Photography

Stunning New Images from the 2023 ‘Astronomy Photographer of the Year’ Competition

Stunning New Images from the 2023 ‘Astronomy Photographer of the Year’ Competition

The winners of the 15th annual “Astronomy Photographer of the Year” competition have been announced at the Royal Observatory in Greenwich England. The annual competition features some of the best space photography taken by amateur astrophotographers from around the world.

For the 2023 competition there were over 4,000 entries from 64 countries. Our lead image features an eye-catching capture of an aurora by photographer Andreas Ettl over the Lofoten Islands of Norway.

“Pictures of the aurora such as this are so enchanting,” said one of the competition’s judges, Imad Ahmed. “The icy temperature of the landscape is almost palpable, with the snow-capped mountain framed by the cold emerald hues. … There are a lot of rich details in the picture too, including a canopy of stars subtly strewn across the sky, really adding to the majesty of the shot.”

See more beautiful images below, plus an image that captured a surprising discovery.

Overall Winner for 2023 Astronomy Photographer of the Year is “Andromeda, Unexpected” © Marcel Drechsler, Xavier Strottner, Yann Sainty, which shows the Andromeda Galaxy (M31) and an accompanying arc of plasma that has never been seen before. This image was taken near Nancy, France.

The overall winners of the Astronomy Photographer of the Year are a trio of photographers, Marcel Drechsler, Xavier Strottner and Yann Sainty for their photograph ‘Andromeda, Unexpected.’ This image not only is an amazing look at the Andromeda Galaxy (M31) — the closest spiral galaxy to the Milky Way — but also includes an unexpected discovery: a huge arc of plasma next to the galaxy. Scientists are now investigating the giant wispy cloud of gas, and say it could be the largest such structure nearest to us in the Universe. Since M31 is frequently studied by both amateur and professional photographers, the discovery is surprising.

“This astrophoto is as spectacular as [it is] valuable,” said László Francsics judge and astrophotographer. “It not only presents Andromeda in a new way, but also raises the quality of astrophotography to a higher level.”

Winner of the Young Astronomy Photographer of the Year category, The Running Chicken Nebula © Runwei Xu and Binyu Wang.

Two fourteen-year-old boys from China collaborated to win the Young Astronomy of the Year category. Runwei Xu and Binyu Wang worked together to capture The Running Chicken Nebula. Yuri Beletsky, judge and professional astronomer described it as a “strikingly beautiful picture.” Xu and Wang said, “Thank you to the Greenwich judges. We’re very glad to receive this achievement as winners of the Young Competition.”

Runner-Up in the ‘People and Space’ category: A Visit to Tycho © Andrew McCarthy

One of our favorite astrophotographers, Andrew McCarthy, took the Runner-Up prize in the “People and Space” category with this incredible shot of the International Space Station in front of the Tycho Crater on the Moon.

While the ISS is actually 1,000 times closer to Earth than the Moon, this perspective makes it seem like the ISS is in fact orbiting our natural satellite. McCarthy took this image from the Sonoran Desert in Arizona, USA, to find the perfect position.

“Two cameras, two telescopes, a close eye on telemetry and a remote drive into the wilderness,” said judge Steve Marsh. “To say this photographer has gone out of their way to create this spectacular image is an understatement. The ISS is often photographed as it passes over the lunar disc (from our perspective), yet few can capture it like this. The Station itself is sharp and detailed. The lunar surface below is not only thoughtfully positioned but perfectly resolved and processed. All this would make it a staggering achievement but when you also notice the brown and blue mineral colours that have been reproduced in all their subtle glory you have one of the finest ISS transit images ever made.”

Highly Commended in the ‘People and Space’ category: Close Encounters of The Haslingden Kind © Katie McGuinness, shows the Haslingden’s Halo, an 18-meter diameter sculpture located in the hills of Lancashire, England and took inspiration from the ‘Close Encounters of The Third Kind’ film poster.
Winner of the “Skyscapes’ category: Grand Cosmic Fireworks © Angel An, showing sprites above the Himalaya Mountains.

Sprites are a rare phenomenon of atmospheric luminescence that appear like fireworks. Angel An took this photograph from the highest ridge of the Himalaya mountains. 

“This is not, as it might first appear, an enormous extra-terrestrial, but the lower tendrils of a sprite (red lightning)!” said judge Ed Bloomer. “This rarely seen electrical discharge occurs much higher in the atmosphere than normal lightning (and indeed, despite the name, is created by a different mechanism), giving the image an intriguingly misleading sense of scale… It creates an unsettling, alien image that can’t help but draw your eye.”

Highly Commended in “The Sun” category: The Great Solar Flare © Mehmet Ergün.

Here, the Sun is photographed from Germany, showing a large solar flare around 700,000 km long that erupts on the left of the image.

“I’m blown away by how the photographer has managed to draw out the textures of the Sun’s surface and the intricate shapes of the solar flares to make this image come alive,” said judge Melissa Brobby. “But what I absolutely love about this picture is how the surrounding reddish glow has been wonderfully captured, further bringing to our attention the Sun’s ferocious nature.”

