Native

City, artists seek input on permanent Harriet Tubman statue

As the City of Philadelphia prepares for the creation of a permanent Harriet Tubman statue on the grounds of City Hall, local residents now have a chance to voice their opinion on the first statue of a Black female historical figure in the city’s public art collection.

The Office of Arts, Culture and the Creative Economy (OACCE) will host the first public meeting with five semi-finalist artists competing to create Philadelphia’s Harriet Tubman statue on Monday, April 24, at 5:30 p.m.

The virtual public meeting will be an opportunity for the semifinalists—Vinnie Bagwell, Richard Blake, Tanda Francis, Alvin Pettit, and Basil Watson—to hear directly from the public before they create initial design proposals for the project.

“We encourage all Philadelphians to be a part of this historic public art commission for the city by attending this and future public meetings and making their voices heard,” said Kelly Lee, Chief Cultural Officer for the city and Executive Director of OACCE. “Philadelphians are passionate about Harriet Tubman and her contributions, and are empowered by her story, so I am confident that the artists will be inspired by their feedback.”

The five semifinalist artists are:

Vinnie Bagwell 

Vinnie Bagwell is a sculptor who casts in bronze and bronze resin. A native of Yonkers, New York, she is an award-winning artist whose work has been displayed nationwide.

Richard Blake

Richard Blake’s sculpture monuments are on display across the country. An artist and educator, Blake has deep roots in Philadelphia.

Tanda Francis

Tanda Francis is a Brooklyn, New York-based artist with an extensive resume of public art. Her work has been exhibited locally and internationally.

Alvin Pettit

Alvin Pettit, a native of Baltimore, Maryland, has been sculpting and painting for more than 30 years. He has also worked as an educator and currently serves on the executive board of the Jersey City Arts Council.

Basil Watson

Jamaican artist Basil Watson has honed his skills for more than 45 years, completing major commissions for organizations across the world.

The meeting will be held via Zoom and a recording will be available on OACCE’s website for those who are unable to attend. Written feedback can also be shared by filling out this form from Tuesday, April 25 through Friday, April 28.

Register for the virtual public input meeting here.

“Community engagement through public input meetings is integral to our public art process,” said Marguerite Anglin, Public Art Director of OACCE. “It is important that Philadelphians engage in direct discussion with artists throughout each stage of the proposal period to ensure that the city’s public artwork reflects the diversity and values of the community.”

There will be multiple upcoming opportunities for the public to share their ideas and provide feedback on Philadelphia’s permanent Harriet Tubman statue. Those opportunities will be announced at a later date.

Detailed information about the Harriet Tubman statue commissioning process and a full timeline for the project are available online at creativephl.org

SHI to hold ceremony for totem poles, bronze faces this week

SHI to hold ceremony for totem poles, bronze faces this week

Photo provided by SHI press release

Juneau, Alaska (KINY) – Sealaska Heritage Institute (SHI) will hold a ceremony on Saturday for the first 12 poles of Kootéeyaa Deiyí (Totem Pole Trail) and Faces of Alaska, a major installation of bronze masks representing the five major Native groups of Alaska.

The ceremony will feature opening comments by Native leaders, political dignitaries, and Fran Houston, spokesperson of the Áak’w Kwáan—a group of Tlingit clans that occupy the Juneau area as their homelands. Two ceremonies will follow: Thanking and feeding the spirits of the trees and Yéik Utee (Imitating the Spirits).

A totem pole dedication will be led by representatives of the clans and tribes whose crests are depicted on the poles. Seven of the totems represent the following clans: the L’eeneidí, Wooshkeetaan, Yanyeidí, Ishkahittaan, Kaagwaantaan, L’uknax.ádi, and the Shangukeidí. Of the remaining five totems, four will represent the Haida Eagles and Ravens and the Tlingit Eagles and Ravens, and one will represent the Tsimshian.

The Faces of Alaska installation will feature comments from the master artists commissioned to make the masks. Four of the masks represent the Inupiat, Yup’ik, Aluttiq and the Athabascan and one mask represents the Tlingit, Haida, and Tsimshian. Three of the masks will be installed prior to the ceremony and two will be installed later.

