Photography

Wood County library hosting month-long backyard nature photography event

Wood County library hosting month-long backyard nature photography event

Is your garden “unbe-leaf-ably” beautiful? The Wood County District Public Library is hosting a photography contest for gardens, plants and backyards from July 1-31.

WOOD COUNTY, Ohio — The Wood County District Public Library on Friday announced it is hosting a month-long photography event for photos of gardens, plants and backyards brimming with the colors and wonders of nature.

The “Unbe-leaf-able” contest runs from July 1-31 and asks participants to submit photos of “your local gardens, plants, or backyard” in .jif or .jpg file formats to woodref@wcdpl.org.

Participants will also be entered into a raffle to win an “unbe-leaf-able” prize.

Submissions will be displayed in a slideshow in Meeting Room C on July 29 and July 30 at the library’s Bowling Green location, as well as posted to WCDPL’s social media accounts, according to a press release.

For more information, call 419-352-5050, email woodref@wcdpl.org or visit https://wcdpl.org/events, WCDPL said.

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New show at Appalachian Center for Photography

New show at Appalachian Center for Photography
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Joshua White’s “Breaking Ground” is a show featuring tintypes that reflect a community in North Carolina and its commitment to tradition through individual processes and lifestyles.

The solo exhibition was unveiled at the Appalachian Center for Photography at the Floyd Center for the Arts.

Joshua White, of North Carolina, is originally from southeastern Indiana and received his bachelor’s degree in Photography from Northern Kentucky University. He later went on to achieve his master’s degree in Photography from Arizona State University.

From cell phone photography and wet plate collodion to woodworking and mixed media, White employs numerous techniques to investigate memory, mortality, ecology and place. His work has been published in National Geographic, and featured by Wired, Mother Nature Network, Scientific American, Don’t Take Pictures, The Hand, and Gizmodo.

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His exhibition record includes numerous solo exhibitions across the U.S., as well as many national and international juried exhibitions.

White is a husband, father, old-time banjo player, and Associate Professor of Photography at Appalachian State University in Boone, North Carolina.

“One of the most striking characteristics of many of the folks I have met in the mountains of North Carolina is a commitment to tradition, self-reliance and craft,” White said. “The people I have met and the friends I have made carry on some traditional ways of living while embracing new technologies and innovating within their practices. These images celebrate the people themselves, creating a document of the current culture as a means of connecting the past and present using the wet plate collodion process.”

White was present at the Appalachian Center for Photography during the opening day, Friday, June 16 and set up a mobile darkroom on the Floyd Center for the Arts’ campus. He captured and developed several tintype photographs, while educating folks on how tintypes are created.

“Breaking Ground” will be on display at the Appalachian Center for Photography through Sunday, Sept. 24.

The ACP is located adjacent to the Floyd Center for the Arts (220 Parkway Lane S.) in Floyd. It is open until Dec. 15 and always by appointment, both for individuals and class groups. Regular hours are from 10 a.m. until 2 p.m., Fridays through Sundays.

Learn more online at www.floydartcenter.org.

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ART AROUND TOWN – Photography by Scott Barrow at Spring Street Gallery

ART AROUND TOWN – Photography by Scott Barrow at Spring Street Gallery
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“Great Waves From Tiny Ripples Grow,” a new exhibition of photographs by Scott Barrow goes on view at The Spring Street Gallery on Saturday, June 24th, with an opening reception from 5 to 7 p.m. The exhibit will remain on view through July 6.

Barrow says, “I am drawn to fresh water and my soul has always seen itself as a deep, spring-fed lake. Calm, reflective and peaceful. Capturing the quiet images of ripples on a lake at sunrise is a collaborative affair. The water is patient and you have time to observe and respond.”

Firelands Association for Visual Arts to announce winners of photography show

Firelands Association for Visual Arts to announce winners of photography show

Photographs tell stories when words fail and several locally exhibited photos will receive cash prizes later this month.

The Firelands Association for Visual Arts will announce the winners of its National Juried Biennial Photography Show on June 24, coinciding with the Oberlin community’s Chalk Walk.

The entered photographs are on display at FAVA’s gallery through Aug. 13.

