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Organic Abstraction: Contemporary Outdoor Sculpture At Southampton Arts Center

Organic Abstraction: Contemporary Outdoor Sculpture At Southampton Arts Center
The Southampton Arts Center has partnered with curator Cheryl Sokolow to bring contemporary outdoor sculpture to the grounds of SAC this season. The exhibition, entitled “Organic Abstraction: Contemporary Outdoor Sculpture,” explores the materials, processes, and techniques of nine internationally recognized, museum-collected sculptors working within a formalist paradigm. Participating artists include Joel Perlman, Hans Van de…

DERBY JOE: Southern Indiana photographer to shoot 11th Kentucky Derby on Saturday

DERBY JOE: Southern Indiana photographer to shoot 11th Kentucky Derby on Saturday

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SOUTHERN INDIANA – Joe Ullrich would tell you he isn’t artistic. His photography, however, tells another story.



Joe Ullrich

American Pharoah with jockey Victor Espinoza aboard cross the finish line to win the 141st Kentucky Derby in 2015. 




Ullrich, a regular sports photographer for the News and Tribune, will be shooting his 11th Kentucky Derby this Saturday. He only missed one Derby in the past 12 years – 2020 – when COVID protocols prevented him from attending. He has been primarily a sports photographer for the News and Tribune for 14 years covering everything from regular season games to state championship celebrations.

This Saturday, he will be joining hundreds of other photographers to capture the 150th Kentucky Derby.

“I’m pretty sure my affinity for sports photography is based on the fact that I am a very technically-minded individual,” Ullrich explained. “Sports photography is based on a mechanical and technical shooting style and that fits my human profile perfectly. Unfortunately, I possess little artistic ability so I rely on my technical proficiency to succeed at my craft.”

And succeed he does. Capturing everything from high school sports to natural landscapes and wildlife, Ullrich has a portfolio that would match up to the most accomplished photographers. But he only shoots pictures after his “real job” is done for the day.

By day, Ullrich works as an electrician and certified Generac Generator repair technician. He is the lead electrician for ABTech Electrical Service. He has worked at ABTech for 10 years and currently installs Generac whole-home generators and performs maintenance and repairs as a certified Generac repair technician.

By night, however, Ullrich dons his Nikon camera and lenses, and captures memories for the News and Tribune and all the families it serves in Clark and Floyd counties. The 57-year-old photographer is a Sellersburg resident and limits his professional photography to shooting for the News and Tribune and his own personal satisfaction.

“I really only shoot for the News and Tribune and myself. I have spent some time outdoors photographing nature landscapes and have done some wildlife photography,” Ullrich said.

Ullrich became interested in photography as a boy. He says his interest was instilled by his grandfather, another avid photographer.



Joe Ullrich

The New Albany High School Boys’ Track Team celebrates a 2019 sectional victory. This is one of Ullrich’s favorite photos that he’s taken. 




“I remember as a youngster looking at his photos and gear and always thought it would be something I would like to learn about,” Ullrich said. “My mom had a Yashica 35mm camera that I was able to get my hands on and start using on some of my Boy Scouts trips around the country. That was the first time I was bitten by the photography bug.”

Ullrich was attending training in the Air Force at Ft. Dix New Jersey when he bought a brand-new Minolta X-700, using that equipment for several years during his stint in the military.

Today, Ullrich sports all Nikon equipment – moving from basic film cameras early on to highly advanced digital equipment today.

“When I was stationed in Greece, I purchased two Nikon lenses to use with a Nikon camera body that I was going to purchase at a later date,” Ullrich remembered. “I ordered the camera body a month later and for some reason, the purchase didn’t go through. So, I had these two Nikon lenses for 10 years and did not have a body for them.”

Ullrich ultimately bought that camera body and has been a Nikon user ever since.

“The main reason I went with Nikon is that all the photographers that I had been around in the past were mostly using Nikons and, at that time, they were at the top of the camera market.”

Since his first Derby in 2013, Ullrich has seen and captured with his camera hundreds of races. All the preliminary races each year are his practice ground for the two minutes he gets to photograph the “the most exciting two minutes in sports.”

