateway Open Studio Tour takes place in Mount Rainier, Brentwood, North Brentwood and Hyattsville, Maryland. Scroll down the website above for all participating locations. miXt Food is at 3809 Rhode Island Ave., Brentwood, Maryland. After-party parking at Brentwood Fire Station, 3716 Rhode Island Ave., Brentwood.

Bethesda Fine Arts Festival

Sat., May 13, from 10 a.m. to 6p.m.;
Sun., May 14, 10 a.m.-5 pm.

www.bethesda.org/arts/artsfestival.htm

The Bethesda Fine Arts Festival features artists and artisans from around the nation, selling everything from artwork to handmade furniture to clothing. A stage on Del Ray Avenue will feature live musical performances all weekend. The festival takes place on Del Ray, Auburn and Norfolk avenues. Metro accessible; public parking garages available.

Tephra ICA Festival

Sat., May 20, from 10 a.m. to 6p.m.; Sun., May 21, 10 a.m.-5 pm.

www.tephraica.org/festival

Now in its 32nd year, the event was formerly known as the Northern Virginia Fine Arts Festival. It boasts over 200 artisans and artists from around the US and features live music as well. Of particular note, artist Hoesy Corona presents “Hacia la Vida” (Toward Life), a performance piece about climate change and its impact on immigration. The artist has created “sculptural costumes” which will be worn by performers  marching in procession through the festival. Reston Town Center, Market Street. Now accessible by Metro’s Silver Line; parking garages nearby.

Phil Hutinet is the founding publisher of East City Art, DC’s visual art journal of record. For more information visit www.eastcityart.com.  

The Woodlands High School Photography Earns Rising Star Award

The Woodlands High School Photography Earns Rising Star Award

THE WOODLANDS, TX — The Woodlands High School Photography students, under the guidance of Julie Pelosi, were named the Association of Texas Photography Instruction 2022-23 Rising Star Program.

TWHS students took first place in architecture and nature, second in portrait, and third in sports.

Students whose work was included are: Aiden Fritsche, Eesha Reddy, Gabrielle Nix, Annabelle Rohrbough, Ema Lamyuen, Holly Mullins, Gio Walden, Albert Kaci, Mauro Barragan, Connor Koenig, Wenny Stein, Arturo Rios, Katie Pepper, Rachael Howse-Wygand, Alex Maclaughlin, Taryn Farnsworth, Jude Gillespie, Micah Archibald, Nico Nunez, Anneliese Pridgen, MJ Monroe, Ben Davis, and Mason Brady.

Schools may enter 10-image portfolios in up to four categories. The Rising Star Award is presented to the school with the highest number of winning portfolios.

“This is our third year entering the Rising Star contest,” Pelosi said. “In 2021, we placed in two individual categories, but not overall. Last year, we took a big jump forward and placed second overall. This year, the stars aligned for us, and we were able to put together some winning portfolios. I’m so proud of this group of students.

“My advanced photo kids especially are a special group, they were the ones who helped us place second last year and their talent and leadership has increased exponentially over the last year. They really have been all-in from the beginning of the year. We’ve won 55 total awards as a program this year, and that’s a testament to all their hard work. I’m so happy they were the ones to help establish us as a dominant program in the state. I can’t wait to see where we go from here!”

The Association of Texas Photography Instructors provides information and resources to teachers and students that work with photography, whether in Art, Journalism, Career and Technology, or Vocational curriculum areas.

Attached are samples of their winning work.

Inspira™ Technologies Reports First Quarter 2023 Financial Results

As of March 31, 2023, the Company had $11.5 million in cash, cash equivalents, and short-term bank deposits

RA’ANANA, Israel, May 18, 2023 /PRNewswire/ — Inspira Technologies OXY B.H.N. Ltd. (Nasdaq: IINN) (Nasdaq: IINNW) (the “Company” or “Inspira Technologies”), a company aiming to revolutionize acute respiratory care, announced today its financial results for the first quarter ended March 31, 2023.

