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Class Notes: Spring 2023

Class Notes: Spring 2023

Whether it’s starting a new business, writing a book, or achieving a lifelong dream, the Wildcat family continues to reach milestones. Alumni share professional and personal updates for spring 2023.

1970s

Steven Callan poses for a profile picture wearing a white golf shirt, standing in front of the ocean.

Steven T. Callan’s (Political Science, ’70) first novel, The Case of the Missing Game Warden, has been named a “Best First Novel” award finalist in the Next Generation Indie Book Awards. Having published two non-fiction books beforehand, Steven’s third book tells the fictional story of a veteran Northern California game warden who confronts a gang of commercial duck poachers and then disappears in the winter of 1956. Thirteen years later, a rookie game warden named Henry Glance sets out on an adventure-filled quest to find him. Callan is a retired patrol lieutenant with the California Department of Fish and Wildlife. He is currently editing his second novel in the Henry Glance series.

Peter Hovland (Physical Education, ’77) is set to retire this May after serving as head swimming and diving coach for the Golden Grizzlies at Oakland University in Rochester, Michigan, for more than four decades. During his tenure, the men’s team established itself as one of the country’s most elite programs, winning 44 consecutive conference championships. Peter also served as the women’s head coach for a total of 24 seasons, helping that team extend its own remarkable streak of 28-straight league titles. He was 23-time All-American and five-time individual national champion during his days as a student-athlete at Chico State, and was hand-picked to join the Grizzlies coaching staff. He has been inducted into Chico State’s Hall of Honor; the Chico State Athletic Hall of Fame; the Michigan Sports Hall of Fame; and the Summit League Hall of Fame; and he was named one of the 100 greatest swimming and diving coaches of the past 100 years by the College Swimming & Diving Coaches Association of America.

Samuel Lankford (Geography, ’79; MA, Recreation Administration, ’81) and Jill (Knowles) Lankford (Recreation Administration, ’81) celebrated their 40th wedding anniversary in October 2022. They met at Chico State in a recreation administration class, and 20 days after their marriage ceremony moved to Seoul, South Korea, to work in recreation for the Eighth US Army. They eventually moved to Oregon to attend the University of Oregon where Sam earned a master’s degree in urban planning and a PhD while Jill earned a master’s degree in urban planning and master’s degree in landscape architecture. What followed was a long teaching career for them both—10 years at the University of Hawaii in Honolulu, 13 years at the University of Northern Iowa, and nine (and counting) years at Fresno State. Sam and Jill have published numerous books and articles throughout their long and adventurous careers, and they have raised two children.

1980s

Lisa Fitzgerald (Latin American Studies, ’80) has been elected governor for the Soroptimist Sierra Nevada region for the next two years. As region governor, Fitzgerald will serve as the top administrative officer for Soroptimist clubs in her geographical territory, which covers Northern California and Nevada. A member since 1996, Fitzgerald has held several leadership positions including governor-elect, district director, president, secretary, and various committee chair positions. She currently works as a marketing and event planning management consultant for Big Chico Creek Resources.

Robert Richards (Business Administration, ’80) is twice retired! First, in 2011 after serving as a Solano County reserve deputy sheriff, and then again in 2016 after working in compliance and internal controls for the Chevron Corporation.

Cornelius “Paul” Frydendal (Economics, Business Administration, ’81) has retired as a CPA and chief operating officer for Special District Risk Management Authority, a public entity risk pool. Paul lives in Sacramento with his wife, Jayanthi, and their two children.

James Leamon (Business Administration, ’89) retired in July 2022 from the Oregon Department of Transportation. James bounced around through a series of trainee positions before being hired as a consultant/contractor and then moving into a full-time role as a senior developer and database administrator and trainer. He is currently enjoying his retirement by taking “lots of photographs.”

Rich DeLong (Geology, ’80), a geologist, natural resource manager, and businessman, was elected to the Nevada State Assembly in November 2022. The republican will represent District 26 and sit on Legislative Operations and Elections, Government Affairs, and Natural Resources committees. After graduating from Chico State, Rich received master’s degrees in geology and resource management from the University of Idaho. He lives in South Reno with his wife, Julie, and teenage daughter.

Donald McGuire (Business Administration, ’89) has been named senior vice president and chief marketing officer of Qualcomm Technologies, Inc. In this new role, Donald will oversee all marketing and corporate communications, research, and analytics. He has over 25 years of marketing experience, including previous positions with Intel, Leap Wireless, and Sprint PCS. Donald has also attended an executive master’s program at Stanford University’s Schwab School of Business.

1990s

Todd Fitchette (Journalism, ’90) is the associate editor of Western Farm Press and has spent the last 10 years writing about agriculture and environmental issues in the West from his home in Arizona. He started his journalism career as a general assignment and beat reporter for several small-town newspapers in California and then transitioned to agricultural writing. Along the way, he earned a first-place photography award from the National Newspaper Association in “Spot News Photography,” and was lauded in 2021 by the Fresno County Farm Bureau for his agricultural coverage throughout the state.

Deborah Linggi (Journalism, ’92) is principal of executive and internal communications at Intuit, global financial technology platform.

Jef Huber (Attended, 1992-93) is the president and CEO of Worldwide Halo, Inc., owner of a variety of diverse travel organization entities, and the operator of Club Cruise, a luxury membership agency. He is also set to release a new media production later this year called The Travel Agency Show, which will offer an inside look into the travel industry. Among his proudest accomplishments are Jef’s two children, both Wildcats: Heather Huber (Attended, 2013–18) and Lance Huber (Business Administration, ’21).

Lois Ann Abraham (English, ’94; MA, English, ’96) published her second novel, Deborah’s Gift, in 2022—it is available at www.newwindpublishing.com. Her previous two books are Tina Goes to Heaven, a fictional account of escape from life in the sex trade, and Circus Girl and Other Stories, which includes a story for which she won first place from The Chico News & Review. Abraham taught composition, creative writing, early English literature, early American writing, and structure of English as a tenured professor at American River College, retiring in 2018.