Runner-Up in “The Moon” category: Sundown on the Terminator © Tom Williams.

This incredibly clear and detailed close-up photo of the Moon highlights the dramatic shadows on the lunar surface. It shows Plato Crater, an almost perfectly circular crater that measures 109 km in diameter. This photograph was taken during a local lunar sunset in the last quarter, when approximately half of the Moon’s face is visible from Earth, taken from Wiltshire, UK.

“The best part of lunar astrophotography is that the Moon is one of the only objects in the night sky that can truly convey a feeling of three dimensions,” said judge Steve Marsh. “Nowhere is this better presented than when the rising or setting Sun casts shadows across its mountains and craters. The sharpness and clarity of the shadows in this image are breathtaking. There is also a staggering amount of detail resolved in Plato Crater itself with many tiny craterlets visible, some of which are less than a kilometer in diameter. The ripples and waves in the ancient lava-filled maria surrounding the crater are also exquisitely captured, making this one of the finest examples of close-up lunar astrophotography that we have seen this year.”

Winner of the Annie Maunder Prize for Image Innovation: Black Echo © John White. The images takes audio source material from NASA’s Chandra Sonification Project, and visually captures the sound of the black hole at the center of the Perseus Galaxy.

Probably the most unique photo in the competition is this sonification of a black hole, by John White. The photographer explained that the audio was played through a speaker onto which he attached a petri dish, blacked out at the bottom and then filled with about 3 mm of water. Using a macro lens and halo light in a dark room, White experimented with the audio and volumes to explore the various patterns made in the liquid.

Congratulations to all the winners and entrants. For all the winners see the Royal Museums Greenwich website. If you are lucky enough to be in the UK, you can see an exhibition of the winning photos opening at the National Maritime Museum on Saturday September 16, 2023. The Astronomy Photographer of the Year competition is run by Royal Observatory Greenwich, supported by Liberty Specialty Markets and in association with BBC Sky at Night Magazine.

Photographer Barbara Mensch shows transformation of Lower Manhattan from 1980s to 9/11 in new book, “A Falling-Off Place”

Photographer Barbara Mensch shows transformation of Lower Manhattan from 1980s to 9/11 in new book, “A Falling-Off Place”

Photography book shows transformation of Lower Manhattan from 1980s to 9/11


Photography book shows transformation of Lower Manhattan from 1980s to 9/11

06:54

NEW YORK — From time to time, we like to look back on how New York has changed over the years, and there’s a new book of photographs that does just that. 

“A Falling-Off Place” documents the transformation of Lower Manhattan from a working man’s neighborhood to downtown’s rebirth after 9/11. 

Photographer Barbara Mensch started taking photos of the Fulton Fish Market back in the 1980s.

Mensch spoke with us about the decades represented in the book and how she would describe the neighborhood today.

A collection of her photos is now on display at The Tin Building, which is located at 96 South Street — the site of the old Fulton Fish Market. CLICK HERE for more information. 

Post-mortem photography: ‘I dey make deadi body look good’

Post-mortem photography: ‘I dey make deadi body look good’
Richard Kennady

Wia dis foto come from, Richard Kennady

Article information

  • Author, Pramila Krishnan
  • Role, BBC World Service
  • 6 minutes wey don pass

Warning: Dis tori contain foto of deadi body dem

“My job na to put di deadi body on top chair and make am sit straight,” Ravindran tok about im first day for work.

“I gatz lift di eyelids to enable di photographer take picture.”

Im bin just 14 in 1972, wen im father Srinivasan wey dey run a fotographic studio, despatch him for one assignment.

Richard Kennady bin get similar unnerving experience wen im bin dey just nine. Dem ask am make e hold a white cloth as a screen behind di chair wia di dead pesin bin dey sidon.

“I fear and I dey shake. Dat night I no fit sleep at all,” im tell di BBC. “For many nights I get recurring nightmare wia di dead pesin appear. E dey very dreadful.”

Both men bin get into photography sake of say dia fathers get studios. Between dem, dey don take fotos of over 1,000 deadi pipo.

Dem dey among di reducing number of photographers wey specialise for fotos of di dead pipo for di south of Indian state of Tamil Nadu.

Dem tok to di BBC about dia unusual, unsettling work, wey dey pay well well in di 1970s and 1980s.

Battling fear

Until a few decades ago, many communities for Tamil Nadu bin harbour one belief say to take foto go reduce pesin lifespan. Dis mean say many pipo get dia first fotograph wen dey don died.

Ravindran and im papa

Wia dis foto come from, Ravindran

Ravindran come from Karaikudi, wey dey 400km south of di state capital Chennai. For a teenager, no be sweet work, but im wan drop out of school and na wetin im get as excuse be dis.

“Afta some months of training, I bin go alone to take fotos of dead pipo,” e tok.

Ravindran bin gradually develop im expertise, using pillow to support di neck of deadi body wey sidon make e stop di head from bending, im go adjust di clothes and change di background.

“I battle my fear and begin dey like my job. I make deadi body dem look good and real for fotos.”

