Photography

Samantha Ward Photography celebrates its Grand Opening at Diamond City Studios

Samantha Ward Photography celebrates its Grand Opening at Diamond City Studios

WILKES-BARRE — Samantha Ward Photography launches with a Grand Opening celebration at Diamond City Studios on Saturday, May 27 from 6:00 to 8:00 p.m. Attendees will have a chance to win the “Ultimate Wedding Experience.”

The Grand Opening features a ribbon-cutting ceremony, delicious refreshments, and spectacular giveaways. You’ll have the chance to meet new business-owner, Samantha Ward and see examples of her work. Polish Connection, who features their kielbasa and pierogis at festivals, is catering the event’s appetizers.

Ward is a photographer who specializes in capturing unique stories, offering services like portraits, events, and weddings. May 27 will mark the official unveiling of her new brand that will provide on-site photography service.

“I think people come to us because they understand the need to keep memories preserved. We hear every photographer say they are a storyteller — I think we go beyond storytelling,” said Samantha Ward.

She provides photography services such as portraits, events, and weddings. By now providing on-site photography services of her own to NEPA, she’ll be flexible to capture clients in a local park, private property, on-location, or even at Diamond City Studios. “We come to you rather than you come to us,” said Ward.

She said that this way, each setting can be unique for each person. No two photos ever the same.

There are thirteen local vendors who signed up to support Samantha Ward’s Grand Opening. Pisano Wines will provide a gift basket to giveaway with wine and snacks, and all the rest pulled together to offer the “Wedding Great Experience” to supporters.

The Great Wedding Experience basket includes:

  • Samantha Ward Photography – $300 off 4hr,6hr, or full day wedding services.
  • Rainbow Jewelers – “Something New” Paper Clip Bracelet
  • Folks Butterfly Garms – Butterfly Release Coupon
  • LB Entertainment – 4 Hours of DJ Service
  • Patchwork Planting – 30min Space donated for Free engagement shoot by Samantha Ward Photography and simple make up and hair by stylist Pam Snarski.
  • Barber Bros Barber Shop – $100 Barbershop Credit.
  • Buttercup Events Co. – Free balloon display for couples event.
  • Ceremonies by Lori – Free vow counseling
  • Furrari Pet Taxi Co. – 10% off and free wedding outfit/ accessories
  • Tuxedo Junction – Coupons off tux rentals
  • Glam Trend Beauty Studio – Certificate for gloss and blowout and product
  • SammiSam Snaps and Silhouettes – Bride and Groom vinyls
  • Cakes by Denise Gilbert- Bride and Groom Cookies

Jonathan Edwards of 570 Drone and Diamond City Studios also helped organize the event and was happy to support Samantha Ward Photography’s unveiling to the public! Samantha Ward said the local arts community is all close, and she made a lot of amazing connections through the NEPA Camera Club. “We are all a tight knit group. Even though we’re competition we seem to like help each other.”

Ward said it was amazing how many small businesses reached out to welcome her into the wedding venue community when she filed for her LLC in March. Now, this Grand Opening celebration will mark the official opening of her Luzerne County-based brand!

Ward said this business opening is years in the making as she’s built up her portfolio. Before this, Ward did wedding photography on a freelance basis. She’s also a mother to a nine-year-old daughter and she wanted to be sure to break any generational patterns moving forward. “When we started this journey, we were pretty young together. This is a pretty big deal for me and for my family,” said Ward. “ — This is my dream job since I was little and I can’t believe it’s actually happening for us.”

Although it’s definitely a celebration for Samantha Ward Photography, she said it’s really a party for YOU. She’s looking forward to preserving the most important stories in each of our lives and offering something special with the giveaways lined up at the event.

“Many overthink and believe they don’t have the budget for a wedding photographer, but we want to give everyone the opportunity to have a great memorable experience so that they can enjoy their big day.”

Ensure your next big moment in life is captured the way it deserves. Come out to support Samantha Ward Photography’s Grand Opening on Saturday, May 27 in Wilkes-Barre and maybe even win the Ultimate Wedding Experience!