“Photography is a really important art form,” said Firelands Association for Visual Arts Executive Director Kathleen Jackson. “It documents our history as humans and it’s really good at showing our personal perspective.”

Firelands Association for Visual Arts (FAVA) will announce the winners of its National Juried Biennial Photography Show on June 24. (Submitted)

After a national call for entries, the pool of 200 was narrowed to 35 works to be exhibited.

Judging by Anna E. Young, co-owner of the Kink Contemporary Gallery in Cleveland was completed in early June and winners will be announced at a 1 p.m., June 24, event.

Entries use a wide variety of processes from traditional darkroom printing to printing on metal or other materials to digital manipulation.

The diversity of techniques, subject matter and perspective, make photography a very personal art form, Jackson said.

“It also helps to convey really important information about you and what you choose to document and what techniques you use,” she added. “It’s a really diverse art form that can tell a lot about you as a person.”

Jackson emphasized the accessibility of the juried show.

Firelands Association for Visual Arts (FAVA) will announce the winners of its National Juried Biennial Photography Show on June 24. (Submitted)
Firelands Association for Visual Arts (FAVA) will announce the winners of its National Juried Biennial Photography Show on June 24. (Submitted)

Anyone can enter and sophisticated equipment isn’t needed.

Entries are submitted through a Call for Entries (CaFE) system used by art shows and competitions.

A different juror is hired each year and entries are exhibited for six to eight weeks at the Oberlin gallery.

Firelands Association for Visual Arts’ annual juried shows alternate between photography and quilting.

The juried quilt show, which will open in May 2024, is the second oldest quilt show in the country and has drawn as many as 1,500 people, Jackson said.

“We ask folks to push the boundaries of what a quilt is,” she said. “The entries are really unique and amazing art expressions.”

Entries for the quilt show will open this fall.

Meanwhile, Firelands Association for Visual Arts studios, classrooms and galleries will be abuzz with summer activities for all ages.

Camps for children from preschool to high school begin June 26.

Preschool is a new addition this year due to demand from area families.

Firelands Association for Visual Arts (FAVA) will announce the winners of its National Juried Biennial Photography Show on June 24. (Submitted)
Firelands Association for Visual Arts (FAVA) will announce the winners of its National Juried Biennial Photography Show on June 24. (Submitted)

Projects and materials vary but camps expose children to a myriad of art forms, techniques and tools, Jackson said.

“Kids have the opportunity to learn from different teachers,” she said. “They do really different projects that we do in regular classes.”

Camps culminate in a weekly art showcase for parents in partnership with Oberlin Public Library.

Camp activities also include partnerships with Allen Memorial Art Museum and the city of Oberlin Parks Department.

Classes at Firelands Association for Visual Arts run the gamut from traditional figure drawing techniques to unique processes specific to diverse cultures.

One recent example involved using rubber fish to make prints, a technique called gyotaku created by Japanese fishermen to document their catches.

“We have done a wide variety of things,” Jackson said, adding that Firelands Association for Visual Arts never closed during the coronavirus pandemic.

The lending library for larger tools like pottery wheels and the subscription boxes for families dealing with at-home schooling for the first time have ended.

However, many of the Firelands Association for Visual Arts classes remain available online.

“We focused on what we could do,” Jackson said. “We had some folks from really far away who got involved because of it.”

Jackson looks forward to the fall Member Show at Firelands Association for Visual Arts.

Anyone can become a member with prices starting at $20.

Members can submit up to two works, in any medium, and even put their art up for sale.

Firelands Association for Visual Arts offer something for almost everyone, she added.

Families with kids enjoy visiting as much as retirees and everyone in between is welcome.

“I feel like it’s an organization that appeals to a lot of people,” Jackson said. “There’s a lot happening in our building.

“We’re trying to do a lot of ‘front yard’ events to bring more people into the building.”

Firelands Association for Visual Arts is co-located in the New Union Center for the Arts (NUCA) along with MAD Factory, the Northern Ohio Youth Orchestra and the Oberlin Choristers Children’s Choir.

Learn more at favagallery.org.

Spellbinding Night Photography from Around the World

Spellbinding Night Photography from Around the World
Corvus © Beth Moon

From the historic archives of NASA to the edges of the planet Earth, this collection of extraordinary night photography explores the magical reaches of the starry sky. Travel across Finnish Lapland, through the American West, to the ancient landscapes of Botswana, across the deserts of Sinai and Israel, and up through the mountains of Alaska.

