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The Beauty Of Our Tiny World In Photos: 20 Winners Of Nikon Small World Photography Competition

The Beauty Of Our Tiny World In Photos: 20 Winners Of Nikon Small World Photography Competition
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From a rodent’s optic nerve and the venomous fangs of a small tarantula to auto-fluorescing hairs on a leaf, the images winning the Nikon Small World Photomicrography Competition are luminously colorful works of art revealing the artistic side of science.

For its 49th edition of photos showing the beauty of a world that can only be seen with a microscope, each image was judged not only for its scientific technique but also its artistry. The winners were selected from among 1,900 entries from 72 countries and a wide array of scientific disciplines.

This year’s first place was awarded to Hassanain Qambari, assisted by Jayden Dickson of the Lions Eye Institute (a center for ophthalmological care and scientific research), for his vivid image of a rodent optic nerve head showing astrocytes (yellow), contractile proteins (red) and retinal vasculature (green). The colorful image provides an important contribution to the study and reversal of diabetic retinopathy, which affects one in five persons with diabetes worldwide.

“The competition not only celebrates the participants’ hard work and passion but may also draw and inspire young scientists to pursue a career in STEM. It certainly inspired me,” said Qambari.

All the images of the top 10 winners, honorable mentions and Images of Distinction can be found on the Nikon Small World website.

Auto-fluorescing defensive hairs covering the leaf surface of Eleagnus angustifolia exposed to UV light.

The venomous fangs of a small tarantula inspire terror at this size.

This is a trichinella cyst in pork muscle. (Trichinella is a parasitic worm known to cause trichinosis).

Stamen and stigma develop inside a Hibiscus flower bud in Bangalore, India.

Slime mold (Comatricha nigra) shows its capillitial fibers through its translucent peridium.

Cuckoo wasp stands on a flower at Tanta University Department of Zoology in Tanta, Egypt.

Ostracods flit through algae, surrounded by bubbles.

Muscle architecture of an evaginating tapeworm (Taenia crassiceps cysticercus) at National Autonomous University of Mexico (UNAM) Department of Immunology, Mexico City.

In Fairbanks, renowned cellist Yo-Yo Ma performs composition about impacts of climate change

In Fairbanks, renowned cellist Yo-Yo Ma performs composition about impacts of climate change
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Participants in the final Sept. 4 workshop join in a community dance after performances that included renowned cellist Yo-Yo Ma and other musicians, artists and activists from around Alaska and the Lower 48. (Courtesy William Woodward)

Renowned cellist Yo-Yo Ma joined a group of Alaska Natives, artists and environmental activists last month in Fairbanks for a performance that expresses Indigenous peoples’ grief over the shrinking population of salmon and other impacts of climate change on the far north.

In his composition performed during a climate change workshop at the University of Alaska Fairbanks, Yo-Yo Ma’s mournful strains reflect the sorrow that Alaska Native peoples feel at the loss of once-rich salmon runs decimated by climate change and overharvesting.

The tempo builds early in the composition before it gives way to cries of outrage in the verses of a poem composed for the occasion by Gwich’in filmmaker, screenwriter and activist Princess Daazhraii Johnson from Arctic Village.

The poem is entitled “When We Were Salmon,” and Johnson describes it as a sort of lament about the state of planet and its peoples.

“We do have a lot of unexpressed grief about what it happening,” she said, “and from my perspective as an Alaska Native person, it’s like so many families are not able to fish anymore up and down the Yukon River and feed our families and communities.”

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Yo-Yo Ma joins with environmental advocate and drag queen Pattie Gonia, left, and singer-songwriter Quinn Christopherson in a performance of “Won’t Give Up (Glacier)” during the Sept. 4 workshop at the University of Alaska President’s House on the UAF campus. (Courtesy William Woodward)

That was the theme of three workshops held this summer in Fairbanks by a group that included the Alaska-based indigenous-advocacy organization Native Movement, the Fairbanks Climate Action CoalitionAssociation of Interior Native Educators and UAF Climate Scholars.