Dagi Ben-Noon, Chief Executive Officer of Inspira Technologies, stated: 

“We believe that this is a very important period for the Company, as we continue to progress towards the regulatory submission of the New ALICETM Device with the U.S. Food and Drug Administration (FDA) in the coming months. This is in addition to the ongoing clinical studies of the HYLATM non-invasive blood sensor currently underway at Sheba Medical Center in Israel. The progress of these devices represents important building blocks of our flagship INSPIRATM ART system, which is advancing in the development process.”

Highlights:

  • May 11, 2023 – We announced that we are developing the VORTX™ Blood Oxygenator, a disposable oxygenator unit (kit) that uses a unique technology for saturating blood with oxygen and removing carbon dioxide. The VORTX is being designed to be sold separately to an addressable market currently estimated at $1.16 billion as well as being made compatible with our INSPIRA ART system and ALICE device.
  • March 22, 2023 – We announced a First in Human of HYLA™ Blood Sensor in a clinical study. We also announced the first use of the HYLATM in a patient undergoing open-heart surgery at Sheba Medical Center in Israel.
  • February 13, 2023 – We announced that we received approval from Sheba Medical Center to conduct a clinical study of the HYLA™ Blood Sensor.
  • January 23, 2023 – We announced that we were granted a patent by the U.S. Patent Office for the INSPIRA™ ART System’s Convertible Dual Lumen Cannula Device and Method of Use. All 20 claims were found to be novel, with inventive step and industrial applicability.

Financial Results for the Three Months Ended March 31, 2023

Research and development expenses for the three months ended March 31, 2023, were $2.0 million, compared to $1.5 million for the corresponding period in 2022. The increase is a result of the Company’s recruitment of employees and the expanded research and development of its new technologies and operations.

Marketing expenses for the three months ended March 31, 2023, were $168 thousand compared to $472 thousand for the corresponding period in 2022. The decrease is attributable to decreases in share-based compensation expenses and a reduction in marketing activities. The marketing department increase its efforts in the first quarter of 2022 with respect to brand awareness and exploring go-to-market capabilities.

General and administrative expenses for the three months ended March 31, 2023, were $1.0 million, compared to $1.5 million for the corresponding period in 2022. The decrease resulted primarily from a decrease in share-based compensation expenses.

Finance income for the three months ended March 31, 2023, was $368 thousand, compared to $2.2 million for the corresponding period in 2022. The change in finance income resulted primarily from the calculation of the fair value of the Company’s financial equity liabilities to pre-initial public offering (IPO) and IPO investors, in addition to the fluctuation in the U.S. dollar – New Israeli Shekel exchange rate during the first quarter of 2023.

Finance expenses for the three months ended March 31, 2023, were $112 thousand, compared to $25 thousand for the corresponding period in 2022.

Net loss for the three months ended March 31, 2023, was $3.0 million, compared to a net loss of $1.3 million for the three months ended March 31, 2022.

Balance Sheet Highlights

Cash, cash equivalents and short-term bank deposits were $11.5 million as of March 31, 2023, compared to $13.9 million as of December 31, 2022.

Financial liabilities at fair value totaled $431 thousand as of March 31, 2023, compared to $368 thousand as of December 31, 2022. The financial liabilities represent the fair value of the Company’s equity liabilities to pre-IPO and IPO investors.

As of March 31, 2023, the Company’s shareholders’ equity totaled $10 million, compared to shareholders’ equity totaling $12.8 million as of December 31, 2022.

Inspira Technologies OXY B.H.N. Ltd.

Inspira Technologies is an innovative medical technology company in the respiratory treatment arena. The Company has developed a breakthrough Augmented Respiration Technology (INSPIRA ART), designed to rebalance patient oxygen saturation levels. This technology potentially allows patients to remain awake during treatment while preventing the need for highly invasive, risky, and costly mechanical ventilation systems that require intubation and medically induced coma. The Company’s products have not yet been tested or used in humans and has not been approved by any regulatory entity.