Jennifer Kennelly (Psychology, ’94) received both master’s and doctoral degrees in psychology from Palo Alto University and now runs her private practice. She conducted therapy and psychological testing within schools, juvenile hall, child protective services, and with private members of the Chico community and the surrounding area for 14 years. At the end of 2019, Jennifer relocated back home to Santa Cruz where she lives with her college-aged daughters and conducts an exclusively telehealth practice.

Laurie Maurice (Sociology, ’94) has recently accepted a position as a paraeducator with the New Haven Unified School District in Union City. Previously, Laurie spent over 15 years working as a human resources administrator and analyst within the tech industry in the Bay Area before choosing to become a stay-at-home mom to spend more quality time with her daughter, Madeline. She is now enjoying working with students inside the classroom rather than from behind a desk, and is looking forward to making a meaningful difference in people’s lives with this new adventure.

Frank D. Treadway (Sociology, ’94) is a self-employed political consultant who coordinates local elections from the school board to the State Senate. Throughout his diverse career, he has helped to create strategies and budgets for over 30 political candidates; traveled to more than 33 countries; owned two businesses in Redding; and has worked as an independent travel guide. Frank received a master’s degree in school counseling from the University of La Verne.

Pamela Dana poses in a black suit with a pink undershirt and her reddish hair pulled back in a ponytail.

For the last 15 years, Pamella Dana (social work, ’97) has served in leadership roles at the Institute for Human and Machine Cognition, a Florida-based research institute engaged in artificial intelligence, robotics, sensory substitution, data mining, and related technologies. As chief external affairs officer, she works to expand the institute’s reputation while managing its relationships with government, corporate, and nonprofit partners. She previously served as director of the Governor’s Office of Tourism, Trade, and Economic Development— Florida’s senior-most officer responsible for programs and policies leading to economic growth—and was a founding member of Triumph Gulf Coast, a nonprofit tasked with distributing funds to recover from the 2010 Deepwater Horizon oil spill.

2000s

Alexis McDowel (Communication Studies, ’00) is vice president of global communications for Oura, a health technology company and maker of the “Oura Ring.” Since graduating, Alexis has led public relations for various well-known technology companies including Lucas Arts, Zynga, Unity Technologies, and Fitbit.

Brian Sherman (Business Administration, ’00) was recently named senior vice president and chief people officer at Delta Dental of California. Sherman originally joined the insurance company in 2018 as vice president of people. In his new position, he will oversee a variety of functions including talent acquisition, development, and learning; diversity, inclusion, and belonging; business resilience; and corporate social responsibility.

Elizabeth Kile (English, ’03) published her first book, Haunted San Jose, with Arcadia Publishing in September 2022. The book provides a historical account of ghost stories in San Jose. Beth is currently collecting new material from the rest of the South Bay area for her next book, and is looking for new haunts to include—email her at hauntedsj@gmail.com if you have a creepy ghost story to share!

Narcippa Teague poses with his daughters Lisa and Lizette, who are each holding a copy of the book Teague wrote about their experiences together. The full front cover of the book is shown at right.

Narcippa Teague (Communication Design, ’04) published his debut children’s book, Daddy, I’m Scared, a tale about taking control of bad dreams. Teague was inspired to write the book when his daughters Lisa (now 25) and Lizette (24) woke him on consecutive nights after having nightmares. He is in the process of retiring after 15 years at AT&T and plans to use that time to write more books, continue coaching basketball (Teague played two seasons at Chico State following a nine-year stint in the Navy), and work on the business he and his partner, Kamika, have started, S&K Enterprises.

Jerry Zigounakis (Applied Computer Graphics, ’05) is a visual effects artist living in Harbor City. He is a single dad raising his pre-teen daughter, and has recently worked on James Cameron’s Avatar sequel.

Darcy Reed (Theatre Arts, ’07) released her newest book, Extraordinary Women with Cameras: 35 Photographers Who Changed How We See the World, in the summer of 2022. She is a successful writer, editor, and actor living in Sonoma County. Darcy’s book release was promoted by Pacific & Court, a Brooklyn-based publicity and digital marketing firm co-founded by another Chico State alum, Kourtney Jason (Journalism, ’07). Kourtney is now president of the firm, bringing with her a decade of experience as a publicist representing celebrities, world-renowned chefs, and bestselling authors. She previously led the in-house publicity departments at Ulysses Press and Time Inc. Books.

Brian Kennedy poses in riding gear, covered in mud, with his mountainbike resting against a tree.

Brian Kennedy’s (Journalism, ’06) Youtube channel, BKXC, reached a new milestone of 500,000 subscribers. He documents the best mountain bike trails and his videos have taken him to all 50 states and around the world. Brian started the channel in 2016, and 839 videos later with over 67 million views, has turned it into a full-time job. His goal is to introduce bikes into everyone’s life as a way to stay fit, something to be passionate about and, most importantly, something everyone can do. He plans to make videos in Mexico, Peru, and Israel in the coming months.

Jason Fitzer (Business Administration, ’08) has recently joined San Diego State University as the inaugural director for the Center for Fraternity & Sorority Life.

2010s

Garrison Harward (Theatre Arts, ’10) has been named the new executive director of Andando, a 501(c)(3) public foundation operating out of Senegal that seeks to alleviate poverty around the world through micro-development. Garrison has been with Andando a little over two years, after having lived in Senegal as a Peace Corps volunteer from 2010–12.

Adam Roth (Sociology, ’12) was recently awarded a $2.7 million grant from the National Institutes of Health (NIH) to fund his research on rural-urban disparities in cognitive aging over the next five years. His research will contribute to the study of cognitive aging and will help inform approaches to other public health issues such as loneliness, social isolation, and access to social and health services. Adam is an assistant professor in Oklahoma State University’s Department of Sociology.

Jordan Carrol (Business Administration, ’13) has published Remote for Life: How to Find a Flexible Job and Fast-Forward to Freedom, a guidebook on how to cultivate a thriving career that allows you to work from anywhere. Jordan is a productivity expert and remote job coach who creates content and courses for remote job seekers. You can find him on his YouTube channel promoting self-development and the digital nomad lifestyle, as well as in a variety of publications and media discussing his innovative approach to work—this is his first book.