Heart-breaking subjects

Richard even get earlier start. Im go follow im papa go work for Yercaud hills, wey dey about 350km west of Chennai.

Im most difficult experience bin involve to snap one newborn baby wey don die.

”Di parents dey devastated. Di mother dey cry inconsolably.”

Afta di arrival of di photographer di mother baff and dress di baby inside a new gown and apply some make-up.

“Di baby be like a doll,” Richard bin remember. “Di mother place di baby for her lap and I take di foto. E look as if di baby dey sleep.”

“Dat one dey very emotional.”

Relatives surrounding deadi body inside casket

Wia dis foto come from, Richard Kennady

Dem also snap intimate ceremonies like washing di bodi and di decoration wit flowers. While some families dey happy to take one or two fotos, odas dey more demanding.

“I even go di burial ground to capture di moment wen dem dey put di body for ground,” Ravindran recall.

Photographers get little time and im gatz develop and print di foto overnight becos families wey dey mourn dia deadi pesin sometimes need framed photograph of di dead for dia rituals for di next day.

Both Ravindran and Richard dey use cameras wey no too dey modern. Na black and white cameras, but dem still do dia job.

Dia customers belong to Hindu and Christian families and some families dey kontinu to keep di framed photographs of di dead for dia prayer rooms.

Ravindran recall snapping only two Muslim men afta death, while Richard no get such experience.

Nightmares

Richard also work for di police department.

Im gatz take pictures of unnatural deaths – victims of crime, suicides and road accidents – many times e gatz shoot for deadi bodi wey dem no package well.

Relatives surrounding one deadi body

Wia dis foto come from, Richard Kennady

“E dey very disturbing. Sometimes I no fit eat or sleep.”

Dem dey use di fotos as evidence for court and help families to get compensation.

Di pay for dis kain work dey good for di photographers: dey fit charge double dia typical fee to take pictures of deadi body dem. Dey also get generous tips from relatives, but e also get stigma for dis kain work.

“Many customers dey reluctant to engage me for any oda jobs,” Richard say.

Ravindran Hindu family treat any places wey dey associated wit death as impure, so im gatz undergo mandatory cleansing bifor e go fit enta im house or studio.

“I gatz baff evri time. My dad go even sprinkle some water over my camera bifor I fit take am go inside di studio.”

Widespread practice

For di past, di practice to dey take fotos aftA death dey very prevalent for many kontris.

A man looking at di deadi body of a woman

Wia dis foto come from, Heritage Art/Getty

In di mid-nineteenth Century, many families wey dey mourn bin pose wit dia dead children and oda relatives.

To take foto of a deadi body na comforting way for families to remember dia loved ones wey don die for an era wen fotos dey expensive and many pipo no get any pictures of demsef wen dem dey alive.

For di US, na inside homes dem dey take fotos, and dem go place di deadi body on top a block of ice.

Post-mortem fotos dey very important to family members wey no fit travel for di funeral or arrive quick quick.

Portrait of death also dey popular for Victorian Britain.

For cities wey battle disease like measles, diphtheria, scarlet fever, rubella – all of which wey fit dey fatal – death fit come at any time and many pipo fit no get any fotograph wey dem take during dia short lifetime.

A post-mortem foto na sometimes di last chance to get permanent likeness of a beloved child.

Ravindran wit a camera for im hand

Wia dis foto come from, Ravindran

But di practice bin fade away in most part of di world for di 20th Century – as healthcare improve life expectancy – although e dey last longer for Tamil Nadu and oda Indian states such as West Bengal and Odisha as well as for di holy city of Varanasi.

Richard see diz images as one logical extension of earlier portrait wey dey for paintings.

“Bifor di advent of fotography, big landlords dey commission artists to draw dia portraits.”

“Photography na like an extension of dat practice wey dey to preserve di memory. Only di rich fit afford to commission a portrait, but photography dey affordable even by di poor,” e add.

Approaching di end

But in di late 1980s, cheaper cameras wey anyone fit use don flood di market and di fear to dey appear for fotos begin dey vanish.

Richard showing di fotos of di ancestors

Wia dis foto come from, Richard Kennady

“Many go buy small cameras and start dey click fotos,” Richard explain.

Wit plenti demand for im services, im switch to cover church events and festivals to add to im income.

Ravindran concentrate on school events and public functions. Im eventually become wedding fotographer.

Im dey for im sixties, e dey thankful to di deadi pipo wey helep am to learn di trade – and overcome im fear of death – but e no want make di practice kontinu wen im time come.

“I no want make anyone take foto of me after my death,” im tok categorically.

Richard take foto of im grandfather afta e die and im get fotos of three generations of im ancestors. Unlike Ravindran, di 54-year-old still keep a huge collection of fotos of di dead.

“Our family always preserve di fotos of our ancestors. I tell my youngest son say make e take foto after my death and make dat foto dey part of di family heritage.”

Les Saucier’s photography to be featured at camera club meeting

Les Saucier’s photography to be featured at camera club meeting

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Do you love viewing and photographing the spectacular fall colors of Transylvania County and the Blue Ridge Mountains? If so, you will not want to miss the Sept. 21 meeting of the Land of Waterfalls Camera Club. The featured presentation will be “Chasing the Fall Color” by professional photographer and Brevard resident Les Saucier.

