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Wedding photographers capture memories, feelings of special day

Wedding photographers capture memories, feelings of special day

When planning a wedding, area photographers recommend finding someone who can capture the special moments, people and feelings of the big day.

Carrie Dinger Robbins of Captured by Carrie Photography, has been capturing weddings on film for 14 years.

“Weddings are probably my most enjoyable aspect of my business,” Robbins said. “It’s really a passion of mine. They’re a lot of hard work, but I just don’t seem to tire of it even after almost a decade and a half of shooting them. It’s always a happy day.”

She typically shoots 10 weddings a year and between five and eight engagement sessions. While many are close to her home near Mansfield, she’s ventured as far away as Orlando, Fla. to shoot one.

“Usually I see it being very busy in the fall. September, October are usually the busiest for me,” Robbins said. “Typically it’s usually every Saturday in September.”

If timing allows, Robbins can shoot two weddings a day and usually spends six hours at each wedding, although the bride and groom can book more or less time for their special day. It all starts with pre-planning.

Couple booking Walck Portraits of Coudersport get two photographers, husband and wife Tim and Megan Walck.

The couple opened Walck Photography in 2009. While the couple has shot upwards of 25-30 weddings in a year, now with a growing family, they have reduced the number to a handful.

When taking wedding photos, the Walcks’ goal is to capture the story not only of the wedding day, but also the couple’s relationship and feelings for one another.

Tim Walck developed a booklet after courses with the Professional Photographers of America. It outlines the wedding day timeline, suggestions, things to think about and even some advice on married life.

They also schedule a consultation with the bridal couple to discuss the process, answer questions and review pricing. They also want to make sure that it’s a good fit for both photographers and the engaged couple. That’s one reason they suggest engagement photos to familiarize the couple with the process of taking photos and the end product.

“When we talk with the bride and groom before on goals, we usually start with the end in mind,” said Tim Walck.

Most couples will book the photographer six to 12 months in advance. Every bride and groom receives a questionnaire that tells Robbins the number of guests, size of the wedding party, the venue and any special shots the couple wants to have. She also provides guidance to help the couple’s day run smoothly.

“I kind of guide them on scheduling throughout the day. If they have 250 guests and a 10-bridesmaid/10 groomsmen party, they need to allow enough time to grab wedding party photos,” she said. “The bigger the wedding is, you have to think about how long that will take people to go through the line and get food. You definitely plan on every aspect of the day based on the number of people involved.”

There’s no set number of photos provided by Robbins; each wedding is unique and her goal is to capture the images that reflect that. She takes photos of details like the invitation, shoes or boots, clothing and jewelry, floral arrangements, candid and posed photos of family and out-of-town guests, along with images at and of the venue. A couple booking her for six hours will receive between 800-1,200 images.

Walck Portraits offers an assortment of print packages, with many couples ordering albums or a large framed image for the wall.

“If they are planning to buy a large piece for a mantle or couch or collage up stairs, we know we want to get specific pictures,” he said. “If we’re doing a wedding album, we have to have a very specific storytelling set of images that make it through a wedding album.”

The Walcks work in tandem to offer a wide range of images for the couple.

“During the ceremony, we’ll do two different vantage points. She’s usually up close with a wide angle and I’m back with a telephoto lens,” Tim Walck said. “We’ll do something similar at the reception. We like to do table shots where we get all the guests at the wedding as much as possible. We try to get a bit of everything, trying to capture the day as well as possible.”

During the posed family photos, Megan will round up and arrange groups while Tim works the camera and lights.

“We try to work quickly and efficiently so we can get to reception as soon as possible,” he said.

Timing is also crucial for the Walcks, who stress the importance of planning with the wedding couple.

“People having unrealistic timelines. I always try to work with them on a timeline that is realistic and add padding and cushioning,” he said. “Hair and make-up always takes longer than they think it will. Every time. I don’t think I’ve ever experienced a wedding where we’re not in a time crunch.”

Finding and preserving the special moments is their job, said the photographers.