The Small Magellanic Cloud is a dwarf galaxy that flanks the Milky Way about 210,000 light years away from us.

This 2013 composite image of the galaxy’s wing shows a region with stars containing fewer metals and less dust and gas than the Milky Way. The Chandra’s X-ray data is shown in purple, while visible data from the Hubble Space Telescope is shown in red, green, and blue. Infrared data from the Spitzer Space Telescope is also revealed in red.

From from Earth and Space: Photographs from the Archives of NASA by Nirmala Nataraj, published by Chronicle Books, 2015.

Earth and Space by Chronicle Books is a collection of the most unforgettable photos from NASA’s treasured archives. Prefaced by Bill Nye of Science Guy stardom and introduced by author Nirmala Nataraj, Earth and Space takes our planet as its point of departure, moving sequentially through the universe and ultimately resting on clusters of galaxies colliding at a distance of 5.4 billion light years from where we stand.

Flattop Mountain, Alaska © Kerry Tasker

“It’s almost like the environment knows you’re there but doesn’t care,” says Anchorage-based photographer Kerry Tasker of the Alaskan terrain. The land is feral and ferocious; he’s dropped his camera from a perilous cliff, and the bitter cold has annihilated its batteries. Still, he’s been torn time and again from the safety of home into the rugged wilderness, standing cold and alone, under a charcoal sky dotted with faraway stars.

Starry Grove, 1999 © Neil Folberg / Vision Neil Folberg Gallery

Under the shroud of night, Jerusalem-based photographer Neil Folberg traverses Galilee and the Negev and Sinai deserts in Israel and Egypt alone and by foot, watching as the stars and clouds dance across the sky. From the late 1990s until the early 2000s, he spent four years of sunsets and sunrises capturing the shadows as they descended silently upon the historic terrain.

© Reuben Wu

“My nights are full of silence and the occasional howl of coyote,” the photographer Reuben Wu tells me. His series Lux Noctis has taken him to some of the most isolated regions in the American West, as well as remote spots in Europe and South America, under the cover of darkness. He flies a drone to light his way, illuminating sections of the landscape at will.

© Tiina Törmänen

When she was a little girl, photographer Tiina Törmänen built castles out of snow. She spent her childhood in Finland’s Southern Lapland, surrounded by lakes and forests, and each winter, she dug tunnels, doorways, and rooms, illuminated by flickering candlelight. Winter is still her favorite season. When the snow falls, she bundles up and wanders into the unknown terrain.

Hercules © Beth Moon

The San Francisco-based photographer Beth Moon has spent more than a decade of her life hunting down our planet’s oldest trees, chasing them to their isolated and solitary bowers at the edges of civilization. After devoting fourteen years to shooting ancient trees by day, the photographer embarked on Diamond Nights, for which she captured the looming plants under the black shroud of midnight and illuminated by a dusting of twinkling stars. The darkness, she remembers, was so thick that she was unable to see her own hands.

Discover More

Winners of 2023 BigPicture Natural World Photography Contest

Winners of 2023 BigPicture Natural World Photography Contest
Veterinarian snuggling a baby bare-nosed wombat

“Nose to Nose” by Douglas Gimesy
Human/Nature Winner
“Since 2006, developers have constructed dozens of new subdivisions on the outskirts of Melbourne, Australia, transforming bushland that once sheltered kangaroos, wombats, flying foxes, and other wildlife into tidy suburban streets. As the built environment encroaches on the wild, a growing number of displaced animals are struck by cars. Those that survive might, if lucky, find themselves in the care of a wildlife rehabilitation shelter like the Joey and Bat Sanctuary near Melbourne.
Photographer Douglas Gimesy was documenting work at the sanctuary last year when he met a bare-nosed wombat (Vombatus ursinus) whose mother had been killed by a car. A good samaritan had thought to check the dead marsupial’s pouch and found the four-month-old joey inside, still alive.
Gimesy watched a young veterinary student bottle-feed the orphaned wombat. When the feeding was over, the student touched her nose to the joey’s in a tender moment of interspecies bonding. Wombats’ sense of smell rivals that of bloodhounds, and scientists believe that the animals use their sophisticated noses to navigate at night and sniff out the poop of other wombats. Perhaps because her nose is so sensitive, Gimesy said that the baby wombat in this photograph seemed to especially enjoy the sensation of skin-to-skin—or nose-to-nose—contact.”