Totem Pole Trail is the third and final phase of SHI’s vision to make Juneau the Northwest Coast arts capital of the world, said SHI President Rosita Worl, noting the construction of the Walter Soboleff Building and the Sealaska Heritage Arts Campus marked phases one and two respectively.
“We have a dream to bring back the great and ancient material culture of the Tlingit, Haida, and Tsimshian in all of its glory and for all to see,” Worl said. “I hope the community will participate in the ceremony and celebrate these new additions to Juneau.”

When all 30 poles have been raised along Totem Pole Trail, SHI will have met its goal to make Juneau the Northwest Coast arts capital.  
“However, we have much work to do to continue to expand our efforts in teaching Northwest Coast art and promote its recognition throughout the state and nation,” Worl said.

Totem Pole Trail

The ceremony, scheduled for April 22, will mark the installation of the first 12 of 30 totems for Totem Pole Trail, an initiative launched in 2021 through a $2.9 million grant from the Mellon Foundation’s Monuments Project. The Monuments Project is an unprecedented $250 million commitment by the Mellon Foundation to transform the nation’s commemorative landscape.

Through this grant, SHI hired 10 Tlingit, Haida, and Tsimshian artists, including TJ and Joe Young of Hydaburg, Jon Rowan of Klawock, David R. Boxley of Metlakatla, Nathan and Stephen Jackson of Saxman, Nicholas Galanin and Tommy Joseph of Sitka, Robert Mills of Kake and Mick Beasley of Juneau. Haida artist Warren Peele was also hired to make a totem pole for the project in 2022 through a grant from the Denali Commission. TJ Young made two of the poles for the project.

The Mellon grant also funded apprentices to mentor with each of the artists.

“We discovered through this process that there aren’t a lot of master artist Northwest Coast totem pole carvers. SHI’s Native Artist Committee considers a person a master artist totem pole carver if he/she has carved at least five totem poles. With the limited number of master totem pole carvers, the mentor-apprentice arrangement became a vital component of the project,” Worl said.

“These indigenous master carvers and artists have made even more visible the stories and cultural legacies of the Tlingit, Haida, and Tsimshian peoples to all who experience Southeast Alaska,” said Elizabeth Alexander, president of the Mellon Foundation. “The Totem Trail, together with other vital community commemorative efforts across the United States, is re-shaping our understanding of monuments and memorials to better reflect the complexity and multiplicity of histories in our country. We are deeply honored to support this work in Juneau.”

The totem poles will be an entry point from the waterfront to Heritage Square, a space encompassing the intersection of Seward and Front Streets and surrounding area that was named by the city in 2018. Each totem pole will eventually feature a corresponding storyboard that identifies the clan, crests, and information related to the artwork.

Faces of Alaska

The ceremony will also mark the unveiling of Faces of Alaska, a spectacular monumental art installation at the Sealaska Heritage Arts Campus featuring bronze masks that represent Alaska’s five major Native groups, including the Inupiat, Yup’ik, Alutiiq, and Athabascan.  The fifth group will be a combination of the Southeast tribes, Tlingit, Haida, and Tsimshian because they are culturally interrelated.

Master artists from each of Alaska’s five cultural groups were selected to create four-foot monumental bronze masks that are representative of their region’s artistic traditions. The Faces of Alaska art pieces positioned on pedestals will provide visitors to the arts campus a centerpiece for discussion and education on Alaska’s different cultural groups. The installation will serve as a gateway to Alaska, introducing other regions and the diversity of the state’s Native cultures.  

“I see Juneau and Southeast Alaska as the gateway to the rest of Alaska, and I wanted to introduce visitors and local residents to the other Indigenous groups of the state. Additionally, other groups of Alaska Natives have settled in Juneau and Southeast Alaska, and I wanted to make them feel welcome in our region,” Worl said.

The pieces were made by artists Perry Eaton (Sugpiaq/Alutiiq), Lawrence Ahvakana (Iñupiaq), Drew Michael (Yup’ik) and Kathleen Carlo-Kendall (Koyukon Athabaskan). Tsimshian artist John Hudson made a bronze mask that represents the Tlingit, Haida, and Tsimshian.
The masks made by Ahvakana, Eaton, and Michael will be installed prior to the ceremony and the other two will be installed later.

You Can Go Now: Richard Bell on art as activism

You Can Go Now: Richard Bell on art as activism
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