Erin Jamison (Psychology, ’14) a second-year student at Mitchell Hamline School of Law, Saint Paul, Minnesota, has received a Benjamin B. Ferencz Fellowship in Human Rights and Law from World Without Genocide, a human rights organization at Mitchell Hamline. The fellowship provides support for work in human rights including research, policy development, and action at local, state, national, and international levels. Jamison will conduct research and advocacy about the Uyghurs, a persecuted Muslim minority group in China. Jamison previously spent three years teaching English in Taiwan, and worked with historically underserved youth groups in California through AmeriCorps.

Michael Arensdorf (Business Administration, ’17) is a Certified Public Accountant and owner of an accounting firm on the central coast of California. He specializes in helping small businesses maximize their value and individuals grow their wealth.

Eric Dugoni (Psychology, ’17) was hired as an account executive at Verkada in San Mateo in November 2021. Eric also got engaged in the summer of 2022 and will marry Katherine Hudson in July.

Jenna Fletcher (Health Science, ’17) and Myles Gregory (Business Administration, ’17) were married in October 2021 and recently bought a house in Austin, Texas, where Gregory was promoted for work. Jenna works in biotechnology as a purchasing advisor and auditor for Corvus Pharmaceuticals and Gregory works as a small and medium-sized business account executive for Confluent, a software company.

Gloria Lopez (Child Development, ’17) works as a site supervisor for the Santa Clara Unified School District. She recently received a master’s degree in education from Pacific Oaks College and presented her final research on early education centers and inclusive environments.

Jessica Church (Agriculture, ’18) was recently promoted to quality control program manager for the Vegetation Management Department at Pacific Gas & Electric. Previously, she worked for three years as a contractor for the company.

Elizabeth Ernster (Journalism, ’18; Undergraduate Education, ’19) is the director of communications and development for the California State Alliance of YMCAs. She is currently working on fundraising, as well as a communications and engagement plan for Healthy Kid Day, a nationwide YMCA event, with a focus on engaging legislators in activities across the state.

Dana Moot (Anthropology, Nutrition and Food Sciences, ’18; MA, Art, ’21) is currently a PhD student studying archaeology at the University of Alabama in Tuscaloosa. An Air Force veteran, Dana is interested in Mayan hieroglyphs and just completed his first dig in Guatemala. He looks forward to working and traveling throughout the country soon as he researches ceramic collections.

Sean Dobbyn (Business Administration, ’19) is an account executive for the Oakland Athletics.

2020s

Leah McKinley (Business Administration, ’21) is now employed as a revenue analyst with the City of Boise, Idaho.

Rebekkah Conklin (English, ’22) is currently earning a master’s degree in English literature at City, University of London. She is focusing on medieval studies and feminist theories, and will graduate in spring 2023. Rebekkah plans to earn a PhD afterward.

Alexandra Lee (Liberal Studies, ’22) began working for the US Department of Defense while studying at Chico State and is now an annex supervisor for the US Navy Child and Youth Programs.

Juliana Ordonez (Public Health, ’22) is a case manager for DHS: Immigration and Customs Enforcement, where she provides community-based services for undocumented young adults, including helping them comply with immigration obligations, aiding them with accessing community resources, and reducing misinformation within the immigration process until the resolution of their cases.

Leandra McNeal (Psychology, ’19; MS, Psychology, ’22) is a project development coordinator for the New Day Training Center in Yuba City, where she is focusing on expanding the center’s mental healthcare services to Chico, Paradise, and eventually Oroville. Leandra is committed to improving the mental health of as many people as possible, and is overjoyed that her position allows her to do just that.

Hannah Hull photographed standing with trees and a rainbow structure in the background.

Hannah Hull (Media Arts, ’20) is living her Hollywood dream, bringing stories to life on the big and small screen. She is a set decoration production assistant but has done work as a character designer, storyboard assistant, production coordinator, and property production assistant. Her resume includes assisting with commercials, like an Uber Eats ad featuring Elton John and Lil Nas X, as well as television shows Rutherford Falls and For All Mankind, and films Black Adam and Nope. Her path from Chico to Hollywood has come from her determination and making the most of her opportunities and Chico State education. Hull is focused on learning and practicing as much as she can during these early years of her career as she works toward her goal of directing and telling her own stories one day.

Have you recently changed jobs, been promoted, or started your own business? Perhaps you’ve gotten married, crossed something off your personal bucket list, or achieved a lifelong dream. Send an email to classnotes@csuchico.edu to share where life has taken you since your days at Chico State.

Fond Farewells

The University and Alumni Association note with sorrow the passing of our alumni, students, and colleagues.

Alumni

Charles Lindon Allen (Mechanical Engineering, ’88)

Ardith Allread-Atkins (Education, ’65; Credential, ’65)

Betty Bates (Education, ’52)

Jan Carol Howsden Bishop (Sociology, ’86; Credential, ’88)

Kenneth Stanley Blonski (Social Welfare, ’69)

James “Jim” Alan Bremer (Business Administration, Economics, ’68)

Lloyd Douglas “Doug” Brewer (Education, Credential, ’64)

Roy Carrington (Business Administration, ’70)

Richard L. Colbert (Industrial Arts, ’73)

Gloria “Glo” Nieto (Communication Design, ’76)

Jessica Jean Crawford (Public Administration, ’79)

Erin Dougherty (Geography, ’96)

Robert Harlan Fosen (Psychology, ’52)

Samuel “Sam” Hans Funner (Education, Credential, ’55)

Elaine Carol Gray (English, ’72; Credential, ’73)

Karl Hagmaier (Business Administration, ’54)

Joanne Marie Harley (Art, ’65; Credential, ’66; Credential, ’81)

Kenneth Kennedy Hodge Jr. (Agriculture, ’79; MA, Agriculture, ’88)

Christopher Hutton (Attended, 1975–76)

Wesley Howard Isom (Business Administration, ’60)