For more information, please visit our corporate website: 
https://inspira-technologies.com/

Forward-Looking Statement Disclaimer

This press release contains express or implied forward-looking statements pursuant to U.S. Federal securities laws. These forward-looking statements and their implications are based on the current expectations of the management of the Company only and are subject to a number of factors and uncertainties that could cause actual results to differ materially from those described in the forward-looking statements. For example, the Company is using forward-looking statements when it discusses its regulatory strategy, the continuation of its progress towards the regulatory submission of the ALICE Device with the FDA, the progress of its clinical studies, and its believe that the progress of its devices represents important building blocks of its INSPIRA ART system. These forward-looking statements and their implications are based solely on the current expectations of the Company’s management and are subject to a number of factors and uncertainties that could cause actual results to differ materially from those described in the forward-looking statements. Except as otherwise required by law, the Company undertakes no obligation to publicly release any revisions to these forward-looking statements to reflect events or circumstances after the date hereof or to reflect the occurrence of unanticipated events. More detailed information about the risks and uncertainties affecting the Company is contained under the heading “Risk Factors” in the Company’s annual report on Form 20-F for the fiscal year ended December 31, 2022 filed with the SEC, which is available on the SEC’s website, www.sec.gov.

US Public Relations
Dave Gentry
RedChip Companies Inc.
1-800-RED-CHIP (733-2447)
Or 407-491-4498
[email protected]

Copyright © 2018-2023 Inspira Technologies OXY B.H.N. LTD., All rights reserved.

UNAUDITED CONDENSED INTERIM STATEMENTS OF FINANCIAL POSITION 



(US dollars in thousands)
















March 31,



December 31,






2023



2022













ASSETS











Current Assets:











Cash and cash equivalents



6,362




6,783




Cash deposits



5,136




7,120




Other accounts receivable



371




591




Total current assets



11,869




14,494















Non-Current Assets:











Right of use assets, net



1,004




1,107




Property, plant and equipment, net



535




411




Total non-current assets



1,539




1,518




Total Assets



13,408




16,012







March 31,

 December 31,





2023



2022












LIABILITIES AND SHAREHOLDERS’ EQUITY











Current Liabilities:











Trade accounts payables




191




150



Other accounts payable




1,350




1,217



Lease liabilities




307




329



Financial Liabilities at Fair Value




431




368



Total current liabilities




2,279




2,064














Non-Current Liabilities:











Lease liabilities




637




728



Loan from the Israeli Innovation Authority




412




398



Total non- current liabilities




1,049




1,126














Shareholders’ Equity:











Share capital and premium




54,397




53,814



Foreign exchange reserve




(2,222)




(1,928)



Accumulated deficit




(42,095)




(39,064)



Total equity




10,080




12,822



Total Liabilities and Shareholders’ Equity




13,408




16,012



     

UNAUDITED CONDENSED INTERIM STATEMENTS OF COMPREHENSIVE INCOME

(US dollars in thousands)







For the Three Months
Ended March 31,



For the Year
Ended
December 31,    






 

 

2023




2022



 

 

2022



















Research and development expenses




 

2,054




1,560



 

8,054



Marketing expenses





168




472



1,325



General and administrative expenses





1,065




1,544



 

5,391



Operating loss





3,287




3,576



14,770



Finance )income(





(368)




(2,196)



(4,678)



Finance expenses





112







181



Loss (profit) before tax





3,031




1,380



10,273



Taxes on income















Loss (profit) for the period




3,031




1,380



 

10,273



Other comprehensive loss (profit), net of tax:















Items that will not be reclassified to profit or loss:















Exchange profits(losses) arising on translation to presentation currency



(294)




(425)



 

 

(2,138)



Total comprehensive loss for the period



3,325




1,805



 

12,411



CONDENSED INTERIM STATEMENTS OF CHANGES IN SHAREHOLDERS’ EQUITY












(US dollars in thousands)












For the Three-Month Period Ended March 31, 2023 (Unaudited):














Share capital and premium



Adjustments arising from translating financial operation



Accumulated deficit


Total


Balance on January 1, 2023


















Changes during the period:



53,814




(1,928)





(39,064)




12,822


Loss for the period










(3,031)




(3,031)


Other comprehensive loss






(294)








(294)


Total comprehensive loss






((294





(3,031)




(3,325)