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Princess Daazhraii Johnson (she/her) is Neets’aii Gwich’in and lives with her three sons and partner on the traditional territory of lower Tanana Dene lands. (File/KUAC)

The workshops were presented in partnership with a program run by Yo-Yo Ma’s organization called Our Common Nature, which explores how culture connects people to one another and the natural world.

“It was really a pilot program, of sorts,” Johnson said in a recent interview with other workshop participants. “We brought in elders, and we listened to traditional stories from the region, and then we brought in a lead artist for every workshop that we did.”

But the stories related by elders and other workshop participants weren’t just focused on the loss of salmon. The conversations also brought comfort, and healing for other emotional pain, as highlighted in a final event called “Gath and K’iyh: Listen to Heal.”

Gath in the word for King Salmon in the Benhti Kenaga dialect,” she said, “and then k’iyh is the word for birch — the birch trees.”

Mato Wyuiyuhi, who helped facilitate the musical component of the workshops, says he found comfort in Ma’s composition.

“It was really a cool thing,” he said, “because it was mournful, but it wasn’t glum or it wasn’t really solemn. It was like a really beautiful thing.”

Composer Mato Wayuhi introduces the piece of music collaboratively composed throughout the third workshop as music educator Eli Wasserman, far left, and Yo-Yo Ma, seated at far right, look on. (Courtesy William Woodward)

Wyuiyuhi is a musician, filmmaker and a member of the Oglala Lakota tribe of Pine Ridge, S.D. His professional experience includes work as a composer for the hit television series “Reservation Dogs.”

Wyuiyuhi says he appreciates what he calls the “spiritually centered” approach to grief in workshop sessions.

“So I think that sacred element was really good,” he said. “And then, yeah, moving forward, how do you integrate the type of grief into something that can actualized through music?”

Another workshop participant, Eli Wasserman, brought his experience as an educator who gives music instruction to kids in Baltimore schools that don’t have enough funding for the arts.

“So I definitely took my music education background, teaching people how to write music and make music and why music is important, and kind of create together,” he said. “And then brought that to the workshop.”

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Fairbanks Climate Action Coalition communications organizer Aurora Bowers says climate change is “a massive, massive issue to be facing, and so we really need tools to be able to feel our way through that.” (Zoom screenshot)

The hundred or so people who attended the workshops included kids who, like all the participants, were welcome to join some of the jam sessions held during the workshops, which included a Sept. 4th finale with Yo-Yo Mah at the University of Alaska President’s House on the UAF campus.

“Throughout all these workshops, we’ve really thought about everybody who enters that space as being a participant, whether they are an organizer, or an artist, or an elder,” says Aurora Bowers, a communications organizer for the Fairbanks Climate Action Coalition. She herself picked up a fiddle to accompany Ma in the final workshop concert.

Bowers says the workshops showed how music can bridge cultural divides and heal the trauma of climate change.

“It’s a massive, massive issue to be facing,” she said, “and so we really need tools to be able to feel our way through that.”

Tim Ellis is a reporter at KUAC in Fairbanks.

To the Rainbow Realm! Technology and Magic Merge in ‘Feltopia,’ the First Felted Stop-Motion Video Game

To the Rainbow Realm! Technology and Magic Merge in ‘Feltopia,’ the First Felted Stop-Motion Video Game

Photos by Sarah Wright. All images © Andrea Love and Andy Katsikapes, shared with permission

Set in a dreamy, fluffy world, the wizard Skyrider is facing the ramifications of a giant technological glitch that forced civilization up into the clouds,” says a synopsis of artist Andrea Love’s new video game, Feltopia. Your mission? Fly on a trusty steed named Cumulus “through a world of wizards, robots, and magical creatures—clearing the way towards the rainbow realm, where a mysterious mega-bot is threatening to consume the whole spectrum.”