“I go to Churchill Downs and get my equipment set up and I go and practice for two or three days keeping in mind the Kentucky Derby is the moment I need to capture,” Ullrich said.

When asked about his favorite moment thus far at the Kentucky Derby, Ullrich is quick to credit all of the great moments documenting the historic event. He does have a favorite, however.

“I would say one of the best moments I have would be when American Pharoah won the triple crown. Having spent some limited time in and around horse racing, that moment was pretty special,” he said.



Derby Joe

Mike Smith rides Justify to a win during the 144th Kentucky Derby in 2018 at Churchill Downs.  




American Pharoah won the American Triple Crown and the Breeders’ Cup Classic in 2015. He was the 12th Triple Crown winner in history, and in winning all four races, became the first horse to win the modern Grand Slam of Thoroughbred racing.

Of the thousands of images Ullrich has captured through the years, he doesn’t really have a favorite. He does love shooting natural landscapes and nature photos because, “coming home with some really cool photos and an adventure you can attach to them is about as good as it gets.”

Outside of his day job and photography, Ullrich can be found backpacking, hiking, camping and working in his garden. He also enjoys fishing and hunting.

This week, however, he will be hunting for that perfect Kentucky Derby photograph to compliment his already extensive collection of work.

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Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems

Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems

“Beyond Mind” (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media, 27 x 26 x 13 inches. Photo by Luc Demers. All images © Lauren Fensterstock, shared with permission

When a massive star dies, it collapses with an enormous explosion that produces a supernova. In some cases, the remains become a black hole, the enigmatic phenomenon that traps everything it comes into contact with—even light itself.

The life cycle of stars informs the most recent works by artist Lauren Fensterstock, who applies the principles of such stellar transformations to human interaction and connection. From her studio in Portland, Maine, she creates dense mosaics of fragmented crystals and stones including quartz, obsidian, and tourmaline that glimmer when hit by light and form shadowy areas of intrigue when not.

Cloaking sculptures and large-scale installations, Fensterstock’s dazzling compositions evoke natural forms like flowers, stars, and clouds and speak to cosmic and terrestrial entanglement. “I have to admit that I agonize over the placement of every single (piece),” the artist shares. “There are days where it flows together like a magical puzzle and other days where I place, rip out, and redo a square inch of surface again and again for hours. Even amidst a huge mass of material, every moment has to have that feeling of effortless perfection.”

 

a massive black orb with spikes and glimmering crystals hangs from the ceiling over a bed of black fringe

“The totality of time lusters the dusk” (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt

The gems are sometimes firmly embedded within the surface and at others, appear to explode outward in an energetic eruption. Celestial implosions are apt metaphors for transformation, the artist says, and “pairs of stars speak to the complexities of personal connections… In the newest work—which explores vast sky maps filled with multiple constellations—I attempt to move beyond a single star or an isolated self to show the entanglement of the cosmic whole.”

While beautiful on their own, the precious materials explore broader themes in aggregate.  Just as astrology uses constellations and cosmic machinations to offer insight and meaning into the unknown, Fensterstock’s jeweled sculptures chart relationships between the individual and the universe to draw closer to the divine.

The artist is currently working toward a solo show opening this fall at Claire Oliver Gallery in Harlem. Inspired by her daily meditation practice, she’ll present elaborately mapped creations of lotuses, black holes, fallen stars, and a bow and arrow that appear as offerings to the universe. In addition to that exhibition, the artist is showing in May at the Shelburne Museum and will attend a residency in Italy this September, to work on a book about entanglement and artist muses. Find more about those projects and her multi-faceted practice on her website and Instagram.

 

a detail image of mosaic crystals with a cluster of a spiky crystals

Detail of “Dwelling” (2023), vintage crystal, glass, quartz, and mixed media, 18 x 16 x 13 inches. Photo by Luc Demers

left: a black floral sculpture covered in mosaic tiles and glimmering crystals. right: right: a silver floral sculpture covered in mosaic tiles and glimmering crystals.