Some of the world’s top nature conservation photographers came together to judge the California Academy of Sciences’ renowned BigPicture Photography Competition. Cristina Mittermeier, Suzi Eszterhas, and Ami Vitale are just some of the big names that weighed in on the final decision. The winning photographs are both a testament to our world’s biodiversity, as well as the unique challenges it is currently facing.

Corey Arnold, who was named the Grand Prize winner, has a unique perspective on nature. As both a commercial fisherman and a photographer, he often explores the complex relationship between man and nature. Whether showing a lone coyote scurrying over a pedestrian bridge in Chicago or an American black bear hanging out on someone’s back porch, Arnold’s winning photo story is an interesting peek at how humans and animals co-exist.

Many of the other winning photos celebrated the touching relationships that can develop between humans and animals. Douglas Gimesy showed a moment of tenderness between a veterinary student in Australia and an orphaned baby wombat. This special glimpse at bonding is a touching tribute to the work that wildlife rehabilitation centers do.

Halfway around the world in the Democratic Republic of Congo, another caretaker is making sure that her charges are getting all the love they deserve. In Marcus Westberg‘s winning photo, orphaned chimps cling to their primary caregiver just as a baby would. This intense bond makes sense when one realizes that chimpanzees typically stay close to their mothers until they reach 5 years old. When mother chimps are killed by poachers, workers at the Lwiro Primate Sanctuary in Kahuzi-Biega National Park step in to make sure to fill the void.

“To view humans as entirely separate from other species… is both morally and factually wrong,” shares Westberg. “We are more similar than we realize.”

To dive even further into the natural world, scroll down to see a selection of the winning photographs. Hopefully, they provide inspiration and action to help preserve the sanctity of nature.

These images originally appeared on bioGraphic, an online magazine about nature and regeneration and the official media sponsor for the California Academy of Sciences’ BigPicture Natural World Photography Competition.

The winners of the BigPicture Natural World Photography Competition embrace our world’s biodiversity.

Coyote Bridge in ChicagoCoyote Bridge in Chicago

“Coyote Crossing” by Corey Arnold
Grand Prize Winner
“How did the coyote cross the road? If the coyote (Canis latrans) is among the 4,000 or so living in the Chicago metro area, the answer may be that it used a bridge to avoid being hit by a car. Across the United States, motor vehicle collisions are responsible for at least a million vertebrate deaths per day, and Chicago is no exception: Windy City coyotes typically live only about three years, compared to 10 years on average elsewhere in the wild and up to 18 years in captivity. Their most common cause of death is being struck by a car.
But like many wild animals living in densely populated urban environments— including those featured in Corey Arnold’s Grand Prize-winning photo story—coyotes have found ingenious ways to coexist with humans. In Chicago, where Arnold tagged along with scientists from the Cook County Urban Coyote Research Project, coyotes regularly use train trestles like this one to circumvent busy highways. They also shift their normal behavioral patterns to hunt mostly at night, when they’re less likely to encounter humans, and they seem to avoid trash in favor of Chicago’s live deer, rabbits, and rodents. Radio-tracking data from the Research Project’s studies has shown that even in America’s third-largest metropolitan area, coyotes and humans overlap on a daily basis—a testament to these canids’ remarkable tenacity, even after centuries of persecution across the United States.”