Known for her meticulously detailed stop-motion animations using wool, Love (previously) embarks on an ambitious collaborative project to transform her felted stories into an interactive game. Just launched on Kickstarter, the project aims to roll out initially on iOS and expand to more platforms as funding allows. Love joins seasoned game designer Andy Katsikapes, who invited sound and music designers Peter Michael Davison and Richard Gould to build a world frame-by-frame, combining playable elements with hand-felted compositions and stop-motion techniques.

Get involved with the Kickstarter campaign, and learn more about Love’s work on her website, Vimeo, and Instagram.

 

A crafting mat with the word 'Feltopia' spelled out in pink raw wool.

A felted composition used as a still in a stop-motion animated video game. A small figure rides a horse through the sky, chased by a drone.

A gif of a scene in a stop-motion animated video game made with hand-felted elements.

A process shot of Andrea Love's hands pinning down some felt to make a cloud.

A process shot of Andrea Love holding a felted figure.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article To the Rainbow Realm! Technology and Magic Merge in ‘Feltopia,’ the First Felted Stop-Motion Video Game appeared first on Colossal.

Muskogee resident opens her lawn to artists

Muskogee resident opens her lawn to artists
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An Honor Heights area resident plans to turn her front lawn into an art gallery and market this weekend.

Artist Elizabeth Bautista Boyd will host the Honor Heights Drive Art Affair from 9 a.m. to 4 p.m. Saturday.

“I wanted to just create an opportunity go get some of our local artists and give them the opportunity to showcase their work and sell,” she said. “It’s going to be an outdoor gallery and market.”

Boyd said she has about 35 area artists showing all kinds of art.

“We have paintings, illustrations, pottery, photography, jewelry, woodwork, metalwork,” she said. “There’s really something for everyone.”

She said her front lawn, at the corner of Honor Heights Drive and Palmer Drive, is large enough to accommodate the artists.

“It’s got lots of tree covering, and it should be a nice day,” she said. “Some people will have tents set up if they have larger displays, but others might just bring a table for their artwork.”

A food vendor will sell hot lunches, she said.

Muskogee Art Guild will have a table offering signups to be a guild member.

“It was actually inspired by an event in Tulsa,” Boyd said. “A lady named Pam Watson started doing this, I believe after COVID shut everything down in 2020. All the galleries were closed and she wanted to help all the local artists and she started holding an art market on her yard in the Maple Ridge area. It was just so lovely and I enjoyed it, and I would go to every single one.”

Opticon 2023 Takeaways: Driving the Art and Science of Customer Experience

Opticon 2023 Takeaways: Driving the Art and Science of Customer Experience

The Gist

  • Opticon 2023 illuminates personalization’s potential. Learn how personalization can revolutionize customer experiences.
  • Leadership’s role in digital transformation. Effective leadership is key to marketing’s evolution.
  • AI’s content revolution. AI in marketing and customer experience is reshaping content creation, driving efficiency and personalization.

Several years ago, Jeanne Ross of MIT CISR told a story about the role of data in customer experience. She said that she was not particularly good at picking out outfits for events. Given this, she would usually have her daughters come shopping with her. One time, a personal shopper at Nordstrom offered to help her the next time she needed a new outfit.

At the very same time, Nordstrom was a patron of MIT CISR. Jeanne knew Nordstrom was working to provide better digital customer experience — and in this process better compete against Amazon and other digital natives. To do this, Nordstrom tied a predictive model to past purchase data and real time supply chain data. The goal was to market goods that were in stock that would be of interest to customers.

The next time Jeanne went shopping she made an appointment with the personal shopper. During this experience, she noticed that 50% of the outfits she loved and the other 50% she hated. Knowing this was an unusual percentage, she asked the personal shopper. Fortunately, for this story, they were honest with her. The personal shopper showed her that the computer picked out the outfits that she loved, and the personal shopper picked out the outfits she hated.

