Quincy Arts Center accepting pieces from all for anniversary exhibit

Quincy Arts Center accepting pieces from all for anniversary exhibit

QUINCY (WGEM) – You have a chance to show off the art you’ve been working on or collecting, in a non-juried art exhibit.

Quincy Art Center officials encourage you to submit art of any medium for the 100th Anniversary Exhibit.

Typically, the art center displays exhibits from students or host competitions.

Director of Engagement and Marketing, Kelsey Deters, said it’s important to create a community show to celebrate the anniversary to highlight the talents of all residents.

“I think it is really exciting to see someone who is, you know, in Kindergarten or first grade who’s taking their first art class and then you have someone who has an advanced degree in art and seeing kind of everything in between there, I think really shows the impact and the power of art in our community,” Deters said.

You can drop off your creations at the art center between 11 a.m. and 6 p.m., May 3 to May 6.

An open reception to view the art will take place on May 27.

Copyright 2023 WGEM. All rights reserved.

ArtSEA: Remembering singular Seattle artist Alfredo Arreguín

ArtSEA: Remembering singular Seattle artist Alfredo Arreguín

Also visually striking is Northwest photographer Matika Wilbur’s long-awaited new book, Project 562: Changing the Way We See Native America. It’s the culmination of Wilbur’s 10-year effort to travel the country and photograph members of each of the 562 (when she started) federally recognized Native American Tribal Nations. 

Photographed in the clothing and location of the subject’s choosing, the resulting portraits are engaging, regal, endearing, poignant — but most of all diverse, as they refute stereotypes and project individuality. Wilbur celebrates the book release and her huge accomplishment tonight at Elliott Bay Books (April 29, 7 p.m.).

And for people like me who live to see Seattle on the big screen, there’s Filmlandia! A Movie Lover’s Guide to the Films and Television of Seattle, Portland and the Great Northwest. Written by former Seattleite David Schmader, the book dances deftly through a festival of NW films, from the obvious (Sleepless in Seattle) to the never-heard-of (Twice in a Lifetime? With Gene Hackman having a beer at The Dubliner??). 

Schmader offers clever plot synopses, sly reviews and (my favorite) points out exactly where different scenes were shot. Also helpful, he offers a sort of Northwest-o-meter. To wit, regarding 2009’s True Adolescents: “… plenty of Seattle totems, including the Comet Tavern, some Rainier Tall Boys, a Mariners name-check, and a sullen Mark Duplass in a knit hat, sadly eating a granola bar.”

A very funny public speaker, Schmader is doing a couple local book-launch events: at Scarecrow Video (April 29 at 2 p.m.) and at Third Place Books Seward Park (May 4 at 7 p.m.).

Related: Watch for the May 5 episode of Mossback’s Northwest, wherein Crosscut’s Knute Berger gives his own take on the long history of films shot in the region.

Lastly! For folks who enjoy independent movies not necessarily from the Northwest, three niche film festivals are about to get rolling: 

The National Film Festival for Talented Youth (NFFTY), featuring films from directors age 24 and under (April 27 – 30 in-person, April 27 – May 7 online); the Cadence Video Poetry Festival at Northwest Film Forum (April 27 – 30 in-person, April 27 – May 7 online); and Translations: The Seattle Trans Film Festival (May 5 – 6 in-person, May 4 – 7 online). Happy screening. 

10 of the most expensive paintings sold over the past decade and the artists behind them

10 of the most expensive paintings sold over the past decade and the artists behind them

Cynthia Rebolledo

Martin Chan/South China Morning Post via Getty Images

The global art market is undeniably a behemoth valued at $67.8 billion, according to the 2023 Art Basel and UBS global art market report. Sales increased 3% over the last year, bringing the market above pre-pandemic levels. That growth was driven by sales from the high end of the market, which have captured the public imagination. In truth, this high-priced art market works on a skewed supply and demand curve.

“The art market functions as a big consensus marketing machine,” Olav Velthuis, a University of Amsterdam professor who studies the sociology of the global art market, told Vox. “So what people do is look at quality signals.” These signals can include an artist’s exhibits in a museum, the collectors buying an artist’s work, and what a curator says about an artist. It’s word-of-mouth amplified.

It is difficult to place a value on art, yet in auction after auction, many do. Sometimes for reasons having almost nothing to do with the artwork itself. Art can be a valuable investment for the rich, a strategy to diversify their portfolio. Buyers can purchase work from a gallery at a relatively low price and sell it for much more down the road.