Kevin Kearns (Biological Sciences, ’81)

Trudy Alice K. Lackey (Attended, 1972)

Robert Loman (Business Administration, ’78)

James Lutz (Physical Education, ’77)

Mark McDonald (Business Administration, ’94)

Walter Howard Moehrke (Mathematics, ’61)

Vincent “Vince” Craig Moreno (Agriculture, ’85)

Thomas O’Connor (Attended, 1969–71)

Matthew Prentice (Criminal Justice, ’19)

Cherie Manson Ramirez (Attended, 1965–66)

Albert Redamonti (Attended, 1955–59)

Patrick Lynch Ryan (Information and Communication Studies, ’91)

Kenneth George Sahl (Biological Sciences, ’50)

Lois Ann (Strong) Shoupe (Physical Education, ’52; Credential, ’52)

Frederick Smiley (English, ’66)

Gary Stone (Business Administration, ’77)

Steven Tadeo (History, ’17)

Valerie Wilson (Art, ’70)

Joseph Womack (Environmental Science, ’15)

Jennifer Wood (Liberal Studies, ’97)

LaVerne “Frankie” Ann (Frankenstein) Zehrung (Nursing, ’66)

Faculty and Staff*

Martha Ann Armocido, Facilities Management and Services, 1988–99

Tara Becraft, Chico State Enterprises, 2011–22

Kenny K. Chan, Department of Finance and Marketing, 1985–2019

Casey Lorne Donoho (Economics, ’80; MA, Business Administration, ’84) Marketing, 2008–17

James “Marty” Gilbert, Theatre Arts, 1979–2005

Ronald Leslie Kohl Sr., Facilities Management and Services, 1960–91

Robert Thomas, Biology, 1966–2005

Dennis Yarnell, Instructional Media Center, 1974–2009

Students

Daniella Senico, Psychology

* YEARS OF SERVICE

Pre-College Programs for High School Students

Pre-College Programs for High School Students

For this inaugural summer, Montclair is offering tuition scholarships to all students. Students in Film and TV, Social Media Success, Business Entrepreneurship, and Intelligent Systems will receive a 50% scholarship, making the total program cost $1200. Students in the NYC Experience program will pay $1800, a 25% discount, to accommodate the cost of multiple experiences in New York City.

Once accepted, families can pay a deposit of $100 to secure a spot in the program.

Deposits (and all payments) can be made via our electronic portal here. You can also mail in a check to the following address:

Montclair State University, attn. Office of the Provost, 1 Normal Ave., Montclair, NJ, 07043

Deposits are due on June 1. However, we encourage families to submit a deposit as soon as possible, as spots in your selected program cannot be guaranteed until a deposit is received. The remainder of program fees are due according to the following payment schedule:

June 16: 50% of tuition ($600 — $900 for Big Apple Program)

July 8: Remaining tuition ($500 — $800 for Big Apple Program)

Families are welcome to pay any or all portions of program fees in advance of these dates.

Indian Market and Festival returns to Eiteljorg

Indian Market and Festival returns to Eiteljorg

The 31st annual Indian Market and Festival returns to the Eiteljorg June 24-25. The celebration of Native cultures will feature more than 120 Native American and Canadian artists as well as music, dance and food. 



One of nation’s top Native American art markets returns to Eiteljorg

The Bizhiki Culture and Dance Company performs at a past Indian Market and Festival at the Eiteljorg Museum in this file photo.




Visitors can shop for items including jewelry, pottery, paintings, beadwork, weavings and carvings and enjoy music, storytelling and dance performances. “Expressions of Life: Native Art in North America” will also be on exhibit in the Eiteljorg’s reimagined Native American Galleries.

“Since its inception in 1993, the annual Eiteljorg Museum Indian Market and Festival has grown in stature to become one of the top Native American art markets in the country, as well as a must-do event on the downtown Indianapolis summer calendar,” said Alisa Nordholt-Dean, vice president for public programs and Beeler family director of education at the Eiteljorg. “Artists, performers and thousands of market-goers and art buyers have come together at the Eiteljorg to celebrate Native arts and cultures.” 

Many of the artists will have entered their artwork into that weekend’s juried art competition. In order to show and sell their art at the festival, artists must be enrolled members of a federal or state-recognized tribe. 

Admission for the festival is free for Eiteljorg members. For non-members, tickets range from $20 to $25. For more info, go here

—Xain Ballenger

VizArts Monthly: Vibrancy in May

VizArts Monthly: Vibrancy in May

At this moment, as I write to you from Portland, it is a clear, sunny, 85 degree day. Ah, the sun! Welcome back! (I’m not jinxing it, trying to scare it off by naming its presence–I promise!) As the days grow longer and the sunlight lingers into the evening, nothing sounds better than strolling through the neighborhood, admiring the way that everything seems to come alive. Everything feels bright, vibrant, and oh so colorful. Many of the events this month also celebrate color and vibrancy through direct and formal approaches or through the wonderful textures it can enhance.

Also dear readers, happy Asian American and Pacific Island (AAPI) Heritage month! Since 2009, the month of May has officially been recognized as the month to celebrate the presence, histories, and resilience of Asian, Asian American, and Pacific Island (including Micronesia, Melanesia, Polynesia, and Native Hawaiian) communities. While I’ve included just a few events featuring or curated by Asian American artists in this month’s roundup, it is by no means comprehensive of the incredible and inspiring contributions of AAPI artists, curators, scholars, and organizers to Oregon’s visual arts scene. Hat’s off to you all, thank you for everything you bring to the table!

Work by Yuji Hiratsuka. Image courtesy Augen Gallery.

Recent Work
Yuji Hiratsuka
May 4 – May 27
Augen Gallery
716 NW Davis St, Portland (Tues – Sat 11:30am – 5pm, or by appointment)

Through a series of skillful intaglio prints, Yuji Hiratsuka thinks through multiple complex intersections: first, the material relationships between paper, ink, and the etched copper plates; second, the interplay of of figures and objects in space; and third, the cultural tradition of Japanese Ukiyo-e prints and the imagery of the Western Hemisphere. Color and texture are not shy here, but orchestrated to generate wry satire and emotion in a world that feels surreal but tangible.