Soon after, Jeanne noticed this experience was omnichannel. The outfits pushed on the web were personalized to her.

Given this backdrop, I was fascinated last week to learn about the state of the art for personalization when I had the opportunity to attend Optimizely’s Opticon conference.

Here’s are some takeaways from Opticon 2023.

What Is Great Customer Experience?

Before delving into my takeaways, let’s establish a shared definition of a great customer experience. Tiffani Bova in the “The Experience Mindset,” says “Great CX is not defined by what organizations offer, but how customers feel when they engage with an organization’s products and service, employees, and brands.”

How can brands alter customer perceptions? Undoubtedly, smart personalization is pivotal. Undoubtedly, content remains central in enticing prospects to make initial purchases and encouraging repeat buying from existing customers. After all marketing is about, as Theodore Levitt suggested in “Marketing Imagination,” “getting and keeping customers.” To deliver both, today’s organizations need content that is relevant.

Related Article: Optimizely Announces Tidal Shift for Marketing Leaders

Delivering the Content Customers Want

Alyssa Schwabe, VP of digital marketing for Johnson Financial Group, shared her firm’s journey to relevancy and digital experience. Like many organizations, Johnson Financial Group’s starting point was a website that was static and as she described just “brochureware.”

Her team aimed to revamp their approach to align with their marketing objectives. Their primary goal was personalization, beginning with the capacity to recommend products, including the next best purchase. However, this necessitated content tailored to individual customer situations. Fundamentally, this entailed building what data experts refer to as master data or a comprehensive customer profile, alongside the capability to translate this data into actionable insights. Additionally, it emphasized the importance of offering relevant content to customers before transitioning them to an adviser, rather than hastily pushing for a sale.

To succeed, Johnson Financial established a unified customer data repository to power marketing applications, enabling tailored content recommendations and refined product offers based on customer life stages. They’ve also developed life stage demographics and conducted content experiments for each persona. While this approach is highly effective, a larger company I discussed it with revealed that such improvements would necessitate CEO involvement. This is despite Salesforce Research demonstrating that CX leaders yield three times higher returns for shareholders than CX laggards.

Related Article: AI in Ecommerce: True One-on-One Personalization Is Coming

Marketing Icon Talks About the Importance of Engaging Young Innovators

Angela Ahrendts suggests that smart CMOs and business leaders learn how to get their young innovators heard. At Burberry she created an innovation council that surfaced fresh ideas on transforming experience and the life stage of prospects. More importantly, she made sure that innovators were heard and got the support to turn their ideas into reality. This allowed her to expand the demographics of a Burberry customer and of course, sales.

Looking at the future, Ahrendts says the creators of ChatGPT were smart to go direct to consumer first. This grew the market faster than if they went after businesses first. Today’s marketers need to reach the TikTok kids to win. This is why consumer products companies and retailers need to continually bring in new blood.

When it comes to building successful businesses, Ahrendts says she “remains a brand purist.” Brands, in her perspective, generate enduring value for organizations. In this context, the marketer’s role is to maintain the brand’s relevance, beginning with defining the organization’s narrative, value proposition, and mission. It’s also crucial to understand how the organization positively affects people’s lives. While AI can ensure consistent messaging, the art of crafting the message remains a valuable skill. Ahrendts emphasized the critical role of trust in a brand, and she maintains an optimistic view of AI, believing it will enhance job roles and facilitate positive business impact. 

A child wearing shorts and a T-shirt jumps off a sand dune into her mother's waiting arms in piece about Opticon 2023 and building customer retention and brand trust.
Opticon 2023: Trust in a brand is critical.Steve on Adobe Stock Photos

Related Article: AI in Marketing: More Personalization in the Next Decade

Marketing People Need to Know They Do Not Know Their Customers

Michael Vanderhoof, director of digital experience at Charles Schwab, suggested that it is critical that marketers understand their client’s changing needs. He stressed that innovation hinges on reliable data and the establishment of learning organizations. For many, embracing experimentation throughout the entire product life cycle can be truly transformative. 

