Photography

Aurora Expeditions Announces Photography Themed Voyages – Cruise Industry News

Aurora Expeditions Announces Photography Themed Voyages – Cruise Industry News

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.

[World Photography Day] Visual Masterpieces by Samsung Members that Ignite an Unrivaled Passion for Capturing Moments

[World Photography Day] Visual Masterpieces by Samsung Members that Ignite an Unrivaled Passion for Capturing Moments

How often do we click photographs in our daily lives? With the advent of social media & smartphone technology, photography is not just limited to professionals. In fact, smartphones have empowered less experienced yet passionate photographers to capture fleeting moments that could be relived and cherished forever. World Photography Day celebrates the spirit and passion of millions of photographers around the world who believe in making every moment of life precious.

Since the Samsung Galaxy ecosystem offers state-of-the-art camera features, we asked members of our community to send us their favorite clicks under the themes of nature, wildlife, travel diaries, family moments, seasons, India’s diverse culture, and nightography. The results are nothing short of magical!

Some of the best captured masterpieces are featured below, each narrating a breath-taking tale of the inspiration behind the developed passion for photography.

Vaibhav Rao – @khichta_firta

Shot on a Samsung Galaxy M Series device, this picture flawlessly embraced the spirit of Indian Independence Day. The Indian tricolor stunningly spread over Mumbai’s iconic VT station is surely a sight to behold!

Talking about his inspiration behind the shot, Vaibhav explained, “I was feeling truly patriotic last week and everything around me felt like it is colored in saffron, white and green. I chose this particular shot since it had just rained, and the wet streets were almost glowing. The passerby served as the perfect addition to my shot. The entire aura of that evening really inspired me. I have been extremely passionate about capturing rare shots and my Galaxy M Series Device is a perfect partner”.

Siddharth Abhishek – @Sidhabhi

Open skies filled with birds and lush, green mountains oozing charm – Munnar’s every corner is simply stunning! Touted as god’s own country Kerala’s jewel, this shot captures the true essence of the hill station- nature at its best.

Speaking about the inspiration behind this shot, Siddharth said, “Whatever can be said or written about the beauty of Munnar is less! This place is truly blessed by God and a true treasure trove of beauty and peace. Maybe that’s why Kerala is called God’s own country. As an advocate of good photography and Galaxy devices, I can say without a shadow of doubt that this picture takes me back in time. The beauty of Munnar inspired me and my Galaxy device empowered me to take this shot”.

Anjani Kumar – @anjanikumarkode

Shot on Galaxy S Series, this click will instantly make you feel at peace. Focused on a single giant rock, embraced by an unending blue ocean on one side and the city on the other, this picture perfectly captures different shades of nature.

Talking about his love for photography and Samsung devices, Anjanikumar said, “Samsung #Galaxy S Series was the first smartphone that I’ve tried mobile photography with. The phone enabled me to express my passion. Samsung Galaxy has stayed my phone of choice ever since. I’m currently using the Galaxy S22 Ultra. The smartphone has helped me keep up with my photography aspirations with their exceptional quality. For me, the phone has become a sketchbook, an instrument of intuition and spontaneity. Photos remember little things long after we have forgotten everything. That is precisely what I love about photography. I thank Samsung for enabling me to pursue my passion with ease.”

Haroon Rafi – @CrazyBoy28

 

Don’t confuse this click with a painting! It’s actually shot on a Galaxy device. The photographer aptly describes it as “behold the sunrise as it paints the sky and whispers its golden secrets onto the tranquil canvas of the lake’s reflection.” And we couldn’t agree more. Pink, grey, purple, blue, yellow- the sky truly imitates a canvas through this picture. Add to that the surrounding green trees, and it’s picture-perfect!

Talking about the shot, Haroon said, “Photography is more than just clicking a button on a camera; it’s about capturing the essence of a moment, freezing emotions in time, and telling stories without uttering a single word. It’s a medium through which I can express my creativity, connect with people on a profound level, and share my perspective with the world. Through the lens of my camera, I’ve witnessed the beauty in the mundane, the elegance in simplicity, and the magic in everyday life. I believe every moment, every scene, every interaction has the potential to spark our creative souls.”

 Ramdas S Pai – @Ramdasphotography

 

Captured on a Galaxy S Series device, this picture is adding some international flavor to our picks. Capturing a golden sunrise over the mountain peaks of Switzerland, this picture looks nothing short of a painter’s masterpiece.

Talking about the inspiration behind this picture and photography, Ramdas said, “I’ve always been passionate about photography, ever since I was a child. When I got my first smartphone, I was amazed at the quality of the photos I could take with it. I realized that I could use my phone to take photos anywhere, anytime, without having to lug around a bulky camera. I started taking my phone with me everywhere I went, and I would always be on the lookout for interesting things to photograph. All you need is a smartphone and a creative eye. All we need is a passion for photography and a willingness to experiment. I’m excited to see what the future holds for smartphone photography. I’m committed to using my phone to create beautiful and meaningful images, and I hope to inspire others to do the same.”

These pictures inspire us and goes on to show how photography can create magic. Here’s to capturing beauty and creating visual masterpieces. Wishing a Happy World Photography Day to all artists.

Calling All Aspiring Surf Photographers

Calling All Aspiring Surf Photographers
image

The 2023 ‘Follow The Light’ surf photography grant program is back and looking for the next generation of surf photographers

Going back to A.R. Gurrey’s 1914 The Surf Riders of Hawaii, the art of surf photography has inspired and been a guiding light in the development and evolution of wave-riding for more than 100 years.

With legends of the lens such as John Severson, Ron Stoner, Art Brewer, Tom Servais, Jeff Divine and Larry Moore all calling this area home, San Clemente and Dana Point have unquestionably played a super-sized role in this evolution.

With Surfer and Surfing magazines headquartered here, the ’80s, ’90s and early 2000s were a high-water mark for the form. As the photo editor of Surfing, Moore, more commonly known as “Flame” (a nickname he acquired because of his red hair) turned the emerald-green tubes at Salt Creek into his own personal photo studio.

But more than that, he was instrumental in creating surf photography as a viable occupation, and perhaps most importantly, scouting young, new talent both in front of and behind the lens.