Nubian ibexes on a cliffNubian ibexes on a cliff

“Life on the Edge” by Amit Eshel
Terrestrial Wildlife Finalist
“Nubian ibexes (Capra nubiana) live on the knife edge of survival, in deserts with scant vegetation and harsh climates. They also live at the literal edge of cliffs, with little but space and steep drops for company. Such vertiginous topography helps deter predators like leopards and wolves; in Israel’s Avdat Nature Park, scientists have watched Nubian ibexes leave their newborns on cliff outcroppings too precipitous for most mammals to reach, then return for feedings until the young grew agile enough to traverse the sheer cliffs on their own.
Males of the species grow backward-curving horns that can be more than a meter (up to 4 feet) long. They use these impressive weapons to defend against predators and to compete with others for breeding rights, as photographer Amit Eshel captured in this image of two clashing males in Israel’s Zin Desert. Despite the violence of such encounters and the precarious stage on which they’re fought, male ibexes rarely to tumble to their death; the wild goats’ agility, speed, and comfort with the abyss seem to protect them even in the heat of battle.
Yet while the Nubian ibex’s ability to navigate steep terrain may protect it against natural predators and rival males, it’s proven little solace against the encroachment of humans. Ancient cave drawings and bone remnants suggest Nubian ibexes once ranged throughout the mountains of northeastern Africa and the Middle East. Today, only 5,000 or so cling to life in fragmented populations scattered across Egypt, the Sinai Peninsula, and the Arabian Peninsula. The healthiest populations are in Israel— though part of the reason for their success is that the Arabian leopards (Panthera pardus nimr) that once preyed on ibexes have been largely extirpated from the country.”

Blackwater Photo of a Blanket OctopusBlackwater Photo of a Blanket Octopus

“Stunning Cephalopod” by Heng Cai
Aquatic Life Finalist
“In addition to being visually mesmerizing, the iridescent symmetry of this blanket octopus plays a key role in the cephalopod’s success as a predator. Four species of blanket octopuses (genus Tremoctopus) roam tropical and subtropical seas—including the Gulf of Mexico, the Indian Ocean, the Great Barrier Reef, and the Mediterranean—searching for fish and crustaceans to eat.
Most observations of blanket octopuses come from females, like this one photographed in the Philippines. Females can grow up to 3 meters (6 feet) long—more than 40,000 times larger than the walnut-sized males—and sport a characteristic fleshy “blanket” draped over their tentacles, which makes them appear even larger. If threatened, a female can shed her blanket in an instant to distract her predator and escape, then grow a new one. She’ll also squirt ink, change color, and generally outsmart and out-maneuver fellow ocean dwellers until she can mate and lay thousands of eggs.
What really sets these cephalopods apart, however, is a unique hunting method: Because blanket octopuses are immune to jellyfish toxins, they commonly tear an arm off a jellyfish or even a Portuguese man o’ war (Physalia physalis), then carry around the severed appendage to use as a weapon for stunning prey.”

Detailed view of the gills of a milk cap mushroomDetailed view of the gills of a milk cap mushroom

“Magical Mushroom” by J Fritz Rumpf
Art of Nature Winner
“Is it waves crashing onto shore? A landscape of furrowed canyons? The topography of a distant planet? People seeing J Fritz Rumpf’s photograph for the first time have transposed all kinds of fantasies onto its hypnotic patterns, but no one, Rumpf says, has correctly guessed what they’re looking at: the gills of a fungi from the genus Lactarius, better known as milk cap mushrooms for the milky, latex-like liquid they ooze when cut.
Rumpf was foraging for mushrooms in Arizona’s White Mountains one August afternoon when he picked up this one. Unsure if it was edible, he returned it the forest floor—and happened to notice the colors of its gills. Of the dozens of species of milk caps that grow in the American Southwest, many “bruise” when chemicals in their fruiting bodies are exposed to air, turning them the murky blue-green that caught Rumpf’s eye.
Milk caps work their magic in other ways as well. In the subterranean world below forests, their fungal filaments—called mycorrhizae—form a net of cells that grows with and around tree roots. Milk cap mycorrhizae help their host trees access water and nutrients, and they obtain carbohydrates in return. As scientists learn more about this symbiotic relationship, they’re uncovering the multitude of ways that milk caps and other fungi are essential to the health of forests and other ecosystems around the world.”

