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The Fashion Party That Brought Designers Together

The Fashion Party That Brought Designers Together
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Raf Simons (left), Olivier Rizzo (middle), Willy Vanderperre (right)
Photo: Boy Kortekaas/ (c) MoMu Antwerp

The photographer Willy Vanderperre is the focus of a new exhibition at MoMu, the fashion museum in Antwerp, Belgium. It’s the first time the museum has invited a fashion photographer to have a solo show. And as the director and chief curator, Kaat Debo, said in her catalogue essay, “It seemed natural and fully in line with the spirit of the time — in search of hope and prospects for the future — to select Willy Vanderperre, with his predilection for youth and subcultures.”

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From left: Anja Rubik (left), Ferdinando Verderi (middle), Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Rianne Van Rompaey Photo: Boy Kortekaas/ (c) MoMu Antwerp

From top: Anja Rubik (left), Ferdinando Verderi (middle), Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Rianne Van Rompaey Photo: B…
From top: Anja Rubik (left), Ferdinando Verderi (middle), Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Rianne Van Rompaey Photo: Boy Kortekaas/ (c) MoMu Antwerp

Vanderperre has been taking pictures professionally for nearly 30 years, often in collaboration with the stylist Olivier Rizzo, his partner, whom he first met when they were students at the Royal Academy of Fine Arts in Antwerp. The show is indeed inspiring: an enormous body of work that ranges from early portraits of young people to well-known fashion editorials to campaigns for brands like Prada and Calvin Klein to lovely images of flowers. There are some 180 pictures in all, arranged in a kind of black-walled maze. Vanderperre said he wanted to consider “the art of the editorial,” but seeing the work printed on such a huge scale, and masterfully so, gives it extra depth and feeling.

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From left: Willy Vanderperre singing his book with Osana Ekue (left) and Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Luca Lemaire Photo: Boy Kortekaas/ (c) MoMu Antwerp

From top: Willy Vanderperre singing his book with Osana Ekue (left) and Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Luca Lemaire
From top: Willy Vanderperre singing his book with Osana Ekue (left) and Natasha Poly (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Luca Lemaire Photo: Boy Kortekaas/ (c) MoMu Antwerp

The Antwerp fashion scene still seems like the most communal on earth, and it has been ever since the days of the Antwerp Six in the 1980s. The opening of the exhibit on Friday night brought out the designers Raf Simons, Pieter Mulier of Alaïa, Matthieu Blazy of Bottega Veneta, Walter Van Beirendonck, and Ann Demeulemeester; the makeup artist Peter Philips of Dior, an early collaborator of Vanderperre’s; and a number of models. About 600 people poured into the museum for the opening, with a small group meeting afterward for a stand-up dinner next door and then going on until the wee hours — Antwerp style — to a rave. The exhibit, “Willy Vanderperre: Prints, films, a rave and more …,” will continue until early August.

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From left: Pieter Mulier (left) Matthieu Blazy (middle) Raf Simons (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Kiki Willems Photo: Boy Kortekaas/ (c) MoMu Antwerp

From top: Pieter Mulier (left) Matthieu Blazy (middle) Raf Simons (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Kiki Willems Photo: Boy Kortekaa…
From top: Pieter Mulier (left) Matthieu Blazy (middle) Raf Simons (right) Photo: Boy Kortekaas/ (c) MoMu AntwerpModel Kiki Willems Photo: Boy Kortekaas/ (c) MoMu Antwerp

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The Fashion Party That Brought Designers Together

Photography by Willmar’s John Salgado Maldonado to be on display at Minnesota State Capitol

Photography by Willmar’s John Salgado Maldonado to be on display at Minnesota State Capitol

WILLMAR

— John Salgado Maldonado of Willmar wears many hats. He is a mental health and occupational therapist who has co-founded an arts non-profit called Purpose Artisans with Nicole Konz. He leads a

community drumming circle

,

teaches Latin dance

and even helped

knit colorful tree wraps

that decorated downtown Willmar for several months during the height of the coronavirus pandemic.

He describes himself as both an artist and an activist — an artivist.

“I’m using art to be active for things I believe, to advocate for,” Maldonado said.