After a hard-fought battle with brain cancer, Flame departed the physical plane in October 2005.

Determined to keep his spirit alive, a group of friends and family formed the Follow The Light Foundation to ensure his legacy of passionately supporting up-and-coming surf photographers continued.

Follow The Light dedicated itself to honoring this next generation through an annual grant program, including an awards presentation ceremony. Bringing together our community of surf media, industry professionals, athletes and friends, honorees include some of today’s most important and talented photographers, including modern luminaries such as Chris Burkard, Todd Glaser, Ray Collins and Morgan Maassen.

The 2023 Follow The Light Surf Photography grant program is here, and the submission window is open through Thursday, Aug. 31. This is an incredible opportunity for aspiring young surf photographers between the ages of 16 and 25 to introduce their work to the world and have a shot at a $5,000 grant, as well as real working opportunities.

“Being involved in Follow The Light has been an amazing experience all the way around,” said 2022 winner Kalani Cummins. “The grant helped me get on my feet a little more, and winning opened up some great opportunities, but more than that, it’s amazing to be part of this next generation of surf photographers and get the chance to meet them all and be part of something bigger.”

Recognizing that the arena in which surf photographers work today has changed dramatically since Flame was at the helm of Surfing, the Follow The Light organizing committee has focused its energies on helping up-and-coming lensmen and women get their start in the business and develop the tools and relationships necessary to take their careers to the next level.

“It’s never been easy to make it as a surf photographer, but it’s harder than ever,” explained Summer Chew Meek, who chairs the Follow The Light committee.

“With changing media landscapes and business models, what this next generation faces is really challenging, but it’s so important to support and foster their talents. Photography is how the sport, culture and community of surfing has thrived over the last century,” he continued.

In their prime, Surfer and Surfing magazines battled for cover shots, A-list talent and ace photographers. But that was then, and this is now.

If the art of surf photography is to survive for generations to come, it’s going to take amazing programs like Follow The Light and the support of surf media and business to keep the flame lit.

For more information and to enter, go to usbrc.org/follow-the-light.

World Photography Day 2023: Top 6 most picturesque destinations in the world to capture amazing photos

World Photography Day 2023: Top 6 most picturesque destinations in the world to capture amazing photos

Updated On Aug 18, 2023 02:36 PM IST

From Rainbow Mountains to Grand Canyon, let’s explore the world’s most photogenic places that offer a spectacular backdrop to click awe-inspiring images.

/

World Photography Day is celebrated every year on August 19 to pay tribute to the universal art form of photography, which has the power to transcend language barriers, convey emotions, stories and perspectives in a single frame. From breathtaking waterfalls to stunning natural wonders, the world is full of beautiful places that most of us don't even know about. Here are some of the world's most beautiful places that should be at the top of every photographer's and travel enthusiast's bucket list.(Unsplash/Alif Ngoylung)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

World Photography Day is celebrated every year on August 19 to pay tribute to the universal art form of photography, which has the power to transcend language barriers, convey emotions, stories and perspectives in a single frame. From breathtaking waterfalls to stunning natural wonders, the world is full of beautiful places that most of us don’t even know about. Here are some of the world’s most beautiful places that should be at the top of every photographer’s and travel enthusiast’s bucket list.(Unsplash/Alif Ngoylung)

/

Cappadocia, Turkey: It is a real-life illustration of how strange and beautiful nature can be. It shows a fantastic environment that seems to have come straight out of a fairy tale, complete with stones and hills that resemble alien terrain. With many hot air balloons that fill the sky with reds, yellows, oranges and creams, the landscape looks extremely breathtaking. (Unsplash/Timur Garifov)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Cappadocia, Turkey: It is a real-life illustration of how strange and beautiful nature can be. It shows a fantastic environment that seems to have come straight out of a fairy tale, complete with stones and hills that resemble alien terrain. With many hot air balloons that fill the sky with reds, yellows, oranges and creams, the landscape looks extremely breathtaking. (Unsplash/Timur Garifov)

/

Whitehaven Beach, Queensland, Australia: Whitsunday Island, the biggest of the 74 islands in the Whitsundays, is home to the award-winning, immaculate Whitehaven Beach. The beach is seven miles long and has some of the finest, brightest white silica sand in the world. You'll quickly see why people come from all over the world as you sink your feet into the sand and wade into the warm waves that lazily lap the shore.(Unsplash/Sofia Cerqueira)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Whitehaven Beach, Queensland, Australia: Whitsunday Island, the biggest of the 74 islands in the Whitsundays, is home to the award-winning, immaculate Whitehaven Beach. The beach is seven miles long and has some of the finest, brightest white silica sand in the world. You’ll quickly see why people come from all over the world as you sink your feet into the sand and wade into the warm waves that lazily lap the shore.(Unsplash/Sofia Cerqueira)

/

Grand Canyon, USA: The Grand Canyon, one of America's most famous national parks, is located in northern Arizona. Many people visit the area to take photographs and marvel at the breathtaking scenery. Photographers often set up their tripods and cameras at the top of the Grand Canyon in order to capture this stunning image, which is a popular photo location, especially for landscape photography. (Unsplash/Gert Boers)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Grand Canyon, USA: The Grand Canyon, one of America’s most famous national parks, is located in northern Arizona. Many people visit the area to take photographs and marvel at the breathtaking scenery. Photographers often set up their tripods and cameras at the top of the Grand Canyon in order to capture this stunning image, which is a popular photo location, especially for landscape photography. (Unsplash/Gert Boers)

/

Salar de Uyuni, Bolivia: The Salar de Uyuni in Bolivia is regarded as one of the most extraordinary and harsh landscapes on Earth. The biggest salt flat in the world, covering more than 4,050 square miles of the Altiplano, is what remains of ancient lakes that long ago drained. The location is ideal for taking stunning photos as a thick layer of salt covers the horizon and rises from the ground in quilted, polygonal patterns forming beautiful landscapes.(Unsplash/Bolivia’s Salar de Uyuni)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Salar de Uyuni, Bolivia: The Salar de Uyuni in Bolivia is regarded as one of the most extraordinary and harsh landscapes on Earth. The biggest salt flat in the world, covering more than 4,050 square miles of the Altiplano, is what remains of ancient lakes that long ago drained. The location is ideal for taking stunning photos as a thick layer of salt covers the horizon and rises from the ground in quilted, polygonal patterns forming beautiful landscapes.(Unsplash/Bolivia’s Salar de Uyuni)