The Worst Advice I’ve Received as a Professional Photographer |

The Worst Advice I’ve Received as a Professional Photographer |

Being quite young and eager to be a photographer, I received tons of advice from all sorts of people. Everything from “quit right now” to “pretend to be someone who you’re not.” Between these extremes, I had some decent, but also some horrible advice. In this article, we will look at the worst things I was advised.

Stick to the Rules

There are a lot of made-up but also valuable rules in photography, everything from how to light a face to the rule of thirds. I was told by quite a lot of people that my composition and lighting were wrong and did not follow the rules. In reality, rules are nothing more than helpful guidelines that can make your images more visually appealing, but breaking them can make them equally as good. You need to know the rules but also when to break them. In essence, a rule is a restriction in one form or another. Restrictions bound your creativity. I strongly believe that restricting creativity is a direct form of its destruction. You should encourage creativity and push those very boundaries.

Embracing unconventional compositional techniques can be a good way to discover your own style and touch. Don’t be afraid to create “wrong” images if they look right to you. By focusing on your own journey rather than a predetermined path, you can become a fantastic photographer known for their style. While it is important to understand the rules, I discourage being bound by them. True creativity emerges when you go above and beyond.

Here Is a Light Setup

Light setups are useless. This is a fairly strong opinion, I know, but it has solid grounds to back it up. The great thing about light setups is that they give you a quick solution to a possible lighting problem you might experience on set. It is fairly easy to follow a guide on YouTube to get the desired result. However, you can’t take your lighting further. I often see photographers who follow light setups simply sticking to the same thing over and over again. This is all well and good if you are a hobbyist who doesn’t want to experiment with lighting. However, this becomes a problem when there is a client who wants a particular look and aesthetic that you have no idea how to achieve. Then, you need to think like a problem-solver and find a solution to the challenge your client has put in front of you. It is more or less obvious that you simply can’t learn lighting by just copying light setups from YouTube. So, my best advice is to get off YouTube and learn lighting in a way that allows you to solve problems and light with intention. Soon, I will have a whole course on lighting released, so stay tuned for that.

While you need to have the appropriate cultural understanding and zeitgeist to create work that resonates with the modern landscape, it is simply boring to shoot what is trendy at the moment. Trends come in many forms, and there are both bad and good trends. I love writing articles that analyze bad trends in photography. While it is not a problem to shoot a trendy subject in photography, such as leather mini skirts in fashion, it is a problem to copy the same style that you see every photographer on Instagram has. While your photography should be in touch with the current trends when it comes to the subject choice and aesthetic, it should not be a copy of what everyone else is doing. Think of things such as neon lights, lens balls, masks, smoke bombs, and other corny things. While it will bring temporary attention, mostly from people who are not your actual clients, it won’t actually let you discover your own way of seeing the world. 

Get This Amazing Expensive Gear

Getting gear is inevitable when being a photographer, but you can easily get caught up in buying this and buying that all the time. I encounter far too many photographers who spend their savings on gear and then sit with no clients. Listen, just because you own a Canon 1D X Mark III, doesn’t mean you are shooting the next Olympics. It’s like driving a car. You can buy a Ferrari, but it won’t make you the next Michael Schumacher. Photographic skill is the only component that will help you improve and book more clients. Instead of getting expensive gear, how about focusing more on learning and developing your skill?

Move to a Big City

Moving can be a great decision and can, in fact, help you develop your career. However, the bigger the market, the harder it is to get to the top of that market. See where I am going? If you are fortunate or unfortunate enough to be a small-city photographer, you can climb to the top much faster than in a big city. The opportunities are not nearly as great, but every small city is connected to a big one in one way or another. If you are connected with the top agencies and clients in your small market, they will immediately place you higher on the ladder in a bigger city. It is very easy to stagnate in a small market, and if you’re sensitive enough to notice this, that is the right time to move. For example, having started in Hungary, I was able to climb very quickly and get in touch with some of the top people locally. Through this connection, I ended up getting some fantastic connections abroad, which allowed me to travel and start higher than others in the same market. Besides, a small market is more lenient towards mistakes as it is more personal than a big market. Word gets around in any case, but in a small market, you may know the important people by their first names, which will give you a bit more freedom to experiment and make errors (within reason).