Share-based compensation



583











583


Balance on March 31, 2023



54,397




(2,222)





(42,095)




10,080






















Logo: https://mma.prnewswire.com/media/1941810/Inspira_Technologies_Logo.jpg

SOURCE Inspira Technologies

Ruslan Khasanov Brings Cosmic Phenomena Down to Earth in His Mesmerizing Short Film ‘Space Iris’

Ruslan Khasanov Brings Cosmic Phenomena Down to Earth in His Mesmerizing Short Film ‘Space Iris’

All images © Ruslan Khasanov, shared with permission

For more than ten years, Ruslan Khasanov (previously) has been enthralled by the ecstatic effects of light, color, and movement, which he expresses in an ongoing series of photographs and videos. Composed of a mixture of liquids like water, oil, and paint, he captures hundreds of high-resolution images that are then edited into a short film titled “Space Iris,” which is accompanied by an original composition by Fabio Fonda. “The iris, with its intricate patterns and colors, shares a striking resemblance to the vibrant and colorful cosmic nebula,” Khasanov says. “Just as the eye is a window to the soul, the nebula serves as a window to the vast universe beyond.”

You might also enjoy his earlier projects “Eye” and “heterochromia iridum,” which you can find among many other pieces, on Behance and Vimeo.

 



A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A GIF of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A GIF of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

A photograph of mixed liquids that resembles an abstract eye iris or cosmic nebula.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Ruslan Khasanov Brings Cosmic Phenomena Down to Earth in His Mesmerizing Short Film ‘Space Iris’ appeared first on Colossal.

Branding And How Marketers Can Stay Relevant – And Profitable – In A Post-Privacy World

Branding And How Marketers Can Stay Relevant – And Profitable – In A Post-Privacy World

Until now, marketers have lived in a world where they thought they had a binary choice. They could harness quantifiable and measurable performance marketing, or they could invest in brand marketing that was sure to move the hearts and minds of audiences – but not the needle on their KPIs. Or, at least, that was the popular perception in a world of near-perfect performance marketing.

That’s not the world marketers live in anymore. The data-driven construct that allowed companies to plan and spend with high confidence has been replaced by a new model and a new reality. Marketers exist in a privacy-first world where data is constrained, and the big wins don’t come easy.

Calling it the App-ocalypse may sound extreme. But the impact on marketers’ modus operandi since Apple deprecated IDFAs and Google started down the path to phase out third-party cookies is nothing less than seismic.

Marketing needs a new blueprint

From data-driven user acquisition (UA) marketers to performance marketing pros and from lifecycle experts to retention specialists, I have interviewed hundreds of marketers across all app verticals over the last few years. One message comes through loud and clear: targeting on Apple’s iOS is tougher than ever – and you can bet the farm Android will follow suit.

To drive connection and conversion, marketers are under pressure to re-think their UA strategies and how they measure their results. It demands bold and brave approaches that break the playbook. Some UA managers, notably Philippa Layburn, get high marks for being creative in how they harness incomplete data sets. The Senior User Acquisition Manager at Trailmix Games, recently named a Rising Star in the mobile games industry, went one step further to innovate new performance metrics that identify and engage valuable users (and their cohorts) from the get-go.

Other marketing leaders, notably Piyush Mishra, Head of Growth Marketing at Product Madness, are mapping new methodologies that marketers in all verticals, not just gaming, can use to develop consistent and compelling user journeys.

It all starts with an approach that harnesses signals and an always-on experimentation mindset to produce campaign creatives that are memorable and hit the metrics, Mishra told me during a recent podcast interview. The next step is to “keep the ad creative in sync” at every stage, from the ad to the app landing page. It’s an approach that minimizes variables – and risk. It also ensures minimum drop-off in the user journey and maximizes efficiency in media buying.

But there’s a catch. Even teams that are in the enviable position of having the talent to scale winning creatives, the resources to produce equally attractive (and personalized) Custom Product Pages, and the genius to measure the results have to deal with chance and change.