“The last question I always ask them is what are three to five things that are most important to you when thinking about your wedding day,” Robbins said.

She provides both color and black and white images.

“I want my images to last forever. I don’t do a lot of trendy editing. I like my images to be clear, colorful, bold,” she said. “I don’t want people to look back on their photos 30 years from now and think they’re outdated. I want them to still be bright, clear, colorful, and not a lot of distraction to it.

The Walcks like to schedule an “epic shot” at the end of the day. They’ll bring in studio lights, extra flashes, gels or liquid smokes to create a dramatic image that could be used as an album cover or wall art.

Robbins advises couples to plan ahead, take advice and tips from others, and, if the wedding and reception are outdoors, hope for the best but plan for the worst.

“I’d say just do a lot of planning and a lot of research and enjoy the planning process and the wedding day as much as you can.,” she said.

Most importantly, relax and enjoy the big day, he said.

“I always tell the bride don’t sweat it because they’re not going to start without you,” said Tim Walck. “I always tell them to try to find peace and quiet time away from the crowd on their own so the bride and groom can enjoy time on their own on the wedding day. When we plan an epic photo, that is one of the reasons why we do it. On their wedding day, the bride and groom get pulled in a hundred different directions. Sometimes it’s really nice to get outside or in a different room where we set up this amazing image we’re going to take and have some time as a couple.”

That, he added, is pretty good advice for marriage as well.

For more information, contact Captured by Carrie Photography at 570-463-1985 or Walck Portraits at www.walckportraits.com, 814-655-1070 or on Facebook.

Xiaomi launches photography-focused 14 Ultra smartphone

Xiaomi launches photography-focused 14 Ultra smartphone

Xiaomi has unveiled its latest flagship photography-focused smartphone, the Xiaomi 14 Ultra, as it seeks to take on Apple’s iPhone and Huawei Technologies in the competitive high-end segment.

The Xiaomi 14 Ultra, launched on Thursday, is the latest member of the Xiaomi 14 series with prices starting from 6,499 yuan (US$903). This compares with a starting retail price of 5,999 yuan for an iPhone 15, and 7,999 yuan for an iPhone 15 Pro.

Pre-orders are under way and the handset will officially go on sale on February 27, during this year’s Mobile World Congress (MWC), an annual flagship industry event that will take place in Barcelona, Spain.

Huawei tablet shipments rise in 2023, bucking global decline

The Xiaomi 14 Ultra hits the shelves amid cutthroat competition in the high-end smartphone segment following Huawei’s return to the scene with its 5G-capable Mate 60 Pro handset, launched in late 2023.

Xiaomi has been promoting its camera and photography features as selling points following a partnership with Leica in 2022, after the German camera maker ended its seven-year deal with Huawei.

Xiaomi president Lu Weibing described the Xiaomi 14 Ultra as “a new flagship in mobile imaging” with upgraded photography kits, including a main camera with a large one-inch sensor and a variable aperture.

The new handset is powered by Qualcomm’s Snapdragon 8 Gen 3 chipset and is equipped with Xiaomi’s proprietary HyperOS operating system.

Other new products launched this week include a new tablet, the 6s Pro 12.4, the laptop Redmi Book Pro 2024 and Remi Monitor G Pro 27.

Lei Jun, the co-founder and CEO of Xiaomi, said in late 2021 that the company aimed to become the world’s biggest smartphone maker in three years by exceeding Apple.

However, Xiaomi has kept its third place globally for smartphone sales for 14 quarters in a row, behind Apple and Samsung. According to IDC data, China’s mobile shipments in 2023 dropped 5 per cent from a year ago to 271 million units, the lowest in over a decade, although a recovery is expected in the coming year.

Lei wrote in a social media post this week that Xiaomi’s smart factory in Beijing has completed construction and is capable of producing over 10 million phones per year.

Xiaomi’s stock price closed 1.34 per cent lower at HK$13.22 in Hong Kong on Friday.