Closing Thoughts

So, there you have it. These are some of the worst pieces of advice I’ve heard as a photographer.

Don’t buy expensive gear, stay small and humble at the start, rely on real knowledge of lighting, shoot what’s popular in your own style, and break the rules.

What is some horrible advice that you’ve heard? Did you end up following it? Let us know in the comments!

Small Talk: Photography as art in a digital age

Small Talk: Photography as art in a digital age

Remember Fotomat?

Somebody in a little box sat in the middle of the parking lot at West Goshen Shopping Center. They were alone because there wasn’t room for anybody else. You dropped off canisters of film from your car.

A couple days later you revisited and picked up paper prints of your photographs. It was expensive and time consuming.

Eastern State Penitentiary as photographed by Howard Sundwall/Courtesy photo

Thankfully, times have changed. With digital cameras, we now get instant gratification. In this virtual world we can almost instantly send photos to grandmom with Facebook, text, or email.

Does anybody remember postcards? Now our friends can even follow us along on a road trip, almost in real time.

Right away, we can view our recently snapped photos through our cell phones, which we lug around much more often than most of us carried around a “real” camera.

Fotomat didn’t have a chance. It’s gone like buggy whips, legroom on airplanes and so many print editions of newspapers.

And, for better or worse, we regularly post photos of meals, babies, dogs and sunsets.

Now, I shoot photos with my cell for the paper. The quality is pretty good, but I miss out on the darkroom experience.

Call me a reactionary, but we are missing something. I loved to work in the darkroom developing film and prints. Like the ketchup ad, it was all about the anticipation.

I’d zap a 35 mm negative with a bright enlarger bulb, shooting an image onto a blank piece of photographic paper.

I still remember the divine smell of photographic chemicals—developer, stop, fix, hypo.

Place the print face up in developer under a red safe light and watch it gradually appear. Time consuming, yes, but pure black and white magic.

We’d fool around with a pinhole camera. Thirty second exposure times replaced 125th of a second. We created “positives” rather than negatives and everything that was black turned white and all that was white was black. Subjects became ghosts.

The pin hole camera was a Quaker Oats box with a small hole poked through a piece of taped-on tinfoil. Because the photographic paper was placed on a curved surface–inside the oat meal box– everything was joyfully distorted and at weird angles.

Photography is fun!  So, it was nice to attend a meeting of the Chester County Camera Club, which regularly meets to exchange ideas, discuss techniques and share their enthusiasm for photography.

That night’s speaker was Svenne Juul, the club’s outings coordinator.

Juul showed us something that he refers to as “Storytelling through Living Stills.”

With a laptop and a screen, he used several still photos to tell a living, breathing story. It looked a little like a movie, but the photos were taken in rapid sequence with a still camera.

“You are telling a more complete story than with just a single image,” Juul said. “It looks like there is life in the still image.”

One sequence depicted athletes running a foot race. It’s an exciting technique and Juul seeks both a patent and the help of club members. Local photographers are going to be part of the process to improve this already way cool technique.

Then it got complicated. Most of 30 or so people in the room started peppering Juul with questions. Had I missed something here? Together, these photographers were already intensely embracing this new process. Like a developing print, they were exposing the concept, improving on it and learning from the inventor.

There was a buzz in the room as photographers were collaborating after learning about something they’d just heard about. Although technically, the conversation was way over my head, it was fun.

Past club president Howard Sundwall said that since retiring in 2013, he’s bought six expensive cameras. We talked about the changes.

He said that an advantage of digital verses film is the ability to post process and use software to photo shop.

Sundwall told me that the brain has two hemispheres—the right, the creative side, and the left, the technical side.

“With photography today, both sides of the brain are actually active,” Sundwall told me. “One side is dedicated to making a beautiful artistic image, while the other side can be directed to technology that today’s cameras and software make available.”

Current club president Denise Molzahn enjoys sharing beauty with friends and family and practicing art through photography. She agreed with Sundwall and likes to improve and impact the image with digital software.