Left: “The Undiluted” (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers. Right: “The Unhurt” (2023), vintage crystal, glass, quartz, and mixed media, 22 x 27 x 14 inches. Photo by Luc Demers

string of black beads dangle from black cloud like sculptures covered in beads, mosaic, and crystals

“The totality of time lusters the dusk” (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt

left: a floral sculpture with numerous leaves all covered in glimerring stones and crystals. right: a floral wall sculpture with black glimmering stones in the center and silver petals

Left: “The Many” (2023), vintage crystal, glass, quartz, and mixed media, 38 x 38 x 10 inches. Image courtesy of Claire Oliver Gallery. Right: “Heart of Negation” (2022), vintage crystal, glass, quartz, and mixed media, 54 × 54 × 14 inches

a half-orb sculpture with a glimmering black inside and sharp clear crystals around the outside

“Eclipse” (2022), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers

three black cabinets on a wall with black objects and large growths overwhelming the shelves

“The Order of Things” (2016), shells and mixed media

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems appeared first on Colossal.

Mercedes Photographer Angles for Success

Mercedes Photographer Angles for Success
These communities and many others in Texas have been locations for the outdoor photographing work of the Mercedes-based Valdez. Courtesy Image
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By Ric Cavazos / Mercedes EDC

Jackie Valdez’s office is mobile and can be found anywhere from South Padre Island to Mission and upstate to San Marcos.

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These communities and many others in Texas have been locations for the outdoor photographing work of the Mercedes-based Valdez. A look at her stunning portfolio of work features marching bands and high school football players, cows and cowboys at the Livestock Show, and newly engaged couples in love. The visual backdrops are often the natural light and open skies of the Rio Grande Valley and the endless variations of clouds on the move behind those photographed.

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‘My goal is to reach people outdoors,” Valdez said. 

Angles and skies, Valdez says, are among the key elements of her photography. So are the people in her photos, be it a young girl in her quinceanera best or quarterbacks in live game action reaching back to throw a deep pass. The X-ray technician-turned-photographer has shifted a hobby into a full-time job. Valdez’s focus is on improving her already impressive work and becoming a brand in her own right.

“My goal is to be a travel photographer,’’ Valdez said. “I want people to call me from different parts of the country to do work for them.’’

Getting Started

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Before getting a wider recognition, Valdez had to start local even if it meant overcoming suspicions connected to a long-standing football rivalry.

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She recalled some of her initial photo work was coming from Edcouch-Elsa. Clients from the Delta Area admired Valdez’s work in looking at her portfolio, but her being from Mercedes raised some questions.

“When it comes to what I love to do, it doesn’t matter that I’m from Mercedes,’’ she recalled with a chuckle, adding the concerns raised from E-E clients were good natured.

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The scope of her work shows a have-camera-will travel viewpoint. In one of her photos, a teenage boy sits on a park bench at Market Square in Brownsville, appearing to look off into his future. Another photo features a smiling girl standing on a nature park walkway in twilight, holding a sign that says, “Gone to UTRGV.’’ A football player from Mission is featured in another photo holding his football helmet as the sun sets behind the stadium’s bleachers. 

Her hometown is featured in many of her photos, especially when it comes to the city’s signature event, the Rio Grande Valley Livestock Show. One photo shows a teenage girl wearing a cowboy hat kissing her cow at night as a Ferris wheel turns behind her. 

Looking a Valdez’s gallery of photos, it can be hard to believe that in her words she had “no training, no classes.’’ She obviously did possess a great eye and natural talent to frame and visualize images in utilizing natural light and sky to further boost the quality of her photos. 

Valdez’s work has not gone unnoticed. In recent years, the Mercedes Chamber of Commerce recognized Valdez for her contribution to the arts.

Doing More

Valdez cities her faith and expressed a gratitude to God for the talents she been able to develop with her photography.

A mentor and professional photographer in Dallas, Rick Davila, has also been a key element in her progression as a photographer in her own right. Valdez relishes the time flexibility being a full-time photographer gives her. She can set her own schedule in making sure to attend important events relating to her children’s’ school activities. Valdez’s ambitions in photographer are big and she appreciates pursuing those dreams from her hometown.