Meow Wolf Announces the 40+ Artists Transporting Viewers to a Strange Alternate Reality in Houston

Meow Wolf Announces the 40+ Artists Transporting Viewers to a Strange Alternate Reality in Houston

Adela Andea, “Chaos Incarnate.” All images courtesy of Meow Wolf, shared with permission

More than 40 local and international artists have signed on for the fifth iteration of Meow Wolf Houston, an immersive exhibition vaulting viewers into an otherworldly universe of color and chaos.

Known for her fantastical creatures with intensely emotional eyes, Houston’s Ana María Ortiz will create a new work for the project that departs from what she’s done previously. The mural will be “closer to elements and ideas that I often keep reserved in my head. So I believe it will be a very honest and almost intimate representation of my feelings and imagination,” she tells Colossal.

Leaning into Meow Wolf’s mission to create “portals of possibility,” Adela Andea (previously) will install “The Adela Oceanic Trench,” a frenetic, kaleidoscopic work of LED lights, cables, and recycled plastics that envelop the space with luminous color. While working with synthetic materials, Andea entwines nature and technology “to make the point that in the future they will blend together, complement each other and fuse together,” she says.

For this project, Andea will install a piece similar to the  “Chaos Incarnate,” an immersive, otherworldly environment shown above. “For a more in-depth sensory experience, I will also incorporate projection and sound,” she says. “The installation will have my signature artistic flair, with a lot of chromatic elements, lights, and nature and technology convergence themes.”

Artists El Franco Lee II and Kill Joy, whose works are familiar sights in the Texan city, will also contribute to the new exhibition. The name, theme, and opening date of the 5th Ward location haven’t been announced yet, but you can follow updates on Meow Wolf’s Instagram.

 

a man types on a typewriter in prison while another stands behind him with his hands clasped in prayer and feathery angel wings

El Franco Lee II

an artist wearing a gas mask sits on the roof of a house painted in black and white with barbed wire-esque paintings on the side

Kill Joy

a painting of a long-eared rabbit with green tentacles surrounding it

Ana María Ortiz

a sculpture of a woman with tattoos on her hands and face and plants and animals surrounding her

Killy Joy

a mural of two birds, the left is pink, purple, and blue and the right is yellow, orange, and red

Ana María Ortiz

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Meow Wolf Announces the 40+ Artists Transporting Viewers to a Strange Alternate Reality in Houston appeared first on Colossal.

A Photographer’s Empathy

A Photographer’s Empathy

On January 16, Dmitry Markov, 41, known for his depiction of everyday Russia through smartphone photography, died in Pskov. Markov was a recipient of the esteemed Russian photo competition Serebrynaya Kamera (“Silver Camera”), the Getty Images Instagram Grant, and the author of the photobook Chernovik (“Draft“).

“The place that Dima occupied in our photography was completely empty before his appearance. I can’t recall anyone who photographed Russia with such affection and authenticity,” said publisher Leonid Gusev.

Born in Pushkino, Moscow Oblast, Markov honed his craft under the tutelage of Alexander Lapin, a prominent Russian photographer and educator. He contributed his talents as a photographer and journalist for the newspaper Argumenty i Fakty (“Arguments and Facts”) and collaborated with independent publications such as Meduza and Takie Dela.

After joining Instagram in 2012, Markov embraced the concept of David Alan Harvey’s Burn Diary project, exclusively utilizing a mobile phone, and only posting images on the day they were taken.

Markov’s signature style culminated in his participation in the 2016 iPhone 7 advertising campaign “Taken on the iPhone,” marking him as the first Russian contributor among 15 photographers from around the world.

A group of nuns enters a church and a group of women leaves it
Photo from Dmitry Markov’s Instagram.

He focused on life in Russian locations that are distant from urban centers, and on marginalized communities, including the homeless, correctional school alumni, substance users, individuals with disabilities, and prisoners. Despite criticism alleging that he offered a bleak portrayal of Russian life, Markov defended his focus on the gritty details, citing his empathy for those facing hardship, which was rooted in his upbringing in impoverished conditions and his journey overcoming substance abuse.