In his love of fall color Saucier has traveled to many locations: the high Colorado Rocky Mountains, the New England shores, Michigan’s Upper Peninsula and the rolling hills of Georgia. In his presentation Saucier will show some of his favorite fall color images. He will offer tips on celebrating the beauty of fall color right in the the Southern Appalachian Mountains.

Saucier has a master’s degree in field biology and has been a professional photographer for more than 30 years. He has been a teacher of nature photography for much of that time. He was drawn to the beauty of the Blue Ridge Mountains of North Carolina and became a permanent resident 23 years ago. 

Saucier lives in Brevard with his wife and fellow photographer, Janet Garrity Saucier. In 2018 the couple published the photography book “Mountain Blue, the Beauty and Grandeur of America’s Southern Appalachian Mountains.” Their book can be purchased locally at Highland Books on Main Street or by contacting the Sauciers directly.

The second half of the September LOWCC meeting will be a “Shoot and Show.” During this segment photographs recently taken by LOWCC members will be presented. Each photographer will briefly describe the image and its location, followed by discussion and suggestions on ways the images might enhanced.

LOWCC meetings are open to the public and currently take place “live on-line” with Zoom. Non-member guests are encouraged to go to info@lowccnc.com to obtain information for accessing the meeting. The club welcomes participation from photographers at all skill levels. A club membership costs $35 per year.

To offer more focused forums for small group learning and discussion, the club features two Special Interest Groups (SIGs). The Capture SIG reviews the use cameras, lighting and other photographic equipment to initially capture the digital image. This SIG meets by Zoom on the third Monday of each month starting at 7 p.m.

On the first Monday of each month, also at 7  p.m. via Zoom, the Post Processing SIG focuses on the use of computer-based processing to improve and enhance digital images. Instruction is provided on use of photographic software such as Adobe Lightroom or Topaz products as well as updates of these products.

Further information about the Land of Waterfalls Camera Club, including membership information and past and future programs, can be found at www.lowccnc.com.

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Photography book shows transformation of Lower Manhattan from 1980s to 9/11

Photography book shows transformation of Lower Manhattan from 1980s to 9/11

Photography book shows transformation of Lower Manhattan from 1980s to 9/11 – CBS New York


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Andrea Pizzini Has Beautiful Photography You Must See

Andrea Pizzini Has Beautiful Photography You Must See

“We had so many projects and dreams together…and now everything is gone,” says photographer Andrea Pizzini to the Phoblographer about losing his best friend and creative partner, Christian. “I have no idea what to do…and sometimes I wish I could change my life completely and become a carpenter or grow potatoes somewhere. Just do something that has nothing to do with photography.” You probably recognize Andrea as one of the most prominent writers in the photography world. But outside of tech, he’s also part of a big project called the Cube. The photographs that him and his partner made were something incredibly special that must be experienced in person to understand.

The Pandemic separated people like never before. And while lots of things can absolutely be done remotely, true photography is something that must be experienced right in front of you. I’m speaking about prints — prints must be put in just the right lighting to have them shine and be their best selves.

Christian wouldn’t want Andrea to give up, though — and now he’s on a journey to express himself in a different way. In October 2023, Andrea and Christian’s photographs will be exhibited for the public to experience and bask in.

Back in 2013, I met Andrea personally when he was starting to take photos with what’s called The Cube. It’s a giant camera with reflective exteriors that shoots positives at more at 3 feet by 3 feet large. “…the images that came out with the Cube camera were always stunning, much more impressive than we could have imagined,” Andrea recounts. “They look so vibrant and profound, we had a lot of fun photographing different subjects. Our drive was curiosity!” After shooting photos of all the things, they realized that the best subject was the sea. So they set out shooting tons of images of the sea.

Lots of those photos of the sea will be on display at the new exhibit. And those are something that truly needs to be seen in person. Hopefully, Andrea will return to the US to show them off as well.

Maybe I’m too optimistic, but I see potential in a return to film photography. To photography that is slower, but more authentic. You can always prove with ‘chemical proof’ that the shot you took is real. I own a Mamiya 7 and plan to work with a new 3D printed large format camera as well. I’m not sure if this will work out, but I’m inclined to go down this new path.

Andrea, a fellow publisher, has some fascinating thoughts on AI for photography. He’s not afraid of it. “I know people who are average photographers but amazing Photoshop editors, and this digital world seems to mostly reward (those) who (are) able to use a digital workflow,” he says. “Which means to create a highly modifiable and duplicable product.” Those words, unfortunately, hit really hard as it’s part of the sadness that takes creativity and joy out of photography and instead makes it algorithmic.

You can see the project if you happen to be in Italy. These photos are truly something special, and simply talking about them here in a magazine doesn’t do them justice. They’re pieces of art and breath taking experiences that must be felt in-person.

Adventure photographer reveals the amazing shots taken on his travels

Adventure photographer reveals the amazing shots taken on his travels
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He’s like the Indiana Jones of the photography world.