Orphaned chimp hugging caregiver at the Lwiro Primate Sanctuary in Kahuzi-Biega National Park in the Democratic Republic of the CongoOrphaned chimp hugging caregiver at the Lwiro Primate Sanctuary in Kahuzi-Biega National Park in the Democratic Republic of the Congo

“All My Children” by Marcus Westberg
Human/Nature Finalist
“Chimpanzees (Pan troglodytes) share nearly 99 percent of their DNA with human beings. At the Lwiro Primate Sanctuary in Kahuzi-Biega National Park in the Democratic Republic of the Congo, this genetic bond is perhaps reflected in the relationships that form between orphaned chimps and their human caregivers. Wild chimps typically stay close to their mothers until they’re about 5 years old, so when a mother is killed by poachers, the separation can cause irreparable harm for young, developing chimps. Many of the orphaned chimpanzees brought to the sanctuary by Congolese wildlife officials arrive carrying both physical and emotional wounds.
The healing at the sanctuary goes both ways: Some of the caregivers who feed, cuddle, and help rehabilitate chimps are themselves victims of sexual abuse who have found independence and employment working with chimpanzees. Photographer Marcus Westberg, who spent weeks at the sanctuary, said that caregivers treat the chimpanzees as tenderly if they’re human children, and the young chimps, likewise, often act like kids—alternately playful, mischievous, and vulnerable.
Our genetic and ecological connections to other creatures extend beyond the great apes—and arguably our care should as well. ‘To view humans as entirely separate from other species… is both morally and factually wrong,’ said Westberg. ‘We are more similar than we realize.’”

Snow Leopard Stalking a Pallas Cat in TibetSnow Leopard Stalking a Pallas Cat in Tibet

“Spotted” by Donglin Zhou
Terrestrial Wildlife Winner
“At first glance, this might seem like a mother snow leopard (Panthera uncia) playing with her kitten, but a closer look reveals a lack of distinct spots on the cloudy fur of the smaller cat. The fully-grown feline is actually a Pallas’ cat, or manul (Otocolobus manul), a housecat-sized wildcat whose range across Central Asia overlaps with the mountains, steppe, and high deserts favored by its better-known cousin, the snow leopard.
Despite sharing a similar predilection for cold climates and high altitudes, there’s scant scientific evidence of snow leopards preying on Pallas’ cats. So when photographer Donglin Zhou saw a snow leopard stealthily approaching a mother Pallas’ cat on the Quinhai-Tibet Plateau, she was astonished. “Both species are hard to see at any time,” she said. “Let alone together.”
Oblivious to the snow leopard creeping up behind her, every fiber of the Pallas’ cat’s body was focused on hunting plateau pikas (Ochotona curzoniae) for the two-month-old kittens waiting in a nearby den. Zhou had spent days watching the mother cat feed her kittens, and was devastated to see the doting mother snatched by a snow leopard. Upon seeing her in the leopard’s jaws, she said, “the tears cannot stop coming into my eyes.”
After the snow leopard left the scene, Zhou, her guide, and forest rangers decided to leave some roadkilled pikas outside the den for the three kittens. For three weeks, they guarded and fed the kittens, until the tiny Pallas’ cats were ready to leave the safety of their den and begin to fend for themselves, stalking pikas and dodging danger on the wild, windswept plateau that had already claimed their mother.”

Little Egret Hunting a FishLittle Egret Hunting a Fish

“Catch Me If You Can” by Xiaoping Lin
Winged Life Winner
“As a member of the heron family, the little egret (Egretta garzetta) is typically a stealthy hunter, standing still in shallow water or waiting in a roost for unsuspecting fish to swim by. Or the bird shuffles its yellow feet to scare up prey, which it then pierces with its sharp beak. This egret in a lake near Xiamen, China, however, was caught off-guard when the small fish it had been eyeing was chased clear out of the water—by a much larger fish.
Photographer Xiaoping Lin used high-speed continuous shooting to capture the startled egret as it lifted off above the churning waves. The resulting image of fleeting action permanently frozen in a palette of whites and silvers is “like a poem,” Lin said.
Indeed, egrets have featured in Chinese poetry since at least the 11th century BC. They appear three times in the first known collection of Chinese poetry, the Shih ching; for centuries afterward, poets compared them to snowflakes and frost and used them as symbols of purity and impermanence. Despite this reverence, some species of egret were hunted to the brink of extinction or local extirpation in the 19th century in pursuit of their fashionable plumes. Today, although the little egret’s population is stable, species such as the Chinese egret (Egretta eulophotes) are still struggling to rebound amidst ongoing habitat loss.”