Markov also documented protests, capturing poignant moments, such as a 2021 photograph depicting a police officer clad in uniform and a balaclava beneath a portrait of Russian President Vladimir Putin, symbolic of the repression against dissenters in the way of Alexei Navalny’s arrest. Recognizing the impact of his work, Markov auctioned the popular photograph to support an organization aiding political prisoners (it brought in over $21,000).

Markov also documented the aftermath of Russia’s invasion of Ukraine, including scenes of Russian military departures. One of Markov’s final images showed a Russian war participant in Alexandrov, Moscow region, concealing his face while reflecting on the horror of witnessing death.

Dmitry Markov’s indelible contributions to photography offer a poignant testament to his empathy, capturing the essence of Russia with sincerity and compassion.

Exteriors – Annie Ernaux and Photography

Exteriors – Annie Ernaux and Photography

The Nobel Prize-winning French writer Annie Ernaux has long been regarded as a master of recording her inner life and how we experience identity and memory. Her book Exteriors (2021) looks outwards, focusing on the ‘ephemeral encounters that take place just on the periphery of a person’s lived environment’. This exhibition at the Maison Européenne de la photographie (MEP) finds parallels between Ernaux’s writing and its own collection of candid snapshots of everyday life to reflect on how we perceive and relate to other people (28 Feb–26 May). It includes photographs such as Hiro’s Shinjuku Station, Tokyo (1962) and Jean-Christophe Béchet’s Istanbul, Turquie (Turkey) (1986), which depict strangers passing by in a flash, echoing the sentiments of Exteriors and emphasising how photography and literature can complement and inform one another. Find out more at MEP’s website.

Preview below | View Apollo’s Art Diary here

18 heures, Pont de Bercy, Paris (18 hours, Bridge of Bercy, Paris) (1979), Claude Dityvon. MEP Collection, Paris; © the artist

Istanbul, Turquie (Turkey) from the European WE 2015 portfolio (1986), Jean-Christophe Béchet. MEP Collection, Paris. © the artist

Nabari Mie (1977) from the Fushikaden series (1971–78), Issei Suda. MEP Collection, Paris. Courtesy Akio Nagasawa Gallery; © the artist

Nature is his muse: Works by photographer Lou Wallach on display at Salmon Falls Gallery, Feb. 22 to April 28

Nature is his muse: Works by photographer Lou Wallach on display at Salmon Falls Gallery, Feb. 22 to April 28

Greenfield Recorder – Nature is his muse: Works by photographer Lou Wallach on display at Salmon Falls Gallery, Feb. 22 to April 28

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Lou Wallach’s photography is on display at Salmon Falls Gallery, Feb. 22 to April 28. Contributed Photo by Lou Wallach

Lou Wallach's photography is on display at Salmon Falls Gallery, Feb. 22 to April 28.

Lou Wallach’s photography is on display at Salmon Falls Gallery, Feb. 22 to April 28. Contributed Photo by Lou Wallach

Lou Wallach's photography is on display at Salmon Falls Gallery, Feb. 22 to April 28.

Lou Wallach’s photography is on display at Salmon Falls Gallery, Feb. 22 to April 28. Contributed Photo by Lou Wallach

Lou Wallach's photography is on display at Salmon Falls Gallery, Feb. 22 to April 28.

Lou Wallach’s photography is on display at Salmon Falls Gallery, Feb. 22 to April 28. Contributed Photo by Lou Wallach



Traveling around the country on his motorcycle, Lou Wallach sees nature like no one else. 

Thirteen hanging framed prints and 22 unframed works of Wallach’s black-and-white photography will be on display at Salmon Falls Gallery, located at 1 Ashfield St., from Feb. 22 to April 28.

Wallach, who had a 20-year career as a commercial photographer in Manhattan, takes stunning photos of nature, prompting his audiences to contemplate the natural world in a new light. Now 68, he began taking photographs at age 9 when he sneaked his father’s camera out of the house. He later studied photography at the Rochester Institute of Technology.