/

Plitvice Lakes National Park, Croatia: This stunning national park is known for its 16 crystal-clear lakes that connect to one another by a network of cascades and waterfalls. The 18 km of wooden walkways and footbridges that wind around the perimeter and across the waterfalls provide unrivalled views of the park as you explore it. Along your walk, you're also accompanied by clouds of vibrant butterflies. It is understandable why Plitvice Lakes draws up to 1,200,000 visitors annually.(Unsplash/Robert V. Ruggiero)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Plitvice Lakes National Park, Croatia: This stunning national park is known for its 16 crystal-clear lakes that connect to one another by a network of cascades and waterfalls. The 18 km of wooden walkways and footbridges that wind around the perimeter and across the waterfalls provide unrivalled views of the park as you explore it. Along your walk, you’re also accompanied by clouds of vibrant butterflies. It is understandable why Plitvice Lakes draws up to 1,200,000 visitors annually.(Unsplash/Robert V. Ruggiero)

/

Rainbow Mountains, Peru: Vinicunca, often called Winikunka or Rainbow Mountain, is an impressive geological feature due to its vibrant stripes made up of layers of 14 different minerals. A popular detour for tourists travelling to and from the ruins of Machu Picchu, the mountain is located in the Andes near the city of Cusco. It is, however, a beautiful sight to see with your own eyes and capture in your lenses. Even on a cloudy day, the mountain's distinctive and unusual mineral streaks are visible, making it anything but dull. (Unsplash/McKayla Crump)

View Photos in a new improved layout

Updated on Aug 18, 2023 02:36 PM IST

Rainbow Mountains, Peru: Vinicunca, often called Winikunka or Rainbow Mountain, is an impressive geological feature due to its vibrant stripes made up of layers of 14 different minerals. A popular detour for tourists travelling to and from the ruins of Machu Picchu, the mountain is located in the Andes near the city of Cusco. It is, however, a beautiful sight to see with your own eyes and capture in your lenses. Even on a cloudy day, the mountain’s distinctive and unusual mineral streaks are visible, making it anything but dull. (Unsplash/McKayla Crump)

World Photography Day 2023: our favourite photos taken for Condé Nast Traveller

World Photography Day 2023: our favourite photos taken for Condé Nast Traveller

Over the last 25 years, Condé Nast Traveller’s team of writers and photographers have travelled far and wide with the sole aim of capturing the world in all its raw, messy, chaotic, natural beauty. This year, World Photography Day falls on Saturday 19 August 2023, an annual celebration of the art, science and history of photography. To mark the occasion, we asked our editors to submit their very favourite photograph to have graced the pages of Condé Nast Traveller over the last 12 months. Scroll down to find your favourite, and check out submissions for #WorldPhotographyDay by searching the hashtag on Instagram.

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Oli Pilcher, Miami, January/February 2023
Toby Skinner, features director

“I loved the Oli Pilcher cover shot of Pharrell Williams’s Goodtime Hotel in Miami. There’s a Slim Aarons quality to it: a rich texture and near-symmetrical composition, a distinct sense of place, but also this sense of a very particular moment in time, when people are seeing and being seen.”

Dante’s HiFi
From elegant hotels to raucous day parties and everything in between, these are the places to bookmark in Miami right now

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Shane Taylor, Marseilles, May/June 2023
Matt Buck, global visuals director

“My picture choice is from the May/June 2023 issue, photographed by Shane Taylor in Marseilles. It may seem clichéd to some but for me this image perfectly embodies a care free, high summer, European holiday. I crave the energy and light. The photography by Shane Taylor and words by Johny Pitts make for a beautiful portrait of an often misunderstood French city.”

article image
Exploring the untamed labyrinth of Marseille, the dusty-rouge Mediterranean Port City whipped by the Mistral

Spetses

Spetses

Kyrima Hotel Gerolimenas

Kyrima Hotel, Gerolimenas

Edvinas Bruzas, Peloponnese, May/June 2023
Olivia Morelli, senior digital writer

“To me, these two images capture the essence of summer in Europe. I can feel the saltiness of the sea on my skin, hear the silence in the stone-walled room and the lapping of the waves outside, and taste the tangy cocktail on my lips.”

Beach in Spetses
A wild and dreamy road trip across Southern Greece, with a dip into the Mani peninsula

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Jack Johns, Amalfi Coast, July/August 2023
Connor Sturges, digital assistant

“Jack Johns’ Amalfi Coast shoot for the July/August 2023 issue, in my eyes, captures everything this glitzy coastline is about. Here, on a terrace of the iconic Le Sirenuse, a waiter ambles into shot – chilled rosé at the ready for the lucky soul soaking in sweeping views of the twinkling Tyrrhenian Sea. Yachts can be made out between the gaps in the railing, a reminder of the chokehold this region forever has on the glitterati; all in search of attentive service, timeless design havens, and the beauty of nature.”

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Tom Parker, Saudi Arabia, October 2022
Louisa Parker Bowles, global operations director

“This is like trying to choose a favourite child! One of the best parts of my job is seeing all the sensational images we commission each year coming in; our global visuals director, Matt Buck, is a genius. I keep going back to Tom Parker’s images of Saudi Arabia, which ran in our 25th anniversary issue. They masterfully capture previously off-limits ruins from the ancient world and a land embracing change. Our visuals editor, Sophie Knight, also takes the most beautiful photographs of her travels, which often appear on our social media channels. Her pictures of Southern Italy this summer were particularly envy-inducing.”