Work by Salomée Souag. Image courtesy Nationale.

Fruit of My Past
Salomée Souag
April 21–May 28
Nationale
15 SE 22nd Ave, Portland (Thurs – Mon 12pm – 6pm)

Fruit of My Past may be Salomée Souag’s first solo gallery exhibition, but chances are high that you have already seen one of her many community murals–from Portland’s Arbor Lodge neighborhood to Hey Love at Jupiter Next to the Living School of Art in Gresham. The Peruvian-Algerian artist and designer originally from Switzerland (but currently residing and working in Portland) reflects on the softness of human connection and the shedding of shame through a new series of neo-transcendental paintings. The poetic, symmetrical forms (rendered using Pacific Northwest-foraged natural pigments and Conté crayon), evoke for Souag an elegant femininity through their form and fluidity. Their presence, then, reclaims space for womanhood that seeks healing and flourishing. 

Work by Emily Jung Miller. Image courtesy Walters Cultural Art Center.

Monuments
Emily Jung Miller
May 2 – June 23
Shirley Huffman Auditorium Gallery
150 E. Main Street, Hillsboro (Mon – Fri 8am – 5pm)

Processing the grief of her grandparents’ passing alongside the ongoing ripple effects of the Covid-19 pandemic, Emily Jung Miller has created a series of memorial objects and installations akin to commemorative offerings made of reclaimed materials and fishing gear. Rather than seeking the stoic permanency of traditional monuments, Miller embraces ephemerality with coiled rope baskets and moons of handmade paper embedded with kelp. Her objects are meant to live and breathe with us, cultivating a special space for empathy and kindness through the remembrance of lost loved ones.

Work by Shawn Kee. Image courtesy Raven Makes Gallery.

The Homelands Collection, 3rd Edition
May 11 – June 1
Raven Makes Gallery
182 E. Hood Ave, Sisters (Thurs – Fri and Sun – Mon 11am – 4pm, Sat 10am – 5pm)

Drawing on the traditional Indigenous genre of ledger art, Raven Makes Gallery coordinates a showcase of contemporary Indigenous artists, brought together by a core medium approach: works of art done on original maps of the 17th, 18th, and 19th centuries. The expansive collection of approximately 90 works embodies what Native American Art Magazine describes as a move to “decolonize the map,” a visual conceptualization of the undoing of settler colonialism’s harsh (and violent) effects. 

Work by Mana Mehrabian. Image courtesy Paragon Arts Gallery.

FROM: TO: | :فرستنده: گیرنده
Mana Mehrabian
April 21 – June 3
East Gallery, Paragon Arts Gallery
815 N. Killingsworth St, Portland (Wed – Fri 12pm – 7 pm, Sat 12pm – 5pm)

Mana Mehrabian explores the precarity of transition through the use of mundane or commonplace materials. Recognizable objects like shipping boxes and computer screens transform into delicate messengers of memory, migration, and the question of home as Mehrabian reconstructs them from unexpected materials. Mehrabian’s visual language is at once minimal yet deeply poetic, expressing a complex intersection of longing and the troubles of merging cultures. 

Image courtesy Sator Projects.

Physical Education Basement Garage
Organized by Takahiro Yamamoto
April 28, 29, May 6, 12
Sator Projects
220 SE Market, Portland

Physical Education Basement Garage (PEBG) brings together an exciting group of artists, organized by Takahiro Yamamoto, in a series of events featuring performance, reading, sound art, film, and more–a casual offshoot stemming from Physical Education. Yamamoto invited participants to mine their art basements/garages (actual, mental, digital, or otherwise) for works that have been long stored, offering them an opportunity to present them for casual public enjoyment. PEBG also coincides with the Portland release of Yamamoto’s new book, NOTHINGBEING, based on the artist’s performance of the same title from last year’s TBA Festival. 

Sponsor

Portland Playhouse Great Wide Open Portland Oregon
Work by Jessica Poundstone. Image courtesy Multnomah Arts Center Gallery.

Jessica Poundstone and Leondra Brackett
May 5 – June 10
Multnomah Arts Center Gallery
7688 SW Capitol Hwy, Portland (Mon – Thurs 9am – 9:30pm, Fri – Sat 9am – 5pm)

In two very different but complementary styles, Jessica Poundstone and Leondra Brackett contemplate the sublime beauty of nature through colorful abstraction. Poundstone presents selections from her Superbloom collection, a series of color field prints inspired by extraordinarily abundant expanses of blooming wildflowers after long bouts of rainfall. Brackett presents more intimately-scaled watercolor paintings and books that begin as observational sketches she creates during her hikes and adventures through the Pacific Northwest and Colorado. 

Work by Ellen George. Image courtesy PDX CONTEMPORARY ART.

Slow Gestures
Ellen George
May 3 – 29
PDX CONTEMPORARY ART
1825 NW Vaughn Street, Suite B, Portland (Tues – Sat 10am – 5pm)

Abstract painting has a way of evoking the body–not always literally, but often through a reminder of the way the body moves with the gestures and brush strokes in its creation. Ellen George focuses on this sensitivity and presence of the body in Slow Gestures, a series of paintings and metalpoint on wood panels. A convergence of her daily Tai Chi practice and her studio work, Slow Gestures stands as evidence of George’s moving meditations and focused attention.

Image courtesy Photography at Oregon.

45th Annual Photography at Oregon Exhibition and Auction, Second Exhibition
May 5 – June 1
Gallery at Dot Dotson’s 
1688 Willamette St, Eugene (Mon – Thurs 10am – 5:30pm)

Photography at Oregon (PAO), a nonprofit organization that has been bringing together photography exhibitions and events since 1966, presents a series of exhibitions featuring the work of local and internationally-renowned photographers from Eugene and Lane County, opening its second installment this month. The exhibitions coincide with their annual fundraising auction, with opportunities to bid on any of the entire collection available online until June 30. 