(By way of background, Custom Product Pages – or CPP – refers to the long-awaited feature that allows app publishers to create similar versions of their default Apple App Store product page to highlight specific app content. This powers a consistent user journey from the ad users see to the app landing page – clear messaging marketers can leverage to increase user conversions and decrease user acquisition costs.)

The brand is back

Success in a post-privacy world is highly unpredictable. To make matters worse, the headwinds facing the global App Economy have reached gale-force speeds, turning up the pressure on marketers to conserve cash, not burn it on UA.

And finally, the marketplace has become a monstrously large and massively noisy space where apps compete for audience attention. This is where a strong brand pays dividends.

“Unless you’ve built a brand, the user journey to conversion typically remains longer due to a lack of top-of-the-mind awareness,” Mishra says. Short user attention spans and limited budgets represent a dangerous disconnect marketers can only bridge with a strong brand.

The conclusion runs through my interviews with marketers and C-level leadership like a leitmotiv. They may be struggling with the lack of data, but they are overwhelmed by the requirement to establish a brand that will win them consumer loyalty and trust for the longer term (and boost customer lifetime value in the process).

Fighting smart with strong brand

The good news: marketers are beginning to grasp the value brand adds in today’s environment. They recognize the decisive role brand plays in the customer journey. It’s what gets people’s attention, it’s what drives their decision, and finally, it’s what keeps them coming back. Even better, they are building cross-functional teams and talent to capitalize on the brand opportunity.

The not-so-good news: marketers’ efforts are at a crossroads. While it’s clear that even the best performance marketing can’t compensate for a weak brand, the pathway to drive positive margins and brand strength is less defined.

The market needs data and analysis that answer key questions about the real and measurable value of brand. Fortunately, the latest BRAG Index, which stands for Brand Relative App Growth Index, provides actionable insights, informed by data, that marketers can harness to ask and answer tough questions. How does brand impact app installs and growth? What allows outperforming apps to maintain their edge and momentum? Why does user sentiment matter?

The resource, published by independent mobile growth platform Digital Turbine, Inc., and Apptopia Inc., an app intelligence provider, distills and deconstructs the winning strategies that distinguish the market leaders from the laggards into their component parts. [Disclosure: Digital Turbine retains my services as an online talent and video podcast host.]

Specifically, the index identifies four strategies winning apps have internalized to punch above their weight.

  1. Community Marketing – Here the focus is on customer connection, either through catering to a niche community or enabling users in that community to amplify and promote the app to their networks organically. Companies that harness this strategy orchestrate marketing tactics to create intimate and targeted campaigns that resonate with a micro-community for maximum impact.
  2. Product-Led Growth – Innovations and features are the main attraction, and effective advertising echoes the benefits of both to attract new audiences or extract additional value from existing users. In some cases, product quality fuels organic growth. In others, loyalty programs or efforts to incentivize users to recommend an app to friends and family accelerate the positive dynamic.
  3. Advertising Execution – From creative storytelling to compelling creatives, the key is not the channels, formats or approaches in the marketer toolbox. It’s how companies wield these component pieces to deliver consistent experiences and, ultimately, outgrow their peers.
  4. Device Integration – There’s strength in numbers, and partnerships are the core of competitive edge. Apps that choose this strategy benefit from being deeply integrated into the device experience. Whether the app is preloaded on the mobile phone or immediately visible on the home screen, the lack of friction enables easy discovery, encourages frequent use and breeds trust.

By analyzing a combination of brand performance tracking and deep app performance metrics, the index spotlights the winning apps and highlights the strategies companies across the spectrum – from startups eager to make their mark to established players resolved to hold onto market share – have executed to build strong brand and beat the market.

Brands with reason to BRAG

The apps with top BRAG-ing rights also harnessed these strategies to unlock their Brand Power. This metric, informed by research conducted by audience targeting company GWI, measures the number of consumers that had expressed awareness, interest and consideration in installing an app. Comparing intent with action (install and engagement data from Apptopia) produces what Digital Turbine calls a “new full-funnel app performance metric.”

The index identifies five high performers (Top BRAG-gers) across five app categories.