Image may contain: Ground, and Nature
From restored ancient sites to trailblazing hotels, Saudi Arabia has more to offer travellers than ever before

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Oliver Pilcher, Sifnos, July/August 2023
Sarah Allard, digital editor

“I’m headed to Sifnos in a couple of weeks, so the timing of Lydia Bell’s feature on the island in the July / August 2023 issue – complete with gorgeous photography by Oliver Pilcher – couldn’t have been better. I’ve been pouring over the food shots, dreaming of that first plateful of fresh seafood as the sun twinkles on the Aegean.”

Sifnos: the most delicious Greek island
View Slideshow

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Alistair Taylor-Young, Pakistan, April 2023
Toby Skinner, features director

“I could have chosen so many from this story on Pakistan’s Gilgit-Baltistan region, but this one of the Shyok Valley is just so epic. There’s a mystery and a sense of struggle to the tiny figures, dwarfed by the mountains and seemingly caught in a sandstorm. But it’s also possible to detect a certain noble defiance, too. I can’t help wondering what they’re doing out there, alone and exposed.”

Cricket in the Shyok River valley
The lofty region of Gilgit-Baltistan has long been shrouded in mystery. Sam Dalrymple journeys to northern Pakistan to find a land on the cusp of change

Corippo the smallest village in Switzerland

Corippo, the smallest village in Switzerland

Lavinia Cernau, Ticino, July/August 2023
Amber Port, audience development manager

“This photo evokes nostalgia, reminding me of the many unmapped road trips I took as a child. There is something inexplicably exciting about this viewpoint – you have enough perspective to experience the beauty of something. Yet still, you are given enough space to imagine what it might be like when you arrive.”

Powerboating on Lake Lugano
The ultimate guide to one of Switzerland’s prettiest regions

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Tom Parker, Salcombe, September 2022
Paula Ellis, art director

“I’ve sat on a bench with the same view eating potted prawn and crab sandwiches watching the clouds race by, after a long walk around the Salcombe – Kingsbridge estuary headland… It’s a magical spot.”

An elevated view of Salcombe
A revolution is underway in Devon, where its visionary food and fishing communities are powering towards a sustainable future

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Crookes and Jackson, Zambia, November 2022
Pete Winterbottom, global creative director

“The intensity in the cubs’ eyes… You’re transported into the middle of the pride.”

Wild dogs after a successful hunt, South Luangwa  National Park
Zambia has some of the richest wildlife viewing in Africa – now, two new luxury lodges are raising the bar even further

caf in Lean

Café in Lean

Chris Schalkx, Bali, November 2022
Lauren Burvill, commerce editor

“This photo of a small cafe in Lean, a coastal village on Bali’s eastern tip, by Chris Schalkx is just everything I want in a holiday. A visually beautiful spot that’s still relatively undiscovered and thus, feels very special. I’d absolutely love to spend a sunny afternoon on one of those chairs.”

valley in east Bali
Away from Bali’s built-up hotspots are villages that still move to a slower, more reflective rhythm

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Mathieu Richer Mamousse, September/October 2023
Sarah James, deputy digital editor

“I love this shot taken in the French Alps in the newest issue of Condé Nast Traveller – it evokes those hazy, lazy days by the water that fall at the end of summer (and is also inspiring me to book a trip to this lesser-travelled region of France).”

World Photography Day 2023 our favourite photos taken for Cond Nast Traveller

Alistair Taylor-Young, Pakistan, April 2023
Sophie Knight, senior visuals editor

“It’s hard to pick a favourite image from this shoot by Alistair Taylor-Young in Pakistan. Otherworldly landscapes of gigantic mountains that make the subjects look so tiny. This one stands out to me, I love the contrast in tones between the juicy fresh watermelon against the rustic shop setup.”

Travel feature Past Perfect on the Peloponnese. Close up portrait boat sea.

Edvinas Bruzas, Peloponnese, May/June 2023
Karin Mueller, Visuals Director

“This image is from an epic, 10-day road trip around the Peloponnese peninsula in southern Greece. The visuals from this shot manage to convey these pure joy relaxed summer holiday vibes, that we are always after, perfectly. So well that I can’t wait to go on this trip myself as soon as possible…”

Thriller or booster? How AI transforms traditional photography studios

Thriller or booster? How AI transforms traditional photography studios

Traditional photography studios are still expanding and opening more stores, despite the debuts of artificial intelligence algorithms that are claimed to “generate” portrait photos online within seconds.

The opinion that “generative AI will replace offline photography studios ” is groundless, at least in the near future, Shanghai Daily learned at a recent industry exhibition.

Photo & Imaging (P&I) Shanghai 2023 attracted photography studios, camera and accessory vendors, and service providers including AI algorithm developers. The three-day event, held last week in Shanghai, had over 80,000 visitors.

Thriller or booster? How AI transforms traditional photography studios

Zhu Shenshen / SHINE

The booth of Naive Blue attracts many visitors in the P&I show held in Shanghai earlier this month.

Naive Blue, which operates more than 100 boutique photography studios to create the “most beautiful ID photos,” did not seem overly worried at the show about its generative AI rivals. These include Miaoya, an Alibaba-owned app which allows users to generate a digital and optimized portrait photo by uploading 20 of their own pictures for a cost of only 9.9 yuan (US$1.36).

“You can clearly see the ‘AI style’ of those digital clones,” a staff member of Naive Blue who declined to be identified told Shanghai Daily. “Obviously, we serve different customer groups.”

Customers of Naive Blue, whose shops are often located in popular shopping centers, are willing to pay at least several hundred yuan, or even thousands of yuan, at the studios. The cost includes clothes, make-up and fine-tuning by experienced photographers and editors, much more than AI offers, the staff member stressed.

Customers are normally young women having photos taken for “meaningful moments and memories,” such as university graduation, birthdays, or a first professional portrait for their LinkedIn profile and resumes. In August, Naive Blue opened its first store on Chongming island in Shanghai.

Thriller or booster? How AI transforms traditional photography studios

Ti Gong

EasyFast services cover IDs, birthdays, weddings, and portrait photography, with affordable prices and fast processing methods.

EasyFast, a sub-brand of Naive Blue with over 600 outlets nationwide, was actively seeking more franchise partners at the show. With the slogan, “Make photographers richer,” it received many inquiries and applications at the P&I show.