Wallach rides his Honda cruiser on country roads with a camera hanging around his neck; he stops frequently to document the beauty he finds, keeping the subject matter imbued with spontaneity. His current practice involves taking digital color photos which he edits, converting them to black and white, and controlling which grays correspond to what colors.

He explained that black and white photography allows him to draw attention to certain parts of the photo he hopes to highlight.

Seldom do people or human-altered landscapes appear in his work. Wallach focuses on things in their original form. “I’m open to what Mother Nature has to show me,” he said. 

His work for the show spans from the northern tip of Nova Scotia to Colorado. He explained that traveling to different places and “reporting on his findings” keeps his photos varied and interesting. 

Living across county lines in Stockbridge, Wallach resides on a farm where he has a showroom space that he invites guests to for open houses about four times a year and allows viewing of his work by appointment.

Along with photography, Wallach is also a skilled wood-turner. His work is available year-round at Salmon Falls Gallery and at his showroom. He explained that his sense of design applies to all of his creative endeavors and is evident in all of his works. 

“Whether traveling or stepping out the front door, hand-held stream-of-consciousness or slow careful study, I photograph as the surroundings call my attention. Often, I’ll pre-visualize some desired outcome, only to have that photograph altered by the light, structure, and nature of the location. Sometimes I’ll find an image I’ve sought for years, though generally not where I expect it,” Wallach said.

Reach Bella Carmela Levavi at 413-930-4579 or blevavi@recorder.com.


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Motaz Azaiza: ‘I Didn’t Want to be a War Photographer’

Motaz Azaiza: ‘I Didn’t Want to be a War Photographer’
Motaz Azaiza
Motaz Azaiza

A Palestinian photographer who rose to fame for his raw imagery from inside Gaza has reflected on his new-found celebrity since being evacuated from his war-stricken home.

Before the October 7 Hamas attacks and the subsequent Israeli assault on Gaza, Motaz Azaiza had around 27,500 Instagram followers. Since then, the photojournalist has grown his following to 18.6 million.

His unflinching photos are often graphic — frequently showing the wounded and dead. Instagram often slap a “Sensitive content” warning on many of his posts that incorporate raw mobile phone footage capturing the horrific realities of war.

“With my phone, I can show you everything,” Azaiza tells The New York Times. “This is my country. I did this for my family. I did this for Gaza, to show the world without any filters, without any lies.”

Azaiza says he is now regularly stopped in the streets by people who recognize him and want a selfie. He is currently living in a hotel room in Qatar, something he says “feels strange.”

The photographer gave a round of media interviews recently where he expressed hopelessness saying that his endeavors are “all worthless” because nothing has changed.

“We are talking about the UN’s highest court and it wasn’t even able to make Israel suspend its airstrikes or call for a permanent ceasefire,” he tells The Guardian.

Azaiza says that he found his passion for photography when he was 16 years old (he is 25 now) and found it to be a therapeutic hobby.

“I always dreamed of being a travel photographer. I wish I reached people with my beautiful pictures of Gaza, not with our suffering,” he says.

“I didn’t want to be a war photojournalist. But you don’t have the option, you don’t have the freedom to choose.”

Azaiza says that he was operating with a “damaged camera body and lens” while documenting the war which he says is “unlike anything we’ve ever experienced” despite living through numerous Israeli offensives.

He also says that the Israel Defense Force (IDF) deliberately targets journalists. The Committee to Protect Journalists says at least 83 members of the media have been killed in Gaza since October 7. An investigation by Reuters news agency found that an Israeli tank crew was responsible for killing one of its visual journalists in southern Lebanon.

“Journalists were like the most targeted people,” he says while speculating that perhaps his huge Instagram following may have protected him.

Israel denies targeting journalists and says it “takes all feasible measures to mitigate harm to civilians.”


Image credits: Photographs by Motaz Azaiza