Virginia Apostolacus is the vice president and a former president of the 134 member club. She enjoys creating and photographing everything, with few distractions.

Since 1933, photographers have been gathering in Chester County. That year, 12 men calling themselves the West Chester Camera Club met in an old garage on Church Street, while another club met in an upstairs room of the Coatesville fire station. The two clubs held annual competitions until the Coatesville club disbanded during World War II.

An obituary notice from the Daily Local News in 1991 credited Herbert Jeeves, Bill Yetter, Len Zeidman and Hank Rosenberg with founding the Chester County Camera Club in 1982. Since then, the shutterbugs have met in banks, churches, restaurants and community buildings to share information and photographs, to develop their skills and to enjoy each other’s company.

Betsy Wilson is a former club president.

“I love the way it makes me observe nature, people and life,” Wilson said about photography.

The club recently took field trips to Morris Arboretum, Philadelphia’s Chinatown, the Cowtown Rodeo, Hagley Museum, Valley Forge, Reading Terminal Market and the Keurner Farm, which inspired The Wyeth Family.

“It is a wonderful place to photograph and step back in time,” Wilson said about the Keurner Farm.

Wilson talked about the ability to snap photos locally.

“We don’t need to travel to get good photographs,” she said, “So many want to travel to Ireland, which is great, but you can observe beauty in your back yard and ordinary subjects like Andrew Wyeth did.”

Member Carol DeGuiseppi likes photography because she can capture the moment.

“I like to remember things and I like to share what I love,” she said. “I like to create art with my photographs.

DeGuiseppi is a volunteer at Longwood Gardens and said that everywhere you look there is beauty.

“I’m always seeing something I haven’t seen before,” she said, about Longwood. “It gives me ideas for my garden at home.”

Get inspired. Create art. Make something great. Record for posterity. Capture an instant. Have fun with your cell camera! And, no Fotomat is required.

Bill Rettew is a weekly columnist and Chester County native. He will tell you that while photos are free, phones are still expensive. The best way to contact him is at brettew@dailylocal.com

Photographer Chen Man’s First NFT Series Is a Futuristic Spectacle Featuring a Pregnant Grimes as an A.I. Cyborg

Photographer Chen Man’s First NFT Series Is a Futuristic Spectacle Featuring a Pregnant Grimes as an A.I. Cyborg

The day before Grimes gave birth to X AE A-Xii, her first child with Elon Musk, the Canadian electro-pop star took part in “The Last A.I. Robot On Earth,” a photoshoot conducted by Chinese visual artist Chen Man. The first fruit of this collaboration is an NFT collection, Silent Noise: Episode 01, which drops today.

The release is comprised of a limited-edition run of 500 NFTs priced at $100 each on LiveArt, an art and culture-focused Web3 platform.

Silent Noise is Chen’s first venture into the world of NFTs and has been designed as a multi-chapter experiential adventure offering collectors added opportunities and perks with each new drop.

An NFT from the collection Silent Noise: Episode 01 by Chen Man. Courtesy LiveArt.

The central image sees the high-end fashion photographer lean heavily into digital fantasy and manipulation. Grimes stands on the rubble of an urban wasteland surrounded by the fuchsia smoke of rocket ships and the tendrils of multicolored seaweed.

She stares down the camera (and into our soul) with supreme confidence—perhaps such calm in a moment of collapse stems from her cyborg identity and the fact she’s holding a golden sword. The musician, who has herself earned $5.8 million in NFT sales, is also depicted wearing a tattered shirt that reads “X AE A-12 MUSK.”

Grimes NFT

Grimes on the photoshoot with Chen Man. Photo courtesy LiveArt.

The timing might be coincidental, but at a moment of growing anxiety surrounding the potentially calamitous directions of A.I., Chen and Grimes present an alternative, open-armed approach with the creators expressing a passion for A.I., its origin, and future.

“Photography is a fantasy, it allows one to dream, it allows artists to create new worlds,” Chen said in a statement. “This NFT collection has allowed me to have more experimentation with photography. I am much freer to impose my own artistic vision into the genre, to push the limits of photography without any constraints.”