Comparatively, EasyFast is a community photography kiosk brand, which offers ID and visa photo services at affordable prices, starting from 50 yuan.

It has developed an AI photo optimization system for people to start their own business as soon as possible. This offers seven days of training for all franchise partners, primarily in camera operation and simple make-up services. People without photography editing experiences can rely on the AI optimization system, Shanghai Daily learned at the EasyFast booth.

Thriller or booster? How AI transforms traditional photography studios

Zhu Shenshen / SHINE

Many people visited the EasyFast booth to inquire about franchise programs. The company aims to provide good photo services near home.

Portrait photographers and studios are believed to face potential threats from AI algorithm programs like Miaoya, which made its debut in July and soon became a popular service.

Some people even believe that Miaoya could replace the services developed by Himo Photo Studio and Naive Blue, leading to a debate of “It’s a photo of you, but does it capture your true essence?” that was reported by Shanghai Daily previously.

Compared with studio photos, those produced by Miaoya are not parallel in the level of high-resolution, diversification, and there is no chances that studio staffers can provide clothing and makeup, along with a tips session if needed to help people relax in front of the lens.

Earlier this week, officials from Miaoya said that does not intend to replace offline photo studios, but to enrich the service methods to meet demand from those who are unable to access or afford photography studios.

Thriller or booster? How AI transforms traditional photography studios

Imaginechina

AI photo service Miaoya helps people generate photos online.

Also facing the trending generative AI wave, Meitu, China’s most popular portrait and selfie optimization app, had its own response.

During the P&I show in Shanghai , Meitu showcased its latest AI processing and finetuning tool Yunxiu Pro for the commercial photography market. It provides high-quality image processing services and shortens the photo preview time to promote the digitalization of the industry

In on-site demos in Meitu’s booth, users could optimize the look of their skin and face with one-click adaptations within seconds. Comparatively, it often takes at least five to 10 minutes to process each photo even by experienced experts in the studios.

Thriller or booster? How AI transforms traditional photography studios

Zhu Shenshen / SHINE

Meitu showcases its AI photo processing service Yunxiu at the show.

Currently, Yunxiu helps studios to greatly cut costs and time when finetuning photos, and is used by 30,000 commercial photography organizations, covering career photos and photography services for tourists, children and pets. Annually, more than 500 million pictures are processed by Meitu Yunxiu, the company said.

The cost of each photo processing is less than 0.3 yuan using Meitu Yunxiu. Comparatively, each option, such as a change of background color, costs customers 30 to 50 yuan additionally, which boost profit margins for studios, Shanghai Daily learned.

It is an industry with great potential as China added 350,000 new commercial photography studios in 2022, with a rapid growing market value expected to reach 700 billion yuan by 2026, experts said at the P&I show.

The 2023 Comedy Pet Photography Award Winners Are Better Than Half of This Year’s Netflix Specials

The 2023 Comedy Pet Photography Award Winners Are Better Than Half of This Year’s Netflix Specials

I used to think that human beings were the only species capable of masterful comedy, but the 2023 Comedy Pet Photography Awards are giving me paws.

Each year, wildlife photographer Paul Joynson-Hicks and his team host a series of comedy competitions with a slightly different approach from Last Comic Standing-style stand-up tournaments that are typical in most major comedy scenes — the contestants in Joynson-Hicks’ contests are exclusively feathered, furred or scaled. Humans need not apply.

Joynson-Hicks first launched the Annual Comedy Wildlife Photography Awards in 2015, and, after the success of the National-Lampoon-Meets-National-Geographic event, he and his collaborators branched out into more domestic works typical of the 2000s LOLcat era type photography.

The Comedy Pet Photography Awards mission statement reads, “Through the Comedy Pets, we want to promote positive awareness of animal welfare issues and celebrate the incredible and valuable contribution that pets can and do have on our lives.” Today, that paws-itive awareness comes from the champions who excelled in each category as determined by both the judges and the public. Next year, the reward should be a streaming special.

image

Michel Zoghzoghi / comedypetphoto.com

Overall winner and Cat Category Champion: Michel Zoghzoghi with “A Life Changing Event”
image

Chris Porsz / comedypetphoto.com

Dog Category and People’s Choice Award Winner: Chris Porsz with “Barking”
image

Darya Zelentsova / comedypetphoto.com

All Other Creatures Category Winner: Darya Zelentsova with “The First Outdoor Walk”
image

Klaus-Peter Selzer / comedypetphoto.com

Pets Who Look Like Their Owners Category Winner: Klaus-Peter Selzer with “The Three Greys”
image

Monyque Macedo Dos Santos / comedypetphotos.com

Junior Category Winner: Monyque Macedo Dos Santos with “Is It a Seal or Is It a Dog?”
image

Kerstin Leichtenmüller / comedypetphotos.com

Honorable Mention: Kerstin Leichtenmüller with “My Face When My Crush Says Hi”
image

Kenichi Morinaga / comedypetphotos.com

Honorable Mention: Kenichi Morinaga with “The Big Boss”
image

Sophie Boynton / comedypetphotos.com

Honorable Mention: Sophie Boynton with “When Digging Gets Serious”

City Life Org – New Photography Exhibition at Whitney Museum Highlights Vulnerability, Connectivity, and The Power of Images

City Life Org – New Photography Exhibition at Whitney Museum Highlights Vulnerability, Connectivity, and The Power of Images

D’Angelo Lovell Williams, Nah, 2018. Inkjet print: sheet (sight): 44 1/2 × 29 1/2 in. (113 × 74.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2020.130. © D’Angelo Lovell Williams

Trust Me, opening at the Whitney Museum of American Art on August 19, 2023, brings together captivating photographs by artists Laura Aguilar, Genesis Báez, Alvin Baltrop, Jenny Calivas, Moyra Davey, Lola Flash, Barbara Hammer, Muriel Hasbun, Dakota Mace, Mary Manning, and D’Angelo Lovell Williams. These eleven artists embrace intuition and indeterminacy through varied techniques and experimentation with photography, suggesting parallels between material and emotional contingency. Drawing from the Whitney’s rich permanent collection, viewers are invited to engage with intimate parts of the artists’ everyday lives and experiences and explore connections to their own. These artists take a chance reaching out to a viewer they may or may not know, trusting the power of the images’ emotional resonance, and offer a space for contemplation and reciprocal vulnerability. The images in the exhibition highlight familial and ancestral bonds, friendship and romantic partnerships, and networks of influence and exchange. The artists encourage viewers to make connections, sharing the vulnerability and feelings offered through explorations of memory, loss, creative expression, and identity, both personal and experienced within a community.