Image courtesy Sitka Center.

Artist Talk: Black Art/Ists Project Resident Talk (via Zoom)
May 4, 4pm – 5:30pm
Sitka Center for Art and Ecology
Online via Zoom and YouTube

Sitka Center welcomes six artists and practitioners for a collaborative residency this spring with a group conversation. Curated by 2021 resident Intisar Abioto for their current project Black Art/Ists, the cohort of Licity Collins, Silver, Akela Jaffi, Melanie Stevens, Mia O’Connor, and Abioto themself will offer brief presentations of the work as they prepare for their upcoming group residency at Sitka. The talk will be held online via Zoom, and will be recorded and posted to Sitka Center’s YouTube channel.

Installation view of Dark Moves. Image courtesy Cooley Gallery. Photo by Mario Gallucci.

Artist Talk: Fabiola Menchelli & Heather Watkins
May 6, 11:30am
Reed College Chapel, Eliot Hall
3202 SE Woodstock Blvd. Portland

As part of their current exhibition on display at Cooley Gallery, Dark Moves, Fabiola Menchelli and Heather Watkins will discuss their work through a conversation with curator Stephanie Snyder. Dark Moves was designed collaboratively by Snyder, Menchelli, and Watkins. Both artists are deeply interested in sensory and perceptual nuances, especially as they emerge through darkness and shadows. The work is an ethereal study in phenomenology, delighting the senses and toying with perception.


One last thing, as a little bonus! This is technically not in Oregon, however…

Work by Lindsey Costello. Image courtesy Sou’Wester Arts.

What Else is Here?
Lindsey Costello and Erika Callihan
April 14 – June 6
Sou’Wester Arts
3728 J Place, Seaview, WA

Our dear former VizArts Monthly columnist Lindsey Costello in collaboration with artist-friend Erika Callihan presents What Else is Here?, a body of site-responsive drawings, soundscapes, paintings, and textile works while in residence at Sou’Wester Arts. What Else is Here? thinks about the intersection and overlap of rest, trust, Annie Dillard’s writings, and the healing potential of nature. In conjunction, the exhibition also features 8mm diaristic nature films by Costello, screened in the Red Bus Theatre.

6 art-school stars to watch

6 art-school stars to watch

The artists in our annual spotlight of talented MFA candidates scrutinize technology, motherhood, the natural world, and the communities that formed them. They’re studying at Boston University, the School of the Museum of Fine Arts at Tufts University, Massachusetts College of Art and Design, University of Massachusetts Dartmouth, and Lesley University College of Art & Design. We met and chatted in galleries and their studios.

Yukai Chen, “Untitled.” Archival pigment print. MassArt MFA Thesis Show, MassArt x SoWa Gallery. Yukai Chen

Yukai Chen, 24

Photography

MassArt

Growing up queer in Xiamen, China, Chen found roundabout ways to explore his identity.

At an opera, “I was amazed by a performer who is actually biological female,” he said. “She would dress up like a male character and sing boldly and powerfully on stage.”

Then, “I was obsessed with video games . . . because I can change my character to female. I can also change my character to a male,” he said. “I can change my character to a non-human creature. It just gave me a lot of freedom.”

At MassArt, photography has been Chen’s platform to integrate childhood influences and perform his true, evolving self. In his series “The Factory of Desire,” he said, “I’m trying to bring the unseen desire to the stage.”

The stage begins in his apartment, where he creates elaborate sets and performs for the camera in costumes reflecting opera, animation, and the Buddhist temple he grew up attending with his family. His photographs collapse traditional definitions of gender and play with notions of what’s real.

“When people think about a camera, all they think about is reality,” he said. “But I transfer this to blurring the boundary between reality and the virtual world.”

https://www.chenyukai.com/

https://www.instagram.com/cykkai/

Megan Arné, “Two Births in Orange,” 2022. Oil on canvas and canvas wrapped panel.Megan Arné

Megan Arné, 29

Painting

BU

A mind map on Arné’s studio wall has “WORRY” at the center. The painter and her husband have a 4-year-old and a 1-year-old; her work expresses the nitty gritty of motherhood.

When she first arrived at BU, pregnant with her second child, she said, “It was really hard to juggle home life and the studio.”

A series of small prints symbolizing her toddler’s foods proved a watershed.

“It’s progressed from compositions with these shapes into having them become other symbols — for the female body, for childbirth, for breast-feeding — and using them to make patterns,” she said.

In one series, Arné charts the sleep of family members. In the “Two Births in Orange” series, she layers food symbols to evoke “the birth canal, the shapes of the breast and the vulva, and cells dividing,” she said.

Paintings integrating her studio and home life are a mixed blessing.

“I’m working constantly. When I’m at home with my kids I’m tracking their sleep, what they’re eating. I’m tracking my guilty thoughts, my emotions, making little charts,” she said. “Then when I come to the studio, I’m still in the same mode.”

Her art reflects the invisible labor of mothers and caregivers. During our studio visit, she wore coveralls. Emblazoned on the back: “Milking It.”

https://megan-arne.com/

https://www.instagram.com/studioarne/

Tristan Lajarrige’s “Statue of Liberty (from Famous Tourist Attractions),” 2022. Photographs, inkjet print on archival paper mounted on Dibond.Tristan Lajarrige

Tristan Lajarrige, 23

Photography and Performance

SMFA/Tufts

Lajarrige wants to overthrow the creeping, surveillant pervasiveness of technology.

“I’m using it every day, but it’s also using me,” he said. “I’m going to try to render it useless by hiding from it.”

He borrowed a 360-degree camera and set it to shoot every 10 seconds, as he ducked behind trees in the woods. At home, he ran circles around his computer to avoid being photographed. He plays hide-and-seek until the camera battery dies, then mounts the photos in grids that invite us to see outside the tunnel vision between human and computer.

“It felt really satisfying to trick the camera,” he said.

For his thesis project, Lajarrige examined his tendency to document and post his life on social media.

“I’m participating in this surveillance subsystem,” he said. “That’s kind of scaring me.”