There is no better example of this than the 1973 Scull sale, where Robert C. Scull, a New York taxi magnate, sold his 50 best abstract expressionist and pop art paintings at Sotheby Parke Bernet. The auction put post-war and contemporary art on the market, introducing the world to now-household names like Andy Warhol, Robert Rauschenberg, and Jasper Johns.

Scull’s collection sold for multiple times what he paid for the works driven by smart marketing and publicity. A Cy Twombly piece he purchased for $750 went for $40,000, for example. Since then, the market has gone into overdrive, selling artworks for prices many of us will never see in a lifetime.

Nevertheless, great works aren’t just Eurocentric pieces prized by a select cadre of specialists—influential art is created daily by artists with something to say. Look beyond auction houses and peruse local galleries and neighborhood art fairs. Purchasing straight from the maker is also an excellent option that returns profits into an artist’s pockets.

While you ponder your next art purchase, Singulart researched the most expensive paintings ever sold and highlighted 10 of the past decade from 10 different artists. Only confirmed sales from open auctions and private sales were considered. Data was collected from several sources, including Masterworks and The Art Wolf. Court records, articles, auction house archives, and official documents were also reviewed.

‘Nu couche (sur le cote gauche)’ by Amedeo Modigliani

Modigliani

ANTHONY WALLACE/AFP via Getty Images

– Selling price: $170.4 million
– Inflation-adjusted price: $199.5 million
– Painted in: 1917-1918
– Sold in: 2015

Amedeo Modigliani’s “Nu couché (sur le côté gauche),” a sprawling oil on canvas nude, is the largest work in a series of 22 modern nudes in repose and shows the entire female figure. The ever-controversial piece was acquired by Shanghai billionaire couple Liu Yiqian and his wife Wang Wei, who purchased it for their Long Museum. The sale became the second-highest price ever paid at auction.

According to Christie’s, the piece caused outrage when the Galerie Berthe Weill in Paris exhibited it in 1917. Police called the painting “an offense against public morals” and demanded the gallery remove the artwork. Even in the 1950s, the New York postal office decided against featuring it on a postcard.

‘Les Femmes d’Alger (Version ‘O’)’ by Pablo Picasso

Employees of Christie

JUSTIN TALLIS/AFP via Getty Images

– Selling price: $179.4 million
– Inflation-adjusted price: $209.7 million
– Painted in: 1955
– Sold in: 2015

Pablo Picasso’s vibrant “Les Femmes d’Alger (Version “O”)” sold for a world auction record at Christie’s for any work of art. According to auction details, Picasso’s masterpiece was property from a distinguished fine art gallery in Paris that Victor and Sally Ganz, known Picasso connoisseurs acquired.

The sale smashed the artwork’s previous sales price of $31,902,500. The oil on canvas painting displays Picasso’s signature cubism and vibrant color at the forefront and is said to be a lament to Matisse, his friend, and great artistic rival. It’s part of Picasso’s series on the Delacroix ‘femmes’ that consisted of 100 studies on paper and 15 paintings.

‘Wasserschlangen II’ by Gustav Klimt

Visitors look at Water Serpents II.

JOE KLAMAR/AFP via Getty Images

– Selling price: $187 million
– Inflation-adjusted price: $222.6 million
– Painted in: 1907
– Sold in: 2013

Controversy shrouds Klimt’s highly detailed “Wasserschlangen II” or “Water Serpents II.” The oil painting, depicting intertwined nude enigmatic female imagery and a red serpent flowing horizontally, had been seized by Nazis from the painting’s original owners––the Steiner family––in Austria.

Gustav Ucicky, a filmmaker and director through many Austrian cinematic eras, from silent movies to Nazi propaganda films, acquired “Wasserschlangen II” along with other Klimt pieces and left the collection to his third wife.

It’s said Ucicky is the illegitimate son of Klimt, and his widow Ursula Ucicky sold the painting through consignment with Sotheby’s in 2012, with the Steiner heirs supposedly receiving half of the selling price. Art dealer Yves Bouvier purchased the painting and sold the piece to Russian oligarch Dmitri Rybolovlev. The two and Sotheby’s have been in ongoing court battles over fraudulent inflated art deals, including the Klimt masterpiece and Sotheby’s involvement.

‘The Standard Bearer’ by Rembrandt

A visitor takes a photograph Rembrandt’s The Standard-bearer.

Nacho Calonge // Getty Images

– Selling price: $197.9 million
– Inflation-adjusted price: $197.9 million
– Painted in: 1636
– Sold in: 2021

Long held by the Rothschild family, Rembrandt’s “The Standard Bearer” was purchased by the Dutch government with the support of the Rijksmuseum and the Rembrandt Association. According to the Rijksmuseum, the painting was owned by private collectors, including England’s King George IV and the Rothschild family, who acquired the piece in 1844.