Josselin Cornou describes himself as an ‘adventure photographer’, with his quest for capturing epic pictures leading to him ‘abseiling through canyons, jumping with camera gear above waterfalls, getting up close to volcanoes, [and] capturing Australia during a snowstorm’.

The French-Australian photographer tells MailOnline Travel: ‘I try to go out of my comfort zone and create photos that some would think are not possible. It’s about going off the beaten path – with respect to nature, always.’ 

Cornou notes: ‘Having a camera that can sustain falls and still continue to operate is key.’

Aside from the physical daredevilry his photography style requires, other challenges include camping on location, withstanding sub-zero temperatures for long periods of time, and having the patience to wait for the desired weather conditions to materialise.

His goal? To show ‘a unique perspective of our planet’ – and he does so in spellbinding fashion, as you’ll discover if you scroll down for a peek at some of his dramatic images.

This striking shot by Cornou shows 100ft-high (30m) tabular icebergs in Antarctica that were 'once part of the Larsen Ice Shelf, an iceberg as large as a U.S state that [broke apart] due to climate change'. Recalling navigating through these icebergs by boat, he says: 'Those mesmerising structures were displaying subzero icy corridors, forming a highly photogenic gargantuan maze. The scene was magnificent, but also incredibly scary. I took my camera - I had to show the world the impact that global warming has had'

This beautiful shot shows Manarola, one of the five towns that make up Italy's Cinque Terre region. It's a place where 'solitude meets tourism', according to Cornou. He says: 'The irony of this place - people originally set up their town here to be isolated from the world... [a] few hundred years later, those old towns are now colonised by tourists'

In this striking shot, a sailboat can be seen 'gliding through the Arctic waters' off the coast of Greenland. In capturing the photograph, Cornou spent time on 'cold, slippery' boat decks and faced 'constantly changing conditions', but he says that 'witnessing the sunrise and sunset against a backdrop of stunning, towering icebergs made it all worth it'

Cornou captured this stunning photograph on an 'insightful' trip to Antarctica, during which he lived among penguins and studied the effects of global warming

This enchanting shot was captured in the Helensburgh Glow Worm Tunnel in New South Wales, Australia. As its name suggests, the tunnel is known for its glow worm population

This powerful picture shows an erupting stratovolcano in Vanuatu, an island nation in the Pacific Ocean. Cornou reveals he was given permission to walk on the rim of this volcano and see the 'volcanic eruption up close'

The rugged landscape of Australia's Blue Mountains National Park is captured in this magnificent shot by Cornou. He says: 'Heading to this place was worth the night hike. We slept a few metres away from that viewpoint.' He adds that a 'big plus' of the expedition was hearing and seeing wildlife all around him

This atmospheric photo was taken from a hiking trail above the clouds on the island of Madeira. Cornou says the setting offers 'a true beauty like no other', adding: 'It literally feels like being on top of the world'

This ethereal picture shows Laurissilva Forest, a 20-million-year-old subtropical rainforest on the Portuguese island of Madeira

A canyon in Australia's Blue Mountains National Park is the subject of this beautifully-lit photograph by Cornou. He describes it as a 'lost world below the trees' of the national park

This other-worldly shot was taken in the Stockton Beach Sand Dunes of New South Wales, Australia. They're known as the largest moving coastal dunes in the Southern Hemisphere. Writing on Instagram, Cornou reveals how he witnessed one of the most beautiful night skies he had ever seen during his trip there. However, he notes that it was 'incredibly cold', making it 'impossible to catch any minutes of sleep'

It was 'freezing cold' when Cornou captured this breathtaking scene in Norway's Lofoten archipelago, the photographer reveals in an Instagram post

This eye-catching image shows the historic French town of Sisteron, which sits below the 'Rocher de la Baume' rock formation on the banks of the Durance river. Writing on Instagram, Cornou notes that it's a part of France that 'few people know of'

This close encounter with a whale was captured off the coast of the Vava'u islands in Tonga, the photographer reveals

This alluring shot shows 'the beauty of Lake Louise' in western Canada during the last days of autumn, Cornou writes on Instagram. He says: 'This place is unique, and really special'

  • To see more photographs from Josselin Cornou, visit his website or his Instagram profile.  

Winning photos for the Astronomy Photographer of the Year are revealed

Winning photos for the Astronomy Photographer of the Year are revealed
  • Shortlisted snaps for the prestigious photography award have been unveiled
  • Among them are a wolf-shaped cloud and even a new scientific discovery 

Spellbinding images of our galaxies and solar system have now been revealed, as this year’s Astronomy Photographer of the Year was announced. 

Greenwich’s Royal Observatory received more than 4,000 entries from over 64 countries, with photographers of all abilities competing to win the prestigious prize.

Shots were shortlisted across 10 different categories and include what appears to be a question mark on the Sun and even the bizarrely named Running Chicken Nebula. 

But the mesmerising ‘Andromeda, Unexpected’ bagged first prize by capturing the surprising discovery of a huge plasma arc next to the Andromeda Galaxy.