“I’m going to keep getting my name out there,’’ she said. “I want to do more.’’

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Navigating Art Market Volatility: Estate Planning Strategies for Art Collectors

Navigating Art Market Volatility: Estate Planning Strategies for Art Collectors
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The most recent Art Basel and UBS Global Art Market Report [1] reported that the Global Art Market, while down 4% year-on-year from 2022, has passed the 2019 pre-pandemic levels to $65 Billion on 39.4 million transactions, up 4% over 2022. This strength of the Global Art Market is good news, but it poses a challenge to art collectors and their estate planners. Any volatility can complicate estate planning and volatility in the value of collections in particular, leading to potential tax complications and challenges in asset distribution among heirs. However, sophisticated estate freeze techniques offer effective solutions, allowing collectors to manage and mitigate these risks. Here’s an exploration of the top strategies that art collectors can utilize to safeguard their legacies in the face of market uncertainty.

Understanding the Challenge

Art collections are unique assets not only because of their cultural and personal value but also due to their potential for significant appreciation. However, this value can be highly volatile, influenced by market trends, artists’ reputations and economic factors. This volatility can create estate planning challenges, particularly concerning estate tax liabilities and the equitable distribution of assets.

Estate Freeze Techniques

1. Family Limited Partnerships (FLP) and Limited Liability Companies (LLC)

By transferring art into an FLP or LLC, collectors can manage their collections under a business structure, gifting or selling shares to heirs at current values, and having the artwork treated as an investment rather than as a collectible. This strategy not only keeps the future appreciation of the art out of the collector’s estate, it also preserves control over the collection during the collector’s lifetime, while providing significant income tax advantages for the collector.

2. Grantor Retained Annuity Trust (GRAT)

A GRAT involves transferring art to a trust, where the collector retains the right to receive an annuity for a fixed period. This results in any appreciation above the IRS-approved interest rate passing to the beneficiaries tax-free, effectively freezing the estate value of the art at the time of the initial transfer.

3. Intentionally Defective Grantor Trust (IDGT
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Selling art to an IDGT in exchange for a promissory note can also freeze its current value for estate purposes. The trust pays the seller an interest rate, while any appreciation beyond this rate accrues to the beneficiaries without additional estate or gift tax.

4. Qualified Personal Residence Trust (QPRT)

Not just for real estate, a QPRT can include art displayed in the residence. The trust freezes the value of the art along with the home, with the future appreciation passing to heirs, thereby reducing potential gift and estate taxes.

5. Charitable Lead Annuity Trust (CLAT)

A CLAT allows collectors to support charities while eventually passing the art to heirs. The trust’s initial value is reduced by the present value of the income stream to the charity, lowering the taxable estate.

6. Other Notable Techniques

· **Grantor Retained Income Trust (GRIT)**: Similar to a GRAT but the collector retains the income instead of an annuity. This technique should be combined with a program of leasing artwork through the FLLP or FLLC.

· Dynasty or Purpose Trust: Extends the benefits of a freeze beyond one generation.

· Self-Canceling Installment Note (SCIN) and Private Annuity: Both allow for a transfer of assets in exchange for a financial instrument that provides payments to the collector with significant tax benefits, if the collector passes away before the end of the note’s term.

Benefits of Using Estate Freeze Strategies

These techniques not only help to manage estate tax liabilities but also allow collectors to achieve their legacy goals, such as keeping collections within the family or donating to cultural institutions. By locking in current market values and controlling how collections are handled after their passing, collectors can ensure that their estates are not forced to sell off pieces in a potentially unfavorable market.

Conclusion

The volatile nature of the art market makes it essential for collectors to consider advanced estate planning techniques. Estate freezes are a crucial strategy, allowing collectors to navigate market fluctuations and secure their financial legacies. With proper legal and financial advice, these strategies can be tailored to meet individual needs, ensuring that both financial goals and personal values are maintained for generations to come.

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