He traveled to London and San Francisco, but instead of photographing Big Ben or the Golden Gate Bridge, he pointed his camera toward the sky.

“I let the camera shoot a picture every second until it dies. While it’s taking pictures of the sky, I’m free to see the scenery through my eyes instead of through the viewfinder,” he said, “and really try to be present in this moment.”

https://www.tristanlajarrige.com/

https://www.instagram.com/tristanlajarrige/

Azin Majooni, “Revival,” 2023. Handmade paper, flax, kozo, and denim fiber.Azin Majooni

Azin Majooni, 41

Papermaking

UMass Dartmouth

Majooni, an Iranian artist, came to the US in 2016 from Malaysia, where she got a PhD in visual communication.

“After a long time working with computer and designing,” she said, “I wanted to have something more. Touch. And I wanted to have something very far from the computer.”

At UMass, she said, “Paper just grabbed onto me. I went inside it, and I couldn’t come out.”

Her large-scale works reflect the desert of central Iran, and women there who conserve water, selling traditional crafts to maintain ancient, underground aqueducts called qanats.

Majooni’s “Qanat” undulates across the floor; its wavelike form echoes water’s currents and the curves of the desert. “The Divinity of the Waters” represents Anahita, the Persian goddess of fertility and water. Each piece has holes in it; those in the figure are red-rimmed like bullet holes, representing the violence in life. The ones in “Qanat” signify life-giving breath.

Pulp-painted water froths and erupts in the wall piece “Revival.”

“I wanted to show a complicated cycle in a harsh, warm, and unbelievable place with the name of desert. There are many peoples that have different struggles, but they have hope,” Majooni said. “This is their hopes.”

www.majooni.com

Steve Aldeus, “Fractured Journey,” 2023. Acrylic, collage, and colored pencil on canvas.Steve Aldeus

Steve Aldeus, 40

Painting, collage

Lesley

As an art teacher at KIPP Academy Lynn, Aldeus points high school students toward careers in studio art, but he didn’t have one himself.

“You’ve got to practice what you preach,” he said. So he went back to school. His thesis show is in June.

At Lesley, he focuses on reclaiming Black history. Aldeus, who lives in Melrose, worked last fall with the Melrose Historical Commission on “Mining Melrose,” in which he portrayed Black figures from local history.

In a new piece, “Fractured Journey,” Aldeus paints a Union soldier inspired by Major Wesley Furlong of Melrose, who fought with the 54th Massachusetts Regiment. He collages in old newspaper clips and maps, and frames the soldier with the outline of a man. The effect is one of peering back through generations.

A collaged painting on a rusty saw depicts an anonymous athlete above shreds of an old basketball. The work considers the complexities of Black representation in sports. Aldeus sees the saw as being like an athlete.

“When you first get one, it’s brand new and it does what you need it to do. But after a while, it gets wear and tear and it breaks,” he said.

His work, he said, falls in three buckets: “The past, how Black people are represented. The present, Black identity. And the future. . . . that’s the space where I can try different things.”

https://www.stevealdeus.com/

https://www.instagram.com/stevealdeusstudio/

Sammy Polinsky’s “Matzoh Bong Soup” was part of the “Been Here Before” exhibition at the Aidekman Arts Center in Medford. Crock pot, silicone, air dry clay, acrylic paint, silc pig, glass bong stem, flex paste, dried dill, dried parsley.Samantha Polinsky

Sammy Polinsky, 26

Sculpture

SMFA/Tufts

“In seventh grade, I won the superlative of most likely to be on Comedy Central,” Polinsky said.

Her art uses cultural touchstones to riff on Jewish humor. The Jewish artist, who said she’s not very religious, is particularly drawn to iconic food.

A pot of “Matzoh Bong Soup” laced with green herbs evokes “teenage rebellion and the idea of wanting to be part of something but also not wanting to be told what you’re going to be a part of,” she said.

Her “Single Use Candle” series includes a drooping menorah. “This is the overbearing weight of being the chosen people,” Polinsky said, “which I thought was funny because there’s so much trauma that comes into what that means, but there’s also so much pride.”

Much of her work is uncomfortably comic. “B’rit Bat Baby Blanket” is embroidered like a diary page with one of her childhood fears: “I always write to an audience just in case I die and someone publishes my diary just like Anne Frank’s dad did.”

“Jewish people have a lot of experience being othered, as do many, many different kinds of people,” Polinsky said. “Jews are just famous, I think, for making jokes about it.”

https://sammypolinsky.cargo.site/

https://www.instagram.com/sammy.polinsky/

2023 MASSART MFA THESIS // PART I

At MassArt x SoWa, 460 Harrison Ave., through May 14. (Part II: May 20-June 4) https://calendar.massart.edu/event/2023_massart_mfa_thesis

MFA THESIS EXHIBITION 2023 — BEEN HERE BEFORE

At Tufts University Art Galleries, 40 Talbot Ave., Medford, through May 21. https://smfa.tufts.edu/events-exhibitions/virtual-exhibits/mfa-thesis/2023-been-here-before

2023 MFA THESIS EXHIBITION

At University of Massachusetts Dartmouth CVPA Star Store Campus, 715 Purchase St., New Bedford, through May 13. www.umassd.edu/cvpa/universityartgallery/


Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Twitter @cmcq.

Empowering Students through Photography

Empowering Students through Photography

The arts are an important part of youth and education. Art teaches us to look at the world beyond ourselves and at the beauty of everyday occurrences around us and within each other.

Started by high school photography instructors, the Washington State High School, Photography Competition (WSHSPC), believes all children should have the opportunity to speak their minds through photography and express their art.

“Art and photography celebrate the moments in life worth capturing,” Kelly Atkinson, Executive Director of WSHSPC said. “Students exposed to photography gain flexibility in their thinking, independence and improved communication skills.”

The competition was formed by a group of high school photography instructors in the mid-80’s as a way of elevating student photography. Early competitions included only a handful of high schools and a few hundred entries, but with passionate instructors and eager students, entries are now up to 4,000. The panel of three judges consist of working professionals from the imaging industry.