This galaxy is the closest ‘spiral system’ to our Milky Way, composed of a twisted assemblage of stars and gas. 

The mysterious plasma arc is a type of an ’emission nebula’ formed of ionised gas that emits its own light.

But no one has ever seen this, as the phenomenon is only visible in a specific oxidized state – giving off its blue colour. 

Scientists across the world are now investigating this arc to better understand its relationship to the neighbouring galaxy.

‘What you see is gigantic blue arc of ionised oxygen gas that has never been seen before,’ amateur astronomer and astrophotographer Marcel Drechsler said.

‘As a result, it could be the largest and closest such structure to us in the Universe.’

Judge László Francsics added: ‘This astrophoto is as spectacular as [it is] valuable.

‘It not only presents Andromeda in a new way, but also raises the quality of astrophotography to a higher level.’

Two 14-year-old boys from China were granted this year’s Young Astronomy Photographer of the Year award.

The pair had collaborated to capture the The Running Chicken Nebula situated around 6,500 light years away – with each lightyear equating to six trillion miles on Earth.  

Overall winner and Galaxies winner: Andromeda, Unexpected by Marcel Drechsler, Xavier Strottner and Yann Sainty.  This captures a huge never-seen-before plasma arc (blue light) next to the Andromeda Galaxy. Scientists are now investigating the newly discovered giant in a transnational collaboration.

Young Astronomy Photographer of the Year winner: The Running Chicken Nebula by Runwei Xu and Binyu Wang. The Running Chicken Nebula, IC2944, is located in the constellation of Centaurus, 6,000 light years away from the Earth. Embedded in the nebula’s glowing gas the star cluster Collinder 249 is visible.

Sun winner: A Sun Question by Eduardo Schaberger Poupeau. A photograph of the Sun with a huge filament in the shape of a question mark. Solar filaments are arcs of plasma in the Sun’s atmosphere given shape by magnetic fields

Skyscapes winner: Grand Cosmic Fireworks by Angel An. Sprites are an extremely rare phenomenon of atmospheric luminescence that appear like fireworks. An took this photograph from the highest ridge of the Himalaya mountains

Annie Maunder Prize for Image Innovation: Black Echo by John White. Taking audio source material from NASA’s Chandra Sonification Project, White visually captured the sound of the black hole at the centre of the Perseus Galaxy. The audio was played through a speaker onto which White attached a petri dish, blacked out at the bottom and then filled with about 3 mm of water. Using a macro lens and halo light in a dark room, White experimented with the audio and volumes to explore the various patterns made in the liquid

Sun runner-up: Dark Star by Peter Ward. This depicts the Sun turned 'inside-out'. The photographer inverted the rectangular image onto polar coordinates to highlight the smaller prominences that occur on the edge of the Sun.

Highly commended: Moon at Nightfall by Haohan Sun. Moonrise over the Xinghai Bay Bridge in Dalian, China. Atmospheric extinction alters the hue and brightness of the Moon when it is low on the horizon. In this photo, you can see the Moon appears brighter and less red as it rises in the sky

Its bizarre nickname comes as some say it looks like a cosmic chicken walking through the sky.  

‘Thank you to the Greenwich judges. We’re very glad to receive this achievement as winners of the Young Competition,’ said winners Runwei Xu and Binyu Wang.

Another winner is Eduardo Schaberger Poupeau, who led the Sun category with his intriguing shot of our giant star.

This depicted a filament that’s the spitting image of a question mark on the scorching 5,600°C (10,000°F) surface.

Peter Ward’s ‘Dark Star’ was a runner-up for this category with his shot that turned the hot ball inside out.

This put the spotlight on its uneven surface, with intense solar flares erupting in the Sun’s atmosphere. 

On the flipside, a view of Mars and the moon took first place for the Moon category, while mesmerising brushstroke-shaped lights won for Aurorae.

Vikas Chander also took home the trophy for People and Space with an eerie nighttime shot of a stranded ship off the Skeleton Coast in Namibia. 

Moon runner-up: Sundown on the Terminator by Tom Williams. The Plato Crater (pictured) is an almost perfectly circular crater that measures 109 km in diameter. This photograph was taken during a local lunar sunset in the last quarter, when approximately half of the Moon’s face is visible from Earth

Highly commended: The Dark Wolf – Fenrir by James Baguley. This image shows a dark, thick molecular cloud in the form of a wolf, known as the Wolf Nebula or Fenrir Nebula. Baguley chose a starless image to emphasise the beautiful red background, which is a dense backdrop of hydrogen gas.