Although photography is often documentary in nature, the artists in Trust Me work against that impulse in unexpected ways, embracing indeterminacy as a viable creative mode. Photography is a precarious medium that relies on combinations of time, light, chemicals, and chance, requiring adaptability and openness to accidents, imperfections, and the unexpected. Through representational and abstract compositions, the works assert the vital importance of artistic and human connection, gesturing to both the relationships depicted in the image and the less visible relationships that helped bring it into being

“The artists in Trust Me have so much to teach us about personal and creative care networks and vulnerability as a radical and central condition of artmaking,” says Kelly Long, exhibition organizer and Senior Curatorial Assistant at the Whitney. “At a moment when exhibitions around the country are exploring empathy, intimacy, and sociality, it’s clear that we are striving to better understand the role that connection plays in our lives and that art can help us on our way.”

“This is the first chance for visitors to see a group of important and interrelated photographs, many of them new acquisitions to the Whitney’s collection,” says Jane Panetta, the Whitney’s Nancy and Fred Poses Curator and Director of the Collection. “Trust Me represents an intergenerational group of artists through themes that invite interconnectedness while providing an opportunity for viewers to engage with the Museum’s collection in new ways.”

imageMary Manning, His Estate, 2022. Chromogenic prints, mat board, and artist’s frame, sheet: 33 × 22 1/4 in. (83.8 × 56.5 cm); frame: 33 1/4 × 22 1/2 × 1 1/2 in. (84.5 × 57.2 × 3.8 cm). Edition 2 of 3. Whitney Museum of American Art, New York; purchase with funds from the Photography Committee. © Mary Manning

Lola Flash, 4 ray, 1991, from the series Provincetown. Chromogenic print: sheet, 24 × 20 in. (61 × 50.8 cm); image, 24 × 20 in. (61 × 50.8 cm). Whitney Museum of American Art, New York; purchase with funds from the Photography Committee 2022.38. © Lola Flash

Genesis Báez, Crossing Time, 2022. Inkjet print: sheet, 37 5/8 × 27 3/8 in. (95.6 × 69.5 cm); image, 33 1/2 × 24 in. (85.1 × 61 cm). Edition 5/8. Whitney Museum of American Art, New York; purchase with funds from the Anne Levy Fund. © Genesis Báez

” data-medium-file=”https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?fit=300%2C130&ssl=1″ data-large-file=”https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?fit=1024%2C445&ssl=1″ decoding=”async” fetchpriority=”high” width=”1024″ height=”445″ src=”https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=1024%2C445&ssl=1″ alt class=”wp-image-89687″ srcset=”https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=1024%2C445&ssl=1 1024w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=300%2C130&ssl=1 300w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=768%2C334&ssl=1 768w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=1536%2C667&ssl=1 1536w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=2048%2C890&ssl=1 2048w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=1200%2C521&ssl=1 1200w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=465%2C202&ssl=1 465w, https://i0.wp.com/thecitylife.org/wp-content/uploads/2023/08/Screenshot-2023-08-17-at-3.25.34-PM.png?resize=695%2C302&ssl=1 695w” sizes=”(max-width: 1024px) 100vw, 1024px” data-recalc-dims=”1″>

Mary Manning, His Estate, 2022. Chromogenic prints, mat board, and artist’s frame, sheet: 33 × 22 1/4 in. (83.8 × 56.5 cm); frame: 33 1/4 × 22 1/2 × 1 1/2 in. (84.5 × 57.2 × 3.8 cm). Edition 2 of 3. Whitney Museum of American Art, New York; purchase with funds from the Photography Committee. © Mary Manning

Lola Flash, 4 ray, 1991, from the series Provincetown. Chromogenic print: sheet, 24 × 20 in. (61 × 50.8 cm); image, 24 × 20 in. (61 × 50.8 cm). Whitney Museum of American Art, New York; purchase with funds from the Photography Committee 2022.38. © Lola Flash

Genesis Báez, Crossing Time, 2022. Inkjet print: sheet, 37 5/8 × 27 3/8 in. (95.6 × 69.5 cm); image, 33 1/2 × 24 in. (85.1 × 61 cm). Edition 5/8. Whitney Museum of American Art, New York; purchase with funds from the Anne Levy Fund. © Genesis Báez

Exhibition Overview – Trust Me
Artists like Barbara Hammer, Alvin Baltrop, Lola Flash, and Laura Aguilar explore the lives of their subjects and their own experiences, sometimes preserving or commenting on a moment in time. Personal, familial, and community relationships are common threads in their work, drawing from their own experiences and highlighting a range of emotional states, from love and joy to mourning and heartache. Though best known for her avant-garde, feminist film projects, Barbara Hammer developed a series of black-and-white photographs early in her career, placing herself, friends, lovers, and collaborators at the focal point of the images. Hammer affirms that ordinary, daily life is a worthy subject for art through depictions of bodies at rest, at play, or engaged in sex. This series embodies the artist’s life and social circle at the time, and the intimate moments captured attest to a life lived joyfully in queer community. Alvin Baltrop’s photographs document the Hudson River piers and the lives of gay and transgender communities that found refuge on the crumbling piers in the 1970s. At times working in the background and others collaborating directly with his subjects, Baltrop captured the sexual freedom and creative expression happening in a place of both safety and danger. Lola Flash’s 4 ray, an example of the artist’s signature “cross-colour” technique, which transforms images and preserves the anonymity of their subjects, most of whom are queer people of color. The cross-colour photographs present another version of the world where queer community, love, and joy are uplifted and embraced while allowing space for anger, grief, and remembrance. Laura Aguilar’s Plush Pony photographs, one of three of the artist’s series in the exhibition, feature portraits of patrons outside Los Angeles’s eponymous lesbian bar. At the time Aguilar was making this series in 1992, there was widespread unrest in the city following the LAPD officers’ acquittal for the brutal beating of Rodney King. Intense, shared feelings of despair permeated the city, and Aguilar decried the biased and unfair depictions of the working class and people of color in the media. The Plush Pony series offers another perspective, portraying queer working-class women in a kind and loving community.