The masterpiece depicts Rembrandt as dressed in the grand outfit of standard bearers. These militiamen were at the front line in 17th-century wars and played a crucial role in the Eighty Years’ War, which eventually birthed the independent Netherlands. As such, the painting harkens back to the country’s birth story.

The work is a precursor to Rembrandt’s “The Night Watch.” After a tour of 12 museums in 12 provinces in the Netherlands, the historic painting will permanently enter the Rijksmuseum collection in Amsterdam. The tour concludes in May 2023.

‘No. 20 (Yellow Expanse)’ by Mark Rothko

Portrait of Mark Rothko during his MoMA exhibition.

Ben Martin // Getty Images

– Selling price: $200 million
– Inflation-adjusted price: $233.2 million
– Painted in: 1953
– Sold in: 2014

At 10 feet tall and 15 feet wide, Rothko’s luminous ‘No. 20 (Yellow Expanse)’ was sold via a private sale. The abstract piece belonged to Rachel Lambert “Bunny” Mellon, an American horticulturist, philanthropist, art collector, and wife of philanthropist Paul Mellon.

Mellon is responsible for helping Jackie Kennedy, a close friend, redesign the famous White House Rose Garden. Mellon had long championed Rothko and even purchased unstretched pieces from the artist’s studio floor. According to Sotheby’s, who helped facilitate the private sale, Mellon owned nine large-scale paintings from Rothko’s estate.

‘Number 17A’ by Jackson Pollock

Jackson Pollock sits with a black dog in his studio.

Tony Vaccaro // Getty Images

– Selling price: $200 million
– Inflation-adjusted price: $233.3 million
– Painted in: 1948
– Sold in: 2015

Jackson Pollock’s improvisational and abstract flinging techniques became known as his “drip paintings.” Pollock’s recognizable fluid expressionism comes through in his “Number 17A,” an oil painting on fiberboard canvas.

In 1949, “Number 17A” was one of three paintings featured in a Life magazine article, “Jackson Pollock: Is He the Greatest Living Painter in the United States?” Pollock is now regarded as among the 20th century’s great artists. “Number 17A” was sold in a private sale by the David Geffen Foundation to hedge fund investor and Citadel founder Kenneth C. Griffin.

‘Nafea faa Ipoipo? (When Will You Marry?)’ by Paul Gauguin

Employees of the Reina Sofia Museum install Nafea faa Ipoipo?

DANI POZO/AFP via Getty Images

– Selling price: $210 million
– Inflation-adjusted price: $247.2 million
– Painted in: 1892
– Sold in: 2015

“Nafea faa Ipoipo? (When Will You Marry?)” was included in Gauguin’s Paris exhibition of 1893 at Galerie Durand-Ruel, listed for the extraordinary price of 1,500 francs––but it did not sell. However, that didn’t hurt its prospects in the 21st century when it sold for millions in 2015.

The painting shows two Tahitian women, one dressed in a colorful wraparound skirt with a flower in her hair, turning away from another woman dressed in a missionary-style dress. Some believe the painting alludes to the changes happening on Tahitian lands under French rule.

This first visit to Tahiti resulted in some 60 canvases of Tahitian life, 37 of which were eventually exhibited in Paris. Gauguin died in 1903 at the age of 54 from a morphine overdose. Rudolf Staechelin, a former Sotheby’s executive, sold the painting from his family trust of impressionist and post-impressionist works in a private sale. A lawsuit followed the deal, stating the oil painting sold in 2014 for $90 million less than originally reported.

‘Orange Marilyn’ by Andy Warhol

Christie’s employee stands with Orange Marilyn.

Martin Chan/South China Morning Post via Getty Images

– Selling price: $225 million
– Inflation-adjusted price: $248 million
– Painted in: 1964
– Sold in: 2018

Andy Warhol’s pop art often embraced celebrity culture, best exemplified by Marilyn Monroe as his muse for his iconic “Orange Marilyn.” The piece is modeled after a publicity image of Monroe from the 1953 film “Niagara.”

According to Christie’s, Warhol began his Marilyn series soon after Monroe died in Los Angeles at 36 years old. In using Monroe’s image, Warhol embraced her as a true media product. Warhol eventually produced 12 single images of Marilyn informally titled according to flavor: “Cherry Marilyn,” “Grape Marilyn,” and “Mint Marilyn,” among them. “Orange Marilyn” silkscreen sold privately to art collector and financier Kenneth C. Griffin.

‘Interchange’ by Willem de Kooning

Willem de Kooning photographed in his studio.