Kelp Being Eaten by Purple and Red Sea UrchinsKelp Being Eaten by Purple and Red Sea Urchins

“Blades and Spines” by Kate Vylet
Aquatic Life Winner
“The familiar story about sea urchins and kelp forests goes like this: First, sea otters that eat sea urchins were hunted nearly to extinction along much of the West Coast. Then, in the 2010s, sea star wasting disease killed off urchin-slurping sunflower stars (Pycnopodia helianthoides), causing sea urchin population to explode. Marine heat waves also took a heavy toll on giant kelp (Macrocystis pyrifera). Together, these factors left desolate “urchin barrens” where lush undersea forests had once thrived. Between 2008 and 2019, some 95 percent of kelp forests disappeared from Northern California.
Conservationists are now trying a variety of tactics to revive the lost forests, from breeding sunflower stars in captivity to designing an urchin-smashing robot to enlisting scuba divers to harvest urchins. Conservation photographer Kate Vylet, however, is troubled by the narrative that sea urchins are the bad guys in this story. “Urchins belong to the kelp forest as much as the kelp itself does,” Vylet said.
Vylet was swimming back to shore one day after diving in a thriving kelp forest off the coast of Carmel Bay, California, when she saw a blade of loose kelp being devoured by purple (Strongylocentrotus purpuratus) and red (Mesocentrotus franciscanus) sea urchins. To her, it illustrated the role urchins can still play in a balanced ecosystem, and she set up her camera to capture nature at work in all its complex ebbs and flows.”

Dead Trees at Jasper National ParkDead Trees at Jasper National Park

“Regeneration” by Miquel Angel Artús Illana
Landscape, Waterscapes, and Flora Winner
“Like many ecosystems in the western half of North America, many forests in Jasper National Park in Alberta, Canada, benefit from naturally occurring, low-intensity wildfires. Fires replenish soil nutrients, keep forests from becoming homogenous, and spur the growth of berry bushes that grizzly bears (Ursus arctos) and other wildlife love to munch. Yet beginning in 1913, park managers have actively suppressed wildfires; across the 92,000 hectare (227,000 acre) park, only eight fires in the 20th century grew larger than 40 hectares before firefighters extinguished them. Land managers across Alberta adopted similar practices.
Without fire, trees grew unnaturally dense, and dead logs accumulated on the forest floor. Beetle infestations swept through Alberta in the 2010s, leaving more than 2.4 million hectares (nearly 6 million acres) of lifeless, standing trees.
As all this dead timber collides with the hotter, drier conditions wrought by climate change, abnormally large and intense wildfires have exploded. This spring, for instance, smoke from gigantic Alberta wildfires stretched across the continent. And while fire-adapted forests can recover from low-intensity wildfires, research from across the Rocky Mountains has shown that tree seedlings struggle to take hold in the wake of mega-fires.
Today in Jasper National Park, as elsewhere in western North America, forest managers are trying to reverse a century of misguided management by igniting controlled burns and letting some wildfires burn. The resulting landscape may look different than the swaths of green spruce and pine that many park visitors are accustomed to, but as this haunting image of a burned spruce forest shows, they can be equally captivating.”

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My Modern Met granted permission to feature photos by the BigPicture Natural World Photography Competition.

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One Photographer’s Failures That Led to Success

One Photographer’s Failures That Led to Success

It’s easy to look at anyone who has had success and see a perfect game, or luck, or a helping hand, but it’s often the case that to reach success, you have to stand on many past failures.

Few of us are overly public with the times we failed, be it in a shoot, a business venture, or an ambition. Failure is tough to swallow and typically flies in direct opposition to our self-image. Nevertheless, it’s important to fail and the could be a case for failing often. If you never fail in anything you do, it’s highly unlikely you’re pushing yourself, but rather playing it safe.

In this video, Peter Lindgren, an undeniably successful photographer, videographer, and YouTuber, talks about the failures that led him to this point. Although he is now well-known for being a creator in the photography sector — and a damned-good one — he failed at a similar career in a different sector. That isn’t embarrassing, it isn’t strange, and it detracts nothing from his achievements. As far as I can tell, failure is necessary to success in any impressive and meaningful way.

What failures have you built your success on? Share them in the comment section below.