John Salgado Maldonado.jpg

John Salgado Maldonado

Contributed / John Salgado Maldonado

His artwork is soon going to find itself in front of a much larger audience. An exhibit of Maldonado’s photography, titled “Willmar, What Comes To Your Mind” will be on show at the Minnesota State Capitol from May 9 through October. An opening reception will be held from 4 to 7 p.m. May 9 in the third-floor Exhibit Gallery in the Capitol.

“For me, it’s a big thing,” Maldonado said. “I really appreciate it, it is super exciting.”

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The journey to the Capitol began several years ago, when Maldonado began taking photos of the people, places and objects of Willmar. He put his favorite photos into an exhibit, which was displayed at The Goodness Coffee Shop in downtown Willmar as one of the 2019 Willmar Main Street “Artists on Main Street” projects.

“I’m always taking pictures,” Maldonado said, usually when he is walking around town, which he does a lot.

A few years later, the Minnesota Capitol Art Exhibit Advisory Committee put out a call for artists to apply for the chance to display at the Capitol.

Under

Minnesota Statute 15B.36

, art exhibits at the capitol should tell Minnesota stories and engage people to understand, consider, recognize, reflect and appreciate much about the state, including its diverse peoples and varied landscapes.

In June 2022, the committee ended up recommending seven artists to exhibit, including Maldonado. The Minnesota Capitol Preservation Commission approved Maldonado’s exhibit in July 2022.

Creatve landscape space in Willmar by JS Maldonado.jpg

John Salgado Maldonado likes to take photos on his walks around Willmar, showing all the variety and diversity the community has to offer. A special favorite is gardens and the different ways people create them.

Contributed / John Salgado Maldonado

“I applied; I never thought I’d get selected,” Maldonado said.

Maldonado’s exhibit showcases photos of Willmar in two groups. The first is of objects, places and landscapes, illustrating just how varied Willmar is when one takes a moment to really look. Examples include the bright variety in grocery stores, the creative spin people put on their gardens and the beauty of the ever-changing seasons.

“It’s beautiful,” Maldonado said.

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The second grouping of photos reflects the diversity of Willmar’s people.

Sky photo by by JS Maldonado.jpg

Willmar artist and activist John Salgado Maldonado loves taking photos of the constantly changing sky with its variety of colors and clouds.

Contributed / John Salgado Maldonado

“Seeing all this variety in people is beautiful,” Maldonado said. “It is full of possibility, it is rich.”

While the pictures themselves are nice to look at, that isn’t their only purpose. There is an underlining message to Maldonado’s exhibit, one he hopes viewers take a moment to consider.

“If I value all this variety and diversity in things, why is it so hard with people?” Maldonado said, explaining it as an example of cognitive dissonance when someone holds two contradictory beliefs at the same time.

Maldonado said it is common for people not to be aware of this cognitive dissonance, and he hopes the photography exhibit is a less preachy way of bringing it forward and perhaps start at least a conversation about it, if not a complete shift in thinking.

BNSF Railyard in Willmar by JS Maldonado.jpg

Even the everyday sights of Willmar, such as the BNSF railyard and its trains, can be beautiful, according to John Salgado Maldonado.

Contributed / John Salgado Maldonado

“I’m using photography to do it,” Maldonado said. “The idea is interesting; the message underneath all the pictures.”

Maldonado is looking forward to seeing his work on display at the Capitol, and expressed his graditude to those who have helped him along the way, including the Willmar Area Arts Council and the Southwest Minnesota Arts Council, who have provided support and grant funding for his work.

“It’s exiciting,” Maldonado said of his exhibit. “I’m nervous.”

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Shelby Lindrud is a reporter with the West Central Tribune of Willmar. Her focus areas are arts and entertainment, agriculture, features writing and the Kandiyohi County Board.

She can be reached via email slindrud@wctrib.com or direct 320-214-4373.