Moon winner: Mars-Set by Ethan Chappel. An occultation of Mars that took place on 8 December 2022. During the occultation, the Moon passes in front of the planet Mars, allowing the astrophotographer to capture both objects together

Highly commended: A deep-space photograph showing galaxies NGC 5078 and IC879, to the left, and NGC 5101 on the right. The detailed image captures the hazy dust of the galaxies clearly

Aurorae winner: Brushstroke by Monika Deviat. An abstract aurora in the shape of a brushstroke. Unusually, the photographer decided to photograph the aurora in isolation

Stars and Nebulae winner: New Class of Galactic Nebulae Around the Star YY Hya by Marcel Drechsler. A team of amateur astronomers discovered a previously unknown galactic nebula. At its centre, a pair of stars surrounded by a common envelope was found. On over 100 nights, more than 360 hours of exposure time were collected. The result shows an ultra-deep stellar remnant that the team has baptised 'the heart of the Hydra'

People and Space winner: Zeila by Vikas Chander. The most northerly part of Namibia’s Atlantic facing coast is one of the most treacherous coastlines in the world and has gained the name the Skeleton Coast. The ship in this photo, Zeila, was stranded on 25 August 2008 and is still in a well-preserved state. The image shows the delicate colours of different star types

Planets, Comets and Asteroids winner: Suspended in a Sunbeam by Tom Williams. A unique view of Venus using infrared or ultraviolet false colour. By going beyond the visible part of the spectrum, a myriad of fine detail within the upper atmosphere of the planet is revealed

Highly commended: Last Full Moon of the Year Featuring a Colourful Corona During a Close Encounter with Mars by Miguel Claro. A photograph of the last Full Moon of 2022 immersed in clouds. The colourful ring surrounding the Moon is a lunar corona, which occurs when moonlight is diffracted though water droplets in the Earth’s atmosphere. Mars can just be seen to the right of the Moon, appearing as a small orange dot

Best newcomer: Sh2-132: Blinded by the Light by Aaron Wilhelm. The Sh2-132 complex lies near the border of the Cepheus and Lacerta constellations and contains multiple deep sky structures. The photograph includes 70 hours of data, the rich interplay of all the gasses reveals something different each time you look at it

Meanwhile, James Baguley was highly commended for capturing a molecular cloud that looks identical to a howling wolf, and Angle An snapped an incredibly rare luminescent phenomenon at the Himalayas.

The Stars and Nebulae winner also made a scientific discovery of their own by snapping a previously unknown galactic nebula, now named ‘the heart of the Hydra’.

‘Once again, entrants to the Astronomy Photographer of the Year competition have conspired to make things difficult for the judges, with a flood of high-quality images covering an amazing range of targets,’ said Dr Ed Bloomer, astronomer at Royal Observatory Greenwich.

‘The highlight of this year is perhaps a number of genuine discoveries being imaged, but we’ve had wonderful efforts in every category and I’m particularly pleased to see the continued strength of our young entrants and those eligible for The Sir Patrick Moore Prize for Best Newcomer. 

‘It has led to some intense debate amongst the judges as we try to choose the very best of the best, but we don’t mind!’

Full list of 2023 winners for the Astronomy Photographer of the Year award

Galaxies

Marcel Drechsler (Germany), Xavier Strottner (France) and Yann Sainty (France) with Andromeda, Unexpected (Winner and Overall Winner)

Weitang Liang (China) with The Eyes Galaxies (Runner-Up)

Paul Montague (Australia) with Neighbours (Highly Commended)

Aurorae

Monika Deviat (Canada) with Brushstroke (Winner)

Andreas Ettl (Germany) with Circle of Light (Runner-Up)

Chester Hall-Fernandez (New Zealand) with Fire on the Horizon (Highly Commended)

Our Moon

Ethan Chappel (USA) with Mars-Set (Winner)

Tom Williams (UK) with Sundown on the Terminator (Runner-Up)

Miguel Claro (Portugal) with Last Full Moon of the Year Featuring a Colourful Corona During a Close Encounter with Mars (Highly Commended)

Our Sun

Eduardo Schaberger Poupeau (Argentina) with A Sun Question (Winner)

Peter Ward (Australia) with Dark Star (Runner-Up)

Mehmet Ergün (Germany) with The Great Solar Flare (Highly Commended)

People and Space

Vikas Chander (India) with Zeila (Winner)

Andrew McCarthy (USA) with A Visit to Tycho (Runner-Up)

Katie McGuinness (UK) with Close Encounters of The Haslingden Kind (Highly Commended)

Planets, Comets and Asteroids

Tom Williams (UK) with Suspended in the Sunbeam (Winner)

Marco Lorenzi (Italy) with Jupiter Close to Opposition (Runner-Up)

Martin Lewis (UK) with Uranus with Umbriel, Ariel, Miranda, Oberon and Titania (Highly Commended)

Skyscapes

Angel An (China) with Grand Cosmic Fireworks (Winner)

Louis Leroux-Gere (France) with Celestial Equator Above First World War Trench Memorial (Runner-Up)

Peter Hoszang (Hungary) with Noctilucent Night (Highly Commended)

Stars and Nebulae

Marcel Drechsler (Germany) with New Class of Galactic Nebulae Around the Star YY Hya (Winner)

Anthony Quintile (USA) with LDN 1448 et al. (Runner-Up)

James Baguley (Australia) with The Dark Wolf – Fenrir (Highly Commended)

The Sir Patrick Moore Prize for Best Newcomer

Aaron Wilhelm (USA) with Sh2-132: Blinded by the Light (Winner)