Grimes NFT

Preparatory work for the Grimes NFT. Image courtesy LiveArt.

The host, LiveArt, was founded by former auction market veterans and differentiates itself from other platforms in part through the use of a token, $ART, which grants holders additional rewards and exclusive opportunities. “This is one of the most innovative, complete, and well-thought-out projects we’ve seen,” Boris Pevzner, CEO of LiveArt, said in a statement. “It has rockets, A.I., and the Musks, who are tech royalty. The buzz is off the charts.”

Following the “Silent Noise” NFT drop, the second chapter will offer The Memory Brick, in which collectors will be “immortalized” through putting forward “biological memories” that will be stored in a hybrid physical-digital art piece.

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What Can We Learn About Photography From Picasso?

What Can We Learn About Photography From Picasso?

Photographers can learn a lot from the realm of the visual arts, and few artists were more groundbreaking than Pablo Picasso. What can Picasso’s works, approach, and philosophies teach us about modern photography? This excellent video tutorial discusses the topic and offers a wider range of useful advice for growing as a creative. 

Coming to you from Peter Forsgård, this fantastic video tutorial discusses what photographers can learn from Pablo Picasso’s work and philosophies. My composition teacher always had a Picasso quote taped on his door that said: “Learn the rules like a pro, so you can break them like an artist,” which is something that has stuck with me ever since the first time I saw it. I think a common mistake many people make is forgoing learning fundamentals of technique, composition, etc. under the belief that anything can be art. And while that is true, the idea of such rules is not that artistic expression should be contained in some set of boundaries, but rather that by learning common practices and ideas, you will have built a secure foundation in both craft and knowledge of the history of the art from which to begin that artistic exploration. Check out the video above for the full rundown from Forsgård.

One tip from a National Geographic photographer totally changed the way I take pictures of nature on my phone

One tip from a National Geographic photographer totally changed the way I take pictures of nature on my phone
  • I asked National Geographic photographer Kiliii Yüyan how to take better photos on my phone.
  • Yüyan gave me a tip on how to take photos of natural landscapes that stand out from the rest.
  • Find a foreground subject and frame your shot to show the scenery in the distance, he said.

Nowadays, people are “drowning in photographs,” National Geographic photographer Kiliii Yüyan told Insider. But there are ways to make yours stand out — even if you’re just shooting on your phone.

I love taking pictures so much that I went to school for it. And after nearly a decade of learning and shooting with intricate film and digital cameras, I work as a travel reporter. I take four trips a year where my work revolves around documenting the places I’m visiting while experiencing them. So I thought it was about time to learn about my smallest, most nimble camera — my phone.

Just like in school, I wanted to learn from a pro. So I turned to Yüyan, who tells visual stories about how different cultures relate to the environment, from the Amazon to the Arctic seas. He gave me four useful tips for taking better pictures with my phone, and one of them made me think about photographing nature in a whole new way.

Put something in the foreground

When it comes to making phone photos stand out, Yüyan said natural landscapes are especially challenging since they’ve been photographed so much. His best advice is to find a good foreground subject. 

“Great backgrounds, such as mountains or waterfalls, are easy to find because we’re always looking for them,” Yüyan said. “On the other hand, a good foreground subject, such as blooming wildflowers or a craggy tree, can be much harder to find in the right location.”

Yüyan recommended searching for a foreground subject and framing your shot so you can see the scenery in the distance. 

“It’ll give your images depth, intimacy, and make your photos unique,” he said.

National Geographic photographer phone tips example

The author photographs a beach in Santa Cruz, California.

Joey Hadden/Insider



I had never thought about foreground in this way before, but his tip reminded me of when I photographed a beach across the street from mountains in Santa Cruz, California. I started by photographing the beach from the shore. I thought the mountains looked nice, but there was so much sand that I thought the bottom half of my image looked boring. 

So I took my phone across some ocean rocks and into the tide pools. I thought the rocks and reflecting water spruced up my foreground by giving my image more layers. To me, this made my image feel more dynamic.