Marketing by Rodrigo Tamayo For Sale | Art & Object Marketplace

Marketing by Rodrigo Tamayo For Sale | Art & Object Marketplace

Artist: Rodrigo Tamayo

Price: $4,000.00

Medium: Photography

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Creation Date: 2018

Materials: Photograph

Dimensions: 30″ x 40″

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For these Native American creatives, fashion and art are inextricably linked

For these Native American creatives, fashion and art are inextricably linked
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Societal expectations for Indigenous dress, especially pan-Native stereotypes, have also been a major influence on Monkman’s practice. ‘Earlier in his career, he leaned into camp and humor to intentionally make very challenging subject matters more approachable,’ explains Lukavic. Objects poked at appropriation of Native symbols and clichés: for example, a Louis Vuitton quiver, dreamcatcher bra, and raccoon jockstrap. ‘I claim some of these tropes to comment on their meaninglessness as mass-produced tourist gifts or novelty items that simply have no significance as Indigenous cultural objects,’ says Monkman. ‘One cannot reclaim something that is already completely fake. Reducing Indigenous people to cartoon characters removes any nuance or cultural difference amongst the hundreds of varied and complex communities and linguistic groups throughout the Americas,’ he adds.

Over the last decade, Lukavic tells me, Monkman’s work has put humor aside in favor of ‘a very direct confrontation and engagement with subjects that are important to contemporary Indigenous people,’ such as generational trauma, urbanization, language loss, and LGBTQ+ representation. ‘At the same time, he’s intentionally “decolonizing sexuality,” as he describes it. It’s about showing the nude human form as normal – not something that has to be sexualized – as well as showing different body types and gender expressions as normal, to counter the imposed, puritanical Christian viewpoints that were never what most Indigenous communities believed.’

Occasionally, Monkman’s alter-ego, Miss Chief, makes an appearance on canvas. In the early 2000s, the artist conceived this time-traveling, shape-shifting performance persona to reflect the Indigenous ‘two-spirit’ tradition, which reveres a third gender and nonbinary sexuality, subverting colonial constructions of masculinity. Feathered headdresses, thigh-high boots, satin gloves, and sequined gowns typically comprise Miss Chief’s attire, though one of her most memorable ensembles is a dress resembling a tipi.

Photography professor Pipo Nguyen-duy ’83 to deliver Carleton convocation titled, ‘A Dust of Life’

Photography professor Pipo Nguyen-duy ’83 to deliver Carleton convocation titled, ‘A Dust of Life’

Pipo Nguyen-duy ’83, professor of studio art and photography at Oberlin College, will deliver the Carleton convocation address on Friday, May 3 from 10:50 to 11:50 a.m. in Skinner Chapel. His address is titled, “A Dust of Life.”

Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone near the 18th parallel, he describes hearing gunfire every day of his early life. He immigrated to the United States as a political refugee.

Nguyen-duy has taken on many things in life in pursuit of his diverse interests. He has competed as a national athlete in table tennis, spent time living as a Buddhist monk in northern India, and majored in economics at Carleton. While living in New York City’s East Village, where he worked as a bartender and later as a nightclub manager, his interests turned to art after meeting people such as musician Don Cherry and artist Keith Haring. He then earned an MA in photography, followed by an MFA in photography, both from the University of New Mexico–Albuquerque.

Nguyen-duy has received many awards and grants over the years, including a Guggenheim Fellowship in Photography; a National Endowment for the Arts grant; an En Foco grant; a  Professional Development Fellowship from the College Arts Association; a National Graduate Fellowship from the American Photography Institute; a fellowship from the Oregon Arts Commission in Salem, Oregon; a B. Wade and Jane B. White Fellowship in the Humanities at Oberlin; and two Individual Artist Fellowships from the Ohio Arts Council in Columbus, Ohio. Nguyen-duy has been an artist-in-residence at Monet’s Garden through the Artists at Giverny Fellowship from Lila Wallace-Reader’s Digest Fund as well as at the Headlands Center for the Arts in Sausalito, California through the Light Work Artist-in-Residence Program. He has also lectured widely and his work has been exhibited and is in public collections in the United States, Europe, and Asia.


This convocation will also be live streamed — please register in advance to receive information on how to attend via Zoom. Carleton convocations are free and open to the public. Find upcoming events and archived recordings (including in podcast form) on the convocations website. For more information, including disability accommodations, call 507-222-5461 or email nponder@carleton.edu.

After each convocation address, Carleton hosts a luncheon with the speaker. Convocation luncheon is held in the Alumni Guest House Meeting Room (unless otherwise noted) from noon to 1 p.m. and is generally limited to 35 people. If you are interested in attending, please RSVP on the convocations website.


Erica Helgerud ’20 is the news and social media manager for Carleton College.