Robert R. McElroy // Getty Images

– Selling price: $300 million
– Inflation-adjusted price: $350.4 million
– Painted in: 1955
– Sold in: 2015

Willem de Kooning sold his abstract expressionist on canvas, “Interchange,” in 1955 for $4,000. Kooning’s oil painting features quick gestural marks with emphatic light and color depicting a landscape. Eventually, the David Geffen Foundation sold “Interchange” to Kenneth C. Griffin in a private sale that included Andy Warhol’s “Number 17A.”

According to Vanity Fair, both paintings were displayed at the Art Institute of Chicago, where Griffin was a trustee, then quietly moved to the Norton Museum of Art in Florida.

‘Salvator Mundi’ by Leonardo da Vinci

Christie

TOLGA AKMEN/AFP via Getty Images

– Selling price: $450.3 million
– Inflation-adjusted price: $507.4 million
– Painted in: 1490-1519
– Sold in: 2017

According to the “Salvator Mundi” provenance, the emotive oil on canvas was commissioned by King Louis XII of France and his wife, Anne of Brittany, following the conquest of Milan and Genoa sometime after 1500. From there, the story of this “male Mona Lisa” painting gets murky.

Da Vinci’s masterpiece depicts a half-length figure of Christ as the savior of the world, facing the viewer and holding a crystal orb in his left hand as he raises his right in benediction. “Salvator Mundi” was traced around 1900, when it was positioned as a work of a lesser hand, Bernardino Luini.

The painting was part of an estate sale in 2005 in New Orleans, where dealer and art historian Dr. Robert Simon and his associate Alexander Parish purchased it for just $1,175. Conservator Dianne Dwyer Modestini restored the piece—some say excessively—from 2005 to 2017.

In 2013, art dealer Yves Bouvier purchased the painting for $83 million and resold the piece to Russian oligarch Dmitry Rybolovlev for $127.5 million in less than 48 hours. Rybolovlev then put it up for sale at Christie’s––and sold it to an anonymous buyer.

Some speculate its secretive buyer could be the crown prince of Saudi Arabia, Mohammed bin Salman, who may have the painting sequestered on a superyacht, away from public view. Two documentaries, “The Lost Leonardo” and ” The Saviour for Sale,” examine the painting’s strange story.

This story originally appeared on Singulart and was produced and
distributed in partnership with Stacker Studio.

ArtSci Roundup: Spring Faculty Panel, Producing Artist Lab, Indigenous Foods Symposium, and more

ArtSci Roundup: Spring Faculty Panel, Producing Artist Lab, Indigenous Foods Symposium, and more

April 28, 2023

This week, listen to a leading voice in the women’s movement, watch the UW School of Drama’s student directed play “In The Blood”, attend the Indigenous Foods Symposium, and more.


May 1, 5:00 – 6:30 PM | UW Political Science Spring Faculty Panel “From Globalization to Deglobalization?”, Online

Free | More info and Registration


May 1, 6:30 PM | May Day: Women and Equality, Kane Hall & Recorded

Suggested Ticket Price $5 | More info and Registration


May 2, 7:00 – 9:30 PM & May 4, 7:00 – 8:30 PM | Stroum Lectures | The Sound of a World Within Worlds: Words, Music, Yiddish, and Culture, Kane Hall

For this year’s Samuel and Althea Stroum Lectures in Jewish Studies, Anthony Mordechai Tzvi Russell, a classically trained and internationally acclaimed vocalist, composer and arranger specializing in music in the Yiddish language, will perform with accompanist Dmitri Gaskin. Through oration and art music, they will take us on a melodic journey through a variety of elements come together to shape Russell’s unique genre of Jewish musicality.

Free | More info and Registration


May 2 & May 4 | Transcultural Approaches to Europe: Specters of Sexual Liberation, Glenn Hughes Penthouse Theatre and Online

This lecture series and colloquium advance crucial conversations on world language and literature study on the UW Seattle campus through an interdisciplinary, multi-departmental speaker series focused on issues of race, identity, colonialism, and migration within a broad European context. These trans- or postnational, transcultural, and multilingual approaches to national literatures offer effective frameworks for undergraduates, graduate students, and faculty to grasp the intersectional complexity of power configurations in literary and visual cultures.

Free | More info


May 3 – May 7 | Producing Artists Lab: In the Blood, Glenn Hughes Penthouse Theatre

The Producing Artist Laboratory is a recent development in the UW School of Drama’s production structure. Student-artists require many outlets to practice their craft from their first year to graduation. The Producing Artists Lab is an opportunity to share some of these exciting exploratory or developmental projects with the public. Audience members may see a wider range in the levels of production and often more vigorous artistic risk-taking in these Lab productions.