I also thought about a time I took some photos on my phone during a hike in Prescott, Arizona. When I first arrived at the Watson Lake parking lot for my hike, I thought it looked stunning with rock formations I hadn’t seen before. So I was surprised when I found that photographing the scene from the lot didn’t seem to do it justice. 

But once I immersed myself in the landscape by hiking the trails, I found foreground subjects such as shrubs that better framed the lake scene. I thought the inclusion of these elements in the second image gave a better sense of what it was really like to be there because it had more layers showing what actually surrounds the lake.

The author photographs Prescott, Arizona, in 2022.

The author photographs Prescott, Arizona, in 2022.

Joey Hadden/Insider



Some images in my camera roll already seemed to support Yüyan’s tip, but the photographer helped me identify what makes certain pictures stronger than others. I’ll go into my next outdoor trip feeling more inspired to shoot from my phone and scout for interesting foregrounds.

The Strange Relationship Between Hobbyist Photographers,

The Strange Relationship Between Hobbyist Photographers,

Influencers have invaded just about every space in which there are products for sale. If there is money to be made, there is probably an influencer for it, whether you realize it or not. Photography has not been immune to this, and it has left hobbyist and professional photographers in a strange place. This insightful video essay features a long-time pro discussing the issue and offering his thoughts. 

Coming to you from Scott Choucino of Tin House Studio, this great video essay discusses the issue of influencers in photography and their relationship with professional and hobbyist photographers, the problems it can cause, and the ethics of it all. Certainly, photography is far from the only place in which influencers leverage their popularity to sell equipment, but in an industry in which a single equipment purchase can run into four- or even five-digit costs, it is worth thinking very carefully about where you get your information and how you make your buying decisions. At a higher level, it has a strange effect on the photography community, often contributing to the sort of brand cliques we often see creatives sort themselves into. Check out the video above for the full rundown from Choucino.

Museum of Art at UND hosts photography exhibit

Museum of Art at UND hosts photography exhibit

GRAND FORKS — An exhibition featuring the photography of Alex Webb and Rebecca Norris Webb continues through July 9 at the North Dakota Museum of Art, 261 Centennial Drive, UND campus.

In the exhibition, titled “The Great Open, Photographs from North Dakota,” the creative partners bring together two linked yet distinctive visions of the state, according to a museum announcement.

Rebecca Norris Webb takes a poetic and intimate look at the natural world of North Dakota. Her work often explores those places where the natural world and one’s inner landscape meet, especially during times of change, upheaval and shifting weather – both meteorological and metaphysical. She often interweaves her text and photographs in her eight books, most notably with her monograph, “My Dakota: An Elegy for My Brother Who Died Unexpectedly.”

Her work has appeared in The New Yorker, The New York Times Magazine and National Geographic, and is in the collections of the Museum of Fine Arts in Boston, the Cleveland Museum of Art and the George Eastman Museum in Rochester, New York.

Her eighth book, Night Calls, retraces the route her father made as a 102-year-old country doctor through the same rural county where they both were born.

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Alex Webb is the author of 20 books, including The Suffering of Light, a survey book of 30 years of his color photographs. His other books include Amazon, Istanbul and La Calle: Photographs from Mexico, and a collaborative book, Violet Isle: A Duet of Photographs from Cuba with Rebecca Norris Webb.

His work has been exhibited in museums worldwide, including the Whitney Museum of American Art in New York, the High Museum of Art in Atlanta, and the Museum of Fine Arts in Boston.

He has captured images in more than 50 countries and 200 cities around the world, sometimes commissioned by museums and other cultural institutions as well as magazines such as National Geographic, Geo, and The New York Times Magazine. During trips to North Dakota in August 2019 and August 2022, he photographed in parks, neighborhoods and flea markets in the more populated communities, including Fargo, Grand Forks, Bismarck and Williston.

This exhibition is supported by a grant from the National Endowment for the Arts, through the Community Foundation of Grand Forks, East Grand Forks and Region.

YMCA to host block party

The Altru Family YMCA is planning a neighborhood block party from 4:30 to 6:30 p.m. Tuesday, May 30, in its parking lot. The event is free and open to the public.

