Sculpture

The Art of Reuse

The Art of Reuse
Students in Jeffrey Nowlin’s Foundation Sculpture course create wearable art out of an unlikely material: cardboard

Tara Donovan: Stratagems

Tara Donovan: Stratagems
Stepping off the elevator onto the seventh floor of Pace’s West 25th Street headquarters, viewers stand at the edge of a field of sculptures that are a mix of formal/classical and exotic/non-Western forms and surfaces that gently pulsate, oscillate and, from certain perspectives, dematerialize. This is Tara Donovan: Stratagems, the artist’s current show of eleven discrete sculptures (all 2024) ranging in height from 8–10 feet made entirely from CD-ROMs.

Antony Gormley with Amanda Gluibizzi

Antony Gormley with Amanda Gluibizzi
Antony Gormley’s Aerial is unlike anything the artist has installed in this country and indeed does not have many direct precedents in his earlier practice. Aerial takes the form of a complex grid that derives its coordinates from the gallery that houses it, and while it completely fills the space, it is not a solid cube that we can only walk around; instead, Aerial is penetrable, both visually and physically.