“It’s the largest event of its kind in the country,” Atkinson said. “We receive more entries than in private contests like National Geographic. It’s a huge confidence booster for a student to be recognized in a contest like this.”

In the 1990’s the event attracted sponsorship and public awareness due to exhibits at the Seattle Art Museum (SAM), featured articles in the Seattle Times, and a segment on KING TV’s Evening Magazine and New Day programs.

Winners are recognized at the first through sixth place levels and finalist ribbons and select ribbons are also awarded. Nearly ten percent of the photos get recognized in some way, which gives students a sense of pride and accomplishment.

“Since 2006, Northwest Framing has been an important in-kind contributor to our event by expertly matting and framing our traveling exhibit,” Atkinson shared. “They help us advance our mission and submit art at SAM, which allows students to see their art on display. At the end of the contest Northwest Framing helps us provide the pieces back to the students as a gift, which they display in their homes.”

From 1995 to 2001 Atkinson along with Steve Dodd, Northwest Framing CEO, and Sean Dulan, Northwest Framing Museum Quality Framing Tacoma shop manager were on the board of directors at Youth in Focus, which is how Northwest Framing got involved with supporting WSHSPC.  Northwest Framing donates their time and materials so the student photographs can be framed for exhibit.

“If Northwest Framing and Kenmore Camera had not stepped in, this wouldn’t be going on,” Atkinson said. “The amount of volunteer help is crucial.”

The majority of WSHSPC support is in-kind. Entries fees help give a little support, but WSHSPC is always looking for additional sponsorship. For more information contact Kelly Atkinson, Executive Director, at [email protected].

To obtain more ideas and become familiar with the art of printing and framing, explore Frame Central or Museum Quality Framing, part of the Northwest Framing family. Trained designers are waiting to provide you with a free design consultation on custom and local handcrafted framing and professional digital printing

Photo Name: “Sunrise on the Moon”

Photo credit: Brennen Tse

About the photo: After driving three hours through the dark from Bryce Canyon in the badlands of central Utah, I was greeted by this beautiful sunrise. I am very proud of this photo.”

Photo Name: “Architecture”

Photo Credit: Aria Knutson

About the photo: “When I toured the University of British Columbia, I had no clue that I would be taking a photo that would win the architecture division in the Washington State Photography Contest. While I was walking around the campus, I noticed a set of red deck chairs sitting next to a fountain and immediately took notice. The light from the setting sun cast a beautiful shadow off of the red deck chairs and reflected off of the fountain’s water. This prompted me to take out my camera so I could capture the image.”

Photo Name: “Manipulation”

Photo Credit: Marcus Rodriguez

About the photo: “Through two seemingly simple pictures combined into one, I have realized that a good photo is waiting to be taken everywhere around us at every moment. This has opened me to a new world of creativity.”

Jennifer Lopez Directs Photographer on how Best to Shoot Her at Met Gala

Jennifer Lopez Directs Photographer on how Best to Shoot Her at Met Gala

JLO Giving Instructions to Photographers

Jennifer Lopez directed a professional photographer on exactly how to shoot her at the Met Gala.

In a video shared by Glamor, Lopez was filmed giving a photographer detailed instructions at the Met Gala held at the Metropolitan Museum of Art in New York City on Monday evening.

Lopez is seen instructing the photographer on how she wants to be shot for the full-length portrait.

The actress and singer tells the photographer to first go lower with his camera, Lopez then tells him to shoot upward with his camera.

Lopez says to the photographer that this specific camera angle will make her “look taller” in the images that he takes.

Lopez is seemingly still not content with the camera angle that he’s taking and she tells the photographer again that he has to tilt his camera upwards to get the best shot of her.

Lopez gestures at the camera and tells the photographer: “You have to point it up. You have to point it up.”

When she is happy with the camera angle, Lopez puts her hand on her hip and happily poses for the photographer.

Flattering Camera Angles

Social media users debated Lopez’s specific instructions to the photographer — as holding a camera high and angling downwards is traditionally considered more flattering for the subject. Some individuals suggested that Lopez’s directions to the photographer on camera angle would give a subject a double chin in the images.

@lookgoodinphotos Jennifer Lopez’s Secret To Great Full Body Photos | Want to look better in full body photos? Try out this photo hack @Glamour captured @JLO using at the 2023 Met Gala Red Carpet! THE HACK: Have your photographer lower the camera and tilt the lens upward. This gives the illusion that you’re longer and shows off your outfit beautifully! – #celebrityposes #fullbodyposes #MetGala2023 #metgala #jenniferlopez #jlo ♬ original sound – CHRISTINE BUZAN | POSING TIPS

However in a TikTok video, which has amassed 3.4 million views, posing expert Christine Buzan broke down Lopez’s instructions to the photographer.

“Basically she’s asking the photographer to go from a lower angle, and then to tilt the camera upwards so it’s looking at her from a lower angle going up,” Buzan says in the clip

The posing expert says that a lower camera angle will make the subject look taller and longer. She also adds that the camera can be held at the height of one’s stomach but the device should be tilted back slightly by the photographer.

“When you’re shooting at a lower camera angle, you don’t have to go all the way down to the ground,” Buzan explains.

“Instead, think about having the camera’s lens at about the height of your stomach and then instead of having it straight on, make sure that it’s titled upwards slightly.

“You’ll end up looking longer, more statuesque and you’ll be able to show off your outfit beautifully.”

Posing experts are on the rise and subjects want to have more control on how they are shot in photos. Last year, PetaPixel reported on David Suh who runs a course entitled “How to be Photogenic in 30 Days.”


Image credits: Images via Glamour.

Continuum: Towards A Final Destination

Continuum: Towards A Final Destination
Sitting atop a pedestal in front of the Smithsonian’s National Air and Space Museum is the abstract sculpture Continuum, 1976, by Charles O. Perry, known for his public art installations located at buildings, universities, and parks. Continuum is typically described as a Möbius strip, a star shooting through a black hole, a design inspired by geometry, or the continuous flow of the universe.