Games, music, food and door prizes will be available outdoors and guests are invited to use the open gym indoors.

YMCA staff members will serve grilled hot dogs, chips and drinks while supplies last.

For more information, contact Bob McWilliams at

bmcwilliams@gfymca.org

or (701) 775-2586.

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Dakota Science Center to offer STEM program for kids

The Dakota Science Center is offering a variety of STEM programs for children this summer at Grand Forks Public Library, according to Laura Munski, the center’s executive director.

All programs are free; registration is required. Registration is available on a first-come, first-served basis; some sessions have already been filled.

The FIRST LEGO League Explore team classes, open to kids ages 6 to 10, start June 5. Each team of 16 students will meet from 1 to 2 p.m. for one week (Monday-Thursday) in June and July, except for the Fourth of July week.

An additional Astro Camp is planned for kids ages 6 to 8. It will meet from 11 a.m. to noon July 10-12, according to Aaron Stefanich, children’s librarian.

All programs will meet in the conference room at Grand Forks Public Library.

For more information, contact Munski at

dakota.science@gmail.com

, call (701) 772-8207, or visit the Dakota Science Center’s Facebook page.

Popular show coming to Grand Forks

GRAND FORKS – Hey, have you heard? Tony Nunzio and Valentina Vitale are getting married – and everyone is invited.

Empire Arts Center Tony n Tina promo 2023.JPG

In this Herald photo from earlier this spring, the marquee on Grand Forks’ Empire Arts Center promotes “Tony ‘n’ Tina’s Wedding,” which opens June 23.

Korrie Wenzel/Grand Forks Herald

The nuptial celebration of a big Italian-American wedding is actually the next interactive performance coming up at the Empire Arts Center. “Tony ‘n’ Tina’s Wedding” opens June 23; other performance dates are June 24, 25 and 30 and July 1. Curtain time is 7 p.m., except on June 25, when the show begins at 2 p.m.

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Audience members will be the guests at the wedding “in all its tacky and hilarious glory,” said Kathy Coudle-King, managing artistic director of the Empire Theatre Company.

Following the “church service” there will be a reception where the audience will join the wedding party and their bickering families for a pasta dinner, champagne toasts, wedding cake and dancing to a five-piece band. A cash bar will be available. Tickets are $35. Groups of six or more may reserve a table.

Tickets are available now for the performances as well as Tina’s Bachelorette Party, set for 9 p.m. June 2, also at the Empire Arts Center. The bachelorette party – with some of the show’s cast members attending – will feature games, dancing, door prizes and a special performance by “Magic Ike,” an actor. The show’s DJ will spin tunes from the 1980s and ‘90s, Coudle-King said.

“Tony ‘n’ Tina’s Wedding,” one of the longest-running shows in Off-Broadway history, offers a “delightful evening (that) gives new meaning to the phrase, ‘and now for something completely different,’ ” according to promotional material.

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The show is sponsored in partnership with Home of Economy.

For more information, go to

www.empireartscenter.com

or call (701) 746-5500.

Mastering the art of high key photography

Mastering the art of high key photography

In photography, artists continually seek new techniques to express their creativity and evoke specific moods or emotions. High-key photography is one such technique that offers a unique and striking visual aesthetic. This style is characterized by its bright, evenly lit images with minimal shadows, resulting in a clean and ethereal look. Let’s take a look at creating some high-key photography and explore the key elements and techniques required to create these images.

It's still OK to have soft shadows in High Key photography
It’s still OK to have soft shadows in High Key photography

Understanding high key photography

High-key photography revolves around capturing a scene or subject with abundant light, giving rise to a predominantly bright and positive visual tone. Unlike low-key photography which emphasizes darkness and shadows, high-key photography aims to eliminate or minimize shadows to produce an almost surreal, dream-like atmosphere.