Young Astronomy Photographer of the Year

Runwei Xu (China) and Binyu Wang (China) with The Running Chicken Nebula (Winner)

Haocheng Li (China) and Runwei Xu (China) with Blue Spirit Drifting in the Clouds (Runner-Up)

Haohan Sun (China) with Moon at Nightfall (Highly Commended)

Yanhao Mo (China) with Roses Blooming in the Dark: NGC 2337 (Highly Commended)

Joshua Harwood-White (UK) with Lunar Occultation of Mars (Highly Commended)

The Annie Maunder Prize for Image Innovation

John White (UK) with Black Echo (Winner)

Outta this world: Winners of the Astronomy Photographer of the Year 2023

Outta this world: Winners of the Astronomy Photographer of the Year 2023

The winners of the Royal Observatory Greenwich’s Astronomy Photographer of the Year 2023 have been announced, giving us all a glimpse into the stunning natural beauty of space and making some important astronomical discoveries in the process.

This year marked the competition’s 15th year, attracting more than 4,000 entries from 64 countries. From glittering stars and shimmering galaxies to fiery suns and silver moons, the competition attracted some impressive imagery in categories that included Galaxies, Aurorae, Our Moon, Our Sun, People and Space, Planets, Comets and Asteroids, Skyscapes, and Stars and Nebulae. Prizes were also given for Image Innovation and to the Best Newcomer, as well as to young photographers.

“This was my first year as a judge for Astronomy Photographer of the Year,” said Katherine Gazzard, Curator of Art at Royal Museums Greenwich. “As a newcomer to the competition, the technical sophistication of the entries blew me away. So many beautiful images made the shortlist, and the winning images are absolutely stunning. It has made me look at the night sky in a new light.”

Overall Winner & Galaxies, Winner. “Andromeda, Unexpected”

Marcel Drechsler, Xavier Strottner & Yann Sainty

A team of amateur astronomers led by Marcel Drechsler, Xavier Strottner and Yann Sainty took out the competition’s top prize, being named the Overall Winner. Their image captured a huge blue plasma arc alongside the Andromeda Galaxy, the closest spiral galaxy to our Milky Way, which scientists are now investigating. The surprising discovery is what led to the piece being titled Andromeda, Unexpected.

Young, Winner. “The Running Chicken Nebula”

Runwei Xu & Binyu Wang

Winning the Young Photographer of the Year award were two 14-year-olds, Runwei Xu and Binyu Wang, who collaborated to produce the striking and colorful The Running Chicken Nebula.

Our Sun, Winner. “A Sun Question”

Eduardo Schaberger Poupeau

Other standouts include an image by Eduardo Schaberger Poupeau, in which plasma arcs in the Sun’s atmosphere appear to want to know the answer to something. The photo, A Sun Question, is a mosaic of two panels and won the Our Sun category.

People & Space, Highly Commended. “Close Encounters of the Haslingden Kind”

Katie McGuinness

Likewise, the Highly Commended image in the People and Space category, which took inspiration from the movie Close Encounters of the Third Kind. Over an hour, Katie McGuinness took more than 150 shots of the ‘Halo’ sculpture in Haslingden, UK, and combined them to show the apparent rotation of stars around Polaris, a star in the constellation of Ursa Minor that’s commonly referred to as the North Star.

Skyscapes, Winner. “Grand Cosmic Fireworks”

Angel An

It’s understandable why the judges chose Angel An’s Grand Cosmic Fireworks as the Winner of the Skyscapes category. An captured the tendrils of an extremely rare phenomenon called red sprites, large-scale electrical discharges that occur in the mesosphere, far higher up than regular lightning. The beautiful color gradient is made more impressive by the delicate structure of the plasma visible in the image.

Stars & Nebulae, Winner. “New Class of Galactic Nebulae Around the Star YY Hya”

Marcel Drechsler

Marcel Drechsler and Xavier Strottner, two of the three astronomers who took out the Overall prize, also won in the Stars and Nebulae category and added another discovery to the winning images. On old images of sky surveys, the pair discovered a previously unknown galactic nebula containing a pair of stars surrounded by a common envelope.

The high caliber of this year’s entrants made picking the winners tough for the judges.

“Once again, entrants to the Astronomy Photographer of the Year competition have conspired to make things difficult for the judges, with a flood of high-quality images covering an amazing range of targets,” said Ed Bloomer, astronomer at the Royal Observatory Greenwich. “The highlight of this year is perhaps a number of genuine discoveries being imaged, but we’ve had wonderful efforts in every category, and I’m particularly pleased to see the continued strength of our young entrants and those eligible for The Sir Patrick Moore Prize for Best Newcomer. It has led to some intense debate amongst the judges as we try to choose the very best of the best, but we don’t mind!”

The Overall Winner will receive £10,000 (US$12,400). Winners in all other categories, including the winner of the Young Astronomy Photographer of the Year, will receive £1,500 (US$1,860). There are also prizes for runners-up (£500/US$620) and highly commended (£250/US$310) entries. The special prize winners will receive £750 (US$930).

Source: Royal Museums Greenwich