Schwab conducts tests across all phases, actively identifying and sizing client issues. This involves leveraging real-time customer behavioral data to discern what truly delivers value to customers. Schwab’s approach involves testing multiple experiences concurrently, enabling them to maximize the value they provide to customers. Much like Linda Yates in “The Unicorn Within,” they embrace a continuous cycle of problem identification, testing, learning, and iteration. This approach empowers Schwab to continually enhance its digital products with a wealth of digital data.

Vanderhoof emphasized another crucial point. He said, “We are not our customers. As much as we may want to, we do not know what they want. We must ask how they feel and how they are going to act.” Moreover, he pointed out that customers may occasionally misrepresent themselves. To win, “organizations need to have the right data to answer the right questions.”

Related Article: Decoding AI-Driven Personalization: Setting Realistic DXP Expectations

AI in Marketing: Personalization Drives Business Success

Darren Chait, head of growth marketing at Calendly, said Calendly has an incredibly diverse set of customers. And for this reason, it needs to be able to personalize between a Fortune 500 prospect and their needs and a dog walker and their needs. This necessitates the adoption of a personalization approach and a culture of experimentation. Calendly applies experimentation across product development, marketing, and customer experience. The company has even established guidelines for when to initiate experiments and what results and outcomes to anticipate. At any given moment, they are concurrently conducting 18-20 experiments.

In managing its diverse audience, Calendly segments by role, department and function and infer intent. The company also utilizes the way a prospect came to them as a source of information. Thanks to these strategies, Calendly boasts an impressive 11.2% higher lead-to-conversion rate. has an 11.2% higher lead to conversion rate.

Related Article: Implementing AI in Omnichannel Strategies for Seamless Customer Experiences

Creating More Intelligent AI Personalization

So how can brands change how their customers feel about them? One element is intelligent personalization. To deliver on this, organizations need relevant content. According to Alex Atzberger, CEO of Optimizely, “content should no longer be created in isolation. It should be part of a campaign, and its relevance should be determined through experimentation.”

The objective for organizations is to accelerate the transition from ideation to experimentation to conversion. As per one market analyst’s recommendation, the opportunity lies in delivering increasingly pertinent content. Atzberger envisions AI as a transformative force in content creation and personalization, akin to the impact of the printing press. However, he cautions against overestimating its short-term effects while underestimating its long-term implications. With this perspective, Atzberger believes we are at an inflection point with AI, poised to reshape marketing practices and enhance digital customer experiences.

Finally, Atzberger advocates for the restructuring of marketing around a lifecycle model that evolves continuously. This model should enable organizations to seamlessly transition from content creation to commerce, experimentation, and ultimately, delivery. This shift is significant because historically, marketing has comprised disconnected, discrete activities. Alexandra London, the head of digital at Zoom, shares Atzberger’s perspective on the crucial importance of conceiving marketing as a lifecycle. 

Making Marketing More Agile

Shafqat Islam, Optimizely’s CMO, delivered an intriguing talk, given his background as a former development leader and startup CEO who transitioned to the role of CMO. He openly acknowledged that he was tasked with transforming marketing. To succeed in this endeavor, he emphasized that every action he took began with a focus on the corporate and marketing mission and beliefs. This involved defining the organization’s objectives and reaching a consensus on its fundamental beliefs. This consensus extended to the recognition that content forms the foundation of the digital experience, and the digital experience is the most important product.

However, Islam emphasized that all of these efforts are futile without effective leadership. He firmly believes that leadership transcends mere values; it entails forging a cohesive marketing team that works together and avoids siloed approaches. He contends that contemporary marketing leaders must grapple with legacy hierarchies and silos. In response, he has drawn inspiration from a central concept in digital transformation and business agility, incorporating Stanley McCrystal’s framework of integrated “team of teams” thinking into the marketing organization. This serves as the foundation for an agile approach. Remarkably, Islam has even implemented stand-up meetings within the realm of marketing.