Key elements of high key photography

  1. Lighting: The foundation of high-key photography lies in achieving a well-lit scene. Natural light, such as a bright overcast sky or a diffused window light, can be an excellent starting point. Additionally, studio setups with softboxes, umbrellas or reflectors can control and manipulate light to achieve the desired effect. The key is to create even and diffused illumination that eliminates harsh shadows.
  2. Exposure: Proper exposure is critical in high-key photography. To create the signature bright and airy look, it is necessary to overexpose the image slightly intentionally. This can be achieved by adjusting the camera’s exposure compensation or manually controlling the shutter speed, aperture, and ISO settings. Experimentation and practice will help you strike the right balance, avoiding blown-out highlights while maintaining a bright tone.
  3. Background and Props: Choosing the right background and props can significantly enhance the high-key effect. Opt for light-colored or white backgrounds to seamlessly transition between the subject and the surroundings. This will help amplify the overall brightness and produce a clean, minimalist feel. Additionally, incorporating pastel-colored props can further accentuate the high-key look and add a touch of whimsy to your images.
  4. Subject and Composition: High-key photography is often associated with portraits, but it can be applied to various subjects. Experiment with flowers, still life, architecture or any subject that suits your creative vision. When composing your images, consider simplicity and minimalism. A clutter-free frame will allow the subject to take centre stage, emphasizing the ethereal beauty of high-key photography.

Post-processing techniques

Post-processing plays a crucial role in achieving the desired high-key effect. Software such as Adobe Lightroom, Capture One or Photoshop provide an array of tools to fine-tune your images. Here are a few post-processing techniques to consider:

  1. Adjusting Exposure: Fine-tune the exposure settings to achieve the ideal brightness while preserving details in the highlights and shadows.
  2. Highlight and Shadow Adjustments: Use the highlight and shadow sliders to fine-tune the tonal range and bring out the desired level of detail in your image.
  3. Contrast and Clarity: Gently increase the contrast and clarity to enhance your high-key photograph’s overall definition and sharpness.
  4. HSL and Color Grading: Experiment with the hue, saturation and luminance settings to achieve the desired color palette. Soft pastel tones often work well with high-key imagery.

How I got the image

While I am well-known for my dark and moody styled still life, macro and portraits, I also have a love of soft and dreamy or ethereal high-key images as well. I had a simple heirloom white pumpkin and dried gypsophila and wanting to capture some ethereal high-key images.

The setup

Camera settings

As I was using speedlights, there was no need for a tripod, however, I could have used one to free my hands up. I did place it on the table and captured my images from there. Using my Sony A7RIII and my Tamron 28-75mm lens, ISO100, focal length 62mm, f/2.8 and a shutter speed of 1/200 second to capture enough light and detail without completely blowing out my highlights. There is slightly more shadow on the right as the strip box was on more of an angle and pulled slightly further away than the one on the left. This created more shadow on the right of the pumpkin.

Final B&W image
Final B&W image

Post processing

I thought the image looked fabulous in post and the only thing I did in Lightroom was convert to Black and White and crop it slightly, that’s it.

High-key images in post processing in Lightroom
High-key images in post-processing in Lightroom

High-key photography is a captivating style that allows photographers to convey a sense of lightness and purity in their images. By understanding the key elements of high-key photography and employing the right techniques, you can create stunning photographs that exude a dreamy and ethereal ambience. Embrace the beauty of light and explore the endless possibilities that high-key photography offers, and let your creativity soar.

Smartphone Photography Program Set

Smartphone Photography Program Set

SOUTHBURY — The Southbur Public Library, 100 Poverty Rd., offers a program on how to improve smartphone photography from 2 to 3:30 p.m. Tuesday, June 6, in the library’s Kingsley Room and via Zoom.

Those attending will learn to recognize the difference between a powerful image and an ineffective photo, by understanding the three elements that photos need to engage the viewer. Simple tools and an inexpensive app on the phone will tweak and improve all images.

Jan Doyle is a media personality with her own show, Wyse Talk, on cable and YouTube. She has appeared on Good Morning CT for three years with Classroom Connections, taught elementary and high school and loves to travel.

The program, free to attend and open to anyone regardless of town of residency, is sponsored by the Charles H. and Ella Emery Rutledge Fund.

Registration is required and may be found at www.southburylibrary.org/events. Zoom invitation links will be sent via email on the day of the program.