In the Blood was directed by graduate directing students Kate Drummond and Nick O’Leary. In this modern-day riff on The Scarlet Letter, a homeless mother of five lives with her kids on the tough streets of the inner city. Her eldest child is teaching her how to read and write, but the letter “A” is, so far, the only letter she knows. Her five kids are played by adult actors who double as five other people in her life. While Hester’s kids fill her life with joy—lovingly comical moments amid the harsh world of poverty—the adults with whom she comes into contact only hold her back.

Content Warning: The play contains mature subject matter and themes, including explicit language, violence, and sexual content.

$10 – $20 Tickets | More info and Tickets


May 4, 7:30 PM | Faculty Concert: Melia Watras, viola: NewDub, Meany Hall

Violist and composer Melia Watras presents a celebration of the viola with an evening of world premieres composed by UW faculty, students, and alumni. The program includes UW faculty composer Joël- François Durand’s Geister weider… pour alto solo (written for Watras), a collaborative composition by Watras and her former student Madeline Warner, and four pieces commissioned by Watras especially for this event, by UW students and alums Sandesh Nagaraj, Jonathan Rodriguez, Breana Tavaglione, and Wei Yang. Watras in joined onstage by vocalist Carrie Henneman Shaw and violinist Michael Jinsoo Lim.

$10 – $20 Tickets | More info and Tickets


May 5 – May 6 | “Living Breath of wǝɫǝbʔaltxʷ” Indigenous Foods Symposium, Intellectual HouseLiving Breath logo

This symposium brings people together to share knowledge on topics such as traditional foods, plants and medicines; environmental and food justice; food sovereignty/security; health and wellness; and treaty rights. This event serves to foster dialogue and build collaborative networks as Native people strive to sustain cultural food practices and preserve healthy relationships with the land, water, and all living things.

This year’s theme is “Health, Healing & Resilience”.

Free for UW Students | More info and Registration


May 6, 7:30 PM | Los Angeles Master Chorale: Lagrime di San Pietro, Meany Hall

From visionary theater and opera director Peter Sellars comes his most personal work to date, a staging of Orlando di Lasso’s Lagrime di San Pietro (The Tears of Saint Peter). This profoundly moving Renaissance masterpiece depicts the grief and remorse of the Apostle Peter after he disavows knowledge of Jesus Christ on the day of his arrest and crucifixion. Sung by 21 a cappella singers of the Los Angeles Master Chorale, Lagrime is refracted through Mr. Sellars signature contemporary lens, suggesting a powerful allegory about facing our past head-on in order to forge a more fulfilling future.

Free | More info


Have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).

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Welcome to Native POP 2023!

Welcome to Native POP 2023!

Please share with Great Plains artists far and wide! This juried Indigenous art show and cultural celebration is a free annual event in the heart of downtown Rapid City, and will take place July 07- 09th, 2023 at Main Street Square.

2023 VISUAL ARTIST APPLICATIONhttps://artsrapidcity.wufoo.com/forms/native-pop-2023-visual-artist-application/

TWO EXCITING ANNOUNCEMENTS!

Native POP and Main Street Square have partnered and Native POP is now a SIGNATURE EVENT! We appreciate our community members who support the arts along with us! Also new this year, we have….

INDOOR BOOTH SPACE!

We are offering an indoor option onsite at Main Street Square for TEN spaces. There is a lovely new gathering area inside Main Street Square. We are reserving these spaces for artists who may have health concerns. Artists may request a reservation through the application process.

In accordance with the Indian Arts and Crafts Act of 1990, participation in the Native POP art show is only open to enrolled members of federally recognized tribes, with preference given to artists from Great Plains Tribes.

• Application closes tomorrow- April 28, 2023

• Selected applicants will be notified by May 1, 2023.

• Waitlisted applicants will be notified May 10, 2023.

• Booth fee for space due June 1, 2023.

• Lunch and water provided for the artist each day.

• No commission will be taken of your sales.

Artist divisions have been updated, so please read carefully to select your division.

This year’s event times:

Friday night opening event 5:30pm – 8pm with juried awards totally $18,500 in prizes.

Saturday Art Market: 9am – 4pm

Sunday Art Market: 9am – 4pm

Please read the full application information and Statement of Agreement and Understanding before applying. If you have any questions about the application process, please email info@nativepop.org

We welcome you and hope to see you all to visit, honor, and celebrate art, culture and each other! We have a beautiful weekend planned for everyone to come and enjoy!