Islam contends that it’s imperative to be transparent and share the truth with people to facilitate better decision-making. He advocates for a shift in marketing toward a collaborative, non-siloed approach, which necessitates the development of integrated marketing processes. According to Islam, the foundation of effective marketing lies in the brand, emphasizing key milestones, and crafting integrated campaigns. In today’s landscape, marketing requires a unified narrative, and personalization should evolve from macro data-driven approaches to micro data-driven strategies, with micro data enabling one-to-one personalization.

In a one-on-one conversation later, Islam shared insights into his journey transitioning into marketing with a solid understanding of CMO responsibilities. His mission at Optimizely involved transforming the marketing organization into a more agile and resourceful entity through the creation of tiger teams. Although it presented challenges, he expressed satisfaction with the tangible progress they’ve made. Islam noted that the transition within the marketing team itself has been relatively smooth, as “people like marketing to themselves.” However, he candidly acknowledged that, like many software companies, the primary challenge lies in the transition on the sales side. Their product caters more to marketing organizations than to technology ones. With his experience and vision, it’s evident that Islam is well-suited for significant roles in the marketing sphere, should he choose to pursue them.

During a conversation with his colleague, Optimizely CTO Aniel Sud, Islam was remarkably candid about the transformative potential of generative AI in content creation. He emphasized that this technology could drive the cost of content creation close to zero. In his assessment, approximately 30% of the content creation process involves ideation, with the remainder dedicated to writing, copyediting, and formatting to align with the company’s style guide. With AI’s capacity to impact images and format documents, a substantial portion of these tasks can be automated, resulting in a significant reduction in content creation costs.

This, in turn, will empower content marketers to generate and assess multiple versions of content efficiently. As a result, content creators will shift their focus toward intention and outcomes, moving upstream to engage in strategic activities that foster agility, experimentation, and the delivery of hyper-personalized experiences.

Parting Words on AI in Marketing & the Evolution Taking Place

We are currently witnessing an evolution in the landscape of marketing. As the authors of “Future Ready” assert, “Aiding customers to meet their needs, providing a great customer experience, and acting consistently and with purpose helps create this value.”

Undoubtedly, in the present day, as product lifecycles become shorter, the customer experience is just as vital as the physical product. Today’s marketers must be fully prepared to prioritize and excel in delivering exceptional experiences to deliver it.

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With Unparalleled Access To High-Net-Worth Individuals, Forbes Is Helping Brands Master The Art Of Luxury Marketing

With Unparalleled Access To High-Net-Worth Individuals, Forbes Is Helping Brands Master The Art Of Luxury Marketing
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A beacon in business and success, Forbes has long attracted high-net-worth individuals through its platforms and live events. The Forbes Research 2023 High Net Worth Survey findings prove just that – and the company is helping luxury marketers reach their target customers by sharing how these individuals are redefining what they want from brands, where shifts exist when it comes to experiencing and purchasing luxury goods, and what drives purchasing decisions across generations.

Forbes surveyed 250 high-net-worth individuals, with between $2-$30+ million in investible assets – a quarter of whom are under 40 years of age, from across the globe to better understand how they’re celebrating their success, gauging their interest in making luxury and travel purchases and aiming to understand how these markets are being redefined by this particularly successful sector of the Forbes audience.

According to the survey, 62% of high-net-worth individuals plan to increase their spend on luxury goods and services over the next year, with investment value, sustainable practices and exclusivity of the item or brand standing as the top three factors in making a luxury purchase.

What’s more is that high-net-worth individuals are experiencing and purchasing luxury goods in new and different ways. The majority of those surveyed say they do most of their shopping for luxury goods online, this is driven by the wealthiest buyers ($30M+ in investable assets). Next-gen and female cohorts are also more likely to purchase luxury goods online in comparison to older respondents and men. While 70% of respondents from North America agree they do most of their shopping for luxury items online as opposed to in-person, just 52% in APAC and 46% in EMEA agreed.