Moyra Davey, Jenny Calivas, D’Angelo Lovell Williams, and Muriel Hasburn experiment with process, memory, remembrance, and self-expression in their works. As part of her artistic process for Trust MeMoyra Davey began mailing her photographs to friends and gallerists, placing the postal stamps directly on the images and receiving them back with surface abrasions, fingerprints, and creases. Featuring intimate interior scenes of the artist’s New York apartment overlaid with textual fragments by the writer Lynne Tillman, this body of work illustrates the connection between physical and psychic vulnerabilities. Agency and collaboration are central to Jenny Calivas’s process. Paying homage to broader traditions of feminist image-making, in Calivas’s ongoing series of self-portraits in nature, the camera timer remains visible in the artist’s hand. Though the artist depends on the eyes and hands of an assistant we never see in the final images, she retains control of the camera. Calivas’s self-representation remains crucial to counteracting a traumatic memory from her past as she seeks to reclaim her relationship with the natural world. D’Angelo Lovell Williams also utilizes self-portraiture in their work. The artist has said Nah, one of their works on view, is a meditation on freedom. The photograph takes its title from historical examples of resistance to enslavement and is partially inspired by reports of the May 1803 rebellion of enslaved Igbo people, who overturned their captors before dying by mass suicide. In this self-portrait, the artist dons a delicate, sheer white gown previously worn to a drag ball, asserting their freedom of self-expression and identity. During her childhood, Muriel Hasburn’s father, a dentist, was tasked with identifying casualties from the Salvadoran civil war (1979–92) using eerie and absorbing images of teeth and other anatomical attributes. Decades later and after her father’s death, Hasburn rediscovered the dental X-rays and rephotographed them to reveal intimate connections to the subjects, people we cannot fully see or know. Apparent and concealed markers of cultural identity thread throughout the artist’s work, acknowledging her Palestinian, Polish, and French Jewish ancestry and her upbringing in El Salvador.

Genesis Báez, Dakota Mace, and Mary Manning weave themes of intergenerational ties, community, and loss into their photographs. Often featuring the women in her family in her photographs, Genesis Báez connects herself and her mother in Crossing Time, one of three works by the artist on view. She depicts her mother holding a thread with the artist’s shadow appearing to grasp the other end, creating an illusory, unbreakable link between generations. The space between these two connected figures, who seem to inhabit separate worlds, alludes to the sense of distance felt by members of the Puerto Rican diaspora and a disruption of place and belonging exacerbated by migration, colonial legacies, and climate change. Due to a silver allergy, Dakota Mace cannot practice silversmithing, her family’s ancestral trade, or gelatin silver printing, an artistic process used for black-and-white photography. This material sensitivity redirected her creative process toward alternate photographic techniques, often combined with beadwork, embroidery, and other craft traditions. Mace honors her Diné ancestry and the significance of the number four in her Béésh Łigaii series, which symbolizes the interconnectedness of people and land in her culture. Leaning into the silversmithing practices passed down through generations, Mace abstracts her grandfather’s designs, making her own unique contributions to the lineage. The loss of Mary Manning’s father prompted the artist to revisit memories during car rides punctuated by brief pauses to photograph flowers he’d spot during the drive. For Manning’s His Estate, the artist rephotographed two of their father’s pictures of flowers using the camera they inherited from him. The works represent the extraordinary in the everyday by giving careful attention to the people, objects, and moments.

Trust Me is organized by Kelly Long, Senior Curatorial Assistant at the Whitney Museum, and will be on view through February 2024.

Free Public Programs

A series of free virtual and in-person programs are offered in conjunction with Trust Me. More information about these programs and how to register will be available on the Museum’s website as details are confirmed.

ABOUT THE WHITNEY

The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875–1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for ninety years. The core of the Whitney’s mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.

Whitney Museum Land Acknowledgment

The Whitney is located in Lenapehoking, the ancestral homeland of the Lenape. The name Manhattan comes from their word Mannahatta, meaning “island of many hills.” The Museum’s current site is close to land that was a Lenape fishing and planting site called Sapponckanikan (“tobacco field”). The Whitney acknowledges the displacement of this region’s original inhabitants and the Lenape diaspora that exists today.

As a museum of American art in a city with vital and diverse communities of Indigenous people, the Whitney recognizes the historical exclusion of Indigenous artists from its collection and program. The Museum is committed to addressing these erasures and honoring the perspectives of Indigenous artists and communities as we work for a more equitable future. To read more about the Museum’s Land Acknowledgment, visit the Museum’s website.

VISITOR INFORMATION

The Whitney Museum of American Art is located at 99 Gansevoort Street between Washington and West Streets, New York City. Public hours are: Monday, Wednesday, and Thursday, 10:30 am–6 pm; Friday, 10:30 am–10 pm; and Saturday and Sunday, 10:30 am–6 pm. Closed Tuesday. Visitors eighteen years and under and Whitney members: FREE. Admission is pay-what-you-wish on Fridays, 7–10 pm. COVID-19 vaccination and face coverings are not required but strongly recommended. We encourage all visitors to wear face coverings that cover the nose and mouth throughout their visit.

A Cache of Paul McCartney’s Photographs Gives an Insider’s View to the Beatles’ Meteoric Rise to Fame

A Cache of Paul McCartney’s Photographs Gives an Insider’s View to the Beatles’ Meteoric Rise to Fame

As Beatlemania spread across the globe during the early 1960s, the Beatles found themselves in a whirlwind of flashing cameras and suddenly their faces were everywhere. Until now, however, we have relatively little idea of what the experience was like from their perspective. For the first time, Paul McCartney is showing the public over 250 photographs that he took between November 1963 to February 1964 in a show that has inaugurated the temporary exhibition galleries at the newly renovated National Portrait Gallery.