  1. Streaming Video: Tubi – By harnessing product-led growth, Tubi rose above the noise in a sea of free streaming apps. Moreover, the company scored a positive app review sentiment of 92%, more than double that of its closest competitor.
  2. Music & Audio: Audiomack – The music streaming app literally pumped up the volume on all marketing channels. More importantly, it did this after repeatedly testing efficiencies with different mobile ad networks and Search Ads on iOS – and both added up to exceptional advertising execution.
  3. Shopping: TEMU – This may not be the leading name in retail, but that’s where the index makes good on its promise to pick up on the fast-movers poised to have a massive impact. Here the differentiator is advertising execution. The company used advertising strategically to reach a leading position in the app store before unveiling the “Shop like a Billionaire” tagline during its Super Bowl commercial spot. The ad communicated a strong and consistent brand message reinforced when viewers went to the app store to find Temu already held the number one spot.
  4. Social Media: TikTok – The social media app relied on device integration (preloads) to cement its market share and reach new audiences. Removing the friction in the journey, making it dead simple for users to discover and use their app, didn’t just fuel additional growth for the market giant. The index reports following this strategy allowed TikTok to win over users despite GWI survey results that “showed the app had poor customer sentiment.”
  5. Travel: Hopper – While it may not be a brand superpower, it outperforms its Brand Power thanks to compelling ads on TikTok and other social networks. The company didn’t just deliver an entertaining message; it turned social media into an effective UA channel to increase buzz and decrease costs.

Significantly, the winning apps in their category don’t always have the most installs. Instead, these apps converted the greatest percentage of their Brand Power.

Give brand meaning

As the popular industry adage tells us: When times are good, you should advertise. When times are bad, you must advertise.

But marketers must also find new efficiencies. The good news is that efforts to build strong brand pay dividends at every stage in the funnel. The value is real and tangible whether it materializes in higher installs or deeper loyalty. The not-so-good news is that quantifying what defines a strong brand and how to build one is never as black and white. At times, it feels like a black box.

Now, more than ever, marketers require a framework that unravels the alchemy of brand and unlocks the blend of art and science in marketing. It’s where reports like this can be foundational, providing marketers a roadmap they can follow to “wash, rinse and repeat” strategies to build strong brand with remarkable results.

The report is available here.

Atelier Pendhapa X Métaphores present AKAR

Atelier Pendhapa X Métaphores present AKAR

AKAR is a furniture collection created by London- and Singapore-based studio Atelier Pendhapa in collaboration with Métaphores, a sister company of Hermès that specializes in weaving and fabrics for interior design. Atelier Pendhapa has created nine unique pieces of furniture, each showcasing a different type of horsehair fabric, which is hand-woven by Métaphores.

The horsehair used in the fabric is a natural byproduct of breeding activities in certain areas, primarily in Asia. It is most commonly found in Mongolia, where wild horses are bred for transportation and agriculture. The fabric has been extensively used in France for centuries, and Métaphores has reinvented the patterns and weavings of horsehair with a contemporary design by combining it with linen, wool, sisal, or metallic threads.

Atelier Pendhapa worked closely with Métaphores to select a range of fabrics showcasing the variety of techniques used in horsehair. The teams came together to create handmade exclusive pieces. The horsehair was woven in Challes, a region in France’s Sarthe, using a patented technique filed in 1787 and designated with the Entreprise du Patrimoine Vivant label. Meanwhile, the solid mahogany and teak woods were carved at Atelier Pendhapa’s studio in Indonesia.

Akar bench in Le Crin fabric

Akar bench in Le Crin fabric

Akar Chair in GAEL 2401 CHINE ECRU by Metaphores

Akar Chair in GAEL 2401 CHINE ECRU by Metaphores

Akar Chair in PIAFFER CARBON by Metaphores

Akar Chair in PALANQUE JADE by Metaphores

Nuage by COCOON ABYSSE by Metaphores

Akar Desk in Black Teak

Akar Stool in SNAKE EMERAUDE by Metaphores

To learn more about the AKAR collection, visit pendhapa-architects.com.

Leo Lei translates his passion for minimalism into his daily-updated blog Leibal. In addition, you can find uniquely designed minimalist objects and furniture at the Leibal Store.