Last month, Forbes gathered luxury marketers from top brands in the industry – including LVMH, Cartier, Ralph Lauren, The Macallan, The Ritz Carlton, Ferragamo and more – in New York City to share some of the recent findings from the 2023 High-Net-Worth Survey and spark peer to peer conversation about the changing behaviors of luxury consumers. Today, Forbes will do the same in Paris, France, proving that their access and unique positioning spans across continents. Géraldine Boublil, Creative Influencer and Stylist; Corentin Huard, Model, Filmmaker, and Influencer; and Victor Weinsanto, Fashion Designer, 2023 Forbes Under 30 lister and Ambassador of the LVMH-backed Nona Source will all speak at the event.

Forbes is reimagining and expanding its luxury focus, according to Olivia Gelade, Executive Sales Director, Global Luxury & Innovation. “While our Editorial franchises like the Forbes 400 and lists like 30 Under 30 and Top Creators that recognize next-gen billionaires are one touchpoint to high-net-worth individuals, we’ve also developed bespoke content solutions for our partners that are designed to highlight luxury brands and drive purchasing,” said Gelade. “Our ability to then convene luxury marketers and thought leaders from diverse sectors of the industry to share insights invigorates our focus and expands our reach.”

A large breadth of luxury-focused editorial will bolster Forbes’ plans, too. “Adding value to luxury marketers means ensuring that our coverage remains expansive across print, digital, video and live events,” said Michael Solomon, Editor, ForbesLife. “ForbesLife is our longtime luxury lifestyle brand, covering everything from fashion and travel to cars and watches, and we’re constantly seeking new and creative opportunities to highlight a variety of brands and products in the space.”

To learn more and access top findings from the 2023 Forbes High Net Worth Survey, click here.

Media Contact:

Sarah Edelsteinsedelstein@forbes.com

Photographer Andrew Dosunmu Brings Worlds Together in His New Book

Photographer Andrew Dosunmu Brings Worlds Together in His New Book

The beauty of Monograph—a new art book by acclaimed Nigerian and New Yorker photographer, filmmaker, stylist, and creative director Andrew Dosunmu—lies in the uncanny juxtapositions of distinct realms. Wholly separate images shown side-by-side form their own dynamic relationships. Two people in different portraits appear to size each other up across facing pages; on the road in Lagos, a young girl flashes a smile in the direction of a portrait of a man, pausing briefly, his mesh shirt resting on his head. They may never have crossed each other’s paths, but here they do.

Andrew Dosunmu portraits

Andrew Dosunmu

In Monograph, collages from Dosunmu’s work as a stylist casually bump up against his work as a fashion photographer, and stills from his films (including Beauty and Mother of George) and music videos (among the musicians he’s worked with: Isaac Hayes, Bob Marley, Aaron Neville, Talib Kweli, Erykah Badu). They all naturally blend into the images that are at the book’s core: pictures that span roughly 20 years, from the early 2000s to the present, a roving eye that remaps the world. Page to page, we jump in quick succession between Quito and Accra, Chicha and the Port of Spain, Manila and Sudan.

“I love both that seamlessness of brothers and the dissimilarities—that’s what I’m attracted to when I’m photographing,” Dosunmu, who grew up in Nigeria and England, says in a café in his Crown Heights neighborhood. A prime example is a spread of two facing pictures from Jamaica. It’s as if Dosonmu’s camera peels away the walls, so that two interior spaces are suddenly joined, like mirror reflections. Famous and familiar faces, most not credited by name, slip into these pages discreetly—a portrait of André 3000 pops up as surprisingly as the Outkast musician himself and his flute might, in random airports and settings all over the world. Even when working on fashion commissions, Dosunmu prefers to find models on location. “It was always about real people,” he says. “Going to India, Senegal, Vietnam, wherever, and casting people off the streets.”