Most of the photographs are either of McCartney himself or his bandmates John Lennon, George Harrison, and Ringo Starr, and were taken at a time when the Beatles shot to fame in the United States. In one series, they are shown rehearsing for a pivotal TV appearance on the Ed Sullivan Show in February 1964 that was watched by an audience of 73 million. That same month, frenzied fans are caught on camera chasing the group’s car down West 58th Street in New York and McCartney also recorded a series of personal mementos from a beach holiday in Miami.

“Looking at these photos now, decades after they were taken, I find there’s a sort of innocence about them,” said McCartney in a press statement. “Everything was new to us at this point. But I like to think I wouldn’t take them any differently today. They now bring back so many stories, a flood of special memories, which is one of the many reasons I love them all, and know that they will always fire my imagination.”

Many of the photographs were recently printed for the first time, having been left as negatives in McCartney’s personal archive and only rediscovered by the musician in 2020. Presented alongside McCartney’s own reflections, they offer a fresh behind-the-scenes lens on the famous story of how four young men from Liverpool became global superstars and redefined the meaning of celebrity for the modern era.

“Paul McCartney Photographs 1963-64: Eyes of the Storm” runs through October 1 before traveling across the pond to the Chrysler Museum of Art in Norfolk, Virginia, where it will run from December 5, 2023, to April 7, 2024. A book of photographs paired with McCartney’s recollections from the period has also been published by Penguin Press in the U.K. and W.W. Norton in the U.S.

Check out images from the exhibition below.

Paul McCartney, George looking young, handsome and relaxed. Living the life. Miami Beach, February 1964 (1964). Photo: © 1964 Paul McCartney.

A visitor looks at photographs taken by Paul McCartney in Miami. Photo: © National Portrait Gallery, London.

Paul McCartney, John and George, Paris. 1964 Photo: © 1964 Paul McCartney.

A visitor looks at photographs taken by Paul McCartney while rehearsing for The Ed Sullivan Show. Photo: © National Portrait Gallery, London.

Paul McCartney, Self-portraits in a mirror, Paris, 1964 (1964). Photo: © 1964 Paul McCartney.

“Paul McCartney Photographs 1963-64: Eyes of the Storm” at the National Portrait Gallery. Photo: © National Portrait Gallery, London.

Paul McCartney, Photographers, Central Park, New York, February 1964 (1964). Photo: © 1964 Paul McCartney.

A visitor to the National Portrait Gallery looks at photographs taken by Paul McCartney in Paris, 1963-64. Photo: © National Portrait Gallery, London.

Paul McCartney, The crowds chasing us in A Hard Day’s Night were based on moments like this. Taken out of the back of our car on West Fifty-Eight, crossing the Avenue of the Americas. New York, February 1964 (1964). Photo: © 1964 Paul McCartney.

“Paul McCartney Photographs 1963-64: Eyes of the Storm” at the National Portrait Gallery. Photo: © National Portrait Gallery, London.

More Trending Stories:  

What Opulence Lay Behind Marie Antoinette’s Secret Bedroom Door? The Palace of Versailles Has Just Reopened the Queen’s Hidden Chambers 

An Ornate Viking-Era Relic Unearthed by a Metal Detectorist in the U.K. Could Fetch More Than $30,000 at Auction 

A Rediscovered Portrait of Katherine Parr, Henry VIII’s Sixth Wife, Fetches Four Times Its High Estimate at Sotheby’s 

Art Industry News: More Museums Distance Themselves From David Adjaye After Allegations + Other Stories 

For Their First U.S. Museum Show, Artist Wynnie Mynerva Has Reimagined the Creation Myth as an Act of Rebellion Against the Patriarchy 

An Israeli First-Grader Stumbled on a 3,500-Year-Old Egyptian Amulet on a School Trip 

Why Hasn’t Atlanta’s Art Scene Flourished Like Other Cities in the South? A Tragic Tale May Hold the Answer 

Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Today’s Photo from Ted Grussing Photography: All Clear?

Today’s Photo from Ted Grussing Photography: All Clear?

… the squirrel in the photo above seems to be checking the neighborhood out for possible predators in the area before exposing himself to the unknown and he is ready to bolt in an instant if something were to go wrong. Below we have an Osprey at Lake Pleasant, perched on a tree in the water and he has a beautiful looking catch … he is hoping we will leave so he can settle in for a late morning snack.

Squirrels are food for a great number of predators and typically have a life spam of just over a year in the wild, but they do have a potential life span of about ten years …fifteen or more in captivity. Rabbits are about the same and the reason for the short lifespan of both is that so many creatures like to dine on (not with) them.

Humans fare a little better, but regardless of what continent or nation state, all nations seem to end up with leaders in charge who like to make war on other nations and peoples … and it has always been so … always the young fight the battles and the elders who promote these conflicts benefit … each bullet fired means another has to be manufactured to take its place. I like the natural world, other than survival, no causes!

It was a good day here and a lot of research on the value of various gemstones … been out of the day to day for a longtime and it is good to catch up. More tomorrow and work on the September presentation at Pepperdine University is well underway.

Into the weekend for me and the plan is to be back Monday morning … keep breathing, smile and be kind … spend some time with creatures this weekend and taste the sweetness of the wild.

Cheers,

Ted

Though I know I shall sometime no more open
my eyes to the night or the day,

I am one who looks at the stars when unchained from
the workbench at nightfall.

They are a sign that I am not ephemeral, nor you, nor
you, whoever you are.

The dawn comes and the dark and the sign sparkling
in the brooding night forever and forever.

At Nightfall by Max Ehrmann

###

photo_tedgrussingThe easiest way to reach Mr. Grussing is by email: ted@tedgrussing.com

In addition to sales of photographs already taken Ted does special shoots for patrons on request and also does air-to-air photography for those who want photographs of their airplanes in flight. All special photographic sessions are billed on an hourly basis.

Ted also does one-on-one workshops for those interested in learning the techniques he uses.  By special arrangement Ted will do one-on-one aerial photography workshops which will include actual photo sessions in the air.

More about Ted Grussing


Healing Paws

Healing Paws

This is an advertisement